Wide Awake!
Wide Awake! (stylized as Wide Awaaaaake!) is the sixth studio album by the American indie rock band Parquet Courts, released on May 18, 2018, through Rough Trade Records.[1] Produced by Danger Mouse, the record comprises 13 tracks clocking in at approximately 40 minutes, featuring a fusion of post-punk, indie rock, and funk influences characterized by energetic rhythms, angular guitars, and propulsive basslines.[2][3] Lyrically, it addresses themes of personal independence, collective action, urban violence, economic disparity, and a call for communal love, delivered with a mix of urgency, humor, and optimism that marks a sonic evolution from the band's prior work.[1][4] The album garnered widespread critical praise for its innovative production, danceable grooves, and incisive social observations, aggregating to an 84 out of 100 on Metacritic from 20 reviews.[5] Standout tracks like "Total Football," "Violence," and the title single "Wide Awake" exemplify its blend of punk aggression and melodic accessibility, contributing to its recognition in year-end lists for best rock and indie releases.[6] Commercially, Wide Awake! achieved moderate success, peaking at number 20 on the UK Albums Chart and resonating strongly within independent music circuits, though it did not attain mainstream pop chart dominance.[7] Its collaboration with Danger Mouse represented a pivotal achievement in broadening the band's sound while preserving their raw, confrontational ethos.[3]Development
Conception and writing
Following the release of their 2016 album Human Performance, which explored introspective personal themes, Parquet Courts shifted toward broader socio-political concerns in conceiving Wide Awake!, influenced by the turbulent U.S. political climate of 2017, including the Trump presidency's early months and events like the inauguration.[8][9] The band aimed for a more optimistic and confrontational tone, emphasizing collective action and resistance against apathy, violence, economic inequality, and white privilege, as seen in early song ideas addressing normalization of societal ills.[4][9] This marked a departure from prior lo-fi introspection toward outward engagement, with lyrics promoting hope and love as antidotes to nihilism.[10] Songwriting was led by vocalists and guitarists Andrew Savage (A. Savage) and Austin Brown, who developed tracks through iterative demos and personal inspirations before formal production.[4] Savage contributed punk-infused manifestos on themes like economic uncertainty and American violence, drawing from hardcore influences and real-world encounters, such as a tense interaction with a Trump supporter that sparked "Almost Had to Start a Fight/In and Out of Patience."[4][9] Brown focused on love, grief, and collectivism, incorporating elements from artists like Grace Jones and Parliament, as in "Mardi Gras Beads," which reframed past romantic lyrics into a plea for tenderness amid chaos.[4] Their process emphasized unpolished drafts prioritizing lyrical directness and rhythmic energy, aligning with the album's goal of accessible yet substantive protest.[10] To achieve wider reach beyond their raw, DIY roots, the band decided early to enlist producer Danger Mouse (Brian Burton), seeking his expertise in infusing groove and polish while preserving their edge and subverting mainstream expectations.[8][9] This choice reflected a deliberate push for danceable, collective-oriented material that could engage broader audiences without diluting core messages of resistance and optimism.[10][8]Recording and production
Recording for Wide Awake! took place from December 2017 to January 2018 at Electric Lady Studios in New York City and Sonic Ranch Studios in Texas.[11][12] The sessions marked the band's first collaboration with an external producer, Brian Burton—known professionally as Danger Mouse—contrasting their prior self-produced albums.[13][10] Danger Mouse's involvement emphasized a collaborative approach, functioning primarily as an engineer who guided the band through rhythmic and performance-focused decisions rather than imposing a signature style.[10][14] Guitarist Austin Brown, who typically handled mixing for Parquet Courts, ceded control to Danger Mouse, allowing for step-by-step refinements in groove and overall cohesion while preserving the band's established workflow.[10] This process incorporated expanded elements such as synths and drum machines—driven by keyboardist Sean Yeaton's interests—alongside layered guitars and rhythmic experimentation to introduce funk and electronica influences without diluting the core punk drive.[14] Mixing was handled by Claudius Mittendorfer, with mastering by Joe LaPorta at Sterling Sound, resulting in a sharper, more expansive sound that balanced raw energy with danceable rhythms.[13][11]Music and lyrics
