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Will Eno

Will Eno (born 1965) is an American playwright based in Brooklyn, New York, acclaimed for his minimalist dramas that probe themes of isolation, mortality, and human connection through sparse dialogue, absurdity, and wry humor.^[1]^[2]^[3] Eno grew up in suburbs northwest of Boston and studied briefly at the University of Massachusetts Amherst before moving to New York City, where he developed his craft under the mentorship of editor Gordon Lish.^[3] His professional breakthrough came with the 2001 London premiere of Tragedy: a tragedy at the Gate Theatre, followed by The Flu Season (2003), which won the 2004 George Oppenheimer Award for best debut.^[2] His 2004 monologue Thom Pain (based on nothing) established his reputation, earning a 2005 Pulitzer Prize in Drama finalist nomination and comparisons to Samuel Beckett for its bleak, introspective style.^[2]^[1] Notable subsequent works include the ensemble piece The Open House (2014), which received an OBIE Award and Drama Desk Award; his Broadway debut The Realistic Joneses (2014) starring Toni Collette, Marisa Tomei, Michael C. Hall, and Tracy Letts; Middletown (2010), winner of the Horton Foote Prize; and the adaptation Gnit (2021), a reimagining of Henrik Ibsen's Peer Gynt.^[2] In 2025, Eno contributed a new commissioned short play to Red Bull Theater's Short New Play Festival.^[4] Eno has held prestigious fellowships, including from the Guggenheim Foundation, Helen Merrill Playwriting Foundation, and Edward F. Albee Foundation, and completed a Residency Five at Signature Theatre Company, where Title and Deed (2012) premiered.^[2] He also writes for radio, with Life Is a Radio in the Dark (2020) shortlisted for the Prix Italia.^[5]

Biography

Early Life

Will Eno was born in 1965 in Lowell, Massachusetts.^[6] He grew up in the suburbs northwest of Boston, primarily in the towns of Billerica, Carlisle, and Westford.^[3] As the youngest of three children, Eno was raised by his father, Arthur, a lawyer, and his mother, Ann, a volunteer activist, in what he has described as an even-keeled childhood environment.^[6]^[7] From around age 13, Eno developed a strong interest in competitive cycling, pursuing it intensely through his early twenties.^[3] He joined the junior national cycling team, trained at the U.S. Olympic Training Center in Colorado Springs, and achieved notable success, including a silver medal at the national championships and semi-professional racing in Italy.^[3]^[7] Local training often involved the Concord Tuesday Night Time Trials, a route passing through Carlisle Center, the Old North Bridge, and the Colonial Inn.^[7] This pursuit, which he credits with instilling discipline and steering him away from typical adolescent pitfalls, shaped his worldview by emphasizing endurance and focus.^[8] Eno's initial exposure to literature came through his upbringing in the Concord-Carlisle area, where his mother introduced him to Transcendentalist authors such as Louisa May Alcott, Henry David Thoreau, Ralph Waldo Emerson, and Emily Dickinson.^[7] Family visits to local sites, including Great Meadows, Walden Pond, and the Concord and Sudbury rivers, further immersed him in this literary heritage, fostering an early fascination with profound philosophical questions.^[7] As a quiet child, these experiences laid the groundwork for his later creative interests.^[3]

Education

Will Eno attended Concord-Carlisle Regional High School in Massachusetts, where his primary extracurricular focus was competitive cycling rather than arts or writing activities.^[3] From around age 13, he pursued biking intensely, joining the Junior National Cycling Team and earning a silver medal at the National Championships, which shaped his early discipline and delayed deeper engagement with creative pursuits.^[7] Eno enrolled at the University of Massachusetts Amherst but left after three years without completing a degree, opting instead to chase cycling opportunities abroad, including time in Italy.^[3]^[9] This decision marked a pivot away from formal academia toward more independent paths, influenced by his passion for cycling that had begun in his youth. Following his departure from college, Eno engaged in self-directed studies in literature and theater, notably studying fiction writing in his late twenties under editor Gordon Lish, whose mentorship emphasized precise, microscopic attention to language and helped refine his emerging creative voice.^[8] In the early 1990s, he relocated to New York City, taking non-theater jobs such as stockbroking on Wall Street, painting houses, and proofreading psychology textbooks to support himself while gradually transitioning toward writing.^[9]^[3]^[6] These roles provided financial stability and access to resources like office equipment for his early scripts, bridging his athletic background to literary ambitions.^[7]

