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The One

''The One'' may refer to various concepts and entities; this article primarily covers its meaning in and , with other uses detailed in subsequent sections. In , The One (τὸ Ἕν, to hen) is the ultimate transcendent principle, the perfect and ineffable source of all existence, which overflows from its absolute unity to generate the entire without intention or diminution. This concept forms the cornerstone of the philosophy developed by (c. 204–270 ), a Greco-Roman thinker born in Lycopolis, , who studied under Ammonius Saccas in before establishing a school in around 244 , where he lectured until his death. His teachings, compiled posthumously by his student into the —six collections of nine treatises each—portray The One as beyond being (epekeina tēs ousias), multiplicity, and all categories of description, existing in solitary perfection as "all things and no one of them." Unlike a creator god, The One produces through emanation: it first gives rise to the (Nous), the realm of eternal Forms and pure thought, which contemplates The One and thereby generates the Soul (), responsible for ordering the sensible world and matter. This hierarchical structure ensures that all levels participate in The One's unity while descending into increasing differentiation, with evil arising not from The One but from matter's remoteness and deficiency. The philosophical pursuit in ' system centers on the soul's ascent back to The One through intellectual contemplation, purification, and mystical union (), achieving a state of ecstatic oneness where the soul transcends individuality. The One's identification with the Good underscores its role as the object of all desire and the principle of value, illuminating Plato's ideas in a metaphysical that integrates Aristotelian and elements. Plotinus' vision of The One profoundly shaped subsequent thought, influencing —particularly St. Augustine's conception of God as immutable and transcendent—Islamic philosophers like , who adapted it to , and later Western idealists such as Hegel, who echoed its dialectical emanation in absolute spirit.

Philosophy and Religion

Metaphysical Concepts

In , the concept of The One as the ultimate principle of reality traces its origins to 's in , described as the transcendent source that illuminates all intelligible forms and bestows truth and being upon them, akin to the sun's role in the visible world. , in the 3rd century CE, developed this idea into a central metaphysical doctrine in his , positing The One as the perfect, indivisible principle that transcends being itself and serves as the origin of all existence. Plotinus characterizes The One as utterly simple and self-sufficient, beyond all categories of thought or multiplicity: "The One is all things and no one of them; of all things is not all things, but their principle; it is not all things, but their possibility, for it is prior to them." This principle neither possesses nor needs anything, existing in absolute unity without division or relation: "It possesses nothing... nor is It any of the things of which It is ; for that would make It dependent upon those things." From this , The One emanates reality through a process of superabundant , generating the hypostases of (Nous), the realm of eternal forms and multiplicity in unity, and (), which bridges the intelligible and sensible worlds, without any diminution of its own essence. Central to is its monistic , wherein all multiplicity derives from The One as a unified source, yet remains distinct in a hierarchical emanation that preserves the primacy of : "From the One, as it were an overflowing, comes all that is." This emanation is not a deliberate act but a necessary consequence of The One's boundless plenitude, creating a of decreasing perfection as it descends from to diversity. The philosophical path to The One culminates in , the mystical union achieved through intellectual ascent, purification, and contemplative ecstasy, whereby the soul transcends discursive thought to merge with the . describes this as a return to , where individual dissolves into the all-encompassing oneness, attainable by the philosopher who withdraws from the material world. This concept profoundly influenced later philosophical traditions, including aspects of medieval .

