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The Solo Collection

The Solo Collection is a deluxe chronicling the solo career of , the lead singer of the rock band , released on October 23, 2000, by Records in the . It comprises 10 compact discs and 2 DVDs, encompassing Mercury's pre-Queen recordings from the late 1960s, his three primary solo studio albums, singles collections, instrumental versions, rarities including demos and alternate takes, radio interviews, music videos, and a documentary. Housed in a 16-by-12-inch silver-embossed with a 120-page book featuring unpublished photographs and a foreword by 's guitarist , the set provides an exhaustive overview of Mercury's independent musical endeavors outside the band. The collection highlights key phases of Mercury's solo output, beginning with early works like the 1973 single "I Can Hear Music" (released under the pseudonym Larry Lurex, with backing from Queen bandmates Brian May and Roger Taylor), and extending through his 1985 debut album Mr. Bad Guy, the operatic collaboration Barcelona (1988) with soprano Montserrat Caballé, and the 1992 covers album The Great Pretender. Notable inclusions are remastered tracks from these albums, B-sides such as "Love Kills" and "How Can I Go On," and extensive rarities drawn from recording sessions spanning 1969 to 1988, some of which were previously unreleased. The instrumental disc offers backing tracks composed or performed by Mercury, while the interviews disc captures eight conversations with journalist David Wigg from 1979 to 1987, offering insights into his creative process and personal life. Complementing the audio content, the DVDs present 12 of Mercury's solo promotional videos, including those for "Living on My Own," "I Was Born to Love You," and "Barcelona," alongside the 111-minute documentary The Untold Story, which delves into the making of his solo projects through archival footage and interviews with collaborators. All material has been digitally remastered for the release, underscoring its status as the definitive anthology of Mercury's solo legacy, which blended rock, pop, and operatic elements while reflecting his multifaceted artistry.

Background

Development

Following Freddie Mercury's death in November 1991, efforts to catalog his extensive solo recordings began as part of broader archival work managed by Productions and Mercury's , aiming to preserve and organize material spanning his pre- experiments to posthumous releases. This initiative was driven by the need to document Mercury's independent artistic output separately from his catalog, with the estate retaining control over solo rights under executor . Jim Beach, Queen's longtime manager and executor of Mercury's estate, played a central role in conceiving and executive-producing the , overseeing the selection of tracks recorded between 1969 and 1993. Assisted by Greg Brooks and a dedicated team, the process involved scrutinizing tapes for unreleased demos, outtakes, and session material to create a comprehensive of Mercury's solo career. The team spent approximately 18 months in detailed review to ensure authenticity and completeness. Key curatorial decisions emphasized rarities from album sessions, such as alternate mixes and versions, alongside spoken-word content to provide deeper insight into Mercury's creative process. Notably, the inclusion of interviews conducted by journalist David Wigg from the and offered personal anecdotes and reflections on Mercury's solo endeavors, highlighting his evolving artistry during that period. Planning for the commenced around 1998–1999, culminating in its finalization for a 2000 release by to capitalize on sustained fan interest in Mercury's solo .

Release and editions

The Solo Collection was first released on 23 October 2000 in by Records. A three-disc sampler edition, titled Solo, followed on 23 October 2000 and featured remastered versions of Mercury's two primary studio albums alongside a bonus disc of select tracks. In the United States and , the collection appeared under Hollywood Records, with minor variations in packaging such as regional artwork adjustments on the outer sleeve. The twelve-disc edition of The Solo Collection is housed in a deluxe book-shaped box measuring 16 by 12 inches, featuring a silver-embossed slipcase and hard-back cover; it contains 10 CDs with remastered audio from Mercury's solo career, plus 2 DVDs compiling video content in either PAL or NTSC format depending on the region. In contrast, the three-disc Solo edition uses a simpler cardboard slipcase with an included booklet, packaging the albums Mr. Bad Guy (1985), Barcelona (1988), and a bonus compilation disc. Upon release, the twelve-disc set retailed for approximately £50–£60 in the , positioning it as a premium item for collectors. Both editions were produced as limited runs, with no major reissues or remastered republications occurring by 2025. Promotion for the collection leveraged Freddie Mercury's lasting appeal following Queen's success, including advertisements in music magazines like and , as well as outreach through official Queen fan clubs and networks.

