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Uforia Audio Network

Uforia Audio Network is the audio broadcasting and music events division of , functioning as the largest Spanish-language audio platform in the United States and serving as the primary source of , , and cultural programming for audiences. It is the eighth-largest radio broadcaster in the United States overall. It encompasses 35 terrestrial radio stations, a leading digital streaming service, live music events, and an expanding network, reaching approximately 18 million listeners weekly across linear radio and on-demand platforms (as of 2024). The network traces its origins to the Hispanic Broadcasting Corporation (HBC), which Univision acquired in 2003 and subsequently renamed Univision Radio, marking a significant expansion into Spanish-language radio targeted at U.S. Latino communities. In 2019, amid the global surge in Latin music popularity, Univision relaunched and rebranded its audio assets under the Uforia banner, integrating 58 owned radio stations, 89 affiliates, digital platforms, and live events to create a unified "Home of Latin Music" ecosystem. This rebranding emphasized cross-platform experiences, including the Uforia Music Series for live performances in major Hispanic markets like Los Angeles, New York, and Miami, while retaining local station branding for community relevance. Today, Uforia delivers a diverse array of content, including , urban Latin, and adult contemporary hits on stations such as in , as well as original podcasts covering news, , , and issues, producing over 50 hours of new material weekly (as of 2024). It holds top rankings in Spanish-language streaming audio based on active sessions (as of 2023) and serves as a key advertising vehicle for brands targeting the U.S. market, which numbers approximately 68 million people (as of 2024). Through its mobile app, users access live streams from over 100 featured stations, curated playlists, and on-demand episodes, solidifying Uforia's role in preserving and promoting Latino culture in a format.

History

Origins as Univision Radio

The origins of what would become Uforia Audio Network trace back to the 2003 acquisition of Hispanic Broadcasting Corporation (HBC) by Communications Inc., which integrated HBC's operations to establish Radio as the leading Spanish-language in the United States. Announced in June 2002 as an all-stock transaction valued at $3.5 billion, the merger created a combined entity serving over 35 million U.S. Hispanics through HBC's 55 radio stations and 's existing media assets, marking a pivotal expansion into audio broadcasting for the television-focused company. From its inception, Radio emphasized Spanish-language programming tailored to audiences, incorporating bilingual websites such as Netmio.com to bridge cultural and linguistic gaps in digital outreach alongside traditional broadcasting. Targeting the growing U.S. population, the network focused on music-driven content that resonated with immigrant and second-generation listeners, expanding its footprint through strategic station acquisitions and affiliations. By the late 2000s, Radio had grown to program approximately 67 stations across major markets. Key milestones in the included the launch of popular formats like on stations such as KSCA-FM in , which captured top ratings in 1998 and continued to lead through the decade, and urban-oriented bilingual programming like "La Kalle" to engage younger demographics in markets including . These initiatives, exemplified by new station rollouts in in 2005 targeting 18- to 49-year-olds, helped Radio compete in high-Hispanic-density areas by blending traditional genres with contemporary appeals. Despite this growth, Radio faced initial challenges, including intense competition from English-language stations as acculturated Hispanics shifted preferences, and internal integration issues following the post-acquisition merger that required divesting assets in markets like and Albuquerque to address antitrust concerns. The 1996 Telecommunications Act's had spurred broader industry , pressuring Spanish-language operators to navigate economic fluctuations and rivalries while merging operations efficiently. This foundational period under Radio set the stage for the network's evolution, culminating in a brief transition toward the Uforia brand with the 2013 launch of a .

