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Wait Until Dark

Wait Until Dark is a psychological thriller play written by Frederick Knott that premiered on Broadway at the Ethel Barrymore Theatre on February 2, 1966, running for 373 performances, and was later adapted into a 1967 film directed by Terence Young starring Audrey Hepburn as the blind protagonist Susy Hendrix.^[1]^[2] The story revolves around Susy, a recently blinded housewife in Greenwich Village, who becomes the target of a sinister con man named Roat and two ex-convicts, Mike and Carlino, as they desperately search her apartment for a doll containing heroin that her husband unwittingly brought home.^[3] Employing deception and intimidation, the criminals pose as authority figures and acquaintances to manipulate the isolated Susy, but she ultimately turns the tables by extinguishing all lights and leveraging her heightened senses in the ensuing darkness.^[3] The play's original Broadway production featured Lee Remick in the lead role of Susy, earning her a Tony Award nomination for Best Actress in a Play, and it quickly transferred to London at the Strand Theatre in July 1966, where it also achieved success with Honor Blackman starring.^[1]^[4] Knott's script masterfully builds suspense through confined spaces, misdirection, and the theme of vulnerability versus resourcefulness, making it a staple of regional and revival theater productions worldwide.^[3] The film adaptation, produced by Warner Bros.-Seven Arts and Hepburn's husband Mel Ferrer, closely follows the play's plot while amplifying its tension through cinematography that emphasizes shadows and sound design to immerse audiences in Susy's perspective.^[2] Hepburn's portrayal earned her Academy Award and Golden Globe nominations for Best Actress, highlighting her shift from glamorous roles to a more grounded, vulnerable character, supported by Alan Arkin as the menacing Roat and Richard Crenna as Mike Talman. Released on October 26, 1967, the movie grossed over $17 million at the box office.^[2]^[5] It remains noted for its innovative use of darkness in the climax.^[2]

Background

Playwright

Frederick Knott was an English playwright renowned for his suspense thrillers that transformed everyday settings into arenas of psychological tension. Born on August 28, 1916, in Hankow, China, to British Quaker missionary parents, he was sent to England at age ten for his education.^[6] He attended Oundle School and later studied law at Cambridge University, graduating in 1938 with a third-class degree.^[7] During World War II, Knott served in the British Army's Royal Artillery, rising to the rank of major before the conflict ended in 1946.^[8] In the late 1940s, Knott relocated to the United States, initially living in Princeton, New Jersey, before moving to New York City, where he immersed himself in the American theater scene and honed his craft in crafting intricate plots of deception and vulnerability.^[9] His professional breakthrough came with the 1952 London premiere of Dial M for Murder, a taut thriller about a husband's plot to kill his wife, which transferred successfully to Broadway in 1954 and inspired Alfred Hitchcock's 1954 film adaptation.^[6] Knott's signature style emphasized suspense derived from psychological manipulation within familiar domestic environments, rather than elaborate action or supernatural elements.^[7] Knott's subsequent works built on this foundation, including the 1961 Broadway thriller Write Me a Murder, which explored inheritance schemes and hidden crimes in a rural estate.^[10] Wait Until Dark (1966) represented the pinnacle of his career, channeling his interest in human fragility—particularly through the lens of sensory limitations—into a gripping narrative of a blind woman's resourcefulness against intruders in her apartment.^[6] Developed during his years in New York, the play exemplified Knott's ability to heighten tension through ordinary objects and confined spaces, solidifying his reputation as a master of stage suspense.^[9] He passed away on December 17, 2002, in his Manhattan home at age 86.^[6]