Content overview

Audio components

The audio components of The Solo Collection comprise 10 CDs that systematically archive Freddie Mercury's solo recordings, structured to trace his artistic evolution outside of Queen. Discs 1 and 2 present his primary studio albums: (1985) and (1988), the latter featuring collaborations with soprano . Discs 4 and 5 focus on singles compilations, gathering non-album releases and extended mixes from 1973 to 1993, while Disc 3 includes additional remixed singles under (1992). Disc 6 offers instrumental tracks derived from his solo material, Discs 7 through 9 compile rarities and session outtakes, and Disc 10 contains spoken-word interviews conducted by journalist David Wigg. Key themes across the set emphasize Mercury's versatility, blending pop-rock ballads with introspective lyrics on Disc 1, operatic and symphonic elements on Disc 2, electronic remixes and dance-oriented tracks on the singles discs, and stripped-down acoustic demos in the rarities sections, all underscoring his expansive and willingness to experiment beyond Queen's rock framework. Unique elements enrich the collection's depth, such as the inclusion of B-sides like "" from Mercury's early Larry Lurex pseudonym era, instrumental versions that reveal production techniques and arrangements, and interviews spanning the late 1970s to 1987 that offer insights into his personal influences and creative process. The total runtime is approximately 10 hours, encompassing recordings from early demos to 1993 posthumous mixes.

Video components

The video components of The Solo Collection consist of two DVDs that complement the audio tracks by providing visual documentation of Freddie Mercury's solo endeavors, capturing his dynamic stage presence, distinctive fashion choices, and artistic evolution during his independent projects from the mid-1980s onward. Disc 11, titled The Video Collection, features 12 music videos and promotional clips drawn from Mercury's solo singles, spanning releases from 1984 to 1992, including notable entries such as "I Was Born to Love You" and "Living on My Own." These visuals highlight Mercury's charismatic performances and creative direction in non-Queen contexts, offering fans insight into his individual aesthetic and performative style beyond the band's collective output. Disc 12, The Untold Story, is a 111-minute documentary dedicated to Mercury's solo career, incorporating interviews with key collaborators like Montserrat Caballé—his partner on the Barcelona album—and archival footage that illustrates his personal narrative and professional journey outside Queen. The film emphasizes Mercury's creative process, relationships with musical partners, and the personal dimensions of his solo work, serving as a narrative bridge to the accompanying audio material by contextualizing the tracks through visual storytelling and testimonials. Both DVDs are presented in standard DVD format with Region 2 compatibility for European markets, utilizing PAL encoding, and as of 2025, no Blu-ray upgrades or remastered high-definition versions of these specific components have been released. This visual archive thus enhances the understanding of Mercury's solo singles—such as those detailed in the audio components—by pairing with that underscores his versatility and in live and promotional settings.