Development of the Uforia Brand

In April 2013, Communications Inc. launched as a digital streaming music service and companion app, positioning it as the premier destination for America's audio entertainment. The platform was designed to deliver personalized playlists, customizable radio stations drawn from a library exceeding 20 million songs, and on-demand access to exclusive content, emphasizing deep dives into genres such as and banda. This initiative marked 's strategic pivot toward digital audio, building on its established radio foundations to create a unified experience for audiences. Uforia's development quickly integrated Univision's traditional radio assets, streaming live broadcasts from over 50 stations alongside curated digital channels and social features for discovery. Early efforts included exclusive song premieres on radio that transitioned seamlessly to the , fostering a hybrid model of broadcast and listening. Initial experiments with podcasts emerged as extensions of , allowing users to access archived shows and thematic audio series, while capabilities enabled real-time engagement with select broadcasts. These integrations aimed to bridge analog radio with emerging , enhancing accessibility for mobile users. By 2016, the Uforia app had achieved nearly 4 million downloads, reflecting robust adoption among listeners and a focus on genres popular with younger audiences, such as and banda. This growth underscored strategic shifts toward bilingual content—available in both English and —to appeal to bicultural demographics, particularly and Gen Z, as traditional radio listenership began to wane in favor of streaming options. Uforia's emphasis on personalized, on-demand experiences helped it capture a digitally native audience, solidifying its role in evolving the audio landscape for U.S. s.

2019 Rebranding and Expansion

On March 5, 2019, Communications announced the rebranding of its Radio division to Uforia Audio Network, unifying the company's 58 owned radio stations, 89 affiliates, platforms, podcasts, and live music events under a single brand focused on . This overhaul aimed to streamline operations and enhance cross-platform integration, positioning Uforia as "The Home of " to better serve audiences through a cohesive audio ecosystem. Following the rebranding, Uforia experienced operational shifts, including a reduction to 35 terrestrial stations by 2025 amid asset sales and market consolidations within the evolving radio landscape. Concurrently, the network expanded its digital footprint, growing its podcast offerings to become the largest Hispanic podcast network in the U.S., with original content distributed across platforms like TuneIn and its own app. Integration with TelevisaUnivision's ViX streaming service further amplified reach, enabling audio content such as podcasts and event streams to complement video programming, exemplified by exclusive live music broadcasts like the 2025 iHeartRadio Fiesta Latina on ViX Música. The period from 2020 to 2025 saw adapt to the pandemic's impact on live events and listening habits, with a surge in streaming consumption prompting the launch of series like Uforia Live in 2021, which combined livestreams and in-person performances to maintain audience engagement. In 2024, leadership changes under included the departure of Jesús Lara as head of U.S. local audio and a broader of audio operations to align with company-wide priorities, such as enhanced ad sales integration. These adaptations underscored Uforia's pivot toward streaming and multi-platform delivery amid industry consolidation.

Ownership and Operations

Parent Company Structure

Uforia Audio Network originated from the Hispanic Broadcasting Corporation (HBC), which Communications Inc. acquired in 2003 for $3.1 billion following approval by the . This purchase integrated HBC's extensive network of Spanish-language radio stations into 's portfolio, establishing a foundation for expanded operations. In 2022, merged with the media, content, and production assets of to create , with receiving a 45% equity stake and the prior shareholders maintaining majority control. The merger, valued at $4.8 billion for Televisa's contributed assets, formed a comprehensive Spanish-language media powerhouse combining television, radio, digital platforms, and streaming services. As of 2025, Uforia Audio Network operates fully under as its radio and audio division, supporting the parent company's focus on audiences through integrated content distribution. In 2024, reported total revenue of $5.1 billion, with the audio segment—including Uforia's ad sales, syndication deals, and digital offerings—contributing to this growth amid broader media operations. Uforia's governance falls under TelevisaUnivision's , functioning as a division within the audio reporting segment to align with corporate strategic objectives. Prior to the merger, had rebranded its radio assets as in 2019 to unify stations, , and music events.

Headquarters and Infrastructure

Uforia Audio Network maintains its primary corporate headquarters in , Florida, as part of TelevisaUnivision's central facilities, which oversee strategic operations and content integration across the company's media portfolio. The network's radio production hub is located at Uforia Studios in Los Angeles, California, with supplementary studios in major markets including and to facilitate localized programming and talent coordination. Uforia operates 35 owned and operated terrestrial radio stations in 11 of the top 25 U.S. designated market areas (DMAs), with a strong emphasis on areas of high Hispanic population density such as Los Angeles, New York, Houston, Miami, Chicago, and San Antonio. The infrastructure relies on a combination of satellite syndication for national program distribution and fiber-optic connections for high-quality audio feeds to local affiliates, supporting continuous 24/7 broadcasting. Post-2020, TelevisaUnivision has invested in digital enhancements, including cloud-based streaming infrastructure that powers Uforia's position as the leading Spanish-language audio streaming service, offering live radio, podcasts, and on-demand content to millions of users.

