A Lesson in Romantics
A Lesson in Romantics is the debut studio album by the American rock band Mayday Parade, released on July 10, 2007, through the independent label Fearless Records.[1][2] Comprising 12 tracks, the album blends pop-punk, emo, and alternative rock elements, showcasing heartfelt lyrics about love, heartbreak, and personal growth.[3][4] It was recorded at Tree Sound Studios in Atlanta, Georgia, in early 2007, with production handled by Zack Odom and Kenneth Mount.[3][2] Mayday Parade, formed in 2005 in Tallahassee, Florida, by a group of local musicians including Derek Sanders and Jason Lancaster, drew from their earlier experiences in separate bands to create this breakthrough release.[5][6] The record prominently features dual lead vocals between Sanders and Lancaster, though Lancaster departed the group in March 2007 amid disputes over songwriting credits, just months before the album's launch.[7][8] Standout tracks such as "Jamie All Over", "Miserable at Best", and "When I Get Home, You're So Dead" helped propel the album's popularity, with "Miserable at Best" alone achieving nearly 500,000 digital sales.[9][2] A Lesson in Romantics has sold over 270,000 copies in the United States, marking it as Mayday Parade's most commercially successful effort to date and solidifying their place in the mid-2000s emo revival scene.[2]Background and development
Band formation and early years
Mayday Parade was formed in the winter of 2005 through the merger of two local bands from Tallahassee, Florida: Kid Named Chicago and Defining Moment.[10] Kid Named Chicago consisted of vocalist/guitarist Jason Lancaster, guitarist Alex Garcia, and drummer Jake Bundrick, while Defining Moment included vocalist Derek Sanders, bassist Jeremy Lenzo, and guitarist Brooks Betts.[11] This collaboration brought together six members who shared a passion for pop-punk and emo sounds, solidifying the band's initial lineup as a six-piece ensemble focused on blending melodic vocals with energetic instrumentation.[12] The band quickly immersed itself in Tallahassee's vibrant local music scene, performing at small venues and building a grassroots following through consistent shows and word-of-mouth promotion.[10] Drawing from the area's active punk and alternative community, Mayday Parade honed their live performances, emphasizing dual vocal harmonies and guitar-driven arrangements that resonated with regional audiences.[13] Their early efforts emphasized collaboration among the members, with Sanders and Lancaster sharing lead vocal duties to create a dynamic stage presence.[12] In 2006, Mayday Parade self-released their debut EP, Tales Told by Dead Friends, which captured their pop-punk roots and sold over 10,000 copies independently through local sales and tours.[14] Influenced by bands like Jimmy Eat World and New Found Glory, the EP showcased heartfelt lyrics and catchy hooks that defined their early sound, establishing a foundation for broader recognition.[15] The EP's success highlighted the band's potential, paving the way for opportunities with major labels.[14]Signing with Fearless Records and pre-album EP
Following the independent release of their debut EP Tales Told by Dead Friends on June 13, 2006, Mayday Parade's grassroots efforts, including direct sales at events, generated over 10,000 copies sold, drawing interest from record labels.[16] This success culminated in the band signing with Fearless Records in late summer 2006, providing the resources needed to transition from independent operations to professional album production.[10] The EP served as a strategic preview of the band's pop-punk sound, featuring six tracks such as "Just Say You're Not into It," "When I Get Home, You're So Dead," "One Man Drinking Games," "Your Song," "Three Cheers for Five Years," and "The Last Something That Meant Anything."[17] Notably, "When I Get Home, You're So Dead" was re-recorded in a polished version for A Lesson in Romantics, signaling the EP's role in establishing the album's thematic and stylistic foundation of heartfelt, relationship-driven lyrics over driving instrumentation.[16] Post-signing, the band participated in the 2006 Vans Warped Tour, securing a spot after winning a battle of the bands and using the event to sell thousands of EP copies directly to fans, which built essential momentum and fan feedback that shaped the album's direction.[16] This exposure during their first major tour influenced pre-production planning, with songwriting reflecting experiences of separation and touring life, as Fearless provided financial and logistical backing for studio time and development leading into early 2007 recordings.[10]Composition and recording