Theological Interpretations

In , "The One" fundamentally refers to the monotheistic , as articulated in the from Deuteronomy 6:4: "Hear, O : The Lord our , the Lord is one," which serves as a central declaration of faith emphasizing 's indivisible unity and sovereignty. This verse, recited daily in Jewish liturgy, underscores the rejection of and affirms as the singular divine authority, influencing Jewish theology's core emphasis on ethical monotheism. In , the Shema holds similar significance, with citing it as the greatest commandment in 12:29-30, thereby integrating it into Christian doctrine to affirm the oneness of while interpreting it through the lens of Trinitarian unity. In , the concept of "The One" is encapsulated in , the absolute oneness of , who has no partners, associates, or divisions, as proclaimed in the Quran's opening verse, Surah Al-Ikhlas (112:1): "Say, He is Allah, [who is] One." forms the bedrock of Islamic , prohibiting shirk (associating others with God) and extending to all aspects of worship, creation, and divine attributes, as elaborated in verses like Surah Al-Baqarah (2:163): "And your God is one God. There is no deity [worthy of worship] except Him, the Entirely Merciful, the Especially Merciful." This doctrine, central to the ( of faith), unifies Muslim belief and practice under Allah's singular lordship. Early Christian theologians drew on Neoplatonism to portray God as the transcendent One, with Pseudo-Dionysius the Areopagite (c. 500 CE) adapting Plotinus's philosophical notion of the One as the ultimate, ineffable source of all being into a Christian framework in works like The Divine Names. For Pseudo-Dionysius, God as the One surpasses all human comprehension, uniting divine simplicity with the hierarchical emanation of creation, thereby influencing medieval mysticism and the apophatic tradition that describes God through negation. This synthesis bridged pagan philosophy and Christian orthodoxy, emphasizing God's unity beyond multiplicity. The in 325 CE further solidified theological interpretations of divine oneness by condemning , which subordinated Christ to the Father, and affirming in the that the Son is "of one substance" (homoousios) with the Father, thus preserving God's unified essence against division. Convened by Emperor Constantine, the council's 318 bishops produced this creed to counter Arius's teachings that the Son was created and not co-eternal, establishing a doctrinal foundation for Trinitarian monotheism that has shaped Christian confessions ever since.

Architecture and Buildings

Residential Towers

The One in , located at 1 Bloor Street West, is an 85-story supertall residential designed by Mizrahi Developments in collaboration with Hariri Pontarini Architects, standing at 308.6 meters and poised to become Canada's tallest residential tower upon completion. Construction began in 2017 but faced significant delays due to financial challenges, leading to in 2023 under Alvarez & Marsal; by May 2025, Tridel assumed roles as , , and sales manager. As of November 2025, a ruling approved the cancellation of nearly all (314 of 329) pre-construction purchase agreements as part of restructuring, with plans to relaunch sales; the project advances toward an expected 2028 completion with steady progress on structural and interior work. The tower emphasizes residential living through adaptive floor plans that allow of interior spaces, such as flexible layouts for multi-room configurations, and exterior interconnecting gardens that integrate green spaces across levels to enhance resident well-being and privacy. Sustainability features include an design that optimizes sunlight exposure and natural ventilation, reducing energy demands while preserving heritage elements like the adjacent 1883 William Luke Buildings at the base. In Jersey City, The One is a 35-story luxury apartment tower at 110 First Street in the Powerhouse Arts District, completed in 2015 and offering 439 rental units ranging from studios to two-bedroom layouts with waterfront views of the . The development prioritizes resident amenities tailored to urban living, including a pet-friendly policy, an attached 10-level parking garage, a , a rooftop terrace, and indoor facilities like a resident lounge with fireplace, all designed to foster community in a vibrant, arts-focused neighborhood. Unit interiors feature modern elements such as hardwood flooring, appliances, in-unit washers and dryers, and gas cooktops, emphasizing comfort and convenience for long-term occupancy.

Commercial and Mixed-Use Structures

The One in , part of the Brisbane Quarter development, is an 81-storey mixed-use standing at 261.7 meters, integrating residential, hospitality, and elements within a broader precinct that enhances the city's skyline. Completed in 2021 on the former site, it recognizes its innovative structural design and contribution to urban vitality. was provided by Engineering, which employed value-engineered steel construction to optimize costs and timelines while achieving the tower's height surpassing many residential structures in the region. spaces within the precinct include outlets and dining options at ground level, complemented by public amenities such as riverfront access and landscaped areas that promote community interaction along the . In , The One Building exemplifies of mid-20th-century , originally designed by Sam Stephenson in 1972 as a six-storey block on Grand Canal Street Lower in the South Docks business district. Refurbished between 2014 and 2015 by Jones Investments with architectural oversight from NBK Architects, the project restored the building's Brutalist facade using , , and while upgrading interiors to modern standards, including raised access floors, exposed ceilings, and four-pipe fan coil . The 4,182 square meter structure now serves as premium commercial space, with key tenancy occupied by Stripe's European headquarters since 2015, attracting tech firms to the area. Urban integration emphasizes connectivity, with proximity to Grand Canal DART station, tram lines, and cycling infrastructure, including on-site bike storage and nearby Dublin Bikes stations. Sustainability was a core focus in the refurbishment, incorporating high-performance double-glazed aluminum windows to enhance and reduce operational emissions, aligning with broader efforts to retrofit older buildings in Ireland's commercial districts for lower carbon footprints. The project avoided full demolition by retaining 90% of the original structure, minimizing embodied carbon compared to new construction, and includes facilities like basement showers to support active commuting. This approach not only revitalizes the streetscape but also positions The One Building as a model for sustainable commercial development in a high-density .

