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Wild One

The Wild One is a 1953 American crime drama film directed by and produced by , starring as Johnny Strabler, the brooding leader of a gang known as the Black Rebels Motorcycle Club. The film follows Johnny and his gang as they invade the quiet town of Wrightsville, sparking chaos, rivalries with other bikers, and a fatal accident that escalates tensions with local authorities, while Johnny forms an unexpected connection with the sheriff's daughter, Kathie. Loosely inspired by the real-life 1947 , where members clashed in a town, the story is adapted from Frank Rooney's 1951 short story "The Cyclists' Raid" published in . Released on December 30, 1953, in (with a wider U.S. debut in 1954), The Wild One was met with mixed initial reviews but has since been acclaimed as a seminal work in depicting post-World War II youth rebellion and biker culture. Brando's portrayal of the leather-clad, alienated , complete with his tilted cap and ambiguous motivations, became iconic, influencing trends like leather jackets and blue jeans while capturing the era's generational angst. The film's most famous exchange—"What are you rebelling against, ?" to which he replies, "Whaddya got?"—encapsulates its themes of aimless defiance and has endured as a cultural touchstone for . Despite its runtime of just 79 minutes and a modest budget, faced significant , including a 14-year ban in the until 1968 due to fears it would incite violence, and restrictions in parts of the U.S. critics praise it for Brando's nuanced and its as a for the outlaw biker genre, with supporting turns by Mary Murphy as Kathie and as rival gang leader adding depth to the ensemble. Shot on location in with actual gang members as extras, the production emphasized authenticity, contributing to its lasting status as a social document of American unrest.

Literature

Children's literature

Children's literature featuring titles like "The Wild One" or "The Wild One" often centers on young protagonists encountering untamed animals in rural settings, emphasizing themes of adventure, responsibility, and the bond between humans and . These stories, aimed at readers aged 8-12, portray wild creatures as symbols of freedom and resilience, inspiring children to appreciate and personal growth. One prominent example is (1967) by Monica Edwards, the final installment in her Punchbowl Farm series set in the British countryside near the Devil's Punchbowl in . In the novel, siblings Lindsay and Rob Thornton, along with their friends Rissa and , discover pug marks indicating a puma's presence on their farm; after the mother is shot, they find and secretly raise the orphaned cub, named The Wild One, facing challenges in caring for the exotic animal while evading adult suspicion. Published by Collins in with illustrations by Geoffrey Whittam, the 190-page hardcover drew from Edwards' own farming experiences and her passion for rural life, though she is best known for tales in the Romney Marsh series. The book received positive reception for its vivid depiction of farm adventures and animal empathy, maintaining a 3.8 average rating from readers who praised its emotional depth, and it was reprinted in 2009 by Girls Gone By Publishers due to collector demand. Another influential work is (2002) by Terri Farley, the debut volume in the 24-book Phantom Stallion series published by Avon Books (an imprint of ). The story follows 13-year-old Samantha "Sam" Forster, who returns to her family's River Bend Ranch in after recovering from a horseback riding , where she befriends a elusive wild that may be the legendary Phantom stallion, leading to her efforts in horse rescue amid family and environmental tensions. Themes of teen independence and mustang preservation resonate strongly, reflecting Farley's advocacy for wild horse protection. The series has sold over 2 million copies worldwide, with the first book earning a 4.2 Goodreads rating from more than 4,400 reviews for its engaging portrayal of Western ranch life and girl-power narratives. Across these children's stories, wild animal protagonists like the cub and symbolize untamed and the thrill of discovery, often teaching young readers about ethical interactions and the conflicts between and nature's wild essence.

