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World Yo-Yo Contest

The World Yo-Yo Contest (WYYC) is the premier annual international competition for yo-yo enthusiasts, where participants from over 30 countries showcase advanced routines in specialized technical divisions to compete for world championships. Originating from an inaugural event in , , in 1932, the contest evolved into its modern form in 1992 when yo-yo expert Dale Oliver established it under the auspices of the International Juggler's Association (IJA), initially held alongside conventions in locations such as and . From 2000 to 2013, promoter independently organized the event, expanding its scope and refining its competitive structure while hosting it primarily in , which helped solidify its status as a global gathering for over 1,000 players and spectators annually. In 2013, the contest merged with the newly formed International Yo-Yo Federation (IYYF), a uniting national yo-yo associations from countries including , the , and the , with the merger taking full effect in 2014 to professionalize governance and promote yo-yoing as a unified worldwide. Under IYYF oversight, the WYYC has rotated venues internationally—such as in 2014, in 2015, and Cleveland, Ohio, in 2024—to foster global participation and cultural exchange, though events were canceled from 2020 to 2022 due to the . The competition format centers on judged freestyle performances lasting 1 to 3 minutes, evaluated on technical difficulty, execution, form, and creativity, with five core championship divisions defined by yo-yo style: 1A (single-handed string tricks with a responsive yo-yo), 2A (double-handed looping with unresponsive yo-yos), 3A (two-handed string tricks using dual yo-yos), 4A (offstring play with a yo-yo launched outside the string loop), and 5A (counterweight-assisted string tricks). Additional non-championship categories include Women's Freestyle, Over-40, Junior Freestyle (for ages 16 and under), and Artistic Performance, which emphasizes choreography and entertainment over technical prowess, allowing for broader inclusivity across skill levels and age groups. Beyond competitions, the four-day event incorporates workshops, vendor exhibits, performances, and community activities to celebrate yo-yo culture, with national champions often qualifying through preliminary events like the National Yo-Yo Contest in the United States. The 2025 edition was held August 7–10 in , Czechia, at the Centrum Cubex, continuing this tradition under IYYF rules, highlighting the contest's role in advancing yo-yo innovation and international camaraderie.

History

Origins and early contests

The first recorded yo-yo contest took place in , , on September 12, 1932, at the Empire Theatre, where 13-year-old Canadian Harvey Lowe emerged as the winner, defeating competitors from several countries including the and the . Organized by the Cheerio Yo-Yo Manufacturing Company as part of a promotional campaign to popularize the toy in , the event drew international participants and offered a substantial prize of $4,600—equivalent to over $100,000 today—highlighting the growing commercial interest in yo-yo demonstrations. Lowe, who had been recruited as one of Cheerio's original demonstrators, went on to perform exhibitions across following his victory. Throughout to 1950s, yo-yo contests remained irregular and largely promotional, concentrated in and occasionally , driven by toy manufacturers seeking to boost sales during fad cycles. In the United States, the Duncan Yo-Yo Company, founded by Donald F. Duncan Sr. in 1929 after acquiring rights from Filipino immigrant Pedro F. Flores, organized widespread demonstrations and local tournaments, often in partnership with newspapers like those owned by to reach young audiences. These events typically featured trick performances and awarded prizes such as official Duncan yo-yos or badges, fostering skill development but lacking a consistent international structure; for instance, Duncan's "Gold Seal" tournaments in required participants to use standardized wooden models for fairness. In , similar sporadic promotions occurred, tied to local distributors, though on a smaller scale than Duncan's n efforts. Key promoters like Flores, who pioneered contest formats in the late 1920s, and Duncan, who expanded them into a national phenomenon, emphasized yo-yos as accessible skill toys, leading to peaks in popularity during the 1940s and 1950s "Golden Era" of yo-yo marketing. By the and , commercial fads waned amid legal disputes over trademarks and shifting toy trends, but play transitioned toward more structured recreational and skill-based activities within emerging hobbyist groups, including early enthusiasts who incorporated tricks into performances. Innovations like ball-bearing axles in the late enabled longer spins and complex routines, sustaining interest among dedicated players despite the absence of regular global competitions. This period laid informal groundwork through local clubs and festivals, culminating in the first sustained championships in 1992 that built directly on these promotional origins.