Personal Life

Will Eno resides in Brooklyn, New York, where he has made his home for many years.^[10] Originally from Massachusetts, he has roots in the Boston suburbs but has established his adult life in the New York area.^[6] Eno is married to actress Maria Dizzia, whom he met through the theater world, and they share a daughter named Albertine.^[10] In personal reflections, Eno has described fatherhood as profoundly transformative, noting that the arrival of Albertine marked the most significant event in his life, bringing a sense of wonder and grounding to his daily existence.^[11] Eno maintains a relatively private personal life, with limited public disclosures about his family beyond these core details, preferring to let his work speak for his inner world.^[7] He has a longstanding interest in cycling, which began as a competitive pursuit in his youth—he was a member of the Junior National Cycling Team and won a silver medal at the National Championships—but continues as a personal hobby that reflects his appreciation for physical discipline and outdoor reflection.^[7]

Career

Early Development

After moving to New York in his early twenties, Will Eno supported himself through odd jobs such as painting houses and proofreading while studying fiction under editor Gordon Lish, who mentored a generation of American authors.^[12] Having left the University of Massachusetts after three years to pursue competitive cycling, Eno had moved to Brooklyn, exploring creative pursuits.^[7] This unconventional path into the arts marked his entry into playwriting without formal theater training. Eno developed his early works through workshops and residencies, including a fellowship at the Edward F. Albee Foundation in June 1996, where he honed his craft in a supportive environment for emerging writers.^[13]^[14] One of his initial pieces, Tragedy: a tragedy, received its world premiere at London's Gate Theatre in April 2001, directed by Hugh Fraser, and was noted for its satirical take on media coverage of a national emergency, earning early international attention for Eno's distinctive voice.^[15]^[12] Eno's breakthrough came with The Flu Season, which had its world premiere in New York in January 2004, produced by the Rude Mechanicals at the Blue Heron Arts Center under Hal Brooks's direction.^[2] The play, a non-linear exploration of love and mental illness framed by prologue and epilogue figures, was praised for its unpredictable energy, inventive language, and distrust of conventional realism, with critics highlighting the ensemble's strong performances and the work's fresh ambivalence.^[16] This production earned Eno the 2004 George Oppenheimer Award from Newsday, recognizing the best debut by an American playwright in a non-musical play and carrying a $5,000 prize, solidifying his emergence in the theater world.^[17]