Track listing

Twelve-disc edition

The twelve-disc edition of The Solo Collection, released in 2000 as a limited-edition , compiles Freddie Mercury's solo across ten audio CDs and two DVDs, housed in a deluxe hardback with a 120-page and photographs. This comprehensive archival release includes his , compilation albums, singles collections, instrumental versions, rarities from various sessions, radio interviews, , and a . Disc 1: Mr. Bad Guy (1985)
This CD reproduces Mercury's debut solo album in full, featuring 11 original tracks recorded primarily in and , blending pop-rock with dramatic ballads.
  1. Let's Turn It On – 3:42
  2. – 4:05
  3. I Was Born to Love You – 3:38
  4. Foolin' Around – 3:29
  5. Your Kind of Lover – 3:32
  6. – 4:09
  7. Man Made Paradise – 4:08
  8. There Must Be More to Life Than This – 3:00
  9. – 3:23
  10. My Love Is Dangerous – 3:42
  11. Love Me Like There's No Tomorrow – 3:46
Disc 2: Barcelona (1988)
The second CD presents Mercury's collaborative album with soprano , containing 8 tracks that fuse rock elements with classical influences, highlighted by duets such as "How Can I Go On" and the title track inspired by the 1992 Olympics.
  1. – 5:39
  2. La Japonaise – 4:48
  3. The Fallen Priest – 5:45
  4. Ensueño – 4:21
  5. – 6:03
  6. Guide Me Home – 2:49
  7. How Can I Go On – 3:50
  8. Overture Piccante – 6:39
Disc 3: The Great Pretender (1992)
This posthumously released compilation CD features 11 tracks, including remixes of earlier solo material and covers like the title track, serving as a retrospective of Mercury's solo hits up to that point.
  1. The Great Pretender – 3:39
  2. Foolin' Around – 3:35
  3. Time – 3:49
  4. Your Kind of Lover – 3:59
  5. Exercises in Free Love – 3:56
  6. In My Defence – 3:51
  7. Mr. Bad Guy – 4:00
  8. Let's Turn It On – 3:45
  9. Living on My Own – 3:38
  10. My Love Is Dangerous – 3:40
  11. Love Kills – 3:28
Disc 4: The Singles 1973–1985
Compiling 14 tracks from Mercury's early solo singles and B-sides, this CD spans his pre-Queen and initial solo era, including extended mixes and rarities like "Love Kills," originally written for the film .
  1. – 3:29
  2. – 3:34
  3. Love Kills (Single Version) – 4:31
  4. Love Kills (Extended Version) – 5:22
  5. I Was Born to Love You (Extended Version) – 7:05
  6. Stop All the Fighting – 3:19
  7. Stop All the Fighting (Extended Version) – 6:37
  8. (Extended Version) – 4:50
  9. She Blows Hot and Cold – 3:26
  10. She Blows Hot and Cold (Extended Version) – 5:50
  11. (Extended Version) – 6:39
  12. My Love Is Dangerous (Extended Version) – 6:29
  13. Love Me Like There's No Tomorrow (Extended Version) – 5:32
  14. Let's Turn It On (Extended Version) – 5:09
Disc 5: The Singles 1986–1993
This CD gathers 14 tracks from Mercury's later solo singles, including extended and remix versions of hits like "Time" from the Time musical and solo contributions to Queen's "Innuendo" era, culminating in posthumous releases.
  1. Time (Single Version) – 3:58
  2. Time (Extended Version) – 4:37
  3. Time (Instrumental Version) – 3:22
  4. In My Defence – 3:57
  5. The Great Pretender (Single Version) – 3:29
  6. The Great Pretender (Extended Version) – 5:54
  7. Exercises in Free Love – 3:59
  8. Barcelona (Single Version) – 4:27
  9. Barcelona (Extended Version) – 7:07
  10. How Can I Go On (Single Version) – 4:02
  11. Living on My Own (No More Brothers Extended Mix) – 5:16
  12. Living on My Own (Radio Mix) – 3:39
  13. Living on My Own (Club Mix) – 4:27
  14. Living on My Own (Underground Solutions Mix) – 5:46
Disc 6: The Instrumentals
Containing 13 instrumental versions drawn from sessions for , , and other projects, this CD highlights the orchestral and synth arrangements behind Mercury's vocals, providing insight into production layers.
  1. Barcelona – 4:26
  2. La Japonaise – 4:46
  3. The Fallen Priest – 5:50
  4. Ensueño – 4:00
  5. The Golden Boy – 6:05
  6. Guide Me Home – 2:38
  7. How Can I Go On – 3:58
  8. Love Me Like There's No Tomorrow – 4:03
  9. – 4:17
  10. – 4:14
  11. There Must Be More to Life Than This – 3:08
  12. – 3:56
  13. – 3:27
Disc 7: Rarities 1: The Mr. Bad Guy Sessions
This CD offers 23 demos, outtakes, and alternative mixes from the 1984–1985 Mr. Bad Guy recording sessions, including a cappella takes, piano versions, and unreleased demos like "Gazelle," showcasing Mercury's creative process.
  1. Let's Turn It On (A Cappella) – 3:04
  2. Made in Heaven (Alternative Version) – 4:27
  3. I Was Born to Love You (Vocal & Piano Version) – 2:58
  4. Foolin' Around (Early Version) – 4:14
  5. Foolin' Around (Original 12" Mix) – 5:37
  6. Foolin' Around (Instrumental) – 3:40