Songwriting process
The songwriting for A Lesson in Romantics began primarily during the band's first major tour following their self-released EP Tales Told by Dead Friends in 2006, with much of the material developed while following the Vans Warped Tour and reflecting the challenges of maintaining relationships amid constant travel.[16] Collaborative efforts centered on core members Derek Sanders and Jason Lancaster, who shared lead vocal duties and contributed to lyrics and melodies, alongside bassist Jeremy Lenzo and the rest of the lineup, emphasizing pop-punk anthems with catchy hooks and emotionally charged choruses drawn from the mid-2000s emo and pop-punk scenes.[18][16] Key tracks originated from personal experiences, such as "Jamie All Over," which drew inspiration from fleeting romantic connections during early tours and was initially written during Sanders' time in the pre-Mayday Parade band Kid Named Chicago.[18] Similarly, "When I Get Home, You're So Dead" explored themes of betrayal and breakup, building on its roots as a track from the band's foundational EP to capture the raw tension of ending a strained relationship.[16] These songs, like others on the album, prioritized structural elements typical of the genre, including verse-chorus builds that amplified vulnerability through dual vocals and soaring refrains.[](https://concord.com/news/mayday-parades-bestselling-de debut-a-lesson-in-romantics-returns-to-vinyl/) The process involved creating initial demos during intensive rehearsals—often five days a week at Lenzo's family home—resulting in around 18 rough tracks that were revised and refined through band discussions before final selection.[18] This built upon the songwriting foundation established in their early EP, focusing on thematic depth without delving into studio production.[18]Studio sessions and personnel changes
The recording sessions for A Lesson in Romantics took place at Tree Sound Studios in Atlanta, Georgia, in January 2007.[3][19] The album was produced by Zack Odom and Kenneth Mount, who also handled engineering duties throughout the process.[20] The band focused on tracking core elements including vocals, guitars, and drums to capture their energetic live dynamic in a studio setting.[19] A significant disruption occurred shortly after the primary tracking phase when vocalist and guitarist Jason Lancaster departed the band in March 2007.[7] His exit stemmed from disputes over writing credits, limiting his overall involvement to co-writing several tracks on the album. Following Lancaster's departure, the band proceeded with final production adjustments, with mixing handled by Mark Needham and mastering by Steve Hall at Future Disc in Hollywood, California.[21] This post-production work refined the recordings into a cohesive, polished pop-punk sound characterized by crisp instrumentation and balanced vocal harmonies.[3][19]Musical style and themes
Genre influences and production style
A Lesson in Romantics is classified as a pop-punk album with prominent emo influences, characterized by its blend of upbeat rhythms, power chord-driven guitar riffs, and melodic dual vocals that evoke the mid-2000s emo-punk era.[22][23] The sound draws from the Warped Tour generation of bands, emphasizing catchy hooks and rhythmic energy while incorporating emotional intensity typical of emo's third wave.[22][5] The album's production, handled by Zack Odom and Kenneth Mount, features a clean, polished aesthetic designed for radio accessibility, with lean and punchy arrangements that maintain live-band energy without excessive gloss.[24][22] This approach results in faintly heavenly textures, where vocals retain a natural, whispered quality even during intense sections, and the overall mix balances heavy instrumentation with light-hearted pop-rock elements.[25] Odom and Mount's work, informed by their prior productions for acts like Cartel, contributes to the album's smooth, anthemic quality.[24] In comparisons to contemporaries, A Lesson in Romantics echoes Fall Out Boy's hook-oriented pop-punk style but leans toward a more Cartel-like pop-rock polish, prioritizing accessible melodies over aggressive experimentation.