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Wrapped Around Your Finger

"Wrapped Around Your Finger" is a rock song written by Sting and recorded by the English band the Police for their fifth studio album, Synchronicity, released on June 17, 1983, by A&M Records. Issued as a single in July 1983 in the United Kingdom and January 1984 in the United States, it became one of the album's major hits, peaking at number 7 on the UK Singles Chart after entering on July 23, 1983, and spending 9 weeks in the top 40, and reaching number 8 on the US Billboard Hot 100 in early 1984 and spending 16 weeks on the chart. The track features a reggae-influenced rhythm and synthesizer elements, with lyrics that explore themes of manipulation, control, and revenge in a relationship, using allusions to Greek mythology such as Scylla and Charybdis, as well as references to Faustian bargains and the "devil and the deep blue sea." The song's creation occurred amid strained band dynamics during the recording of at in and AIR Studios in , where initial sessions in yielded no usable tracks after two weeks due to interpersonal tensions, prompting intervention from producer and manager Miles Copeland to refocus the group. has described the lyrics as depicting an apprentice who eventually overthrows his master, symbolizing a of power dynamics, which he characterized as a "spiteful about turning the tables on someone who had been in charge." The accompanying , directed by and , was filmed in at an A&M soundstage and features the band performing in a surreal, monochromatic setting with a candle-lit , achieving innovative through sped-up playback. Synchronicity itself was the Police's most commercially successful album, topping the for 17 weeks and selling over 8 million copies in the alone, with "Wrapped Around Your Finger" contributing to its legacy as a of and rock, including deluxe reissues for its 40th anniversary in 2024. The song has been covered by artists including in 2005 and Brazilian band Skank in a version in 2000, and it remains a staple in Sting's solo performances and Police reunion tours.

Writing and recording

Background

"Wrapped Around Your Finger" was written solely by during the recording sessions for The Police's fifth and final studio album, , which began in December 1982 at AIR Studios in . The song emerged amid escalating tensions within the band, as creative differences between , , and intensified, contributing to the group's eventual breakup after the album's release. later described the track as a personal reflection on his life, noting that much of felt like a solo effort due to the strained dynamics. The song's inspiration draws from themes of power dynamics and reversal in a master-apprentice relationship, specifically evoking the "Sorcerer's Apprentice" motif where the student gains control over the teacher. Sting characterized it as "a spiteful song about turning the tables on someone who had been in charge," blending esoteric elements with personal spite. He elaborated that the concept was "vaguely alchemical and probably about a friend of mine, a professional psychic and my tutor in tarot, with bits of Doctor Faustus and 'The Sorcerer's Apprentice' thrown into the pot for good measure."

Recording process

The recording of "Wrapped Around Your Finger" took place as part of the sessions for The Police's album , spanning from December 1982 to February 1983. Initial sessions at AIR Studios in were unproductive for the first two weeks due to severe interpersonal tensions, yielding no usable tracks and prompting intervention from producer and manager Miles Copeland to refocus the group. Tracking then proceeded at AIR Studios in , with overdubs and mixing completed at in , . The track was produced by the band members—Sting, Stewart Copeland, and Andy Summers—alongside engineer Hugh Padgham, who handled the technical aspects of capturing their sound on 24-track analog tape. Backing tracks were recorded live with the trio performing together where possible, though escalating tensions often led to isolated overdubs, with band members working in separate rooms to minimize conflicts. The sessions were marked by a collaborative process overshadowed by intense interpersonal strife, including physical altercations and emotional discord stemming from personal issues like marital breakdowns; as drummer later recalled, "The recording sessions were very dark. We beat the crap out of each other" and "tore each other’s throats out in the studio," with Sting's strong songwriting vision dominating the arrangements. Synthesizers, including the , were employed to add dramatic textural elements, complementing the core instrumentation of Sting's piano-driven intro riff—played in a style evoking a —and Copeland's percussion accents. The final mix, clocking in at 5:13, balanced the band's signature sensibilities with reggae-inflected rhythms, emphasizing clean, layered production to highlight the song's brooding tension.

Personnel

"Wrapped Around Your Finger" was written by Sting. Sting performed lead vocals, bass guitar, and piano on the track. Andy Summers contributed guitar. Stewart Copeland played drums. The song was produced by the members of The Police—Sting, Andy Summers, and Stewart Copeland—with Hugh Padgham engineering. No additional musicians participated, featuring only the core .