Fictional Characters

In Science Fiction

In science fiction, "The One" often denotes a prophesied or uniquely empowered figure central to narratives involving destiny, alternate realities, or existential conflicts between humanity and technology. One prominent example is , portrayed by as Thomas A. Anderson in the trilogy (1999–2003), directed by . is foretold by an as The One destined to liberate humanity from the simulated reality controlled by sentient machines, granting him abilities such as perceiving and manipulating the 's code, stopping bullets in mid-air, and achieving resurrection after death. His journey culminates in disrupting the machine-human war, symbolizing against determinism. Another iteration appears in the 2001 film The One, directed by James Wong, where plays dual roles as Gabe Law, a deputy sheriff, and his multiversal counterpart Gabriel Yulaw, a rogue agent. Yulaw murders his alternate selves across parallel universes by absorbing their life energies upon killing them, a process that transfers power across universes—to consolidate power and become The One, an omnipotent being unbound by physical laws.) Gabe, initially unaware of his , allies with the Authority to thwart Yulaw, ultimately absorbing residual power without succumbing to corruption. The film explores themes of identity and moral choice in a multiverse framework. In Robert J. Sawyer's Quintaglio Ascension trilogy, beginning with Far-Seer (1992), the character Sal-Afsan, a young Quintaglio (sentient dinosaur) astrologer, emerges as The One in a parallel world where intelligent saurians evolved on a rogue planetary fragment. Prophesied in the Lubalite religion as the figure who will confront the Face of God—a massive —Afsan discovers through telescopic observations that his ' world orbits this body, challenging religious dogma and averting planetary instability. His revelations position him as a messianic Galileo-like reformer, inspiring societal transformation amid existential threats.

In Other Genres

In the 2002 parody film , directed by and starring , the is portrayed as , a bumbling hero born under a to avenge his family's murder and defeat the villainous Master Pain, satirizing classic kung fu tropes through absurd humor and over-the-top fight scenes. The character's journey involves training montages, encounters with quirky allies like a talking tongue named Tonguey, and a climactic battle that exaggerates genre conventions, emphasizing themes of destiny and vengeance in a comedic, action-comedy context. In Robert Jordan's epic fantasy series , Rand al'Thor emerges as , the central prophesied figure destined to confront the Dark One in a cyclical battle for the world's fate, marked by his immense power in channeling the One Power and his internal struggle with madness inherited from his past life as Lews Therin Telamon. As a rural thrust into , Rand unites fractured nations, faces moral dilemmas in wielding destructive , and fulfills prophecies from ancient texts like the Karaethon Cycle, embodying the of a reluctant chosen hero in . His role involves contemplating whether to break the wheel of time itself in the series' conclusion, across the 14-novel series completed by . In George Lucas's Star Wars saga, Anakin Skywalker is revealed as the Chosen One in the Jedi prophecy, conceived by the Force itself to restore balance by destroying the Sith, a destiny that unfolds across the prequel trilogy from his discovery as a slave on Tatooine to his transformation into Darth Vader. His arc explores the perils of attachment and fear, leading to the fall of the Republic and the Jedi Order in Revenge of the Sith, before his redemption in Return of the Jedi fulfills the prophecy by eliminating Emperor Palpatine and ending Sith dominance. This narrative blends space opera with mythic elements, positioning Anakin as a tragic figure whose choices subvert the chosen one archetype in a genre that transcends pure science fiction.