Adult novels

"The Wild One" (2020) by Nick Petrie is the fifth installment in the Peter Ash thriller series, featuring the war veteran protagonist as he travels to to locate a missing family friend, only to become entangled in a web of crime and challenges amid the country's harsh volcanic terrain. The narrative explores themes of , , and the clash between modern civilization and primal instincts, with Ash's serving as a for his internal struggles. Published by , the book received praise for its high-stakes action and vivid sense of place, with calling it a "kinetic, breathless " that solidifies Petrie's place in the genre. Colleen McKeegan's debut novel "The Wild One" (2022) delves into the lingering effects of a traumatic incident at a summer camp, where three women—now adults—grapple with guilt, fractured friendships, and the psychological scars of their shared past as they reunite years later. The story examines female dynamics, identity formation, and the long-term impact of adolescent secrets, blending suspense with introspective character studies set against nostalgic camp settings. Issued by HarperCollins, it was lauded for its nuanced portrayal of trauma without sensationalism, as Kirkus Reviews noted its engaging thriller elements that address tough topics thoughtfully. "Wild Ones: A Sometimes Dismaying, Weirdly Reassuring Story About Looking at People Looking at Animals in " (2013) by Jon Mooallem is a work chronicling human efforts to conserve , from whooping cranes to , while reflecting on 's evolving relationship with since the nation's founding. Through personal anecdotes, historical vignettes, and interviews with conservationists, Mooallem highlights paradoxes in , such as the role of human intervention in "rewilding" nature and the cultural obsession with charismatic animals. Published by The Penguin Press, the book was acclaimed for its witty, insightful narrative on ecological ethics, with praising its exploration of how people project their values onto animals in a changing world. "The Wild One" (1957) by Bonnie Golightly captures post-World War II youth rebellion through the story of a perceptive teenage girl from a privileged but —her father deceased and her mother a fading —who seeks escape and self-discovery via impulsive relationships with older, risky men, culminating in a hasty and flight from home. The addresses themes of familial neglect, sexual awakening, and societal constraints on young women in mid-20th-century , drawing parallels to works like Sagan's "." Originally published as a by Books (T-194), it remains a lesser-known piece, valued today for its snapshot of era-specific teen angst but largely overlooked in contemporary literary discussions.

Manga and comics

Wild Ones (manga) Wild Ones (Japanese: Arakure), written and illustrated by Kiyo Fujiwara, is a series serialized in Hakusensha's magazine from June 2004 to May 2009. The series was compiled into 10 volumes, with licensing it for English release under the imprint starting in December 2007. The plot centers on Sachie Wakamura, an ordinary high school girl who loses her mother and is suddenly taken in by her estranged grandfather, revealed to be the boss of a syndicate. Overwhelmed by her new living situation in a filled with intimidating gang members, Sachie is assigned Rakuto, a stoic and attractive young tasked with her protection. As Sachie adjusts to this chaotic environment and uncovers her own latent tough, yakuza-inherited traits, a romantic tension develops between her and Rakuto amid comedic misunderstandings and rival suitors. The narrative blends romance, humor, and light drama, emphasizing themes of unexpected family bonds, personal growth, and the humorous side of yakuza life without delving into serious crime. The Wild One (Marvel Comics) In Marvel Comics, the Wild One is an ancient demonic entity classified as a young Elder God, characterized by its arrogant and chaotic nature. It debuted in the storyline "Hot Spell: The Wild One," spanning multiple 1992 annual issues, including Doctor Strange, Sorcerer Supreme Annual #2, where it serves as a primary antagonist allied with the sorcerer Shanzar. Banished to a netherworld dimension eons ago—possibly by Poseidon, who imprisoned it after a ancient conflict—the Wild One sought to return to Earth by possessing Namor's body and draining cosmic energies from heroes like the Silver Surfer to fuel a ritual. Its scheme involved manipulating human hosts and magical artifacts to break free, but it was ultimately thwarted by the Defenders, including Doctor Strange, the Hulk, Namor, and the Silver Surfer, resulting in its re-imprisonment. The Wild One possesses vast magical abilities, capable of unleashing energy blasts powerful enough to incapacitate superhuman opponents like and simultaneously, as well as shape-shifting, possession, and reality-warping spells tied to its Elder God heritage. Its appearances are limited to the 1992 annual crossover event (, , and ) and minor references in broader Marvel lore, such as Poseidon's backstory. As of 2025, the entity remains banished and inactive in continuity, with no subsequent major roles or revivals in published stories.