[24] It stands out in the genre for its superior execution of pop-punk conventions, offering breathless, rhythmically brilliant tracks that surpass many peers in emotional delivery and structural tightness.[25] The album represents an evolution from the band's self-released EP Tales Told by Dead Friends, shifting from a rawer, grassroots sound to a more refined and anthemic production that enhances the hooks and overall polish. This progression allowed Mayday Parade to refine their dual-vocal dynamic and instrumental interplay, creating a more cohesive and commercially viable debut.[26]Lyrical content and thematic elements
The lyrics of A Lesson in Romantics predominantly explore themes of heartbreak, regret, and fleeting romance, capturing the emotional turbulence of young love amid the band's touring lifestyle. Drawing from personal experiences of band members' past relationships, the songs critique the fragility of idealized romance, using the album's title as a metaphor for the harsh lessons learned from romantic disillusionment. For instance, in "You Be the Anchor That Keeps My Feet on the Ground, I'll Be the Wings That Keep Your Heart in the Clouds," the lyrics juxtapose aspirational imagery of stability and freedom against inevitable relational strain, highlighting how romantic ideals often crumble under real-world pressures.[27][22][3] A prime example is "Miserable at Best," where the bridge conveys profound emotional vulnerability through lines like "So throw me a line if I'm sinking tonight / I'm bleeding regret for the things I have done," underscoring the lingering pain of loss and self-reproach after a breakup. Co-written by vocalist Derek Sanders, bassist Jeremy Lenzo, and former member Jason Lancaster, the track exemplifies the album's collaborative lyricism, with Lancaster's contributions—rooted in his own relational experiences—adding layers of harmonized introspection before his departure post-recording. Sanders' vocal delivery further amplifies this sincerity, employing a raw, emotive style that shifts from strained whispers to soaring pleas, making the themes feel intimately confessional.[27][22][28] Across the tracklist, the lyrics trace a narrative arc from initial anger and resentment—evident in aggressive openers like "When I Get Home, You're So Dead," which vents frustration over betrayal—to deeper reflection and melancholy in later songs, fostering a sense of emotional progression through youthful turmoil. This structure mirrors the band's early personal growth, transforming raw heartbreak into poignant storytelling that resonates with listeners navigating similar experiences.[22][27][3]Release
Initial release and formats
A Lesson in Romantics was released on July 10, 2007, through Fearless Records.[29] The album debuted in standard CD format (catalog number FRL 30099-2) and digital download, making it accessible via physical retail and early online platforms like iTunes.[30][31] Prior to the full launch, tracks such as "Jamie All Over"—originally from the band's 2006 EP—were streamed exclusively on MySpace, generating significant online buzz among the emo and pop-punk communities.[32] The packaging featured evocative artwork with romantic and melancholic imagery, including a symbolic scene of isolation, alongside band photographs on the interior booklet.[33] Initial distribution emphasized targeted outreach to key audiences, particularly through the band's participation in the 2007 Vans Warped Tour.[10]Singles and music videos
The lead single from A Lesson in Romantics, "When I Get Home, You're So Dead", had its accompanying music video released on November 27, 2007, via the band's official YouTube channel under Fearless Records.[34] The video features the band performing the track, aligning with the song's themes of betrayal and confrontation in a relationship. It was announced as the first single promotion ahead of the album's full rollout, helping to build early buzz for Mayday Parade's debut.[35] The second single, "Jamie All Over", was released on May 20, 2008. Its music video, premiered on July 29, 2008, depicts the band in a live performance setting interspersed with scenes of fan interactions and crowd energy during shows.[36] In the video, bassist Jeremy Lenzo lip-syncs portions of the vocals originally performed by former bandmate Jason Lancaster.[37] The track achieved significant commercial success, earning a Platinum certification from the RIAA in March 2024 for over one million units in sales and streaming equivalents.[38] "Black Cat" was issued as a promotional single in 2007 to support the album but did not receive a music video at the time. A visualizer for the song was later released in 2017 as part of the A Lesson in Romantics: Anniversary Edition.[39] These singles played a key role in driving the album's visibility, contributing to its debut at No. 8 on the Billboard Heatseekers Albums chart and a total of 70 weeks on that ranking.[16]Promotion and touring