Film and Television

Films

The One is a 2001 American directed by James Wong, who co-wrote the screenplay with . The movie stars in dual roles as Gabriel "Gabe" Law, a Los Angeles Sheriff's Department officer, and his multiverse counterpart Yulaw, a rogue agent who travels across parallel universes to eliminate alternate versions of himself, absorbing their life force in a quest to achieve as "The One." Produced by and Hard Eight Pictures, the film was released theatrically on November 2, 2001, and features supporting performances by , , and . Principal photography took place primarily in California, including locations such as the Edison Generating Station in Redondo Beach and the for hospital scenes. The production emphasized high-energy martial arts sequences, choreographed by , showcasing Jet Li's expertise in wuxia-style combat, with notable fight scenes involving Li battling his own alternate self using contrasting techniques. The film's budget was $49 million, reflecting investments in for multiverse depictions and action set pieces. It grossed $43.9 million domestically and $28.8 million internationally, for a worldwide total of approximately $72 million. Critically, The One received mixed to negative reviews, with praise centered on its adrenaline-fueled action choreography and Jet Li's dynamic performance, but criticism targeting the underdeveloped plot, sci-fi elements, and reliance on over narrative depth. On , it holds a 13% Tomatometer score based on 89 reviews, with critics like Jonathan Foreman of the noting it as a "stale mix of other action movies" that underutilizes Li's talents. The audience score is higher at 51%, and it maintains a 5.9/10 rating on from nearly 99,000 user votes, where viewers often highlight the film's entertaining, brainless spectacle value despite its flaws. awarded it 1.5 out of 4 stars, describing it as "brainless high-tech action without interesting dialogue, characters, motivation or texture."

Television Productions

The One is a series created by Howard Overman and released on on March 12, 2021. Based on John Marrs's 2016 novel of the same name, the eight-episode explores a near-future world where a DNA-based service called MatchDNA revolutionizes romance by identifying genetic soulmates, but spirals into deception, corporate intrigue, and murders when co-founder Rebecca Webb's ambitions lead to deadly consequences. stars as the ambitious CEO Rebecca, with supporting roles by as her business partner Nicole, and an ensemble including , , and Lois Chimimba, portraying interconnected characters navigating love, betrayal, and ethical dilemmas in this serialized narrative. The plot weaves multiple storylines, including a into a Thames River body discovery and personal dramas triggered by the service's revelations, emphasizing themes of privacy invasion and the perils of engineered compatibility. Critically, the series received mixed reception, earning a 39% approval rating on based on 18 reviews, with critics praising its intriguing premise and twisty structure but criticizing plot inconsistencies and underdeveloped characters that undermine the . On , it scored 51 out of 100 from nine critics, reflecting divided opinions on its execution of sci-fi tropes amid formulaic thriller elements. Reviewers noted the show's strength in delivering binge-worthy revelations, such as unexpected genetic and corporate cover-ups, though some highlighted logical gaps in the DNA technology's societal impact and rushed resolutions. Audience response was more favorable, with an IMDb rating of 6.6 out of 10 from over 14,000 users, appreciating the fast-paced episodes despite occasional contrivances. Another television production titled The One is a 2003 romantic comedy TV movie directed by Ron Lagomarsino, which premiered on ABC Family. The film follows caterer Michael Blake, who falls in love with bride-to-be Gail Hollander while hired to prepare her wedding to a player, forcing him to grapple with confessing his feelings amid the event's chaos. Starring as Michael, as Gail, and as the fiancé Gordie, the 90-minute story blends lighthearted humor with a , focusing on themes of and second chances in a feel-good format suited for family viewing. It holds an IMDb rating of 5.4 out of 10 from 369 users, reflecting modest appeal as a straightforward holiday-season rom-com without notable awards or widespread acclaim.