Development and Premiere

Frederick Knott, building on his reputation for crafting tense psychological thrillers like Dial M for Murder, wrote Wait Until Dark in the early 1960s. The script centered on a blind woman unwittingly entangled in a criminal plot within her basement apartment, emphasizing suspense through limited visibility and auditory cues.^[11] The play premiered on Broadway at the Ethel Barrymore Theatre on February 2, 1966.^[1] It received its London premiere on 27 July 1966 at the Strand Theatre, directed by Anthony Sharp and produced by Peter Bridge. Honor Blackman starred as Susy Hendrix, the blind protagonist, opposite Peter Sallis in a supporting role. Initial staging decisions prioritized a realistic set depicting a cramped Greenwich Village basement flat to enhance claustrophobia, with strategic lighting to mimic Susy's impaired vision—particularly in blackout sequences relying on minimal sources like matches and flashlights for dramatic tension. The production ran approximately two hours without an intermission in some accounts, allowing for unbroken suspense.^[12]^[13]^[14] Early previews drew enthusiastic audience responses, with patrons on the edge of their seats during the darkened climax, contributing to the show's commercial viability. The initial engagement at the Strand Theatre spanned from 27 July 1966 to 8 April 1967—over 200 performances—before transferring to the nearby Duchess Theatre until 15 March 1968, reflecting strong public appeal amid mixed critical reception that praised its thrills but noted formulaic elements.^[13]^[15]

Plot and Characters

Synopsis

Wait Until Dark is set in the basement apartment of Sam and Susy Hendrix in Greenwich Village, New York City, during the present day of the 1960s, unfolding over three acts.^[3] In Act 1, Susy Hendrix, a young woman who has recently become blind following a car accident, navigates her daily life in the apartment while her husband, Sam, a photographer, is away on business.^[16] A mysterious woman at the airport had asked Sam to carry a doll for what she claimed was a sick child, unwittingly placing the heroin-stuffed toy in his possession; upon returning home, Sam leaves the doll in the apartment before departing again for work.^[3] Susy, unaware of the doll's contents or significance, interacts with her neighbor, a young girl named Gloria from upstairs, who helps her with small tasks.^[16] In Act 2, three criminals—Harry Roat, a ruthless con man; Mike Talman, an ex-convict posing as Sam's friend; and Sgt. Carlino, another accomplice impersonating a police officer—arrive at the apartment seeking the doll, which they know contains heroin smuggled from Canada.^[3] Having murdered the woman who originally possessed the doll, Roat orchestrates an elaborate deception, with the men taking turns gaining Susy's trust through lies about Sam's involvement in a crime and the doll as key evidence.^[16] They search the apartment while manipulating and threatening Susy, who begins to sense inconsistencies in their stories; meanwhile, Gloria briefly assists but becomes entangled in the danger.^[3] In Act 3, as tensions escalate and betrayals emerge among the criminals—Roat turning on his partners to eliminate witnesses—the confrontation reaches its climax when Susy, realizing the full peril, unplugs the lights to plunge the room into total darkness.^[7] Using her heightened other senses, which have sharpened since her blindness—a central mechanic for the play's suspense—Susy outmaneuvers the sighted but disoriented Roat in a deadly struggle, ultimately subduing him with resourcefulness and a hidden weapon.^[16] Sam returns just in time to aid her, resolving the crisis as the truth about the doll and the criminals' scheme is revealed.^[3]

Principal Characters

Susy Hendrix serves as the protagonist of Wait Until Dark, a recently blinded woman adapting to her loss of sight while striving for independence in her Greenwich Village apartment. Resourceful and witty, she relies on heightened auditory and tactile senses to navigate her environment, initially appearing vulnerable but demonstrating underlying strength and cunning that drive the play's tension. Her dramatic function centers on embodying resilience, forcing the audience to experience the story through her perspective and highlighting themes of empowerment amid adversity.^[17]^[18] Sam Hendrix, Susy's husband, is a professional photographer whose work often keeps him away from home, representing a pillar of normalcy and emotional support in her life. Self-assured and successful, he contrasts with Susy's challenges by embodying the everyday optimism of urban dwellers, though his naivety about surrounding dangers underscores the play's exploration of hidden threats. His role reinforces Susy's motivation for self-reliance, providing a relational anchor without dominating the central conflict.^[17] The primary antagonist, Harry Roat (also presenting as Roat Sr. and Jr.), leads a trio of criminals as a ruthless, sociopathic con man whose intelligence and manipulative nature make him a subtle yet escalating threat. Calculating and devoid of morality, he maintains a deceptively normal appearance until his self-interest is challenged, using violence and deception to pursue his goals; his dual personas amplify his dramatic function as the embodiment of urban peril and psychological terror. Mike Talman, a charismatic ex-convict and small-time crook, poses as Sam's acquaintance to infiltrate the household, blending smooth confidence with underlying greed and a flickering conscience that adds moral ambiguity to the villains. In contrast, Sgt. Carlino acts as the dim-witted enforcer, a rough and incompetent follower lacking education and self-assurance, whose blind obedience provides comic relief while highlighting the group's overreliance on brute force over intellect.^[17] Gloria, the teenage daughter of upstairs neighbors, is a spoiled and insecure preadolescent who wears glasses and harbors resentment toward her family, occasionally assisting Susy in small ways that introduce unreliability and youthful volatility. Her role as a peripheral ally injects tension through her impulsive nature, serving to bridge the domestic world with external pressures.^[17] Character dynamics in the play are intensified by Susy's blindness, which equalizes encounters by depriving sighted intruders of visual advantages they take for granted, exposing their overconfidence and forcing reliance on verbal manipulation. This contrast underscores Susy's growth in assertiveness against the criminals' exploitative tactics, creating a battle of wits where sensory deprivation becomes a strategic asset.^[17]