Music

Albums

"Wild One!" is a by the Canadian rock band , released in 1972 on Pickwick/33 Records. It collects early tracks recorded between 1965 and 1967, showcasing the band's pre-breakthrough sound from their Canadian releases prior to international success with songs like "." As a , it features nine songs, including the "Wild One," "Baby Feelin'," "I Want You to Love Me," "," "," "Pretty Blue Eyes," "Could This Be Love," "Shot of Rhythm and ," and "If You Don't Want Me." The album highlights the group's raw energy and influences from acts, serving as an accessible entry point for fans interested in their formative years, though it lacks detailed production credits in available records. Another notable compilation bearing the title is Wild One: The Very Best of , released in 1996 by the band on . Issued a decade after the death of frontman in 1986, it serves as a posthumous , gathering 16 key tracks from the band's discography spanning 1972 to 1983. Highlights include "The Boys Are Back in Town," "Jailbreak," "Don't Believe a Word," "," "," "," "," "Bad Reputation," "," "Killer on the Loose," "Emerald," "," "Still in Love with You," "Me and Billy Blue," "/Cowgirl Song," and "The Rocker." Produced by the band across original sessions, the collection emphasizes their signature dual-guitar harmonies and anthems, influencing subsequent rock compilations by prioritizing hit-driven retrospectives over chronological narratives.

Songs

"Wild One" is an Australian song originally recorded by in 1958. Written by band members Greenan, O'Keefe, and Owens, it was released on the EP Shakin' at the Stadium by and became an immediate national hit, marking O'Keefe as a pioneer in Australian rock music with its energetic rockabilly-influenced style. In 1959, released a song titled "Wild One" on Cameo Records, written by , Kal Mann, and Bernie Lowe. The track, featuring session drummer Gary Chester, reached No. 2 on the and was certified gold for over one million copies sold, showcasing Rydell's appeal in the early era. Martha and the Vandellas recorded "Wild One" in 1964 for 's label, a dance-oriented track written and produced by William "Mickey" Stevenson and Ivy Jo Hunter. It peaked at No. 34 on the and No. 11 on the Hot R&B Sides chart, serving as a follow-up to their earlier hits and highlighting the group's energetic sound. Faith Hill's "Wild One," from her 1993 debut album Take Me as I Am on Warner Bros. Records, was written by Pat Bunch, Jaime Kyle, and Will Rambeaux. The uptempo country single topped the Billboard Hot Country Songs chart for four consecutive weeks in early 1994, establishing Hill as a rising star in country music. "Wild Ones," featuring Sia, appears on Flo Rida's 2012 album of the same name, released by Atlantic Records and written by Flo Rida, Sia, and others including Justin Franks and Marcus Cooper. The electronic dance track achieved global success, peaking at No. 5 on the Billboard Hot 100 and certified 5× Platinum by the RIAA for over five million units sold in the U.S. Its music video, directed by Erik White, depicts Flo Rida partying in luxurious settings across Dubai and Miami. A notable cover is Iggy Pop's 1986 version titled "Real Wild Child (Wild One)" from his album Blah-Blah-Blah on , adapting O'Keefe's original with a edge. The single reached No. 10 on the , reviving the song for international audiences.