Major Productions

Will Eno's breakthrough came with the 2004 premiere of his one-man play Thom Pain (based on nothing), which debuted at the Edinburgh Festival Fringe before transferring to New York and London, where it received critical acclaim for its introspective monologue delivered by a single performer addressing an audience member directly.^[18] The production solidified Eno's reputation, and the play was named a finalist for the 2005 Pulitzer Prize for Drama, highlighting its innovative structure and emotional depth.^[19] Its impact extended internationally, with acclaimed stagings in Edinburgh and subsequent productions in New York, contributing to translations and performances across Europe and beyond.^[20] In 2010, Middletown premiered at the Vineyard Theatre in New York, earning the Horton Foote Prize for its exploration of small-town life and human connection.^[2] Eno's Title and Deed followed in 2012 at the Signature Theatre, a monologue that premiered during his Residency Five there.^[2] Building on this success, Eno's The Open House premiered Off-Broadway at the Signature Theatre in January 2014, directed by Oliver Butler, and explored a dysfunctional family's unraveling through subtle, overlapping dialogues in a single living room set.^[21] The production earned widespread critical praise for its ensemble cast, including Danny McCarthy and Lisa Joyce, and received the 2014 Obie Award for Playwriting to Eno and for Direction to Butler, along with the Lucille Lortel Award for Outstanding Play and a Drama Desk Special Award.^[22] These honors underscored the play's precise examination of familial tension and its role in elevating Eno's profile in contemporary American theater.^[8] Eno achieved his Broadway debut with The Realistic Joneses in April 2014 at the Lyceum Theatre, directed by Sam Gold, featuring a standout cast of Toni Collette, Michael C. Hall, Tracy Letts, and Marisa Tomei as two neighboring couples whose lives intersect in absurd and poignant ways.^[23] The play ran for 105 performances following 33 previews, demonstrating commercial viability with strong attendance driven by its star power and Eno's signature blend of humor and existential inquiry, grossing over $2 million in its limited engagement despite mixed Tony Award recognition.^[24] Critics lauded its witty dialogue and thematic depth, cementing Eno's transition to major commercial stages.^[25] In 2017, Eno wrote and directed Wakey, Wakey for its world premiere at the Signature Theatre Off-Broadway, a 75-minute meditation on mortality starring Michael Emerson as a man confronting his final moments amid interactive elements like audience participation and projected videos.^[26] Co-starring January LaVoy, the production extended its run due to demand and was noted for its intimate staging, blending comedy and pathos to evoke reflections on life and death.^[27] Eno's works have seen significant global reach, including productions at Dublin's Gate Theatre—such as stagings of Thom Pain and other pieces—and at London's Soho and Gate Theatres, leading to translations in languages including German and French, broadening Eno's appeal in European theater circuits.^[28] In New York, the Flea Theater hosted acclaimed runs of Oh, the Humanity and other exclamations in 2007 and The Great Recession in 2009, further amplifying Eno's influence through innovative ensemble interpretations.^[2]

Recent Works

Following the Broadway success of The Realistic Joneses in 2014, which marked a career peak, Will Eno shifted toward audio and experimental formats in response to theater disruptions caused by the COVID-19 pandemic. His adaptation Gnit, a reimagining of Henrik Ibsen's Peer Gynt, premiered at Theatre for a New Audience in March 2020 but closed after four performances due to pandemic shutdowns, resuming and fully opening in November 2021 with a cast of 25 and a three-hour runtime exploring themes of self-discovery and outward ambition. In this period, Eno embraced radio drama, culminating in Life is a Radio in the Dark, commissioned for BBC Radio 3 and starring Toby Jones as Davey Maskelyne, a crime witness grappling with memory loss triggered by auditory cues.^[29] The play, which delves into the interplay between sound and recollection, originally broadcast on November 22, 2020, and rebroadcast on June 25, 2023, was shortlisted for the Prix Italia in 2020.^[29]^[30]^[5] No major international revivals or unproduced works from this era have been publicly documented.^[5]