Musical style
Wide Awake! fuses indie rock and post-punk with funk influences, featuring upbeat tempos, angular guitar riffs, and propulsive bass lines that emphasize danceable rhythms over the band's earlier sparse, lo-fi minimalism.[15][16] The production, handled by Danger Mouse, introduces cleaner mixes and subtle synthetic elements, such as swirling synth textures, which enhance accessibility while preserving the raw energy of live performance-oriented arrangements suitable for both mosh pits and dance floors.[4][17][18] Tracks like "Total Football" highlight call-and-response vocal structures and repetitive, hook-driven patterns that drive listener engagement through rhythmic repetition and harmonic simplicity layered with complexity.[4][19] The album's sonic palette draws from diverse rock traditions, incorporating bouncy bass grooves and crunchy chord progressions that evoke historical influences like Gil Scott-Heron's spoken-word delivery in tracks such as "Violence," without adhering to genre purity.[20][21] This blend results in a versatile sound that shifts fluidly between post-punk aggression and groovy, movement-inducing funk elements.[22][20]Lyrical themes
The lyrics of Wide Awake! explore a tension between individual autonomy and collective action, often framing societal dysfunction through personal observation rather than prescriptive ideology. In the opening track "Total Football," vocalist Andrew Savage invokes the soccer tactic of positional fluidity as a metaphor for emancipation from rigid expectations, asserting that "collectivism and autonomy / Are not mutually exclusive" while rejecting apologies to those uncomfortable with liberation goals.[23] This reflects a communitarian ideal where group dynamics enhance rather than suppress personal agency, though the lyrics simplify complex social coordination by equating it to artistic or athletic interchangeability without addressing empirical barriers like incentive misalignment or free-rider problems.[24] Tracks like "Violence" confront pervasive American aggression, with Savage describing it in an NPR interview as the album's most explicit treatment of the theme, rooted in "unreached understanding" that manifests daily as "the fruit of scoundrels" and a "forest so dense and rooted in our past."[25][4] The song links violence to normalization of racism, classism, and capitalism, chanting "violence is daily life" amid references to identity and systemic outrage, yet offers no causal dissection beyond poetic invocation, aligning with left-leaning attributions of entrenched inequities to historical inertia rather than verifiable policy outcomes or behavioral incentives.[25][26] Amid these depictions of despair, the lyrics inject optimism through absurdism and calls for tenderness, as in "Tenderness," which positions the band as replacements for "old stubborn hands" on society's clock, implying renewal via empathy over confrontation.[27] Songs like "Normalization" question thresholds for acceptability—"What do we call normal? What do we call outrageous?"—favoring reflective provocation over didactic solutions, while personal tracks such as "Freebird II" blend economic uncertainty with youthful resilience, avoiding overt collectivist mandates in favor of individualistic navigation of chaos.[28][29] Overall, the album's words promote wakefulness to ills like climate denial in "Before the Water Gets Too High" without rigorous evidence for proposed communitarian fixes, prioritizing emotional urgency over first-principles causal analysis.[30][4]Release and promotion
Singles and marketing
The rollout for Wide Awake! began with the announcement of the album on February 22, 2018, alongside the release of the lead single "Almost Had to Start a Fight/In and Out of Patience," which featured a lyric video and introduced the record's energetic post-punk sound produced by Danger Mouse.[31] [32] This was followed by the title track "Wide Awake!" on March 8, 2018, paired with an official music video directed by Brother Willis that depicted chaotic urban scenes to underscore themes of alertness amid societal disconnection.[33] The third single, "Mardi Gras Beads," arrived on April 30, 2018, further building anticipation through its festive yet satirical tone.