Bands and performers

(1935–1978) was an singer and pioneer, widely recognized as the country's first major and often nicknamed "The Wild One" after his breakthrough 1958 single of the same name. He began performing in the mid-1950s at dances and concerts in , teaming up with backing group the Dee Jays in late 1956, drawing inspiration from artists like . A key career milestone came in 1957 when he supported on the American singer's , boosting his visibility and leading to a with . Throughout the late 1950s and 1960s, O'Keefe achieved several hits, including "Wild One" (1958, which topped Australian charts), "She's My Baby" (1959, selling over 100,000 copies after recording in the U.S.), "It's Too Late" (1959, reaching No. 1 in New Orleans), and "Shout!" (1959, a collaboration with the Dell-Tones). He expanded into television and radio, hosting shows like Six O'Clock Rock and Rockville Junction, which helped popularize despite personal struggles with and a 1960 car accident. O'Keefe died of a overdose-induced heart attack on October 6, 1978, at age 43, leaving a legacy as a dynamic performer who kick-started rock. The Wild Ones was a New York City-based band active in the mid-1960s, known as a pre-Beatles-era group that embodied the energetic discotheque scene of the time. Formed around 1963, the band initially served as the house group at the before becoming the resident act at the influential nightclub, opened by Sybil Burton in 1965, where lead singer 's marriage to Burton elevated their profile among celebrities. Core members included (lead vocals), Chuck Alden (guitar and backing vocals), (keyboards and backing vocals), Eddie Wright (bass and backing vocals), and Tommy "Trick" Tricarico (drums). They recorded the debut version of "," written by , in 1965 on , though it failed to chart commercially; the track later became a massive hit for in 1966. The group appeared in films like The Fat Spy (1966) and (1966), and auditioned unsuccessfully for the TV pilot. After closed in early 1967, the band toured nationwide but disbanded later that year amid the shifting music landscape. The Wild Ones (Burmese: ဒဝိုင်းလ်ဒ်ဝန်စ်) is a pioneering Burmese rock band formed in 1973 in Mandalay by Shan ethnic musician Sai Htee Saing, who served as lead singer and songwriter until his death in 2008. The group innovated by committing exclusively to original compositions in Burmese, blending Western rock with local influences, which marked a shift from cover-based performances dominant in Myanmar's earlier pop scene. They gained immense popularity in the 1970s and 1980s, recording dozens of albums and becoming cultural icons for their sentimental, code-switching lyrics that resonated with Shan migrants and broader Burmese audiences. Sai Htee Saing's fusion of country-rock elements with Burmese themes helped establish the band as trailblazers, influencing subsequent generations in Myanmar's music industry. Following Myanmar's political reforms after 2011, which liberalized media and performance restrictions, the band's legacy played a key role in revitalizing rock music, with their catalog reissued and cited as foundational to the post-reform explosion of independent Burmese acts in Yangon and beyond.

Film

The Wild One (1953 film)

The Wild One is a 1953 American crime drama film directed by and produced by , starring as Johnny Strabler, the brooding leader of a . The by Ben Maddow and John Paxton was inspired by a 1947 short story in titled "The Cyclists' Raid" by Frank Rooney, which drew from sensationalized media accounts of the —a real-life event in July 1947 where thousands of motorcyclists overwhelmed the small town of Hollister, leading to brawls, , and public alarm. This incident, exaggerated in reports like a famous of a drunken on a amid broken bottles, fueled the film's portrayal of youthful defiance and societal disruption. The centers on the , a rowdy group of riders who invade the quiet town of Wrightsville during a local race, mocking residents and escalating tensions through pranks and vandalism. Led by the sullen , the 's arrival sparks fear among the townsfolk, including café owner Kathie Bleeker (Mary Murphy), who becomes romantically drawn to Johnny despite the chaos. When a rival gang, the Beetles, arrives under the aggressive (), a brawl ensues, resulting in the of a resident and Johnny's arrest; the narrative explores themes of against stifling and the profound felt by post-war youth seeking identity and freedom. Through Johnny's and reluctant , the film critiques the generational divide, portraying the bikers not as mindless thugs but as products of a disinterested society. Principal photography took place from February to March 1953 in locations including , with Brando and many cast members riding authentic and other motorcycles to enhance realism. Released by on December 30, 1953, after a Los Angeles premiere on Day, the film immediately provoked controversy for glamorizing , leading to bans in the until 1968 and cuts in U.S. cities like . Brando's stoic performance, accentuated by his signature black —sourced from and customized with a tilted cap—solidified his image as the ultimate , while his improvised line in response to a question about rebellion, "Whaddya got?", captured the era's existential angst and became a cultural touchstone. Upon release, The Wild One received mixed but influential reviews, earning a 75% Tomatometer score on from 24 critics, who praised Brando's magnetic intensity and the film's raw energy despite criticisms of its sensationalism. Commercially, it achieved modest success, reflecting its enduring draw amid youth culture fascination. The movie pioneered the outlaw biker genre, shaping public perceptions of motorcycle clubs as symbols of and danger, and directly influenced later works like (1969) by establishing visual tropes such as leather-clad antiheroes on the open road. Its legacy extends to fashion and subcultures, with Brando's attire inspiring generations of rebels from rockers to modern filmmakers.