Style and Themes

Influences

Will Eno's writing bears the primary influence of Samuel Beckett, whose works echo in Eno's embrace of absurdity and minimalism throughout his oeuvre. Eno has expressed particular admiration for Beckett's Endgame, stating, "If there’s a play I wish I had written it would, I think, be Endgame," and credits a performance of Beckett's prose as inspiration for his own Title and Deed.^[31] These stylistic elements manifest in Eno's sparse dialogue and existential quandaries, positioning him as a contemporary inheritor of Beckett's legacy in American theater.^[32] Among other key theatrical inspirations, Harold Pinter's mastery of language pauses and silences resonates in Eno's plays, where conversational rhythms build tension through omission and ambiguity. Similarly, Edward Albee, Eno's mentor and early patron, shaped his exploration of family dynamics and interpersonal discord. As Albee's protégé—having begun their relationship as his cat sitter—Eno draws from Albee's dissection of domestic unease, evident in The Realistic Joneses, which mirrors Albee's portrayals of strained relationships in plays like Who's Afraid of Virginia Woolf? through its depiction of two neighboring couples entangled in awkward revelations.^[33]^[34]^[35] Broader literary sources inform Eno's philosophical bent, including transcendentalist writers like Henry David Thoreau, rooted in his Carlisle, Massachusetts upbringing near Concord. Eno's mother introduced him to Thoreau's Walden and the works of Louisa May Alcott and Ralph Waldo Emerson during his early reading, fostering an appreciation for introspective simplicity amid nature; he has remarked on their "intelligence and even some willful obscurity," noting how they "overflow with feeling" when resonant.^[7] Existentialist themes also permeate his style, blending with lyricism in monologues like Thom Pain (based on nothing), where characters grapple with meaninglessness in a disorienting world.^[7] Eno's development was further shaped by immersion in the New York theater scene, where his early association with Albee provided access to influential circles and residencies, such as at the Signature Theatre Company. This exposure to contemporaries like Annie Baker and Young Jean Lee reinforced his commitment to innovative, human-centered drama, evolving his voice amid the city's vibrant Off-Broadway ecosystem.^[31]^[2]

Key Motifs

Will Eno's plays frequently explore human isolation through characters who grapple with disconnection in everyday settings, as seen in Thom Pain (based on nothing), where the protagonist embodies an everyman figure confronting personal alienation through fragmented monologues.^[36] In Middletown, isolation manifests in the residents' quiet longings and withdrawals, such as the character Sweetheart's emotional retreat, underscoring a universal sense of loneliness amid communal life.^[37] Memory serves as a recurring motif, often invoked through disjointed recollections that blur past and present; in Thom Pain, these include vivid images of "bees, puddles, dogs," shaping the narrative's introspective core.^[36] Existential humor permeates these explorations, blending bleak inquiries into existence with wry wit, as in Thom Pain's "existential stand-up" style that prompts laughter amid profound uncertainty.^[36] Eno employs minimalist dialogue to heighten tension and revelation, favoring sparse, offhand exchanges that mimic natural speech patterns, evident in Middletown's "matter-of-fact" delivery where characters speak "off the tops of their heads."^[37] Non-linear structures disrupt chronological flow, as in The Flu Season, where a love story unfolds through fragmented scenes narrated across temporal layers by framing characters.^[36] Meta-theatrical elements further engage audiences directly, such as in Thom Pain's inclusion of spectators as "characters" or commands like "Don’t imagine a pink elephant," breaking the fourth wall to implicate viewers in the performance.^[36] These techniques culminate in Oh, the Humanity, where the stage is revealed as "just chairs," exposing theater's constructed nature.^[36] Central to Eno's style are the absurdity of ordinary life and a subtle undercurrent of empathy, portraying mundane routines as sources of profound disorientation while fostering human connection; in Tragedy: a tragedy, banal news reporting spirals into existential crisis, yet moments of sympathy, like the Woman's "last word" in The Flu Season, invite compassion.^[36] This contrasts with darker influences like Samuel Beckett's despairing absurdism, as Eno infuses optimism through live audience interaction and meaning-making in shared spaces.^[36] In Middletown, the absurdity of small-town existence—questioning monuments or language—pairs with empathetic glimpses into characters' vulnerabilities, emphasizing "humanness" over nihilism.^[37] Eno's motifs evolve from early works focused on literary fragmentation, as in The Flu Season (2004), to later pieces deepening interpersonal and performative engagement, like Thom Pain (2005) with its direct address. By Oh, the Humanity (2007) and beyond, themes of soul-searching intensify, blending humor with empathy in broader ensembles. In radio plays such as A Canadian Lies Dying on American Ice (2005), sound and memory intertwine through live broadcasts that evoke communal recollections via auditory cues, expanding isolation into collective resonance.^[36] These motifs persist in later works, including the absurd quest for identity in Gnit (2021), a loose adaptation of Ibsen's Peer Gynt, and the 2025 adaptation of Maurice Maeterlinck's The Blue Bird, which mixes wry humor with profound explorations of hope and human connection amid existential journeys.^[2]^[38]