Productions

Original London Production

The original London production of Wait Until Dark opened at the Strand Theatre on 27 July 1966, produced by Peter Bridge and directed by Anthony Sharp.^[4]^[19] The cast included Honor Blackman as Susy Hendrix, Peter Sallis as Harry Roat, Brian Murray as Mike Talman, Michael Griffiths as Sam Hendrix, Sarah Long as Gloria, and Brian Phelan as Sgt. Carlino.^[13] Set design details are not specified in available records, though the production featured a realistic apartment layout with technical accommodations for blackout effects to support the thriller's tension.^[17] Rehearsals presented challenges in staging the darkness sequences, where actors relied heavily on sound design and precise blocking to convey suspense without visual cues.^[20] The show received mixed initial reviews, with critics noting formulaic elements, yet it built momentum through word-of-mouth and enjoyed a successful run of nearly two years, transferring to the Duchess Theatre from April 1967 until March 1968.^[17]^[19]

Broadway Premiere

The Broadway premiere of Wait Until Dark opened on February 2, 1966, at the Ethel Barrymore Theatre in New York City, under the direction of Arthur Penn. Produced by Fred Coe, the thriller marked a significant success for playwright Frederick Knott, building on his earlier works like Dial M for Murder. The production transferred theaters multiple times during its run—to the Shubert Theatre in July 1966, the George Abbott Theatre in September, and finally the Music Box Theatre—reflecting sustained audience interest.^[1]^[21] The original cast featured Lee Remick in the lead role of Susy Hendrix, the blind housewife at the center of the suspenseful plot, earning her a Tony Award nomination for Best Actress in a Play. Robert Duvall portrayed the menacing Harry Roat Jr., marking an early Broadway breakthrough for the actor, while Mitchell Ryan played Mike Talman and James Congdon portrayed Susy’s husband, Sam Hendrix. Supporting roles included Val Bisoglio as Sgt. Carlino. The ensemble delivered taut performances that heightened the play's tension, with critics praising Remick's portrayal of vulnerability and resourcefulness.^[1]^[21]^[22] A key element of the production was its innovative use of lighting, designed by George Jenkins, which progressively dimmed to create an immersive atmosphere of dread, culminating in the climactic final scene performed in total darkness to simulate Susy's blindness and disorient the audience. This technical approach amplified the play's psychological thriller aspects, making the suspense visceral and innovative for the era. Marketing campaigns highlighted this "dark" finale, positioning the show as a must-see experience of edge-of-your-seat terror, with advertisements warning patrons of the blackout to build anticipation.^[1]^[22] The production proved commercially successful, running for 373 performances over nearly 11 months and demonstrating strong box office draw in a competitive season. It closed on December 31, 1966, after recouping its costs, partly to accommodate the impending film adaptation starring Audrey Hepburn. The Broadway run established Wait Until Dark as a staple of stage suspense, influencing subsequent productions.^[1]^[2]^[6]