Other films and media

Several television episodes have borne the title "The Wild One," often delving into themes of , , or untamed spirits distinct from the 1953 film's gang narrative. In the series , the 1964 episode "The Wild One" centers on ranch hand Hoss Cartwright's quest to capture a for breeding stock, highlighting tensions between and the wild. Similarly, the 1981 episode of the sitcom titled "The Wild One" portrays diner waitress Alice being wooed by a free-spirited who urges her to abandon her routine life for the open road, evoking motifs of escape and nonconformity. Another example appears in the adventure series Hawkeye and the Last of the Mohicans, where the 1957 episode "The Wild One" follows a Native American physician establishing a practice amid wary white settlers, exploring cultural clashes and individual resilience. Documentaries examining the historical roots of motorcycle culture have also referenced the "Wild One" archetype, particularly the 1947 Hollister rally that loosely inspired the original film. The 2022 short documentary The Hollister Incident, directed by an independent filmmaker, reconstructs the three-day event where approximately 4,000 riders gathered in , leading to public disorder and media sensationalism that shaped perceptions of biker subcultures. A 2022 feature documentary titled , directed by Tessa Louise-Salomé and narrated by , explores the life of theater director , a survivor and co-founder, focusing on his artistic journey and survival themes. A 2025 short film recounts the true story of James Morrill, a sailor shipwrecked in the 1800s and adopted by , living with them for 17 years. Beyond direct titles, the 1953 film's influence extends to subsequent biker cinema, spawning a subgenre of loose adaptations centered on outlaw gangs and societal friction. Roger Corman's The Wild Angels (1966), starring Peter Fonda and Bruce Dern, portrays a Hells Angels-inspired motorcycle club navigating violence, funerals, and existential drift, directly echoing the rebellious ethos of Brando's character while amplifying countercultural elements. Other entries, such as Hells Angels on Wheels (1967) with Adam Roarke and Jack Nicholson, further popularized the trope of nomadic riders clashing with authority, cementing the "Wild One" legacy in exploitation films of the era.

Other uses

Amusement attractions

The Wild One is a wooden roller coaster originally constructed in 1917 by the Philadelphia Toboggan Company (PTC) as the Giant Coaster at Paragon Park in Hull, Massachusetts, where it operated until 1984. The ride was acquired in 1985 by Wild World (later rebranded as Adventure World and eventually Six Flags America) and relocated to the park in Upper Marlboro, Maryland, with reconstruction supervised by the Dinn Corporation under Charles J. Dinn, who handled the disassembly, transport, and reassembly of key track sections. It reopened on May 3, 1986, as The Wild One, marking a significant expansion for the park at the time. As the oldest roller coaster in any Six Flags-operated park, it holds historical landmark status from the American Coaster Enthusiasts (ACE), recognizing its engineering from the early 20th century and enduring operation spanning over a century. Engineered with classic wooden framework typical of PTC designs, The Wild One stands 98 feet tall, features an 88-foot first drop, and reaches a top speed of 53 mph along its 4,000-foot track. The layout includes a distinctive 450-degree spiral turnaround near the end, which provides lateral forces and a sense of enclosure, alongside a series of bunny hops—short, successive undulations—that deliver moments of airtime, allowing riders to experience during the final descent. Trains consist of Toboggan Company cars seating 24 riders across three rows, emphasizing the coaster's vintage side-friction wheel configuration for smoother navigation over its terrain-hugging path. Over its history at , maintenance efforts focused on periodic track reinforcements and wood replacements to preserve structural integrity, with the Dinn Corporation's initial 1986 rebuild incorporating modifications by engineer Curtis D. Summers to enhance stability and ride duration to approximately 1:52 minutes. In 2025, Six Flags announced on May 1 that Six Flags America permanently closed at the end of the season on November 2, 2025, citing economic pressures including rising operational costs and shifting consumer trends in the amusement industry. The closure marked the end of operations for The Wild One after 39 years at the park and 108 years overall, prompting discussions among preservationists about its potential relocation to another venue or auction to coaster enthusiast organizations. Following the closure, as of November 2025, discussions among preservationists continue regarding potential relocation, with no confirmed plans. Its status as a rare surviving PTC coaster underscores calls for conservation to maintain its legacy in wooden roller coaster history.