Recognition

Awards

Will Eno's play The Flu Season received the 2004 George Oppenheimer Award, recognizing it as the best debut by an American playwright in New York the previous year.^[17] His one-man play Thom Pain (based on nothing) was named a finalist for the 2005 Pulitzer Prize in Drama, highlighting its innovative exploration of existential themes through a single performer's monologue. In 2014, Eno's The Open House earned the Obie Award for Playwriting, awarded for its distinctive narrative structure and character dynamics in an Off-Broadway production at Signature Theatre.^[39] That same year, The Open House also won the Lucille Lortel Award for Outstanding Play, selected from a competitive field of Off-Broadway works for its artistic excellence and impact.^[40] Additionally, the ensemble cast of The Open House received a 2014 Drama Desk Special Award, acknowledging the production's collective achievement in contemporary American theater.^[41] Eno's radio play Life is a Radio in the Dark, broadcast on BBC Radio 3, was a finalist for Best Original Single Drama at the 2022 BBC Audio Drama Awards and shortlisted for the Prix Italia in 2021, nominated for its scripted originality and atmospheric storytelling.^[42]^[43]

Fellowships and Honors

Will Eno has received several prestigious fellowships that recognize his contributions to American playwriting. He was awarded a Guggenheim Fellowship in 1999, supporting his creative work as a dramatist.^[44] Similarly, Eno is a Helen Merrill Playwriting Fellow, a distinction that honors emerging and established playwrights through financial and professional support.^[28] He also held an Edward F. Albee Foundation Fellowship, which provided residency and resources for developing new plays at the foundation's retreat in Montauk, New York.^[45] In 2004–2005, Eno served as the Lewis Center for the Arts Fellow in Playwriting at Princeton University, where he engaged in teaching and creative activities as part of the Hodder Fellowship program.^[46] The following year, 2005–2006, he continued at Princeton as an Alfred Hodder Fellow, further solidifying institutional support for his career. Eno received the first-ever Marian Seldes/Garson Kanin Fellowship from the Actors Studio in 2004, acknowledging his mid-career achievements with opportunities for play development.^[28]^[9] In 2012, Eno was selected as one of the inaugural playwrights for Signature Theatre Company's Residency Five program, completing the residency in 2017 with premieres of Title and Deed (2012), The Open House (2014), and Wakey, Wakey (2017).^[47] Eno's play Middletown earned the 2010 Horton Foote Prize for Promising New American Play, a biennial award celebrating innovative American theater works.^[48] In 2012, he co-won the PEN/Laura Pels International Foundation for Theater Award for a playwright in mid-career, shared with Adam Rapp, recognizing sustained excellence and impact in the field.^[49] These honors reflect ongoing institutional affirmation of Eno's distinctive voice in contemporary drama, building on his earlier accolades.