Leadership and Organizational Changes

Following the 2003 acquisition of Hispanic Broadcasting Corporation by Communications, McHenry "Mac" Tichenor Jr. served as president of the newly formed Radio division, overseeing its initial expansions into a broader network of Spanish-language stations across major U.S. markets. Tichenor's focused on integrating the acquired assets to enhance programming reach and capabilities for audiences. In 2017, Jesús Lara was appointed president of Univision Radio, a role he held through the 2019 rebranding to Uforia Audio Network, where he unified radio stations, digital platforms, and music events under a single . Lara's tenure emphasized cross-platform audio strategies, including the integration of streaming services to adapt to evolving listener habits. In May 2023, Lara expanded his responsibilities to head TelevisaUnivision's U.S. local media, encompassing both radio and television assets. The 2022 merger between and Televisa's content business to form prompted significant organizational shifts within , including staff integrations across U.S. and Mexican operations to streamline content production and distribution. This included the 2022 divestiture of 16 stations to Latino Media Network, contributing to the reduction in owned stations. These changes facilitated greater collaboration on bilingual programming while advancing diversity initiatives, such as enhanced representation in executive and creative roles to better reflect communities. Concurrently, reduced its station count from 58 in 2019 to 35 by 2025, leading to the centralization of programming teams for efficiency in content syndication and digital delivery. In December 2024, amid a broader company restructuring, Jesús Lara departed , with Ignacio Meyer assuming oversight of U.S. audio and local programming to prioritize digital growth and integrated media strategies. As of 2025, Uforia's structure is organized into radio operations, platforms, and live events divisions, with a focus on bilingual executive hires to support cross-cultural content development. This framework enables targeted expansions in streaming and events while maintaining core .

Programming and Content

Primary Radio Formats

Uforia Audio Network's primary radio formats focus on genres tailored to audiences, with four core categories: , , adult contemporary (), and a limited number of English-language stations. dominates, encompassing subgenres such as banda and norteño, and is broadcast on a substantial portion of the network's approximately 35 owned stations, reflecting its popularity among U.S. listeners. Urban Latin formats, featuring and , and tropical/contemporary styles, including and , account for significant airtime on the remaining stations, often blending rhythmic and pop elements to appeal to diverse regional tastes. These formats primarily target 18-34-year-old Hispanics, emphasizing bilingual programming in major urban markets to engage bicultural listeners who consume content in both Spanish and English. The network's music-driven approach establishes strong connections with this demographic, driving high listenership during key dayparts like morning drive, where stations often rank in the top positions among Adults 18-49 regardless of language. Since the , has shifted from predominantly -focused programming—comprising the bulk of airtime—to incorporating more talk segments and syndicated shows, adapting to from streaming services and expanding into podcasts for deeper audience engagement. This evolution maintains as the cornerstone while enhancing content variety to retain younger listeners in a fragmented audio landscape. A key feature of Uforia's formats is market-specific customization, with playlists and emphases adjusted to local cultural influences; for instance, stations prioritize Mexican regional sounds like banda, while outlets highlight Cuban-rooted tropical rhythms such as . This localization ensures relevance across diverse communities, supported briefly by syndicated programs that align with regional themes.

Syndicated Programs and Personalities

Uforia Audio Network's syndicated programming features flagship shows distributed across its affiliate stations, with "El Bueno, La Mala y El Feo" serving as a prominent morning show hosted by Javier Ceriani since 2015, airing on more than 20 stations nationwide. Other syndicated shows include "Buena Vibra" and "El Freegueo." Key personalities associated with the network include Eddie "Piolín" Sotelo, known for his comedy-talk hybrid format that blends humor, , and audience interaction, which was nationally syndicated during Univision Radio's earlier years before the Uforia rebrand. Becky G contributes as an occasional host for youth-oriented segments, bringing her appeal to younger listeners through special features focused on and empowerment. The distribution model centers production at the hub, where content is delivered to affiliates via , providing national programming to ensure consistent reach across markets. These syndicated shows significantly impact listenership, while enabling cross-promotions with sibling properties like the to enhance overall engagement. Such programs primarily fit within and formats, offering a mix of entertainment and cultural relevance.