Organizations

Wild Ones: Native Plants, Natural Landscapes is a non-profit dedicated to promoting the use of native plants in to support and preservation. Founded in 1977 in , , following a natural at the Schlitz Center, the emerged from a enthusiasts inspired by environmental Lorrie Otto to foster sustainable practices. Today, Wild Ones operates as a 501(c)(3) entity with a mission to connect people and native plants through , , and collaborative action, emphasizing landscapes that benefit pollinators, wildlife, and . The boasts over 13,000 individual members across approximately 135 chapters and seedling groups in 36 states, as of October 2025, enabling localized efforts in native plant promotion. Key programs include the Certified Native Habitat Program, which recognizes gardens of varying sizes that incorporate and sustainable practices to create wildlife-friendly spaces, and chapter-led educational workshops that teach participants about plant selection, , and benefits. These initiatives encourage homeowners and communities to replace traditional lawns with native plantings, directly contributing to restoration. Wild Ones hosts annual conferences and membership meetings to facilitate knowledge sharing among members and experts, with the 2025 meeting held on April 10, 2025, to review accomplishments and outline future strategies. The organization publishes the quarterly Wild Ones Journal, offering articles on native plant cultivation, challenges, and success stories from chapters, which serves as a primary resource for members. In the U.S. Midwest, where the organization originated, these efforts have notably enhanced local by promoting that support declining populations and reduce reliance on chemical inputs, leading to measurable improvements in urban and suburban ecosystems. As of 2025, Wild Ones is undergoing board leadership transitions, with elections held in the fall for directors to serve three-year terms beginning 2026, ensuring continued strategic oversight amid growing membership and expanded outreach. This evolution supports the organization's expanding role in addressing through .

Fictional characters

Yukio, self-styled as the "wild one," is a ronin and masterless appearing in as a skilled human operative and ally to the . Orphaned and trained as a thief and assassin under criminal organizations like Clan Yashida, she initially clashed with during his conflicts with Lord but later formed a lasting partnership with him, saving his intended bride multiple times and befriending . Yukio has no superhuman abilities but excels as an expert martial artist proficient in various fighting styles, with superior agility, athleticism, and marksmanship using throwing knives and . Paralyzed from the waist down after an attack by , she relies on a but maintains her combat effectiveness through adaptive techniques and unyielding resolve. Post-1991, Yukio integrated into Professor X's Mutant Underground network, combating threats like the invasion alongside the in Uncanny X-Men #312 (1994). She adopted and raised 's foster daughter Amiko Kobayashi, defending her from the Hand and assassins like and Kaishek in Wolverine vol. 2 arcs during the late 1990s and 2000s. In the , she assumed leadership of criminal clans, recruiting a depowered as her gladiatorial champion amid turf wars following 's temporary death, as depicted in Storm vol. 3 #4-6 (2014). The Wild One is also the name of an elder god in , a youthful and arrogant demonic entity among Earth's ancient deities, banished to the netherworld eons ago. First appearing in , Annual #1 (1991), he was summoned by the sorcerers Shanzar and Lucien Aster, who enabled him to possess Namor's body and battle the Defenders as a foe. His powers encompass and durability sufficient to endure assaults from the , energy projection through a summoned magical guitar, and the ability to conjure objects such as a flying car; he has no recorded affiliations with the or subsequent major story arcs. Among minor fictional uses, Macalosh, alias "Wild One," serves as a playable character in the 1993 Dangerous Streets, portrayed as a spiritual leader abandoned and raised by an elder chief, mastering ancient Native American combat arts including powerful kicks and spiritual invocations.

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