Notable Revivals

A significant revival of Frederick Knott's thriller occurred on Broadway in 1998, directed by Leonard Foglia and starring Marisa Tomei as the blind protagonist Susy Hendrix and Quentin Tarantino in his stage debut as the menacing Harry Roat.^[23]^[24] The production, which opened on April 5 at the Brooks Atkinson Theatre following previews in Boston, emphasized psychological tension through Foglia's pacing and innovative use of shadows to heighten Susy's vulnerability, running for 97 performances until June 28.^[25] Tomei's portrayal earned praise for conveying Susy's growing resourcefulness amid terror, marking a star-driven reinterpretation that drew on the original's suspense while adapting to contemporary acting styles.^[26] In 2013, the Geffen Playhouse in Los Angeles presented a world-premiere adaptation by Jeffrey Hatcher, directed by Matt Shakman, which relocated the action to 1944 Greenwich Village for a noir atmosphere.^[27] Starring Alison Pill as Susan Hendrix (renamed from Susy), the production highlighted her agency through Hatcher's streamlined script, which accelerated the plot and amplified her intellectual battles against the intruders, running from October 8 to November 17.^[28] Shakman's direction incorporated period-specific lighting techniques, using stark contrasts and gradual blackouts to underscore Susan's sensory reliance, with Pill's performance noted for its fierce independence in outmaneuvering the antagonists.^[29] Off-Broadway, the Chain Theatre hosted a 2016 mounting by Variations Theatre Group, co-directed by Kirk Gostkowski and John Arthur Long, also employing Hatcher's 1940s adaptation to explore themes of female empowerment in a post-war setting.^[30] The production, which ran from June 1 to June 26, received five nominations for New York Innovative Theatre Awards, including Outstanding Revival Production, for its intimate staging that intensified the claustrophobia of Susan's apartment.^[31] Gostkowski and Long focused on Susy's strategic cunning, with lighting design that progressively dimmed to total darkness, symbolizing her adaptation to peril and earning acclaim for revitalizing the thriller's tension in a compact venue.^[32] More recently, the Shaw Festival in Niagara-on-the-Lake, Ontario, staged a revival from July 5 to October 5, 2025, at the Festival Theatre, directed by Sanjay Talwar with Sochi Fried as Susan Hendrix.^[33] This production adhered closely to Knott's original while incorporating modern sensibilities, emphasizing Susan's resilience through Fried's nuanced depiction of her evolving confidence against the criminals, amid a runtime of approximately 2 hours and 20 minutes.^[34] Talwar's approach utilized advanced lighting technology for seamless transitions into pitch blackness, enhancing the play's climactic suspense and drawing audiences into Susan's heightened auditory world.^[35] Across these revivals, directors have increasingly portrayed Susy (or Susan) with greater agency, shifting from passive victim to proactive survivor who leverages her blindness as a strength, often through updated scripts like Hatcher's that condense the narrative for sharper confrontations.^[36] Lighting innovations remain central, with contemporary productions experimenting with LED and programmable systems to achieve more immersive darkness effects than the original's practical methods, thereby amplifying the thriller's sensory impact without altering the core plot.^[37]

Adaptations

1967 Film

The 1967 film adaptation of Wait Until Dark was directed by Terence Young and produced by Mel Ferrer for Warner Bros. distribution. The screenplay was written by Robert and Jane-Howard Carrington, adapting Frederick Knott's original stage play while incorporating additional narrative elements to suit the cinematic medium. Principal photography took place from January 15 to April 7, 1967, primarily on soundstages at Warner Bros. Studios in Burbank, California, with exterior scenes shot in Greenwich Village, New York City, and some location work in Montreal, Canada. To enhance the visual authenticity of the story's contemporary New York City setting, the production utilized real urban locations for the apartment building exterior at 5 St. Luke's Place, allowing for more dynamic establishing shots than the play's confined single-set structure.^[2]^[38]^[39] The film stars Audrey Hepburn in the lead role of Susy Hendrix, a recently blinded woman terrorized by intruders searching for hidden heroin; her performance earned her a nomination for the Academy Award for Best Actress. Alan Arkin portrays the menacing criminal Harry Roat, Efrem Zimbalist Jr. plays Susy's husband Sam Hendrix, and Richard Crenna appears as the con artist Mike Talman. Supporting roles include Jack Weston as the bumbling Carlino and Julia Herrod as the young neighbor Gloria. Unlike the stage version, which begins in medias res within the apartment, the film opens with an extended prologue depicting the criminals' initial scheme at an airport, providing expanded backstory on their motivations and the planting of the drug-laden doll, thereby building suspense through visual exposition rather than dialogue alone.^[40]^[41]^[42] To portray Susy's blindness convincingly, Hepburn underwent makeup transformations including pale skin, shadowed eye sockets, and disheveled hair to convey vulnerability and sensory deprivation, while using special effects contact lenses that allowed partial vision to simulate blindness without fully impairing her sight; the set was deliberately underexposed and darkened to simulate her perspective and aid immersion. Terence Young employed innovative visual techniques, such as subjective camera angles and strategic lighting contrasts, to heighten the thriller's tension in the claustrophobic basement apartment. The sound design played a crucial role in amplifying psychological dread, with amplified footsteps, creaking doors, and subtle ambient noises underscoring Susy's reliance on audition, complemented by Henry Mancini's minimalist score that emphasized silence and sudden bursts of intensity.^[2]^[43]^[44] Wait Until Dark premiered in New York City on October 26, 1967, before a wider release later that year, ultimately grossing $17.5 million at the domestic box office against an estimated budget of around $3 million, marking it as a commercial success for Warner Bros. in the suspense genre. The film's technical achievements, including Charles Lang's black-and-white cinematography, contributed to its taut pacing and climactic confrontation, condensed from the play's roughly 20-minute finale to about eight minutes on screen for heightened cinematic impact.^[45]^[5]^[2]