Digital and Streaming Offerings

Uforia's digital and streaming services center on its flagship mobile application, which has evolved since its launch to deliver live audio streaming, content, and personalized listening experiences tailored to audiences. The app enables users to access live broadcasts from more than 100 AM and radio stations across 50 cities, alongside hundreds of curated playlists and radio shows focused on genres. Key features include playback of select programs and AI-driven recommendations that suggest content based on user preferences for genres like , urban, and , enhancing discovery within Uforia's core radio formats. The platform's podcast network represents a major pillar of its non-broadcast offerings, producing original Spanish-language series that explore true crime, lifestyle, and cultural topics. Notable examples include "Historia de un Crimen," a true crime anthology series, alongside other titles like "Qué Tranza" (launched April 2025) and "Enigmas Sin Resolver," as well as the 2025 addition "UFORIA MUSIC POD." As of 2024, Uforia's podcast catalog comprises over 25 original shows, positioning it as the leading Spanish-language in the U.S. with weekly production of more than 50 hours of content. These podcasts achieve significant reach, contributing to the 's dominance in Hispanic audio consumption. Integration with TelevisaUnivision's ViX streaming service facilitates audio-video crossovers, where select Uforia podcasts are distributed alongside video content for a unified entertainment experience. Users can access bundled premium tiers that include ad-free listening options, with ViX Premium subscriptions starting at $5.99 per month for enhanced audio and video features. Analytics underscore the mobile-centric nature of Uforia's , with substantial engagement driven by app-based consumption; in , the platform recorded over 18 million monthly session starts and 10 million listening hours, reflecting its scale among listeners. By 2024, mobile devices accounted for a growing portion of total usage, bolstered by features like offline downloads and personalized feeds.

Events and Productions

Live Music Concerts

Uforia Mix Live is an annual concert series produced by Uforia Audio Network, showcasing prominent artists through multi-city events across the . Launched in 2017 as part of the Uforia Music Series in partnership with Live Nation, the concert series was expanded following the rebranding of the audio network into Uforia Audio Network, highlighting urban, pop, and genres that align with Uforia's core radio programming. The series has featured high-profile performers such as , , and in its early iterations, with 2019 events drawing large crowds in cities like and to support charitable causes. In 2024, Uforia Mix Live continued with multiple performances, including a June 22 show at Miami's headlined by Danny Ocean, , and , an August 24 event at 's featuring and , and a September 16 concert in with , Sebastian Yatra, and . The series continued in 2025 with an event on August 23 at in . These events are managed by Uforia's in-house production team in collaboration with Live Nation, ensuring seamless execution and live broadcasts via the network's radio stations and Uforia app for broader reach. Key partnerships enhance the series' scope, with sponsors including for themed activations, for fan experiences, and brands like , , and Goya providing on-site engagements. The evolution of Uforia Mix Live reflects adaptations to external challenges: in-person tours in 2019 gave way to virtual livestreams during the , such as Bad Bunny's 2020 exclusive performance on Uforia's platforms, before transitioning to formats by 2021 and fully returning to live audiences by 2023.