Unofficial era (1992–2012)

The unofficial era of the World Yo-Yo Contest, spanning 1992 to 2012, represented the revival and expansion of international yo-yo competitions without formal global governance, fostering growth through regional and enthusiast-driven organization. The modern series began in 1992 when Dale Oliver founded the event at the International Jugglers' Association (IJA) festival in , , establishing a consistent annual format focused on freestyle performances. This inaugural contest drew a modest crowd of around 100 participants and spectators, primarily jugglers and early yo-yo enthusiasts, with Dale Oliver himself claiming the top spot in the single-string division. The event continued annually under IJA auspices through 1998, rotating to various North American venues including (1993); (1994); Las Vegas, Nevada (1995); (1996); Pittsburgh, Pennsylvania (1997); and (1998), allowing broader accessibility while maintaining an informal, community-oriented structure. In 1999, the contest shifted to , , organized by High Performance Kites in partnership with amid a global yo-yo boom, which boosted international participation and introduced more structured judging. From 2000 to 2012, assumed organization, relocating the event to —specifically the Rosen Plaza Hotel—where it became a fixed summer staple, emphasizing professional production and vendor involvement. The National Yo-Yo League, established in 2002, supported this growth by coordinating regional qualifiers across the , enhancing pathways for competitors. Attendance expanded significantly during this Florida phase, reaching over 500 attendees by 2012, including around 300 competitors from dozens of countries, underscoring the sport's rising profile. This period saw the evolution of competition formats, with the introduction of specialized divisions to accommodate diverse yo-yo styles: 1A for single-handed unresponsive string tricks, 2A for two-handed responsive looping, and X (later refined into off-string categories) for external string manipulation. Winners during these years were recognized as unofficial world champions, lacking the sanctioning of a dedicated federation until 2013. Representative early victors included Ryoichi Suzuki of in the 1A division at the 1998 Primm event and Joel Zink of the in 1A at the 1999 contest. competitors increasingly dominated, exemplified by Shinji Saito's multiple 2A titles beginning in 2003, including victories in 2003, 2004, 2007, and 2011, which highlighted technical mastery in looping techniques. These achievements, tracked through event records and videos, built a legacy of innovation despite the absence of official oversight.

Official era under IYYF (2013–present)

The International Yo-Yo Federation (IYYF) was established on February 8, 2013, to formalize and govern the World Yo-Yo Contest as an international sport, building on the event's prior organization by promoter since 2000. This led directly to the first official contest under IYYF auspices in 2013, held August 8–10 at the Rosen Plaza Hotel in , , where standardized rules for divisions and seeding were adopted to ensure fair, global competition. The event drew nearly 200 entrants in the flagship 1A division alone, reflecting early consolidation of the sport's competitive framework. Under IYYF, the contest implemented a continental rotation policy to promote worldwide participation, hosting events across the Americas, Europe, and Asia, such as in , in 2014 (Europe), , Japan in 2015 (Asia), Cleveland, USA in 2016 (Americas), Reykjavik, Iceland in 2017 (Europe), and Shanghai, China in 2018 (Asia). This approach expanded accessibility beyond its North American roots, fostering growth in international representation from 33 registered nations by 2013 to over 40 countries by the mid-2020s. The Artistic Performance (AP) division, emphasizing creativity and entertainment over pure technical tricks, became a staple, allowing performers to incorporate props and while maintaining yo-yo focus. The severely disrupted the event, with the official in-person World Yo-Yo Contest canceled in 2020 (planned for , ), 2021 (, Hungary), and 2022 (, ) due to global health restrictions. In response, IYYF shifted to online formats for 2021 and 2022, enabling virtual submissions and live-streamed finals to sustain competition amid lockdowns, though without the traditional gathering. In-person events resumed in 2023 at the Osaka Conference Center in , marking a successful return with 367 registered competitors from 27 countries and over 3,300 total attendees. The era has seen steady expansion, with competitor numbers growing from around 500 total participants in 2013 to 229 competitors in 2024 and 298 in 2025, alongside thousands of spectators highlighting the event's rising profile. Key milestones include the 2024 contest in , , , which generated an estimated $750,000 in economic impact and drew participants from 27 countries, and the 2025 event in Prague, Czech Republic—the second time in Czechia after 2014—underscoring deepened European engagement with 298 competitors from 40 countries.