Marketing and pre-release buzz
In the lead-up to the July 10, 2007 release of A Lesson in Romantics, Mayday Parade generated early anticipation through MySpace, the dominant social media platform for emerging rock bands at the time. On April 4, 2007, the track "Black Cat" was made available for streaming exclusively via Hot Topic's MySpace profile as part of the Spring Indie Sampler 2007, allowing fans to preview the album's energetic pop-punk sound months before its debut. Later, on June 6, 2007, the band posted another snippet, "When I Get Home, You're So Dead," directly on their MySpace page, further teasing the album's themes of heartbreak and relationships while encouraging fan interaction through comments and shares.[40] Fearless Records amplified this digital buzz with strategic tie-ins to the Vans Warped Tour 2007, a key event for pop-punk and emo acts targeting young audiences. The tour lineup, including Mayday Parade, was announced on March 13, 2007, creating pre-release excitement as the band was positioned alongside established names like Bad Religion and The Used; although their performances began on July 18—post-release—the early announcement leveraged Warped's reputation for discovering talent to build in-person hype among festival-goers.[41] This alignment with Warped Tour helped Fearless promote the album to a demographic of primarily teenage and young adult fans immersed in the mid-2000s pop-punk and emo scenes, where merchandise sales and live previews drove grassroots momentum.[42] Press efforts further highlighted the band's unique origin story and prior successes to cultivate media interest. Formed in 2005 from the merger of two Tallahassee, Florida bands—Kid Named Sunset and Defining Moment—Mayday Parade had already gained traction with their self-released 2006 EP Tales Told by Dead Friends, which sold notably at Warped Tour 2006 through direct fan interactions.[42] In a June 15, 2007 interview, band members emphasized this backstory, noting how the EP's road-tested tracks like "When I Get Home, You're So Dead" informed the full-length album, positioning A Lesson in Romantics as a polished evolution for their growing fanbase.[43] Fearless distributed press kits underscoring these elements, alongside targeted interviews in outlets like AbsolutePunk, to underscore the band's organic rise from local merger to label-backed debut.Supporting tours and live performances
Following the release of A Lesson in Romantics on July 10, 2007, Mayday Parade provided main support on the Vans Warped Tour that summer, performing on select dates from mid-July through early August at venues like Comerica Park in Detroit. Their sets emphasized tracks from the new album, including "Jamie All Over," "Walk on Water or Drown," and "Your Song," alongside earlier material from Tales Told by Dead Friends, marking an early showcase of the record's pop-punk energy to festival audiences.[44] In late 2007, the band co-headlined a U.S. tour with Madina Lake from October to November, with We the Kings appearing on select dates, where setlists remained heavily weighted toward A Lesson in Romantics material such as "Black Cat," "Ocean and the Lights," and "Miserable at Best." In late September 2007, they supported Paramore on tour dates in Japan and Australia. This was followed in December by supporting the Academy Is... on their Almost Here Tour alongside The Matches and the Cab. The debut live performance of "Miserable at Best" occurred acoustically at the band's CD release party in Tallahassee on July 10, 2007, receiving enthusiastic fan response that highlighted the song's emotional resonance.[45] Transitioning into 2008, Mayday Parade headlined the Glamour Kills-presented "Explosions in Your Pants Tour" in April and May, supported by My American Heart and The Graduate, starting in Gainesville, Florida, and culminating at The Bamboozle Festival.