  7. Your Kind of Lover (Early Version) – 4:47
  8. Your Kind of Lover (Vocal & Piano Version) – 3:38
  9. Mr. Bad Guy (Orchestral Out-Takes) – 0:35
  10. Mr. Bad Guy (Early Version) – 3:29
  11. There Must Be More to Life Than This (Piano Out-Takes) – 2:48
  12. Living on My Own (Hybrid Edit) – 4:30
  13. My Love Is Dangerous (Early Version) – 2:12
  14. Love Me Like There's No Tomorrow (Early Version) – 2:18
  15. Love Me Like There's No Tomorrow (2nd Early Version) – 1:04
  16. Love Me Like There's No Tomorrow (3rd Early Version) – 3:26
  17. Love Me Like There's No Tomorrow (Live Take) – 4:22
  18. She Blows Hot & Cold (Alternative Version) – 4:36
  19. Gazelle (Demo) – 1:21
  20. Money Can't Buy Happiness (Demo) – 2:37
  21. Love Makin' Love (Demo) – 3:36
  22. God Is Heavy (Demo) – 1:23
  23. New York (Demo) – 2:13
Disc 8: Rarities 2: The Barcelona Sessions
Featuring 18 excerpts and demos from the 1987–1988 Barcelona collaboration, this CD includes Garden Lodge home recordings, a cappella sections, and alternative takes of operatic tracks, emphasizing the project's experimental fusion.
  1. The Duet (The Fallen Priest) (Extract from Garden Lodge Tape) – 3:04
  2. Idea (Barcelona) (Extract from Garden Lodge Tape) – 1:12
  3. Idea (Barcelona) (2nd Extract from Garden Lodge Tape) – 1:04
  4. Barcelona (Early Version: Freddie's Demo Vocal) – 4:21
  5. Barcelona (Early Version: Freddie's Vocal Slave) – 4:31
  6. Barcelona (Later Version: Freddie's Vocal Only) – 4:26
  7. La Japonaise (Early Version: Freddie's Demo Vocal) – 4:41
  8. La Japonaise (A Cappella) – 4:17
  9. Rachmaninov's Revenge (Early Version) – 4:46
  10. Rachmaninov's Revenge (Later Version: Freddie's Demo Vocal) – 5:51
  11. Ensueño (Live Takes) – 5:36
  12. The Golden Boy (Early Version: Freddie's Demo Vocal) – 3:55
  13. The Golden Boy (2nd Early Version Extract) – 2:57
  14. The Golden Boy (A Cappella) – 5:12
  15. Guide Me Home / How Can I Go On (Alternative Versions) – 6:54
  16. How Can I Go On (Out-Take Extract) – 1:31
  17. How Can I Go On (Alternative Piano Version) – 3:46
  18. When This Old Tired Boy Wants to Sing (Late Night Jam) – 2:42
Disc 9: Rarities 3: Other Sessions
This CD collects 16 miscellaneous demos and collaborations from 1969 to 1988, including pre-Queen live recordings with , duets with , and unreleased sketches like "Hold On," spanning Mercury's diverse early and mid-career experiments.
  1. (Ibex, Live 1969) – 3:51
  2. (Wreckage, Rehearsal 1969) – 3:15
  3. The Man from Manhattan (Eddie Howell 1976) – 3:22
  4. Love Is the Hero ( Duet, 12" Version 1984) – 5:22
  5. Lady with the Tenor Sax ( Duet, Work in Progress 1984) – 4:02
  6. Hold On (Jo Dare Duet 1986) – 3:38
  7. (The Version, Freddie Vocal 1988) – 4:48
  8. Love Kills (Rock Mix 1988) – 4:27
  9. Love Kills (Instrumental 1988) – 4:26
  10. (Demo 1991) – 3:04
  11. Holding On (Demo 1987) – 4:12
  12. It's So You (Demo 1988) – 2:40
  13. / Keep Smilin' (Demo 1987) – 3:43
  14. Horns of Doom (Demo 1982) – 4:17
  15. Yellow Breezes (Demo 1988) – 5:26
  16. (Fan Club Message 1987) – 0:45
Disc 10: The David Wigg Interviews
Comprising eight radio interviews conducted by journalist David Wigg between 1979 and 1987, this CD totals approximately 70 minutes of spoken-word content, offering personal insights into Mercury's life, career, and relationships during tours and album promotions.
  1. 1979, (The ) – 8:11
  2. 1984, (The ) – 11:27
  3. 1984, (Pt. 2: Going Solo) – 7:37
  4. 1985, , (Week of ) – 7:45
  5. 1986, ( Promotion) – 10:09
  6. 1986, (The Magic Tour) – 9:45
  7. 1987, (The Magic Tour) – 9:12
  8. 1987, Wandsworth Prison (A for Life) – 5:42
Disc 11: The Video Collection (DVD)
This DVD compiles 12 music videos and promotional clips from Mercury's solo career, spanning 1984 to 1993, including official promos for singles like "Living on My Own" and "Barcelona," presented in chronological order where possible.
  1. Barcelona
  2. The Great Pretender
  3. I Was Born to Love You
  4. Time
  5. How Can I Go On
  6. Made in Heaven
  7. Living on My Own
  8. The Golden Boy
  9. Mr. Bad Guy
  10. Love Kills
  11. I Can Hear Music
  12. Love Me Like There's No Tomorrow
Disc 12: The Untold Story (DVD)
The final disc is a 111-minute documentary produced by DoRo Productions, narrated through interviews with family, friends, and collaborators, chronicling Mercury's life from his childhood to his final days, divided into 11 chapters with bonus features like a photo gallery.
  1. Spice Island Dawn
  2. Strange Discipline
  4. The Draftsman of
  5. Musical Awakenings
  6. Love of My Life
  7. Bacchus and
  8. Butterflies and Peacocks
  9. A Day at the
  10. My Kind of Towns
  11. Last Days