Organization

International Yo-Yo Federation (IYYF)

The International Yo-Yo Federation (IYYF) was established on February 8, 2013, by representatives from , the , the , and to create a unified governing body for competitive yo-yoing and to standardize international events. As a non-profit organization operating virtually without a physical headquarters, the IYYF unites national yo-yo associations worldwide to promote the sport's growth, sanction regional and national contests, and oversee major competitions like the World Yo-Yo Contest (WYYC). The IYYF's mission centers on elevating yo-yoing to a recognized global through rule , community support, and collaboration with yo-yo manufacturers to foster product innovation and market expansion. As of 2025, membership includes 33 national federations, each eligible to send delegates to general meetings for voting on organizational decisions. These meetings approve annual action plans, budgets, and the election of the executive board every two years, ensuring democratic governance without joining fees for members. Governance is led by a three-member executive board—Ondrej Šedivý (Czech Republic), Hironori Mii (Japan), and Steve Brown ()—as of February 2025, supported by an audit committee comprising Marcus Springer (), Nathan Crissey (), and Roy Teo () to oversee compliance and transparency. Key activities encompass developing the official contest rulebook, updated annually to refine judging criteria such as technical execution and artistic elements; for instance, the 2025 edition specifies deductions for pre-music throws and emphasizes body control in evaluations. The federation also maintains programs for official judge training and event sanctioning, while funding derives primarily from WYYC entry fees, private sponsorships via its contest supporter initiative, and partnerships with the yo-yo industry. Since its inception, the IYYF has marked the official era of the WYYC (2013–present) by rotating venues across continents to broaden participation and cultural exchange.

Event format and rules

The World Yo-Yo Contest is structured as a multi-day event, typically lasting four days, encompassing preliminary rounds, semifinals, and finals for competitive divisions, alongside ancillary activities such as an , educational workshops led by top players, and vendor areas showcasing yo-yo manufacturers and accessories. The competition emphasizes freestyle performances set to music, with rounds progressing from shorter routines in early stages to extended showcases in later ones, allowing participants to demonstrate technical proficiency and artistic expression. Judging occurs through a standardized system divided into two components: Technical Execution (TE), which accounts for 60% of the score and evaluates trick success, difficulty, variation, and control using positive points for elements and deductions for misses; and Freestyle Evaluation (FE), comprising 40% and assessing eight categories—execution, control, trick diversity, space use, music , music construction, body control, and showmanship—on a 0-10 scale per category, averaged across multiple judges. Scores are calculated as TE (maximum 60) plus FE (maximum 40), minus major deductions for violations, with ties broken by highest TE then FE scores; three judges typically oversee each division, though the exact number may vary. Round progression begins with a Wildcard round (30 seconds) for unseeded entrants, followed by Preliminaries (1 minute), Semifinals (90 seconds), and Finals (3 minutes), where top performers advance based on cumulative scores—generally the highest-ranked from each prior round proceed, with allowing prior champions and national winners to bypass earlier stages directly into Semifinals or Finals. Time limits are strictly enforced, with music initiating the routine and performance halting at the limit; technical issues, such as music malfunctions, permit restarts under judge discretion. Equipment regulations permit yo-yos from any manufacturer without specific IYYF approval, provided they adhere to division-specific requirements, such as one long-spin for 1A or two responsive yo-yos for , with no limit on modifications except those compromising . Strings must be standard yo-yo types, though specialty variants require pre-approval; counterweights are allowed exclusively in the 5A division as part of the setup, subject to verification for secure attachment. protocols mandate that all performances prioritize the well-being of participants, judges, and spectators, prohibiting hazardous actions like detaching yo-yos into the or edge violations, with penalties including deductions or disqualification; contestants are restricted to the stage area, and only approved items (yo-yos, strings, counterweights, gloves, and music media) may be used.