[46] They also joined All Time Low's spring headlining tour alongside The Maine and Every Avenue, performing to packed venues like Jannus Landing in St. Petersburg, with continued focus on album staples that solidified their live rapport.[47] The band returned to Vans Warped Tour for the full summer run, expanding their reach to larger audiences. Jason Lancaster's departure in March 2007, prior to the album's release, necessitated rapid adaptations in live performances, as the band had limited rehearsal of tracks from A Lesson in Romantics with him; Derek Sanders assumed primary vocal duties for Lancaster's parts, learning the remaining songs on the road during Warped Tour and subsequent outings, which enhanced the group's onstage cohesion over time.[8]Reissues and variants
2008 bonus tracks edition
In 2008, Fearless Records released a reissue of Mayday Parade's debut album A Lesson in Romantics as a CD edition, expanding the original 12-track lineup with two bonus tracks to meet ongoing fan interest. The added content included an acoustic rendition of "Three Cheers for Five Years," originally featured on the 2007 compilation Punk Goes Acoustic 2, and the previously unreleased "One Man Drinking Games," a track from the band's early EP Tales Told by Dead Friends (2006).[48][19] This reissue was motivated by the album's sustained popularity following its initial 2007 release, during which Mayday Parade gained traction through extensive touring, including the 2008 Vans Warped Tour. The inclusion of acoustic versions catered to fans' appreciation for stripped-down interpretations of the band's pop-punk sound, helping to refresh the album's appeal.[19] The bonus tracks contributed to renewed commercial momentum, with A Lesson in Romantics spending a total of 70 weeks on the Billboard Heatseekers Albums chart, underscoring the reissue's role in extending the album's lifecycle and solidifying its status in the emo and pop-punk scenes.[49]Vinyl releases and anniversary editions
Following the initial CD release, Fearless Records issued the album's first vinyl edition in November 2011 as a limited pressing of 1,500 copies on solid red vinyl, catering to collectors seeking a physical analog format of the pop-punk debut.[29] A second pressing followed in August 2012, limited to another 1,500 copies on opaque white vinyl, maintaining the standard tracklist without additional content.[29] To mark the 10th anniversary, Fearless Records released an expanded edition on March 17, 2017, featuring the original 12 tracks alongside six previously unreleased demos from the 2007 sessions, including a new song titled "Coming Back With Winter."[50] This version was remixed and remastered for improved audio quality, available in multiple colored vinyl variants such as milky clear with red smoke (general release), red with black cloud (limited edition), and half gold/half clear with gold splatter (1,000 copies), alongside a deluxe box set with individual lyric sheets for each track.[29] The anniversary package also supported a commemorative tour highlighting the album's milestone.[29] In June 2022, Fearless Records reissued the album on vinyl as a limited edition of 3,000 copies in black and yellow galaxy coloring, exclusive to Urban Outfitters and tied to the 15th anniversary, with the remastered audio from the 2017 edition.[20] Craft Recordings handled the September 20, 2024, reissue, pressing the remastered album on coke bottle clear vinyl for wide distribution, alongside audiophile-focused exclusives like orange/red marble (500 copies) and red smoke (500 copies via Spotify Fans First), emphasizing high-fidelity playback for dedicated listeners.[49][29] The album's 18th anniversary in 2025 was acknowledged through band promotions and fan events, including nostalgic reflections in live reviews, though no new physical release was produced.[51]Critical reception
Contemporary reviews