Award Shows and Special Broadcasts

Uforia Audio Network plays a key role in supporting high-profile award ceremonies and special events focused on music and culture, particularly through its radio stations and digital platforms. The flagship event is , an annual youth-oriented awards show launched in 2004 by to celebrate emerging Latin artists and influencers across music, TV, sports, and . Following the 2019 rebranding of Univision's radio division to Uforia Audio Network, the platform has contributed to the event's production, including guiding nominations and creative development, while providing complementary audio content such as artist interviews and behind-the-scenes coverage. In recent years, Uforia has extended reach via its approximately 40 owned or operated stations (as of 2025), offering live radio segments and digital streams that enhance the main TV broadcast on , , and . The 2025 edition of Premios Juventud, held on September 25 in Panama City at the Figali Convention Center, marked a historic first for the event outside the U.S. and achieved record engagement with over 450 million interactions across platforms, including radio and streaming. Broadcast logistics included multi-platform coverage, with Uforia's radio simulcasts and ViX streaming service delivering real-time updates, performances, and exclusive content from the Uforia Lounge, reaching millions of listeners and viewers. The three-hour telecast drew 4 million total viewers aged 2+, underscoring the event's scale, while Uforia's audio extensions featured syndicated personalities as hosts for special segments. Beyond , Uforia produces other special broadcasts, such as coverage tied to Latin charts and marathons that highlight seasonal music themes. These include artist-driven segments with interviews and performances, often integrated into Uforia's regional stations. A prominent example is the annual Promesa y Esperanza broadcast, a charity special supporting , which airs nationally across Uforia stations and features Latino artists advocating for pediatric cancer research. These events emphasize multi-format delivery, combining live radio, podcasts, and for broad accessibility. These productions hold significant cultural value by spotlighting Latino achievements and fostering , with metrics showing substantial growth post the 2022 Televisa-Univision merger, including heightened social interactions and audience reach for events like . Through such initiatives, reinforces its position as a cornerstone of celebration, blending entertainment with to connect with Hispanic audiences nationwide.

Affiliated Stations

California

Uforia Audio Network maintains a significant presence in , operating eight owned stations across major markets that collectively serve the state's approximately 15 million residents, the largest such population in the United States. serves as the flagship hub, where the network's stations draw strong listenership among Spanish-language audiences, often ranking in the top positions for adults 18-49 in the market regardless of language. These outlets emphasize local programming tailored to communities, including rush-hour traffic reports, community news segments, and culturally relevant content to enhance commuter and daily engagement. In the Los Angeles area, key stations include KLVE (107.5 FM), the network's flagship broadcasting Spanish adult contemporary music under the branding K-LOVE 107.5, which features morning shows with integrated news and traffic updates. KSCA (101.9 FM) delivers regional Mexican programming as La Nueva 101.9, focusing on contemporary hits in the genre. Complementing these, KRCD (103.9 FM) and its simulcast partner KRCV (98.3 FM) air Spanish oldies via Recuerdo 103.9/98.3, appealing to nostalgic listeners with classic boleros and ballads. Further north in the , Uforia's stations cover diverse formats to reach urban demographics. KBRG (100.3 ) offers Spanish adult contemporary on Amor 100.3, while KSOL (98.9 ) and simulcast KSQL (99.1 ) provide regional Mexican music through Qué Buena 98.9/99.1. KVVF (105.7 ) and its simulcast KVVZ (100.7 ) target younger audiences with Spanish contemporary hit radio as Latino Mix 105.7/100.7. In , the network operates KLNV (106.5 ) for regional Mexican content on Qué Buena 106.5 and KLQV (102.9 ) for Spanish adult contemporary via Amor 102.9, both contributing to high local ratings among border-region listeners. These stations trace their roots to Univision's 2003 acquisition of Hispanic Broadcasting Corporation, which expanded the company's radio footprint in key markets including and . As of 2025, no significant frequency changes or format shifts have been reported for Uforia's California portfolio, maintaining stability amid the network's focus on digital integration and syndicated feeds, though one AM station (KTNQ) was sold in 2023.