Qualification and seeding

Qualification for the World Yo-Yo Contest (WYYC) primarily occurs through national and multi-national contests sanctioned by the International Yo-Yo Federation (IYYF), allowing top performers from over 30 participating nations to earn seeded spots in the championship divisions (1A through 5A). Each IYYF-recognized national contest sends its champion directly to the semi-final round and the top 10 finishers to the preliminary round per division, with events like the US National Yo-Yo Contest serving as a key example for American representatives. This system ensures national representation, where citizens and residents (including those on permanent, work, or student visas) compete to earn , though dual citizens or residents must select one nation per year and only the first contest's results count toward . In addition to seeded entries, open registration is available for non-seeded players via the WildCard round, which serves as an entry point for anyone wishing to compete without prior qualification. This round accommodates up to 150 participants per in a 30-second judged solely on technical execution, with top performers advancing to preliminaries; if entries exceed capacity, groups are formed to advance equal numbers. Previous WYYC results also provide seeding, with champions advancing to finals, second- and third-place finishers to semi-finals, and other finalists to preliminaries. Eligibility for the WYYC is open with no strict age minimum for championship divisions, though most competitors are at least 7 years old due to the skill demands; there are no residency restrictions for open entries, but seeded players must represent their nation through approved contests. For 2025, updates include dedicated seeding paths for the new Junior Freestyle division, open to players aged 16 and under (born on or after August 9, 2008) who have not reached finals in divisions, featuring a WildCard qualification round and a 90-second final judged similarly to events.

Divisions

Championship divisions

The World Yo-Yo Contest features six championship divisions that award the title of World Yo-Yo Champion, each emphasizing distinct play styles, techniques, and equipment tailored to advanced competitors. These divisions—1A, , 3A, 4A, 5A, and Artistic Performance ()—cater to solo performers and require freestyles judged on technical execution, creativity, and overall performance within specified time limits. The core five divisions (1A through 5A) focus on technical proficiency with specific yo-yo configurations, while prioritizes artistic expression. 1A (Single A) is the foundational string trick division, utilizing a single long-spinning attached to one hand via a looped . Competitors perform complex combos involving s (such as trapeze s), (like front ), and intricate interactions, all while maintaining extended times for seamless transitions. The typically includes an unresponsive equipped with a for prolonged and narrow response pads or a wide to prevent automatic returns, enabling advanced and wrap tricks. This division highlights and in single-handed manipulation. 2A (Double A) centers on looping tricks with two responsive yo-yos, one per hand, connected by individual strings. The style emphasizes rapid circular motions, including speed loops, jumps (such as split the atom jumps), and stalls to build momentum and execute dynamic trajectories. Equipment consists of responsive yo-yos, typically with ball-bearing axles and response systems (such as starburst ) to ensure quick, reliable returns after each loop, often featuring slim profiles for faster hand switches. This division rewards speed, timing, and bilateral coordination in continuous looping patterns. 3A (Triple A) extends string trick play to two long-spinning yo-yos, with strings attached to both hands for simultaneous or alternating maneuvers. Performers execute dual mounts, wraps (like double orbs), and synchronized interactions between the yo-yos and strings, demanding exceptional and timing. The required equipment is a pair of unresponsive yo-yos, each with ball bearings for extended , allowing complex combos that integrate elements from 1A across both hands. It showcases advanced multitasking in string-based freestyles. 4A (Offstring) involves launching the off the end of the string for detached play, focusing on aerial tricks, binds for recaptures, and dynamic repositions. Key elements include whips, tosses, and ground-based rolls that exploit the freedom of separation, with competitors rebinding the yo-yo to continue . Equipment features large, rim-weighted yo-yos designed for stability during flight and easy , often with wider gaps and durable shells to handle impacts. This division prioritizes control in unbound, high-momentum sequences. 5A (Counterweight) employs a single paired with a fixed (such as a metal die or small weight) attached to the string's end, enabling pendulum-like swings and redirects. Tricks revolve around dynamic repositions, including direction changes, propellers, and wraps that leverage the counterweight's momentum for fluid motion. The setup uses a small, lightweight unresponsive with a bearing for spin control, combined with the to facilitate unique angular and swinging patterns. It emphasizes innovative use of physics in weight-assisted play. AP (Artistic Performance), added as a championship division in 2017, allows open-style routines choreographed to music, where competitors blend any style or props to convey , emotion, or thematic narratives. Unlike the technical focus of other divisions, judging prioritizes overall quality, , and value over pure trick difficulty, with routines up to three minutes in . Equipment is flexible, permitting mixes of types, lighting, costumes, or group performances to enhance artistic impact. This division celebrates yo-yoing as a performative form.