Other Media

A 1982 television adaptation of Wait Until Dark was produced as a videotaped staging of Frederick Knott's original play, directed by Barry Davis for NBC. Katharine Ross portrayed the blind protagonist Susy Hendrix, with Stacy Keach as the menacing Harry Roat, Joshua Bryant as Mike Talman, and Robin Gammell as Sgt. Carlino; the production preserved the single-set intensity of the stage version, focusing on psychological tension through close-quarters deception and Susy's resourcefulness.^[46] In 1986, the play received a Kannada-language film adaptation titled 27 Mavalli Circle, directed and produced by T. N. Narasimhan. Starring Kalpana Reddy as the sight-impaired lead, Umashree, and Avinash, the movie transposed the thriller's plot of intruders searching for a hidden doll to a Bangalore setting, maintaining the core elements of auditory suspense and home invasion while incorporating local cultural nuances.^[47] A 2001 American television film titled Nowhere in Sight, directed by Douglas Jackson, served as another adaptation, starring Helen Slater as a blinded woman targeted by criminals searching her apartment for hidden contraband. It credits Frederick Knott as a writer and transposes the story to a modern loft setting.^[48] Beyond these, no major additional cinematic or series adaptations exist, though clips from the 1967 film have occasionally appeared in documentaries exploring thriller genres and suspense techniques.^[49]

Reception and Legacy

Critical Response

Upon its Broadway premiere in 1966, Wait Until Dark received praise for its suspenseful construction and Lee Remick's compelling portrayal of the blind protagonist Susy Hendrix, with critic Stanley Kauffmann of The New York Times describing it as a "dandy little thriller" that delivered "pretty good scares" in the climactic scene set in total darkness.^[22] However, some reviewers noted the plot's reliance on predictable twists amid its otherwise taut narrative.^[50] The original London production later that year similarly garnered acclaim for the innovative use of darkness to heighten tension. The 1967 film adaptation was lauded as a "taut thriller" by Variety, which highlighted its effective casting, scripting, and direction in building genuine emotional impact through psychological suspense.^[51] The New York Times echoed this, commending Audrey Hepburn's vulnerable yet resilient performance while advising patience for the deliberate buildup to its intense payoff.^[52] Retrospective and revival reviews, such as those for the 2013 Jeffrey Hatcher adaptation at the Geffen Playhouse, have critiqued the portrayal of Susy as reinforcing gender stereotypes of female helplessness, with The Los Angeles Times describing her as a "young, victimized woman" whose dependency underscores dated tropes.^[28] Scholarly analyses in theatre and film journals from the 1990s onward have further explored the play's use of blindness as a dramatic device, often critiquing it for perpetuating vulnerability tropes that position disability as a plot catalyst rather than a multifaceted experience.^[53] Overall, Wait Until Dark has achieved consensus acclaim for its masterful psychological tension and stagecraft ingenuity, establishing it as an influential work in the suspense genre despite evolving critiques of its representational elements.^[54]