Literature

Novels

The One (2016) by John Marrs is a that explores the societal implications of genetic . The centers on a revolutionary DNA test offered by the company Match Your DNA, which identifies individuals' perfect soulmates based on a shared , leading to widespread adoption as millions seek true love through a simple mouth swab. The story unfolds through the interconnected narratives of five characters in —a divorced mother, a , a grieving , a tech entrepreneur, and a manipulative —whose matches unravel into obsession, betrayal, and , highlighting the dark underbelly of technological intervention in human relationships. Originally self-published in July 2016, it was later acquired and reissued by (an imprint of ) in 2017, with a U.S. edition from Hanover Square Press in 2018, and has sold over one million copies worldwide, translated into 35 languages. Central themes include genetic , where science promises but exposes human flaws like and deceit, raising ethical questions about and in romantic pursuits. The was adapted into a limited series in 2021, which premiered to mixed reviews but boosted its popularity. The One (2014) by Kiera Cass serves as the third installment in the dystopian young adult romance series The Selection, set in the stratified kingdom of Illea where a caste system divides society into rigid social classes. The protagonist, America Singer, a musician from the lower castes, competes in the nationally televised Selection process to win the heart of Prince Maxon and become the future princess, amid escalating rebel attacks threatening the monarchy. As the competition narrows to the final elite candidates, America grapples with her lingering affection for her ex-boyfriend Aspen, a soldier from her past, while navigating political intrigue, assassination attempts, and her own growing role in the rebellion against the regime's inequalities. Published by HarperTeen on May 6, 2014, the book spans 323 pages in hardcover and contributed to the series' status as a New York Times bestseller, with over 768,000 Goodreads ratings reflecting its commercial success. Key themes revolve around class divisions and the transformative power of love, as America challenges the rigid hierarchies that define personal and societal worth, blending romance with subtle critiques of authoritarian control. The novel concludes the original trilogy, paving the way for spin-off sequels like The Heir (2015) that expand the universe.

Philosophical and Other Works

Alain Badiou's The One: Descartes, Plato, Kant, published in 2023 by Columbia University Press, derives from his 1983–1984 seminar lectures at the in . The text critically examines the concept of oneness as presented in the philosophies of , Descartes, and Kant, positioning it as a to Badiou's foundational , which posits being as irreducibly multiple. Badiou argues that traditional metaphysics overemphasizes , thereby obscuring the primacy of multiplicity in existence. Central to the work is Badiou's integration of from to dissect the notion of "the One." He distinguishes between an illusory absolute unity and the procedural act of "counting as one," which organizes multiplicities without presupposing a singular essence. This analysis critiques how philosophers like Kant derive unity from subjective synthesis, while Plato's forms and Descartes' cogito impose hierarchical oneness on being. By rejecting the One as a primitive of , Badiou lays groundwork for his later developments in Being and Event, emphasizing evental ruptures over static unities. The seminars highlight broader metaphysical tensions between unity and plurality, influencing contemporary philosophy's approach to identity and difference. Julia Argy's The One, published in 2023 by , employs satire to probe philosophical questions about love, desire, and constructed realities within the framework of a show. The narrative follows protagonist as she navigates the show's artificial environment, exposing how cultural myths of unity commodify human connections and blur authenticity with performance. Argy critiques the artifice of media-driven romance, illustrating how societal expectations of "the one" true partner foster illusion over genuine relational multiplicity. Through this lens, the underscores philosophical undertones of existential isolation amid fabricated harmony, challenging readers to interrogate the of love in consumerist contexts.

Music

Albums and EPs

The One is the twenty-third studio album by English musician , released on June 22, 1992, through Rocket Records in the UK and in the . This 13-track pop-rock record, produced by Chris Thomas, marked a significant comeback for John following his struggles with and featured contributions from guest artists such as on the track "." The album debuted at number 13 on the and reached number 2 there, while peaking at number 8 on the , where it spent 53 weeks. Standout tracks include the title song "The One," which served as the lead single and explored themes of love and redemption, and "," a soulful addressing personal turmoil. The One is the third studio album by American R&B singer , released on March 22, 2005, by . This 14-track collection blended with Latin influences, produced by a team including and featuring collaborations such as on "Obsession (No Es Amor)" and on the "The One." The album debuted at number 3 on the and the Top R&B/Hip-Hop Albums chart, selling over 130,000 copies in its first week in the . Key tracks like "How to Deal," a mid-tempo reflection on relationships, and "Obsession (No Es Amor)," a bilingual , highlighted Frankie J's vocal versatility and emotional depth. To the One is the latest full-length album by the Liberty Worship Collective, a Christian music group affiliated with , released on November 7, 2025, and distributed by Liberty Music Group. This 11-track project includes six previously released singles and five original songs, emphasizing themes of divine glory and personal devotion in a live-recorded format. Notable tracks feature "A Wonder," an uplifting anthem of praise, and "God of Glory," which builds on scriptural imagery of God's majesty. The album continues the Collective's tradition of congregational music, performed during services.