Non-championship divisions

The non-championship divisions at the World Contest provide supplementary competitive opportunities beyond the primary categories, emphasizing inclusivity for underrepresented groups such as women, older participants, and youth. These exhibitions allow competitors to showcase skills in a supportive environment without awarding the official World Yo-Yo Champion title, instead offering medals to winners. They follow similar judging criteria to the championship divisions, focusing on technical execution, creativity, and musical synchronization, but with adjusted scoring coefficients to normalize performances across yo-yo styles (1A through 5A). In , these divisions attracted approximately 20% of total entrants, with 55 participants out of 298 competitors. The Women's division is an exhibition event open exclusively to competitors, highlighting talent in a community where women represent a minority. Participants perform a 2-minute routine (or 1-minute preliminary if needed), selecting one style from 1A to 5A and providing their own music. Scoring aligns with rules, evaluating technical execution (up to 60 points), form, difficulty, and variety, with clicker scores normalized using style-specific coefficients (e.g., 1.35 for 3A) to ensure fairness across disciplines. This division promotes visibility and encouragement for yo-yoers, who may also enter events for official titles. The Over-40 division celebrates veteran players aged 40 and older (born on or before August 9, 1985), fostering appreciation for sustained skill and experience. Competitors deliver a 2-minute in any 1A-5A style, with judging mirroring semi-final criteria and normalized scoring coefficients (e.g., 1.00 for 1A, 1.27 for 5A). There is no age subclass split, allowing all eligible participants to compete together, and preliminaries may occur if entries exceed final slots. receive recognition for their enduring contributions, distinct from honors. In 2025, 9 competitors participated. Junior targets young players aged 16 or younger (born on or after August 9, 2008), excluding those who have reached finals in national main divisions to prioritize emerging talent. The event features a 30-second qualification round using wildcard music, advancing the top 16 to a 90-second final with player-selected tracks, all in 1A-5A styles. Evaluation uses championship-style metrics with normalized coefficients, emphasizing development over elite pressure. This division supports global youth engagement, with 36 entrants in 2025. Occasional specialty exhibitions, such as (focusing on string-based spinning props), Spintop (emphasizing thrown top manipulations), and Modded (showcasing custom yo-yo modifications), have broadened the contest's scope in past editions by judging creativity and innovation rather than standard freestyle metrics. These events enhance variety and participation but are not fixed annual features.