Texas

In 2022-2023, sold several radio stations nationwide, including KLAT (Houston) and KXTN () in , to Latino Media Network, streamlining the portfolio from over 10 signals to 10 owned stations as of 2025 while maintaining focus on high-impact urban and border markets. operates 10 stations across major markets, serving a population exceeding 12 million—the second largest in the United States—and emphasizing formats influenced by , regional Mexican genres, and border cultural elements reflective of the state's Southwest heritage. serves as a key secondary hub alongside primary markets like and , where stations blend local Tejano artists with syndicated national programming to engage bilingual audiences. In the Houston market, Uforia's cluster includes KLTN (102.9 , "Qué Buena 102.9"), a regional outlet featuring Tejano and norteño hits that ranks among the top -language stations in the area. KAMA-FM (104.9 , "Latino Mix 104.9") focuses on contemporary hits with pop and urban crossovers, while KOVE-FM (106.5 , "Amor 106.5") offers adult contemporary ballads appealing to family-oriented listeners. KQBU-FM (93.3 , "Estéreo 93.3") specializes in norteño and , highlighting border-style rhythms that resonate with Texas-Mexico cultural ties. San Antonio's stations underscore the city's Tejano roots, with KBBT (98.5 FM, "98.5 The Beat") providing urban contemporary programming centered on and R&B tailored for younger demographics. KVBH (107.5 FM, " 107.5") airs rhythmic adult contemporary tracks, blending pop and dance hits, while KMYO (95.1 FM, "Amor 95.1") delivers romantic AC content. In Dallas-Fort Worth, KDXX (107.9 FM, " Mix 107.9") broadcasts top 40 and CHR, incorporating urban influences popular among the metro's growing youth. KLNO (94.1 FM, "Qué Buena 94.1") emphasizes and Tejano, often featuring live remote broadcasts from local events. Austin's KLQB (104.3 FM, "Qué Buena 104.3") rounds out the Texas footprint with programming suited to the capital region's blend of urban and rural listeners. Uforia's Texas expansion began in the early 2000s through acquisitions by Hispanic Broadcasting Corporation, which added key outlets like KLAT in and built clusters in border-influenced markets before merging with in 2003.

Florida

In 2022-2023, sold several stations in , including WQBA (1140 AM, ) to Latino Media Network, reducing the cluster size. Uforia Audio Network operates four stations in as of 2025, primarily concentrated in the market, serving an estimated 6 million Hispanics with programming that heavily features Cuban and influences to reflect the region's . Key stations include WRTO-FM (98.3 FM, , "Mix 98.3"), delivering urban contemporary hits with a mix of , , and Latin rhythms, and simulcast partners providing sports coverage including soccer, , and other events popular among Latin American audiences. The network's presence in expanded through acquisitions in the , including key purchases that strengthened its footprint in one of the largest radio markets in the U.S. As of 2025, Uforia has implemented digital enhancements to its streaming and app platforms, enabling real-time alerts and multilingual updates for tropical storm coverage to support residents during hurricane season. Uforia frequently broadcasts live event coverage from , such as music concerts and award shows, integrating them into its stations' lineups.

New York

Uforia Audio Network maintains a presence in the , one of the largest radio markets in the United States with approximately 4.3 million residents, particularly emphasizing content for Puerto Rican and audiences through music and talk formats that resonate with urban and influences. The network's key stations include WXNY-FM (96.3 FM, "La X 96.3"), which airs a rhythmic contemporary format featuring , urban Latin hits, and personalities catering to younger listeners in the city and surrounding boroughs. WQBU-FM (92.7 FM, "Qué Buena 92.7"), licensed to Garden , broadcasts music, targeting Mexican-American communities while also serving broader tastes with banda and norteño genres. Additionally, WADO (1280 AM, "TUDN Radio New York") provides Spanish-language programming, including coverage of Major League Baseball's and soccer matches, across the market for sports enthusiasts. During the 2010s, Uforia's New York stations underwent significant format adjustments to align with evolving listener preferences, such as WXNY's shift toward urban rhythmic content in the mid-2000s and WQBU's relaunch as a outlet in 2019 to capture growing demand in that genre. These changes helped strengthen the network's appeal amid competition in the diverse East Coast market. In 2025, the stations have experienced notable audience expansion through seamless integrations with the , enabling , on-demand podcasts, and personalized playlists that extend reach beyond traditional over-the-air listening. These digital enhancements complement occasional syndicated talk shows from the broader lineup, such as those featuring cultural discussions.

Illinois

Uforia Audio Network maintains three FM stations in the , targeting the region's approximately 2.2 million residents with formats that blend music and broader Latin contemporary sounds. The cluster serves a diverse audience in this industrial Midwest market, where heritage dominates but includes growing influences from other Latin American communities. Key stations include WOJO-FM at 105.1 MHz, branded as "Qué Buena 105.1," which focuses on regional Mexican programming including banda, norteño, and grupero genres to connect with working-class listeners. Complementing this is WPPN-FM at 106.7 MHz, known as "Amor 106.7," delivering Spanish adult contemporary hits with romantic ballads and pop crossovers for a more mainstream Latin appeal. The third outlet, WVIV-FM at 93.5 MHz under the "Latino Mix 93.5" banner, airs Spanish contemporary hits blending reggaeton, Latin pop, and tropical rhythms to attract younger demographics. These properties trace their roots to acquisitions in the mid-2000s, stemming from Univision's 2003 merger with Broadcasting Corporation, which brought core assets like WOJO-FM into the fold and expanded the network's reach in top markets. The stations utilize technology, with subchannels offering additional content such as extended music mixes or syndicated national feeds to enhance listener options.