Composition and lyrics

Musical composition

"Wrapped Around Your Finger" is composed in the key of and maintains a of 128 beats per minute. The track exemplifies with a fusion of rock and elements, characterized by its atmospheric tension and rhythmic drive. The song's structure adheres to a verse-chorus form, opening with an iconic introductory repeated eight times before transitioning into and choruses. It includes two full -chorus cycles, followed by a that blends into the third verse through harmonic shifts, melodic instability, and instrumental changes such as a rock beat on drums and added guitar tension, culminating in a fade-out. Reggae influences are evident in the rhythm section, featuring offbeat guitar stabs echoing style and steady drums with the kick drum landing on the "and" of beats 2 and 3, accented by a cross-stick snare on beat 4. The prominent main is a riff evoking a , created using an to emulate the sound and layered with subtle synth pads for depth. Sting's baritone vocal delivery employs hypnotic phrasing, syncing with the undulating rhythm to enhance the song's entrancing mood.

Lyrical themes

"Wrapped Around Your Finger" explores themes of power dynamics and within a manipulative , where the narrator transitions from a position of to one of dominance over a controlling figure. The portray the narrator as a "" initially ensnared by the other's influence, but ultimately poised to reverse the roles, declaring, "You'll be wrapped around my finger." described the as "a spiteful about turning the tables on someone who had been in charge," emphasizing the vengeful shift from to controller. This narrative reflects intellectual and emotional control, inspired in part by a real-life acquaintance—a professional and tutor—infusing the track with alchemical undertones of transformation. The song incorporates literary allusions that deepen its exploration of entrapment and temptation. The line "Caught between the and " directly references the mythological peril from Homer's , symbolizing the narrator's dilemma between two dangerous choices imposed by the dominant figure. Additionally, " is not your name" alludes to the Faust legend, evoking the devilish tempter from Goethe's or Marlowe's , where the phrase "such a lot of fascinating things" echoes Mephistopheles' seductive promises of knowledge and power. These references underscore the theme of hypnotic manipulation, as the apprentice is drawn into a of subservience. The master-servant dynamic also briefly evokes the power imbalances in Shakespeare's , such as between and . Vivid imagery reinforces the song's motifs of control and its consequences. The narrator is "hypnotized" by the other's gaze, illustrating psychological entrapment and loss of agency. The chilling promise "I will turn your face to alabaster" suggests a petrifying transformation, rendering the once-powerful figure lifeless and stone-like, symbolizing the draining of vitality and the permanence of revenge. Through these elements, the lyrics convey unfulfilled promises and the inevitable fruition of inverted power, where the manipulated becomes the manipulator.

Release

Single release

"Wrapped Around Your Finger" was issued as the second single from The Police's album Synchronicity following "Every Breath You Take", by on July 8, 1983, in the United Kingdom. In the United States, the single was released on January 2, 1984. The UK 7-inch vinyl edition featured "Someone to Talk To" as the B-side, a non-album track written by guitarist . The US version paired the track with a live recording of "Tea in the Sahara". The single was available in multiple formats, including 7-inch and 12-inch vinyl records, as well as promotional versions distributed to radio stations and media outlets. Promotion for the release was integrated with the broader marketing campaign for , which included television appearances, radio play, and performances during the band's extensive that began in July 1983 and continued through 1984. This strategy helped sustain album sales and build anticipation for the tour across , , and beyond.

Track listings

The single "Wrapped Around Your Finger" was released in multiple vinyl formats in 1983 in the UK and 1984 in the US markets.
FormatCatalog numberCountryTracks
7-inch singleAM 127UK"Wrapped Around Your Finger" – 5:07
"Someone to Talk To" – 3:08
7-inch singleAM-2614US"Wrapped Around Your Finger" – 5:07
"Tea in the Sahara" (live) – 5:03
12-inch singleAMX 127UK"Wrapped Around Your Finger" – 5:07
"Someone to Talk To" – 3:08
"Message in a Bottle" (live) – 4:52
"I Burn for You" – 4:50
12-inch promoSP-17264US"Wrapped Around Your Finger" – 5:12
"Wrapped Around Your Finger" (live) – 5:22
"Murder by Numbers" – 4:31
"Someone to Talk To" – 3:05