[1] Marketing efforts via Rough Trade Records highlighted the album's call to reject complacency, positioning it as a rallying cry for individual agency and collective awareness in the face of political and environmental inertia, as described in official press statements emphasizing "independence and individuality but also collectivity and communitarianism."[34] Band members promoted this messaging in interviews, framing the record's upbeat aggression as constructive outrage rather than defeatism.[4] The campaign targeted indie rock and punk listeners through in-store performances, such as the release-week show at Rough Trade in Brooklyn on May 17, 2018, and subsequent tour announcements, including a UK headline run in November 2018.[35] [36] The album launched on May 18, 2018, in multiple formats including digital download, compact disc, and vinyl LP, with physical editions like standard black vinyl and limited colored pressings designed to foster fan engagement through tangible collectibles and lyric inserts.[1] [37] These releases, distributed primarily through independent channels, aligned with Parquet Courts' ethos of DIY accessibility while leveraging Rough Trade's network for broader exposure in alternative music scenes.[34]Commercial performance
Wide Awake! debuted and peaked at number 109 on the US Billboard 200 chart. This represented modest improvement over the band's prior studio album, Human Performance (2016), which peaked at number 159 on the same chart. The album also entered the UK Albums Chart at number 20, holding the position for one week before dropping, with a total of two weeks on the chart.[7] Performance was stronger on niche rankings, including number 8 on the UK Independent Albums Chart.[38] Internationally, it reached number 42 on the Australian ARIA Albums Chart. Specific first-week sales figures were not publicly detailed by the label Rough Trade Records, consistent with the band's indie rock positioning and lack of major label push, though vinyl and digital formats contributed to sustained catalog availability.[1]Reception and legacy
Critical reception
Wide Awake! received widespread critical acclaim upon its release on May 18, 2018, with reviewers praising its energetic production, danceable rhythms, and blend of political themes with optimistic undertones.[5] The album holds a Metascore of 82 out of 100 on Metacritic, based on 28 professional reviews, indicating strong consensus on its vitality and evolution from prior works.[5] Critics highlighted the production by Danger Mouse, which infused the record with a compressed, cartoonish bounce that enhanced its post-punk foundations into a more accessible funk-punk hybrid.[3][39] Pitchfork awarded the album 8.0 out of 10, describing it as "joyfully absurd, danceable rock music" that feels "stupidly, consumingly alive," marking a mature shift where the band's earlier false wisdom gives way to reflective tension between individual and collective experiences.[3] Rolling Stone gave it 3.5 out of 5 stars (equivalent to 80/100), commending its "light-touch production" that renders it the band's funkiest and sweetest effort yet, trading some angularity for protest-infused grooves.[39] NPR emphasized the album's balance of outrage and angst with optimism, noting tracks that address white privilege, American violence, and economic inequality while advocating love and transformation as antidotes, often delivered through danceable beats like disco pulses and big-band sections.[4] This thematic relevance, paired with the record's propulsive energy, positioned Wide Awake! as a timely evolution in Parquet Courts' catalog.[3][39]Accolades and achievements
Wide Awake! achieved commercial success relative to indie rock contemporaries, debuting at number 27 on the UK Albums Chart and charting for four weeks across multiple territories.[40] The album's lead single, "Wide Awake," peaked at number 20 on the UK Singles Chart, marking a breakthrough for the band in mainstream visibility.[7] The album garnered significant recognition in year-end critics' polls, appearing on Rolling Stone's list of the 50 Best Albums of 2018.[41] It also featured prominently in indie-focused rankings, including Paste's 50 Best Albums of 2018, Earbuddy's 50 Best Albums of 2018, and The Skinny's Top 50 Albums of 2018.[42] Community-driven accolades highlighted its appeal, with Wide Awake! topping the r/indieheads Top 101 Albums of 2018 poll, earning 1,272 points from user votes.[43] In aggregate rankings, the album holds a strong position among Parquet Courts' discography and 2010s releases, rated 588th overall and sixth for 2018 on Best Ever Albums, based on cross-publication scores.[44] Its production, helmed by acclaimed collaborator Danger Mouse, elevated the band's sonic polish and industry profile within indie rock circles.[45] This consistency underscores Wide Awake! as a commercial high point, outperforming prior efforts like Human Performance in chart longevity and peer sales metrics for the genre.[7]Criticisms and controversies