References

[1]
Review: Michael C. Hall Probes the Despair of 'Thom Pain'
Nov 11, 2018 · In Oliver Butler's revival, Will Eno's reputation-making monologue of masochistic bleakness suddenly feels a lot less shocking.
[2]
Will Eno | Playscripts, Inc.
Biography. Will Eno is a Guggenheim Fellow, a Helen Merrill Playwriting Fellow, and a Fellow of the Edward F. Albee Foundation. The Flu Season premiered at ...
[3]
Playwright Will Eno on metaphysics and ‘Middletown’ - The Boston Globe
### Summary of Will Eno's Birth, Early Life, Education, and Career Beginnings
[4]
Will Eno [playwright]
Sep 24, 2025 · A radio play by Will Eno starring Toby Jones, recorded in London at the BBC, is a finalist for both Best Original Single Drama, in the BBC Audio Drama Awards.Missing: biography - | Show results with:biography -
[5]
Will Eno | Research Starters - EBSCO
Born in 1965 in Lowell, Massachusetts, Eno's early life was marked by competitive cycling and a shift in focus toward writing after exposure to poetry while ...
[6]
Existentialist, Transcendentalist, Cyclist, Playwright
Nov 3, 2022 · Will Eno did not set out to be a playwright, more-or-less an award-winning playwright in the United States and abroad. He entered it “sideways.”
[7]
Will Eno's Theatrical Rhythms | HowlRound Theatre Commons
Dec 10, 2015 · Eno is a child of New England with a “sort of a normal background” who thought for a long time he was going to be a professional biker. Born in ...
[8]
Eno, Will 1965- | Encyclopedia.com
Will Eno is an American playwright who had his first success in Great Britain. His work has been produced on British Broadcasting Corporation (BBC) radio and ...
[9]
Will Eno - The Catastrophic Theatre
Will Eno lives in Brooklyn with his wife Maria Dizzia and their daughter Albertine. He is a Pulitzer finalist, and winner of an Obie, Drama Desk, and Lucille ...
[10]
[PDF] THE UNDERLYING CHRIS - Second Stage Theater
Certainly, the birth and arrival of our daughter Albertine has been the most momentous event in my life. And because of her being here on Earth, every little ...
[11]
Will Eno's mom-inspired 'Plot' at Yale Rep offers blunt negotiations
Dec 2, 2019 · Playwright Will Eno sounded like Thanksgiving personified as he rode the rails of Metro-North to the Elm City two weeks ago with his ...
[12]
Will Eno, playwright of Middletown and Tragedy - Time Out
May 3, 2011 · Will Eno, playwright of Middletown and Tragedy: A Tragedy. Eno, a Pulitzer finalist for Thom Pain (based on nothing), took a circuitous route to writing.Missing: stockbroking job
[13]
Eras - The 24 Hour Plays
A PLAY YOU SHOULD HAVE SEEN: The future Pulitzer finalist Will Eno (pictured left) wrote his first play that first night in October 1995 on a manual typewriter!
[14]
Former Fellows 1996 - The Edward F. Albee Foundation
Former Fellows 1990-1999 > Former Fellows 1990-1999 > · Former Fellows 1990 ... Will Eno Tricia Farrell Larry Kunofsky Lavonne Mueller Ryuji Noda Daniel ...
[15]
[PDF] A stable atmosphere for artists - The Edward F. Albee Foundation
Will Eno, whose critically ac- claimed play “The Flu Season” earned him the 2004 Oppenhe- imer Award for the best new. American playwright, spent. June 1996 ...Missing: residencies 1990s<|control11|><|separator|>
[16]
Tragedy: a Tragedy | Theatre | The Guardian
Apr 9, 2001 · Such is the case with Tragedy: a Tragedy by Will Eno, the last offering in the Gate's disappointing Liberty season.<|control11|><|separator|>
[17]
THEATER REVIEW; Psychiatric Patients And a Maze Of Language
Feb 10, 2004 · Margo Jefferson reviews Rude Mechanicals Theater Co production of Will Eno play The Flu Season, directed by Hal Brooks; photo (M)Missing: Parsons | Show results with:Parsons