Songs

"The One" is a 1992 song by , serving as the title track from his album of the same name and co-written with lyricist . The track explores themes of love, redemption, and self-discovery, reflecting John's personal experiences during a period of renewal. It achieved commercial success, peaking at number nine on the chart. In 2018, British singer released "The One" as part of her debut album Lost & Found. The song is a soulful R&B piece that delves into themes of vulnerability and the fear of commitment in romantic relationships. It features introspective highlighting emotional exposure, such as reflections on fitting societal expectations in love. Kesha's "THE ONE." was issued as a in 2025 from her sixth studio album . The track, released with an accompanying on June 27, emphasizes self-empowerment through about recognizing one's inner strength and "shining" independently. Produced with electronic elements including synths and a victorious trumpet fanfare, it promotes themes of and . Michael Patrick Kelly debuted "The One" in 2025 as a pop track infused with magical and uplifting motifs. The official underscores positivity, encouraging viewers to celebrate meaningful connections in their lives.

Other Uses

Publications

The One was a prominent magazine published by EMAP, focusing on 16-bit home platforms during the late and early . Launched in September 1988, it provided in-depth reviews, previews, and features on games for the Atari ST, , and PC compatibles, establishing itself as a market leader in coverage of advanced home gaming hardware at the time. The magazine's content emphasized high-quality and , often including cover-mounted disks with demos and utilities to enhance reader . In 1990, it received the InDin award for Magazine of the Year, recognizing its influence in the burgeoning gaming press landscape. Circulation figures were not publicly detailed, but its status as a top title reflected strong readership among enthusiasts of 16-bit systems. By May 1991, due to growing platform-specific demands, The One split into two specialized editions: The One for Games and The One for Games, each continuing the original's focus on respective hardware while maintaining shared editorial standards. These variants ran until 1995, when EMAP sold the titles to Magazines; publication ended in March 1996 amid industry shifts toward consoles and PCs. Today, issues of The One are preserved in digital archives, serving as valuable resources for retro gaming historians and collectors interested in the era's software ecosystem and cultural impact. Notable editions include early volumes previewing landmark titles like and special features on hardware advancements, which highlighted the magazine's role in bridging developers and consumers.

Brands and Organizations

The One is an international specializing in trendy apparel, established as a prominent line in the with a focus on casual for men, women, and children. Headquartered in , , it offers affordable, stylish pieces that blend contemporary trends with everyday accessibility. The brand operates over 40 physical stores across , emphasizing quality fabrics and versatile designs that appeal to a broad demographic seeking value-driven . In the education sector, The One Academy stands as a leading institution for art and design in , founded in 1991 to nurture creative talent through specialized programs. Located primarily in Bandar Sunway near , with an additional campus in , it provides diplomas and degrees in fields such as digital , , illustration, , , and , fostering skills for global . The academy's curriculum emphasizes practical training and industry collaborations, preparing students for careers in , , and . Key business milestones for these entities highlight their adaptability and impact. The One fashion brand expanded significantly into during the 2020s, enhancing its reach through online platforms that deliver trendy collections across and support international shipping, aligning with the rise of digital retail post-pandemic. Meanwhile, The One Academy has produced notable alumni who have joined prestigious studios worldwide, including Animation Studios, where graduates like Lee Yon Hui serve as story supervisors and Kim Leow as animators, contributing to major productions and elevating the institution's reputation in global creative circles.

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