Defunct divisions

The World Yo-Yo Contest featured several experimental divisions during its unofficial from 1992 to 2012, designed to encourage innovative and group-based play, though these were later discontinued as the event evolved toward more standardized formats. These defunct categories reflected early efforts to accommodate diverse yo-yo styles and team dynamics before the establishment of the International Yo-Yo Federation in 2013 streamlined the structure. No such divisions have been revived as of 2025. The , active from 2000 to 2002, was a category emphasizing extreme play, creativity, and mastery of multiple non-standard techniques, including offstring and tricks. Competitors performed routines that pushed technical boundaries across styles not covered by traditional single-string or looping divisions. Due to the emergence of three distinct sub-styles—dualstring (3A), offstring (4A), and (5A)—the division was split in 2003 to better support specialization, paving the way for these as separate championship categories. The Combined Division (CB), held from 2006 to 2009, required performers to blend elements from 1A (single-hand string tricks), (two-hand looping), and 3A (two-hand string tricks) within a single routine, showcasing versatility across core styles. Introduced as a new freestyle format, it featured a revised scoring system by 2007 to address evaluation challenges in judging mixed techniques. The division was discontinued after 2009 amid ongoing difficulties in consistent judging and diminishing entrant numbers, with player Saito winning all four iterations. Team (TM) and Mega Team (MT) divisions operated briefly in the late 1990s, focusing on group performances with 2 to 10 players coordinating routines using any yo-yo styles. The Team category ran from 1999 to 2001, allowing cross-competition with individual events, while the Mega Team variant appeared only in 1999 for larger ensembles. These were phased out after 2001 due to logistical challenges in coordinating international teams, such as travel and synchronization in a global contest setting.

Venues and editions

Location rotation and hosting

Since its establishment under the International Yo-Yo Federation (IYYF) in 2013, the World Yo-Yo Contest has followed a practice of rotating venues across major continents—primarily the , , and —to encourage broad international involvement and the global growth of competitive yo-yoing. This approach is evident in early editions such as , (2013), , (2014), and , Japan (2015), followed by Cleveland, Ohio, (2016), Reykjavik, Iceland (2017), Shanghai, China (2018), and Osaka, Japan (2023). The rotation helps balance participation from diverse regions while adapting to logistical feasibility. In 2018, the IYYF modified this framework to move away from a rigid three-year cycle toward greater flexibility, prioritizing host based on emerging opportunities, resource availability, and organizational capacity, which permits adjustments like hosting in nearby regions consecutively if beneficial. Host selection begins with expressions of interest from national yo-yo federations or organizations, who contact the IYYF directly to explore possibilities; serious candidates are invited to collaborate with the existing organizing team, gaining hands-on experience in . Hosting responsibilities fall to the selected national body in partnership with the IYYF, which oversees standardization, rules, and promotion. Venues must accommodate large-scale events, typically featuring convention centers or theaters with sufficient space for competitions, spectator seating, and ancillary activities; examples include the Rosen Plaza Hotel in Orlando (2013), which hosted over 1,000 participants from more than 30 countries, and the Conference Center (). These facilities support an event scale of 200–300 competitors and up to 3,000 total attendees, often incorporating public demonstrations and instructional yo-yo camps to engage broader audiences and nurture new talent. The 2025 edition exemplifies this system, hosted by the Czech Yo-Yo Association in cooperation with the IYYF at the Centrum Čubex in —a modern venue in a central location—with 298 participants from 40 countries and over 1,200 spectators on the final day, marking the contest's return to the after the 2014 event.

List of past editions

The World Yo-Yo Contest (WYYC) has been organized annually since 1992, with the initial editions from 1992 to 2012 classified as unofficial and primarily managed by individuals such as Dale Oliver in collaboration with the International Jugglers' Association (IJA) or later by . Starting in 2013, the event became official under the governance of the International Yo-Yo Federation (IYYF), which continues to oversee it today. The following table summarizes the in-person editions, including key details on locations, dates, host nations, and estimated competitors or attendance where documented; the 2020 edition was planned for , , but canceled due to the , and 2021–2022 were held online.
YearLocationDatesHost NationEst. Competitors/Attendance
1992August~100
1993July~100–200
1994August~100–200
1995, August~200
1996July~200–300
1997, August~200–300
1998August~300
1999July~300–400
2000July 8–9~400
2001Late July–early August~500
2002Late July–early August~500
2003Late July–early August~500
2004Late July–early August~500
2005Late July–early August~500
2006Late July–early August~500
2007Late July–early August~500
2008Late July–early August~500
2009Late July–early August~500
2010Late July–early August~500
2011Late July–early August~500
2012August 2–4~500
2013August 8–10600+
2014August 7–9Czechia~400
2015August 7–9~500
2016, July 14–16~600
2017ReykjavikAugust 3–5~400
2018August 9–12~500+
2019, August 7–10~300+
2020Budapest (planned)CanceledCanceled due to
2023August 17–20367 competitors, 3,300+ attendees
2024, July 31–August 3~230 competitors
2025August 7–10Czechia298 competitors, >1,200 spectators final day
For the early Orlando years, attendance grew from ~400 in 2000 to around 1,000 by 2012, but to be concise, the table groups with approximate ranges for unofficial editions. The location rotation policy among continents has guided site selection since 2014.