[18]
Will Eno's Flu Season Wins 2004 George Oppenheimer Award
Eno will be honored at a Nov. 16 luncheon at the American Airlines Theatre. The award carries a $5,000 cash prize. The award was bestowed by a committee ...Missing: Parsons Dance reception
[19]
Will Eno's Thom Pain (Based on Nothing) to Be Revived at London's ...
First performed in 2004 at Soho Theatre, it was a finalist for the 2005 Pulitzer Prize for Drama.Missing: productions | Show results with:productions
[20]
Legit Review: 'Thom Pain (based on nothing)' - Variety
Jan 15, 2016 · Rainn Wilson brings Will Eno's one-man show “Thom Pain (based on nothing)” to the Geffen Playhouse 10 years after it was a finalist for the ...
[21]
The Great Recession - The Flea
Will Eno garnered international attention with Thom Pain (based on nothing), which played to acclaim in London, Edinburgh and New York and was a finalist for ...Missing: Gate Dublin
[22]
Will Eno's 'The Open House' and 'The Realistic Joneses'
Feb 19, 2014 · Eno came to playwriting, which he has never formally studied, is itself fairly mysterious. He spent his childhood in several Massachusetts ...Missing: early | Show results with:early
[23]
The Open House | Concord Theatricals
... 2014 Lucille Lortel Award - Outstanding Play WINNER! 2014 Obie Award - Playwrighting (Will Eno) & Direction (Oliver Butler) WINNER! 2014 Drama Desk Special ...
[24]
'The Realistic Joneses': Theater Review - The Hollywood Reporter
Apr 6, 2014 · Toni Collette, Michael C. Hall, Tracy Letts and Marisa Tomei reach for connections both human and cosmic in Will Eno's existential sitcom about mortality and ...Missing: commercial | Show results with:commercial
[25]
What Are Tonys Saying by Ignoring 'Realistic Joneses'?
Apr 29, 2014 · And yet, against the odds, “Joneses” is faring pretty well at the box office, which is the ultimate arbiter of success in the commercial theater ...
[26]
Will Eno's Star-Packed Realistic Joneses Ends Broadway Run
The Broadway premiere of playwright Will Eno's The Realistic Joneses , which stars Michael C. Hall, Toni Collette, Marisa Tomei and Tracy Letts, ...Missing: biography | Show results with:biography
[27]
Review: 'Wakey, Wakey' Stars Life and Death - The New York Times
Feb 27, 2017 · There are echoes of Samuel Beckett in this short, resonant tragicomedy, written by Will Eno and featuring Michael Emerson.
[28]
Will Eno's Wakey, Wakey Extends Off-Broadway | Playbill
Mar 1, 2017 · January LaVoy and Michael Emerson star in the world-premiere staging at the Signature Theatre Off-Broadway.
[29]
Will Eno | Steppenwolf Theatre
Will's play The Flu Season received the 2004 Oppenheimer Award for the best debut production in New York by an American playwright.Missing: early 2005
[30]
Drama on 3, Life is a Radio in the Dark - BBC
Life is a Radio in the Dark ... Toby Jones stars in Pulitzer nominee Will Eno's play. Davey Maskelyne is a key witness to a crime but suffers from memory loss.
[31]
Radio 3 Drama and readings, 2023, DIVERSITY website - suttonelms
Indie (Big Fish). 18 Jun 23 No drama - Proms. 25 Jun 23 Life is a Radio in the Dark Toby Jones stars in Pulitzer nominee Will Eno's play. Davey Maskelyne is ...
[32]
SHORT NEW PLAY FESTIVAL 2025 - Red Bull Theater
Jun 23, 2025 · The BBC Radio play Life is a Radio in the Dark, starring Toby Jones, was a finalist for both the 2022 Tinniswood Award and the BBC Audio Drama ...<|control11|><|separator|>
[33]
Red Bull Theater Unveils Selections for Short New Play Festival 2025
May 29, 2025 · The festival will feature world premiere commissions from Will Eno and Anna Ziegler. By: Chloe Rabinowitz May. 29, 2025. pixeltracker Red ...