Some listeners and reviewers expressed dissatisfaction with the album's lyrical content, viewing its explicit socio-political messaging as overly didactic and ideologically driven at the expense of artistic depth. In a Reddit discussion on r/indieheads shortly after the May 18, 2018 release, one user critiqued the lyrics as "a collection of unlettered Tweets from teenage socialists," suggesting they embodied a form of political posturing that overshadowed substantive songcraft.[46] Similar sentiments appeared in user reviews on Album of the Year, where the album received scores as low as 50/100, with complaints that the songwriting failed to match the instrumentation's potential, implying a prioritization of messaging over melody or nuance.[47] The production, handled by Danger Mouse (Brian Burton), introduced funk and disco-punk elements that some fans perceived as a departure from Parquet Courts' rawer punk roots toward a more commercial, polished sound. This shift was described in online forums as "watered down" compared to the band's prior album Human Performance (2016), with added funk deemed insufficient to revitalize perceived inconsistencies in earlier work.[46] Critics of this evolution argued it diluted the group's authenticity, transforming gritty post-punk into something "cartoony" and less cohesive, particularly in transitions like "Back to Earth" into the title track.[46][48] While the album's emphasis on collectivist responses to issues like inequality and violence drew praise from mainstream outlets, dissenting analyses highlighted potential oversimplifications in its causal attributions, such as framing societal problems through broad ideological lenses without sufficient attention to individual agency or empirical counterpoints. These views, primarily from fan communities rather than institutional critics, underscore minor but persistent debates over the band's balance of protest themes and punk ethos, though no large-scale external controversies emerged.[46][47]Long-term impact
In 2023, five years after its May 18, 2018 release, Wide Awake! received retrospective analysis underscoring its persistent appeal in indie punk, with commentators noting the album's enduring capacity to fuse politically charged lyrics with propulsive, accessible rhythms that retained freshness amid evolving social tensions.[49] Fan discussions echoed this, affirming the record's structural and thematic integrity held up without diminishing returns, distinguishing it from transient hype.[50] The album marked a pivotal expansion in Parquet Courts' sound, incorporating producer Danger Mouse's polish to broaden their post-punk roots into more hi-fi experimentation, which informed later works like 2021's Sympathy for Life but coincided with the band's trajectory toward curtailed activity, culminating in a 2024 announcement to halt performances beyond existing obligations.[3] This shift positioned Wide Awake! as a creative zenith of their accessible phase, after which internal dynamics and market constraints prompted reevaluation of the quartet format.[51] Within indie rock, Wide Awake! exemplified the genre's resilience in merging overt political critique—on topics like violence and inequality—with melodic hooks and communal optimism, avoiding dilution into mainstream pop while sustaining niche cult status; however, its influence remained bounded by Parquet Courts' avoidance of broader commercial avenues, limiting ripple effects beyond dedicated indie audiences. Recent appreciations in 2024 further evidenced this niche longevity, with writers citing its uncompromised edge as a benchmark for politically engaged yet groove-oriented indie output.[52]Track listing
| No. | Title | Length |
|---|---|---|
| 1. | "Total Football" | 4:01 |
| 2. | "Violence" | 4:05 |
| 3. | "Before the Water Gets Too High" | 4:05 |
| 4. | "Mardi Gras Beads" | 2:43 |
| 5. | "Almost Had to Start a Fight/In and Out of Patience" | 3:14 |
| 6. | "Freebird II" | 2:55 |
| 7. | "Normalisation" | 2:11 |
| 8. | "Back to Earth" | 3:54 |
| 9. | "Wide Awake" | 2:38 |
| 10. | "NYC Observation" | 1:22 |
| 11. | "Extinction" | 1:41 |
| 12. | "Death Will Bring Change" | 2:42 |
| 13. | "Tenderness" | 3:06 |
| Total length: | 38:37 |