Online editions

Due to the , the International Yo-Yo Federation (IYYF) canceled the traditional in-person World Yo-Yo Contest for 2020, 2021, and 2022, opting instead for virtual editions to sustain the global yo-yo community. The inaugural Online World Yo-Yo Contest in 2021 utilized a video submission format, with competitors filming freestyle routines at home for remote judging by IYYF officials. Divisions were limited to 1A through 5A, Artistic Performance (AP), Women's Freestyle, and Over 40 Freestyle, featuring prelims (1-minute routines), semi-finals (90 seconds), and finals (3 minutes) without video editing except in AP. The IYYF provided detailed guidelines for submissions, including requirements for adequate lighting, clear audio, and sponsor banner displays, to ensure consistent evaluation based on execution, control, body control, and music use; major deductions applied for stops or equipment changes. Results for the 2021 event were announced via live stream in November, with winners designated as "Online World Contest Winners" and granted seeding advantages—champions in 1A–5A advanced directly to the 2022 semi-finals, while top-10 finalists seeded into prelims. This adaptation emphasized self-reliance in home setups, broadening participation without travel constraints. The 2022 Online World Yo-Yo Contest, held from August to November, simplified the structure to prelims (1 minute) and finals (2 minutes) across the same core divisions plus AP, with finals presented through live-streamed announcements. Video uploads faced strict deadlines—prelims by and finals by October 10—alongside calibrated judging protocols to address remote format challenges like varying production quality and time zone differences. Competitors used IYYF-approved music libraries without alterations, and no live audio was permitted, prioritizing fairness in a decentralized environment. These online editions enhanced global access by welcoming entries from any location, fostering continued competition and skill development during restrictions, though they offered reduced engagement compared to in-person events due to the absence of workshops, vendor interactions, and communal atmosphere. They effectively bridged the hiatus, enabling a seamless transition back to the physical World Yo-Yo Contest in 2023.

Participants and champions

Participating nations

The International Yo-Yo Federation (IYYF) recognizes 33 member nations as of 2025, enabling each to send seeded directly to the semi-final rounds of the World Yo-Yo Contest through approved national contests. Prominent examples include , the , , , , and Czechia, where domestic organizations such as the Japan Yo-Yo Association (JYYA) organize qualifiers that serve as key feeders for international representation. These member nations are distributed across regions, with Asia comprising 12 countries and leading in participant numbers, North America 5, Europe 10, Oceania 3, South America 2, and Africa 1, reflecting the global spread of competitive yo-yoing. Japan consistently dominates contributions, accounting for approximately 40% of total competitors in recent editions due to its robust national infrastructure and high participation rates. Emerging nations like Indonesia contribute through recognized regional and national events, such as the Indonesia National Yo-Yo Championship, which qualify players for the world stage and highlight IYYF's outreach efforts to expand membership. Over 30 countries typically compete annually at the World Yo-Yo Contest, fostering diversity and international exchange, with the 2025 edition in drawing 298 participants from 40 nations to underscore growing global involvement. This structure, tied to qualification and seeding mechanisms, ensures broad representation while prioritizing top performers from established and developing communities.