[34]
Will Eno: A Very Human Thing - Exeunt Magazine
Sep 11, 2012 · Will Eno: A Very Human Thing. Will ... I studied writing with a guy, Gordon Lish, who's just a great writer and teacher and a best friend.
[35]
Critic's Notebook: Samuel Beckett, Harold Pinter share literary legacy
alive in the works of Edward Albee, Caryl Churchill, Sam Shepard, Will Eno and Enda Walsh, among others ...Missing: influences | Show results with:influences
[36]
THEATER REVIEW: 'Title and Deed' is pure, real theater
Jun 21, 2021 · If this sounds like the 70-minute play is set in no-man's land, with a nod to Harold Pinter, you're close, but Eno puts Man squarely on Becket's ...
[37]
Edward Albee, Audacious American Playwright, Dies at 88
Sep 16, 2016 · Will Eno, an Albee protege who had a residency with the Foundation in 1996, sat down with him for The Dramatists Guild series The Legacy ...
[38]
'Thom Pain (based on nothing)' (Signature Theatre Company)
Nov 26, 2018 · Although Eno was a protégé of Edward Albee, his absurdist sensibility reaches further back to Albee's less playful philosophical mentor, Samuel ...
[39]
[PDF] will eno: the page, the stage, and the word
Eno's use of these motifs seems to blend the literary medium's very specific usage of words while also fully utilizing the “endlessly strange idea of theatre” ...Missing: "theater | Show results with:"theater
[40]
[PDF] Amanda Burnett 215345069 - Thesis FINAL - YorkSpace
Will Eno's play Middletown examines the short period in-between life and death, ... “Review: Middletown sucks the viewer into an oddball, poetic world ...
[41]
14 | Obie Awards
The Hill Town Plays. Ross Wetzsteon Award. Abrons Arts Center. Projections, Design. Ben Rubin. Arguendo. Playwrighting. Will Eno. The Open House. Performance ...
[42]
2014 Nominees - Lucille Lortel Awards
The Open House. Produced by Signature Theatre. Written by Will Eno. Outstanding Musical. Fun Home. Produced by The Public Theater. Music by Jeanine Tesori. Book ...
[43]
2014 Drama Desk Awards Crown 'Gentleman's Guide to ... - Variety
Jun 1, 2014 · Special Awards. Soho Rep. Veanne Cox. Ed Sylvanus Iskandar. The ensembles of Off Broadway's “The Open House” and Broadway's “The Realistic ...
[44]
Audio Drama Awards 2022 – The Finalists - BBC Radio 4
Life is a Radio in the Dark by Will Eno, producer Sally Avens, BBC Audio Drama London for BBC Radio 3; The Piper by Vickie Donoghue and Natalie Mitchell ...
[45]
Writers Talk - A Conversation with Will Eno - Videos
Jan 20, 2012 · His play The Flu Season won the 2004 George Oppenheimer-Newsday Award for best debut by an American playwright. Date. January 20, 2012 ...Missing: awards | Show results with:awards
[46]
Fellows and Their Topics for the Year 2006-2007 | The New York ...
The playwright Will Eno has received fellowships from the Guggenheim and the Edward F. Albee Foundations, and has been a Helen Merrill Playwriting Fellow. His ...
[47]
Current & Past Fellows - Lewis Center for the Arts
Will Eno, Playwright. 2004-05. Daisy Fried, Poet; Adam Kirsch, Poet. 2003-04. Anthony Doerr, Fiction Writer; Sarah Manguso, Poet. 2002-03. Andrea Ashworth, ...<|control11|><|separator|>
[48]
2010 Prize for Promising New American Play - The Horton Foote Prize
Bio: Playwright Will Eno recently completed the Residency Five Fellowship at the Signature Theatre, which premiered his play Title and Deed in 2012, and The ...
[49]
PEN/Laura Pels International Foundation for Theater Award
... PEN/Laura Pels International Foundation for Theater Award to Guadalís Del Carmen. ... 2012 Will Eno and Adam Rapp. 2011 Marcus Gardley. 2010 Theresa Rebeck. 2009 ...