Upon its release in July 2007, A Lesson in Romantics received generally favorable reviews from music critics, who highlighted the album's infectious pop-punk energy and heartfelt songwriting as a strong debut for Mayday Parade. AbsolutePunk.net commended the record for its summery appeal, stating it was "an album that will surely become one of your most played of the summer," particularly praising the band's ability to craft anthemic tracks with broad accessibility.[16] Punknews.org echoed this sentiment in an October 2007 review, expressing surprise at the impressive songwriting and vocal performances, especially on reimagined EP tracks like "Three Cheers for Five Years," and recommending it for fans seeking fun, hook-driven music with skilled musicianship.[52] Critics also noted the album's emotional resonance, often pointing to the dual vocal interplay between Derek Sanders and Jason Lancaster as a key strength that added layers of chemistry and intensity before Lancaster's departure from the band. Punktastic's September 2007 assessment praised standout cuts like "Jamie All Over" for their gang vocals and pop sheen, while acknowledging the record's smoother, Cartel-influenced pop-rock edge that made it engaging despite not reinventing the genre.[24] However, some reviewers critiqued the formulaic elements of its pop-punk structure, including repetitive verse-chorus formats and occasional sappy ballads that felt predictable or subpar, such as the piano-driven "Miserable at Best," which disrupted momentum for certain listeners despite its lyrical poignancy.[52][24] A Sputnikmusic review from September 2008 similarly called out the clichéd hooks, simplistic instrumentation, and juvenile heartbreak themes as unoriginal, likening the band to a less commercial Simple Plan, though it conceded the catchiness and Sanders' strong vocals as redeeming features.[53] Early fan reception, as reflected in online forums and user aggregates from the late 2000s, was enthusiastic, with many highlighting "Miserable at Best" as a standout for its raw emotional depth and memorable melody amid the album's upbeat tracks.[52][24] Sputnikmusic's user average settled around 3.9 out of 5 (equivalent to approximately 78/100), indicating solid approval and a perceived step up from the band's 2006 EP Tales Told by Dead Friends through polished production and expanded arrangements.[54] AllMusic's review recognized the debut's blend of emo-infused pop-punk hooks and relational introspection as a promising entry in the genre.[55]Retrospective assessments and legacy
In the years following its release, A Lesson in Romantics has been reevaluated as a pivotal work in pop-punk and emo, with 2017 marking its tenth anniversary through widespread retrospectives that highlighted its enduring appeal. Kerrang! included the album at number 38 on its list of the 51 greatest pop-punk albums of all time, praising the unique vocal interplay between Derek Sanders and Jason Lancaster as a rare and lightning-strike moment in the genre.[56] Alternative Press covered the anniversary extensively, featuring articles on the band's commemorative tour and reissue, positioning the album as a nostalgic touchstone that captured the raw energy of mid-2000s emo-pop.[57] The album solidified Mayday Parade's status as a breakthrough act, serving as their debut full-length that merged the remnants of two prior bands into a cohesive force within the scene. Its blend of anthemic choruses and heartfelt lyricism helped define the band's career trajectory, with subsequent releases building on its foundation of emotional accessibility. In January 2018, the album was certified gold by the RIAA, reflecting its lasting commercial success.[58] A Lesson in Romantics has influenced the emo-revival movement of the 2010s through its emphasis on introspective storytelling and melodic hooks that bridged classic emo with modern indie sensibilities. Alternative Press later recognized its role in elevating emo's contagious emotional depth in 2007, a legacy echoed in revival-era bands' adoption of similar vulnerable, narrative-driven songwriting.[59] The album's cultural footprint expanded post-2020 via social media, where tracks like "Jamie All Over" sparked widespread memes and user-generated covers on platforms such as TikTok, reintroducing the song to younger audiences amid a surge in nostalgic emo content. This online resurgence contributed to heightened discussions of the band's legacy, particularly following the RIAA's platinum certification for "Jamie All Over" in 2024, which underscored the album's lasting commercial and artistic impact as of 2025.[5]Commercial performance
Chart positions