Three-disc Solo edition

The three-disc edition of ''The Solo Collection'', simply titled ''Solo'', serves as a streamlined sampler of Freddie Mercury's solo career, released on 23 October 2000 by in Europe. This version targets casual fans and budget-conscious buyers by compiling Mercury's two primary studio albums with a selection of key non-album tracks, providing an affordable overview without the exhaustive archival depth of the full twelve-disc set. Priced accessibly around £20 at launch, it emphasizes vocal highlights and remastered audio while excluding instrumentals, extended rarities, spoken-word interviews, and video components. Disc 1: Mr. Bad Guy (1985)
This disc reproduces the complete 1985 album , Mercury's debut solo effort, featuring 11 tracks that showcase his pop-rock style. Produced by Mercury and David Richards and remastered at , the album captures his songwriting range from upbeat anthems to introspective ballads.
  1. Let's Turn It On – 3:42
  2. – 4:06
  3. I Was Born to Love You – 3:37
  4. Foolin' Around – 3:28
  5. Your Kind of Lover – 3:33
  6. – 4:10
  7. Man Made Paradise – 4:09
  8. There Must Be More to Life Than This – 2:58
  9. – 3:22
  10. My Love Is Dangerous – 3:40
  11. Love Me Like There's No Tomorrow – 3:46
Disc 2: Barcelona (1988)
This disc presents the full 1988 album , a symphonic collaboration with soprano , consisting of 8 tracks blending and rock elements. Remastered at Future Disc Systems, this disc highlights Mercury's experimental side in fusing classical influences with his signature vocals.
  1. Barcelona – 5:38
  2. La Japonaise – 4:49
  3. The Fallen Priest – 5:45
  4. Ensueño – 4:20
  5. The Golden Boy – 6:04
  6. Guide Me Home – 2:40
  7. How Can I Go On – 4:00
  8. Overture Piccante – 6:40
Disc 3: Bonus tracks
This disc compiles 7 bonus tracks drawn from singles, early projects, and remixes, offering highlights of Mercury's broader solo output, including covers and film soundtrack contributions, but omitting the deeper dives into demos and live recordings present in the comprehensive edition. Remastered at .
  1. – 3:28
  2. Love Kills (Single Version) – 4:28
  3. (Single Version) – 3:28
  4. (1993 Radio Mix) – 3:37
  5. (2000 Remix) – 3:51
  6. Time (2000 Remix) – 4:01
  7. Love Kills (Rock Mix) – 4:27