Current champions (2025)

The 2025 World Yo-Yo Contest, held in , , from August 7–10, crowned champions across the primary solo divisions, showcasing exceptional skill in fixed-axle, looping, dual-string, off-string, and counterweight styles, as well as artistic performance. These victors demonstrated technical mastery and creative innovation, with dominating most categories while claimed the 1A title. In the 1A division, Mir Kim of secured his third consecutive , a feat achieved by only the second competitor in the division's history, through a routine featuring highly complex string manipulations that pushed the boundaries of precision and fluidity. Known for his innovative string techniques, the 16-year-old prodigy has rapidly elevated the standards of single-handed play since his debut wins in 2023 and 2024. Arata Imai from triumphed in the division, a looping style requiring synchronized dual yo-yos in continuous motion, marking his breakthrough after multiple runner-up finishes and solidifying his reputation as a looping specialist with seamless transitions and speed. His victory highlighted Japan's strong tradition in this dynamic category. Hajime Miura, also of , claimed his eighth 3A world title, a record-extending achievement in the dual-yo-yo string trick division that demands intricate bilateral coordination, pioneering advanced techniques that blend and complexity in ways that have influenced global competitors. Miura's long-standing dominance underscores his role as a foundational figure in 3A innovation. The 4A division, focused on off-string play where the yo-yo detaches from the string for aerial maneuvers, was won by Kaoru Nakamura of , whose routine emphasized expert control in high-flying recoveries and binds, earning acclaim for its aerial precision and endurance. Nakamura's performance reinforced 's prowess in this freeform style. Sora Ishikawa, representing , defended his lead in the 5A , utilizing a removable weight for extended tricks and momentum-based dynamics, building on his prior successes including online championships in 2021 and 2022 to deliver a mature routine showcasing advanced . His win highlighted evolving techniques in this specialized category. In the Artistic Performance () , Rei Iwakura of captured the Grand Prix and Entertainment Award with a narrative-driven routine that integrated yo-yo elements into a compelling , emphasizing flair and audience engagement over pure technicality. As a veteran with multiple prior world titles, Iwakura's approach exemplified the artistic evolution of competitive yo-yoing.
DivisionChampionNationNotable Achievement
1AMir KimThird consecutive win; innovative string tech
2AArata ImaiLooping specialist; breakthrough after runner-ups
3AHajime MiuraEighth career title; dual-yo-yo pioneer
4AKaoru NakamuraOff-string aerial expert
5ASora IshikawaCounterweight dynamics leader; prior online champs
APRei IwakuraArtistic routine with narrative flair

Historical champions and records

Since the inception of the World Yo-Yo Contest in , has established unparalleled dominance in the championship divisions, accumulating 95 gold medals across all official and unofficial eras through 2025. This tally reflects wins in primary styles such as 1A, , 3A, 4A, and 5A, as well as specialized categories like Women's and Over-40. The follows with 35 golds, while has secured 15, highlighting the event's global appeal but concentrated excellence among a few nations. These figures encompass 33 editions, including the online contests of 2021 and 2022, which are counted separately in historical .
RankNationGold Medals (1992–2025)
195
235
3South Korea15
44
53
63
72
8France2
91
101
Notable players underscore individual legacies within this competitive landscape. Shinji Saito of holds the record for the most world titles with 13, primarily in the division from 2002 to 2007 and additional wins in combined and other styles up to 2015. Gentry Stein of the has earned 2 world titles in 1A (2014 and 2019) and contributions in artistic performance categories. In specific divisions, Hajime Miura of leads with 8 wins in 3A, spanning 2014 to 2025 and demonstrating sustained mastery in offstring techniques. Key records further illustrate the contest's evolution. Mir Kim of holds the longest consecutive reign in 1A, winning from 2023 to 2025 and becoming the second player to achieve three straight titles in that division. The youngest overall champion is Hajime Miura, who won 3A at age 10 in 2014, though the junior divisions have seen even younger victors. Division-specific editions vary: 1A and have been contested in all 33 events since 1992, 3A in 24 since 2001, and 4A/5A in 21 each since 2004. Trends reveal Japan's post-2000 surge, coinciding with the formalization of advanced divisions and increased international participation, resulting in over 80% of golds in that period. The online editions of 2021 and 2022 added 10 golds each year without diminishing in-person dominance upon resumption in 2023.

References

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