Awards and Honors

The original Broadway production of Wait Until Dark earned a Tony Award nomination for Best Performance by a Leading Actress in a Play for Lee Remick as Susy Hendrix at the 21st Annual Tony Awards in 1967. The 1967 film adaptation received significant recognition at major awards ceremonies. Audrey Hepburn was nominated for the Academy Award for Best Actress for her portrayal of Susy Hendrix at the 40th Academy Awards.^[55] Additionally, Hepburn earned a Golden Globe nomination for Best Actress in a Motion Picture – Drama, while Efrem Zimbalist Jr. was nominated for Best Supporting Actor – Motion Picture, both at the 25th Golden Globe Awards.^[56]^[57] Later productions also garnered honors. The 2016 Off-Off-Broadway revival by Variations Theatre Group at Chain Theatre received five nominations from the New York Innovative Theatre Awards, including Outstanding Revival of a Play, Outstanding Lighting Design (Aaron Gonzalez), Outstanding Set Design (Aaron Gonzalez), Outstanding Lead Actress (Christina Elise Perry), and Outstanding Director (Kirk Gostowski and John Arthur Long).^[31]

Cultural Impact

Wait Until Dark has left a significant mark on the suspense genre, serving as a benchmark for psychological thrillers that leverage confined spaces and sensory deprivation to build tension. The play's innovative use of darkness and a blind protagonist's heightened other senses influenced the structure of later home invasion narratives, emphasizing vulnerability and ingenuity over physical prowess. Films such as Don't Breathe (2016), which features a similar premise of intruders targeting a blind homeowner, have drawn comparisons to Knott's work, highlighting its role as a foundational text in exploring disability amid peril.^[58]^[39] The play's portrayal of its blind protagonist, Susy Hendrix, as resourceful and resilient rather than helpless contributed to early positive representations of disability in theatre, challenging stereotypes of victimhood. This depiction has been analyzed in discussions of focalization and subjectivity, where the audience experiences the story through Susy's limited sight, fostering empathy and underscoring strength in adversity.^[59] In modern revivals, such as those casting visually impaired actresses in the lead role, the production has advanced accessibility in theatre, promoting authentic portrayals that align with disability rights movements.^[60] Beyond theatre, Wait Until Dark permeates popular culture through references in film compilations and television. It was featured in the documentary Terror in the Aisles (1984) as a key suspense example and included in the American Film Institute's 100 Years... 100 Thrills (2001) list of iconic movies.^[61] The work's enduring appeal is evident in its numerous professional revivals worldwide since 1966, including a notable 1998 Broadway production, with recent stagings incorporating diverse and inclusive casts to reflect contemporary audiences.^[24] These ongoing productions, bolstered by the original's Tony nomination for Best Actress, affirm its lasting cultural resonance.^[1]