Arizona

Uforia Audio Network operates two primary radio stations in , serving an estimated 2 million in border markets with programming that highlights Sonoran music styles, including norteño, banda, and corridos reflective of the region's cross-border cultural influences. KQBN (101.1 ) in Tucson focuses on music, delivering a mix of traditional Sonoran genres and contemporary hits tailored to the local community near the U.S.- border. This station emphasizes cultural content that resonates with listeners' binational heritage, similar in approach to Uforia's border operations. KHOV-FM (105.1 FM) in airs a Spanish contemporary format, featuring upbeat , romantic ballads, and emerging artists to engage the metropolitan area's diverse population. The station's programming supports 's broader of blending modern sounds with regional appeal in southwestern markets. These Arizona assets were integrated into 's portfolio following the 2003 merger between Communications and Hispanic Broadcasting Corporation (HBC), which consolidated ownership of key radio properties in the state and enabled expanded local programming. In 2025, further strengthened its footprint by introducing digital translators to improve signal accessibility in underserved border and rural areas, enhancing coverage for the targeted audience.

Other States

Uforia Audio Network maintains a presence in several smaller U.S. markets beyond its primary clusters, targeting niche audiences with tailored programming. Key examples include WNUE at 980 AM in Tampa, serving as an urban extension for the market with a focus on hits. In , stations in operate hybrid formats blending and English crossover tracks to appeal to bilingual listeners, though some signals were divested in 2023. The network operates 2-3 stations in states such as , , and , contributing to a total of 5 outlets designed for specialized demographics. These stations emphasize regional content, including local artist spotlights and community events, to foster engagement in emerging markets. Coverage in these areas centers on expanding communities, with programming adapted to local tastes like urban Latin and sports talk. In 2024, pursued acquisitions that incorporated digital boosters, enhancing signal reach and streaming integration for improved accessibility in rural and suburban pockets.

National Syndication

Uforia Audio Network engages in national syndication by distributing Spanish-language programming, including music formats, talk shows, and specialized content, to a wide array of affiliates throughout the . This extends the network's reach beyond its 35 owned and operated stations as of Q2 2025, enabling consistent delivery of syndicated shows to non-owned markets. As part of , Uforia's syndication leverages cross-promotions with the parent company's television assets to amplify audio content visibility and audience engagement. Prominent syndicated programs include "El Bueno, La Mala y El Feo," a comedy-driven that has consistently ranked among the top-rated programs in key markets, such as and , across adults 18-49 and 25-54 demographics. Another example is "El Show de Erazno y La Chokolata," a humor and entertainment program syndicated through partnerships like the 2015 agreement with Entravision Communications to air on five radio markets. More recently, the "Chiquibaby Show," hosted by Aira Villarreal Grijalva, was launched in format in 2023 via collaboration with Nueva Network, covering topics from community issues to entertainment reviews and distributed nationally. These programs are tailored for broad appeal, focusing on cultural relevance and humor to connect with listeners. The syndication model supports coverage in diverse regions, including non-owned markets such as , where stations like WKAQ-FM have operated under Uforia ownership or affiliation, providing local access to national content. In 2019, this structure reached 14.5 million weekly listeners via linear radio, establishing its scale as the leading Hispanic-focused broadcaster. Distribution occurs primarily via to affiliates for over-the-air , complemented by streaming for digital access through platforms like the app and , ensuring low-latency delivery to streamers and mobile users. Select stations employ technology to additional channels, such as contemporary formats on HD2 subchannels, enhancing content variety without requiring separate frequencies. This approach facilitates seamless integration of syndicated feeds, including loops and segments, across traditional and mediums.

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