Commercial performance

Chart performance

"Wrapped Around Your Finger" was a commercial success across multiple international markets, peaking in the top ten in several countries and demonstrating The Police's global appeal during the era. Released in the UK in July 1983, the single entered the at number 7 on July 23, 1983, where it peaked for two weeks before descending, ultimately charting for a total of 9 weeks. In , the track was issued later as the album's fourth single, debuting on the on January 7, 1984, at number 61 and ascending to number 8 on the chart dated March 3, 1984, for one week; it totaled 16 weeks on the listing. In , it peaked at number 10 on the RPM Top Singles chart in 1984. The song performed even stronger in some European territories, topping the for three weeks in July 1983. It also reached number 4 in on the in September 1983 and number 6 in the on the in August 1983.
CountryChartPeak PositionYear
Australia41983
CanadaRPM Top Singles101984
Ireland11983
Netherlands61983
United Kingdom71983
United States81984
Compared to other singles from , such as "," which topped the US for eight weeks, "Wrapped Around Your Finger" solidified the album's dominance but fell short of that level of chart-topping success. The later US release timing, following the blockbuster performance of prior singles, contributed to its strong but non-number-one showing.

Certifications

The single's success contributed to the overall commercial performance of its parent album , which has been certified by the RIAA for exceeding 10 million units sold in the .

Music video

Production

The music video for "Wrapped Around Your Finger" was directed by and , former members of the band , and produced in 1983 as a promotional piece for the single from The Police's album Synchronicity. Filmed on an A&M soundstage, the production featured the band performing amid a of approximately 1,000 candles, creating a dramatic, candlelit environment that visually echoed the song's themes of and reversal of dynamics. The shoot employed a low-budget, artistic style, with directors Godley and Creme providing a simple hand-drawn diagram of the candle setup from their homes, emphasizing after the higher-cost production of the prior single's video. To achieve its signature slow-motion effect, the video was shot at 50 frames per second on 16mm film using a custom setup, while the audio track played at double speed to enable real-time lip-syncing by the band members—resulting in an exhausted, manic performance during filming that appeared graceful and upon playback at normal speed. Lighting focused on the flickering candles, with additional overhead sources to highlight the molten wax and dynamic movements, culminating in a final take where knocks over the arrangement in a handheld shot. The video was released concurrently with the single in July 1983 to enhance its promotion on the emerging network, where innovative visuals like these helped drive airplay and visibility.

Content and style

The music video for "Wrapped Around Your Finger," directed by , is set in a surreal candle-lit constructed on a soundstage, with drummer performing within the candle-lit , enclosed by the pillars of candles, evoking themes of and dominance. In the narrative, frontman , clad in white as a commanding figure, strides through the of tall, flickering candles while miming the vocals, culminating in him knocking over the candlesticks to assert control; guitarist joins the performance in the , and the band delivers the song amid hypnotic, dreamlike visuals of endless corridors and shifting light. Stylistically, the video employs cinematography enhanced by slow-motion sequences and a specialized lip-sync technique using sped-up playback at 50 frames per second to maintain , creating , surreal effects that amplify the song's atmospheric tension; it runs for 5:12 in length. The symbolically parallels the ' exploration of and , with the representing confinement and transformation, and the act of extinguishing the lights signifying a reversal of control from apprentice to master.

Critical reception

Initial reviews

Upon its release in 1983 as part of The Police's album , "Wrapped Around Your Finger" received praise from critics for its musical elements and thematic depth. In a June 23, 1983, review, described the song as taking "a longer, colder view of the " with a music-box-like , viewing it as part of the album's brooding . The track was seen as a strong continuation of the album's mystical edge while building on the success of prior singles. New Musical Express (NME) offered a mixed but appreciative take in its June 18, 1983, issue, with reviewer describing the song as "a naif’s trip to Costello country, aswirl with luxurious harmonies," suggesting a stylistic nod to while praising its sensual, multi-faceted quality. Overall, contemporary responses positioned "Wrapped Around Your Finger" as a highlight of , blending the band's reggae-infused rock with introspective themes.