References

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Wait Until Dark – Broadway Play – Original - IBDB
Wait Until Dark (Original, Play, Drama, Broadway) opened in New York City Feb 2, 1966 and played through Dec 31, 1966.
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Wait Until Dark - AFI|Catalog - American Film Institute
107 mins | Mystery | 26 October 1967 ; Cast: Audrey Hepburn, Alan Arkin, Richard Crenna [ More ] ; Director: Terence Young ; Writers: Robert Carrington, Jane- ...<|control11|><|separator|>
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A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll.
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Summary. A sinister con man named Roat and two ex-convicts, Mike and Carlino, are about to meet their match. They ...Details · Media · Materials
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Feb 1, 2013 · “Wait Until Dark,” by Frederick Knott, runs through March 10 at the John W. Engeman Theater, 250 Main Street, Northport. Information: (631) ...
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The maneuvers she uses to survive Roat's menace must spring from the cunning of a calm intellect, not from the inspiration of a des- perate instinct. The ...Missing: sensory | Show results with:sensory
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Two newly acquainted crooks become all the more desperate and depraved, but must wait until dark to play out this classic thriller's chilling conclusion.
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[42]
Wait Until Dark (1967) - Golden Age Flicks
May 1, 2025 · Music and Sound Design. Henry Mancini's score is minimalist and ... Sound is central to the film's tension. Roat's slow walk across the ...
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Wait Until Dark (1967) - Turner Classic Movies - TCM
Cast & Crew · Terence Young · Audrey Hepburn · Alan Arkin · Richard Crenna · Efrem Zimbalist Jr. · Jack Weston.
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Wait Until Dark (1967) - Box Office and Financial Information
Financial analysis of Wait Until Dark (1967) including production budget, domestic and international box office gross, DVD and Blu-ray sales reports.
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Wait Until Dark (TV Movie 1982) - IMDb
Rating 7.1/10 (87) A videotaped production of the Frederick Knott play in which three criminals play an elaborate scam on a blind woman who is in possession of a doll.
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27 Mavalli Circle (1986) - IMDb
Rating 7.8/10 (22) 27 Mavalli Circle: Directed by T.N. Narasimhan. With Kalpana Reddy, Umashree, T.N. Narasimhan, Avinash. Based on Frederick Knott's 1966 classic- Wait Until ...
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Wait Until Dark (1967) - IMDb
Rating 7.7/10 (35,956) Wait Until Dark: Directed by Terence Young. With Audrey Hepburn, Alan Arkin, Richard Crenna, Efrem Zimbalist Jr.. A recently blinded woman is terrorized by ...Full cast & crew · Parents guide · Trivia · Plot
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WAIT UNTIL DARK 1966 VS. 2013 - A COMPARISON - Morgan Sills
Oct 28, 2017 · 2) FEWER SCENE CHANGES – the 1966 version is in 5 or 6 scenes, with 3 in Act I, and 2 or 3 in Act II; in the Hatcher adaptation, Act I has two ...Missing: synopsis - | Show results with:synopsis -
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Wait Until Dark, Garrick Theatre, London | The Independent
Oct 20, 2003 · Wait Until Dark, Garrick Theatre, London. Adam Scott. Monday 20 ... In this, Frederick Knott's revived 1966 thriller, a photographer ...
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Wait Until Dark Reviews - Metacritic
Rating 4.0 (9) Wait Until Dark ; Production Company. Warner Bros. ; Release Date Oct 26, 1967 ; Duration 1 h 48 m ; Rating TV-PG ; Genres. Thriller.<|separator|>
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The Screen:Audrey Hepburn Stars in 'Wait Until Dark'
WAIT UNTIL DARK, screenplay by Robert and Jane-Howard Carrington; based on the play by Frederick Knott; directed by Terence Young; produced by Mel Ferrer ...
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Full article: BLINDNESS, VISUALITY AND THE ETHICAL TURN
Unlike the blind protagonists of films like Wait Until Dark (1967) and Jennifer 8 (1992), Martin never gives himself over completely to the others' rules. There ...
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Vertigo Theatre's Wait Until Dark reworks original thriller | Calgary ...
Jan 26, 2017 · The London stage version, starring Honor Blackman as Susan and opening the same year as the film, was so popular it ran for two years. Article ...
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The 40th Academy Awards | 1968 - Oscars.org
1 NOMINATION. Music (Scoring of Music--adaptation or treatment) - John Williams. W. Wait until Dark. 1 NOMINATION. Actress - Audrey Hepburn. What on Earth! 1 ...
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Wait Until Dark - Golden Globes
Golden Globe Awards · 1968 Nominee. Best Performance by an Actor in a Supporting Role in any Motion Picture. Wait Until Dark · Efrem Zimbalist Jr. · 1968 Nominee.
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Efrem Zimbalist Jr. - Golden Globes
Efrem Zimbalist Jr. 1968 Nominee. Best Performance by an Actor in a Supporting Role in any Motion Picture. Wait Until Dark · Efrem Zimbalist Jr. 1959 Winner.
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3 movies that influenced 'Don't Breathe,' and 2 that did not
Sep 15, 2016 · ” 'Wait Until Dark' was not really an influence. I saw it once I was done with the script and told my mom what the movie was about and my ...
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Sight, Sound, and Subjectivity in Mancini's Wait Until Dark
Dec 27, 2023 · Drawing on poststructuralist narrative theory, I explore the implications of a blind protagonist for received thinking about focalisation and ...
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Actress Who is Blind to Portray Susy in 'Wait Until Dark'
Jan 2, 2019 · Actress Who is Blind to Portray Susy in 'Wait Until Dark' ... I hope it shows people that having a disability doesn't stop you from doing what you ...
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Wait Until Dark (1967) - Connections - IMDb
"Wait Until Dark" was featured in "Terror in the Aisles", "AFI's 100 Years... 100 Thrills", and "Cold Eyes of Fear", and referenced in "Dinah!" and "Porridge". ...