Commercial performance

Weekly charts

The Solo Collection, released in October 2000, achieved moderate success on several album charts through its accompanying three-disc edition, primarily driven by Freddie Mercury's enduring popularity within the Queen fanbase and its timing ahead of the holiday season, which boosted sales of releases. In the , the three-disc Solo edition peaked at number 13 on the Official Albums Chart in November 2000 and remained on the chart for 10 weeks, from November 4, 2000, to January 6, 2001. It also reached number 20 on the Scottish Albums Chart, charting for 10 weeks over the same period. Internationally, the Solo edition performed variably across European markets. In , it peaked at number 36 on the , spending 5 weeks on the chart. The saw a peak of number 21 on the , with 11 weeks total. In , it reached number 55 on the Official German Charts, charting for 4 weeks. recorded a peak of number 45 on the Italian Albums Chart, with 2 weeks on the listing. Switzerland's Swiss Music Charts showed a peak at number 42, lasting 8 weeks. The did not achieve significant charting , where sales were limited primarily to imports and did not register on the 200.

Year-end charts

In the , the three-disc Solo edition ranked #77 on the year-end albums for 2000. The itself did not achieve notable year-end rankings internationally, reflecting its modest performance outside the UK market as a specialized posthumous release. This performance was respectable for a niche posthumous box set but was overshadowed by concurrent Queen reissues and compilations that dominated catalogs during the period.

Critical reception

Initial reviews

Upon its release in 2000, The Solo Collection garnered praise for its comprehensive scope, assembling nearly all of Freddie Mercury's solo recordings alongside rare material and elements. Critics highlighted the 's value in providing a thorough for enthusiasts, with the inclusion of unreleased tracks, demos, and interviews standing out as particularly rewarding. However, some reviews pointed to mixed elements, acknowledging potential redundancy for collectors already possessing the original albums. Critiques also noted that the elaborate packaging could overshadow the music at times. press coverage was largely favorable, positioning the collection as essential for deepening appreciation of Mercury's solo output. The overall consensus positioned The Solo Collection as a definitive , celebrated for its exhaustive nature despite occasional critiques that it emphasized quantity over groundbreaking revelations.

Retrospective assessments

In the years after its 2000 release, The Solo Collection has been viewed as a foundational compilation of Freddie Mercury's solo output, providing an extensive archive of his pre-Queen and post-Queen endeavors despite limitations in audio production. Biographies have emphasized its role in documenting Mercury's artistic evolution outside Queen. The 2019 release of Never Boring, a new three-disc box set curated by Queen's longtime production team, prompted renewed examination of the original collection by incorporating newly mixed versions of key tracks like those from Mr. Bad Guy, which addressed the dated mixes in The Solo Collection. This update underscored the earlier set's foundational status while noting its pre-remastering sound quality as a product of the early 2000s. The collection has been praised for preserving rare material from Mercury's 1969–1988 solo period, including early demos and outtakes, in an era before widespread digital archiving. It is regarded as essential for understanding Mercury's independent creative path, bridging his and Wreckage days to collaborations like . By 2025, the set's influence persists in subsequent releases, such as the 40th-anniversary reissue of , which builds on the remixing approach debuted in and positions The Solo Collection as a benchmark for posthumous compilations of Mercury's work.

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