Retrospective views

In the , "Wrapped Around Your Finger" has continued to receive acclaim in various music rankings and analyses, affirming its status within The Police's catalog. Ultimate Classic Rock ranked it 14th among all 70 Police songs in 2023, noting how infused the track with Greek mythological and Faustian references amid the band's commercial dominance, allowing for sophisticated lyrical depth in a pop format. Similarly, a 2024 piece spotlighted the song's sinister undertones, interpreting its narrative as a tale of manipulative and vengeful reversal in a romantic or mentor-apprentice dynamic. Critics have praised the track's enduring appeal, particularly Sting's songwriting prowess in blending intellectual themes with accessible reggae-infused rock. A 2023 retrospective on Synchronicity highlighted Sting's dominant role in the album's composition, with songs exploring themes such as Greek mythology. Detailed analyses further underscore the song's thematic complexity, focusing on its revenge motif. Songfacts describes it as a "spiteful song about turning the tables on someone who had been in charge," drawing from Sting's 1985 interview where he contrasted its manipulative reversal with themes of reconciliation in his solo work. Genius annotations reinforce this, portraying the lyrics as an "observation on control and the empowered protégé," enriched by allusions to entrapment in mythology and literature like Faust. Building on its initial positive reception as a sophisticated , the song has faced no significant reevaluations in modern discourse, remaining a consistent highlight of across retrospectives for its narrative intrigue and sonic polish.

Live performances and legacy

Live performances

"Wrapped Around Your Finger" debuted as part of The Police's , which supported their 1983 album of the same name and ran from July 1983 to March 1984. The song became a setlist staple during this period, performed at 95 concerts across , , and . A notable rendition occurred during the band's shows at the Omni in Atlanta, Georgia, on November 2–3, 1983, which were filmed and later released as the live video Synchronicity Concert. The track maintained its presence in The Police's performances during their 2007–2008 Reunion Tour, appearing in nearly every show of the 151-date run that grossed over $362 million worldwide. Arrangements during this tour often featured extended introductions, incorporating additional percussion elements such as , , and by drummer to heighten the song's atmospheric tension. For instance, the performance at in , Brazil, on December 8, 2007, showcased these embellishments alongside guitarist ' occasional improvisational flourishes on his arpeggiated riff, diverging slightly from the studio version while remaining faithful to its reggae-infused structure. Overall, the reunion era saw the song played 149 times by . Following the band's second disbandment, Sting has occasionally revived "Wrapped Around Your Finger" in his solo tours, including acoustic interpretations that strip back the instrumentation for intimate settings. These versions appeared sporadically in setlists during his in 2022, emphasizing the song's lyrical depth through simplified guitar accompaniment. The song has continued to feature in Sting's 2025 tour, with performances including at in , on May 20, 2025. Across Sting's solo career, the track has been performed over 300 times, often with subtle variations in tempo and phrasing to suit solo formats.

Cover versions and influence

"Wrapped Around Your Finger" has been covered by numerous artists across various genres, with over 35 documented versions listed on , including several instrumental renditions. One notable cover is by the band , who delivered a heavier rock interpretation on the 2005 tribute album ¡Policia! A Tribute to . Italian singer Paola Iezzi released a pop version in 2009, incorporating electronic elements while preserving the song's hypnotic melody. In 2021, Tunisian artist Karima Ammar offered a contemporary take, blending Middle Eastern influences with the original's reggae-rock vibe. More recently, in 2024, composer Kevin M. Kirker arranged an ethereal and adaptation, emphasizing the track's atmospheric qualities in a live performance. The song's distinctive riff and thematic depth have extended its reach beyond covers, influencing sampling in tracks such as and Master "Mixin'" Mando's 1999 single "Don't Knock It," which directly samples , and later uses by artists like 8Ball in "My First Love" (). Its exploration of manipulative power dynamics in relationships has echoed in 1980s and 1990s rock, contributing to narratives of reversal and control in songs by bands navigating similar and territories. The track has also appeared in media references, including as the title of a 1998 episode in the radio drama series and a musical nod in a 2009 Family Guy segment featuring Stewie's video. As part of The Police's landmark album , "Wrapped Around Your Finger" featured prominently in the album's 40th anniversary reissue, released on July 26, 2024, which included remastered tracks, demos, and live recordings in a six-disc deluxe . The song's enduring appeal is reflected in its consistent inclusion in rankings of The Police's best work, such as Ultimate Classic Rock's 2023 list of all 70 Police songs, where it was praised for its sophisticated arrangement and lyrical intrigue.

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