Upon its release in July 2007, A Lesson in Romantics debuted at number 8 on the Billboard Heatseekers Albums chart.[60] The album also peaked at number 31 on the Billboard Independent Albums chart.[60] The album exhibited strong long-tail performance, accumulating 46 weeks on the Heatseekers Albums chart through sustained fan interest.[61] Reissues, including the 10th anniversary edition in 2017 and a vinyl pressing in 2024, have sustained interest among fans.[62][16] The lead single "Jamie All Over," released in May 2008, peaked at number 40 on the Billboard Alternative Songs chart and has seen renewed streaming activity in 2025 amid anniversary celebrations.[63]| Chart (2008) | Peak |
|---|---|
| US Billboard Alternative Songs ("Jamie All Over") | 40 |
Sales figures and certifications
A Lesson in Romantics was certified Gold by the Recording Industry Association of America (RIAA) on December 15, 2017, for 500,000 units shipped in the United States.[58][64] The album's lead single, "Jamie All Over," received RIAA Platinum certification in March 2024, denoting 1 million units in combined sales and on-demand audio and video streams.[5][16] As of late 2025, the album has accumulated over 450 million total streams on Spotify across editions, with standout tracks like "Jamie All Over" exceeding 166 million streams and "Miserable at Best" surpassing 97 million, underscoring its sustained popularity in the streaming era. The Gold certification reflects shipments, while streaming equivalents contribute to ongoing commercial success.[65][66]Track listing and credits
Standard and bonus track listings
The standard edition of A Lesson in Romantics, released on July 10, 2007, by Fearless Records, consists of 12 tracks with a total runtime of 46:42.[29][4]| No. | Title | Length |
|---|---|---|
| 1. | "Jamie All Over" | 3:36 |
| 2. | "Black Cat" | 3:24 |
| 3. | "When I Get Home, You're So Dead" | 3:14 |
| 4. | "Jersey" | 3:30 |
| 5. | "If You Wanted a Song Written About You, All You Had to Do Was Ask" | 4:05 |
| 6. | "Miserable at Best" | 3:23 |
| 7. | "Walk on Water or Drown" | 3:30 |
| 8. | "Ocean and Atlantic" | 3:30 |
| 9. | "I'd Hate to Be You When People Find Out What This Song Is About" | 4:02 |
| 10. | "The Last Something" | 3:32 |
| 11. | "Three Cheers for Five Years" | 4:22 |
| 12. | "You Be the Anchor That Keeps My Feet on the Ground, I'll Be the Wings That Keep Your Heart in the Clouds" | 4:25 |
| Total length: | 46:42 |
| No. | Title (Bonus Demo) | Length |
|---|---|---|
| 13. | "Coming Back with Winter" | 3:50 |
| 14. | "Black Cat" | 3:23 |
| 15. | "If You Wanted a Song Written About You, All You Had to Do Was Ask" | 4:06 |
| 16. | "Ocean and Atlantic" | 3:26 |
| 17. | "Miserable at Best" | 3:22 |
| 18. | "Three Cheers for Five Years" | 4:26 |
Production and musician credits
A Lesson in Romantics features performances by Mayday Parade's original recording lineup, including Derek Sanders on lead vocals and keyboards, Alex Garcia on lead guitar, Jeremy Lenzo on bass and backing vocals, Brooks Betts on rhythm guitar, and Jake Bundrick on drums and backing vocals.[49] Co-lead vocals and rhythm guitar on select tracks were contributed by Jason Lancaster, who left the band shortly after the sessions concluded due to disagreements over songwriting credits.[3] The album's production was led by Zack Odom and Kenneth Mount, a duo known for their work with emo and pop-punk acts, who also engineered the recordings at Tree Sound Studios in Atlanta, Georgia.[70][30] Mixing duties were handled by Mark Needham at Studio 606 West in Los Angeles, California, while mastering was completed by Steve Hall at Future Disc in Hollywood, California.[71][72] Additional vocal contributions include Daniel Lancaster on "Jamie All Over" and Natalie VanLandingham on "Jersey."[73] All tracks were written by members of Mayday Parade (Derek Sanders, Jason Lancaster, Alex Garcia, Jeremy Lenzo, Brooks Betts, and Jake Bundrick).[3]Musician and Production Credits
| Role | Personnel |
|---|---|
| Lead Vocals, Keyboards | Derek Sanders |
| Lead Guitar | Alex Garcia |
| Bass, Backing Vocals | Jeremy Lenzo |
| Rhythm Guitar | Brooks Betts |
| Drums, Backing Vocals | Jake Bundrick |
| Co-Lead Vocals, Rhythm Guitar (select tracks) | Jason Lancaster |
| Additional Vocals ("Jamie All Over") | Daniel Lancaster |
| Additional Vocals ("Jersey") | Natalie VanLandingham |
| Producer, Engineer | Zack Odom, Kenneth Mount |
| Mixing Engineer | Mark Needham |
| Mastering Engineer | Steve Hall |
| Recording Studio | Tree Sound Studios, Atlanta, GA |
| A&R | Bob Becker |