A Way Forward
The Commission on a Way Forward was a 32-member group appointed by the Council of Bishops of The United Methodist Church in July 2016 to examine and propose solutions to the denomination's longstanding divisions over human sexuality, specifically the compatibility of homosexuality with Christian teaching as stated in the Book of Discipline.[1] The commission's work culminated in a comprehensive report released in May 2018, which outlined three legislative plans aimed at maintaining church unity while addressing conflicting theological perspectives on the inclusion of LGBTQ+ individuals in ordained ministry and same-sex marriage ceremonies.[2] This effort was authorized by the 2016 General Conference to help the global denomination of over 12 million members navigate its impasse without further schism.[3] Composed of an equal number of clergy and laity from diverse geographic, racial, ethnic, and theological backgrounds across the United States, Africa, Europe, the Philippines, and other regions, the commission met nine times over 17 months, conducting extensive consultations with United Methodist agencies, bishops, and leaders from other Christian denominations.[2] The report, translated into multiple languages including English, French, Portuguese, Swahili, and Spanish, emphasized shared Wesleyan values of grace, connectionalism, and mission while acknowledging irreconcilable differences on core doctrines.[4] Key proposals included the One Church Plan, which would remove restrictive language from the Book of Discipline and grant conferences and clergy permissive authority on LGBTQ+ ordination and weddings; the Connectional Conference Plan, creating self-governing U.S. conferences aligned by theology; and the Traditional Plan, reinforcing existing prohibitions against "self-avowed practicing homosexuals" in ministry and same-sex unions.[2] The report was presented at a specially called session of the General Conference held February 23–26, 2019, in St. Louis, Missouri, attended by 864 delegates from around the world.[2] Delegates voted 438–384 to adopt the Traditional Plan, maintaining the church's official stance at the time that "the practice of homosexuality is incompatible with Christian teaching" and strengthening enforcement mechanisms, though parts were later ruled unconstitutional by the Judicial Council.[5] This decision intensified divisions, prompting over 7,600 U.S. congregations to disaffiliate by the end of 2023 under Paragraph 2553 of the Book of Discipline, which allowed exit with property rights until December 31, 2023, and contributing to the formation of the Global Methodist Church in May 2022 by traditionalist groups seeking stricter adherence to orthodox doctrines.[6] However, at the General Conference held April 23–May 3, 2024 (postponed from 2020), delegates voted to remove the longstanding bans on the ordination of LGBTQ+ clergy and the performance of same-sex marriages, along with related restrictive language from the Book of Discipline.[7] The outcome marked a pivotal moment in Methodist history, shifting the denomination's center of gravity toward its global, particularly African, constituencies while highlighting ongoing debates over scriptural interpretation and inclusivity.[8]Background and development
Band context
Nation of Language is an American indie synth-pop band formed in 2016 in Brooklyn, New York, by Ian Devaney, who serves as lead vocalist, guitarist, and synth player, alongside his wife Aidan Noell on synths and programming, and Michael Sue-Poi on guitar and bass synth.[9][10][11] The band's debut album, Introduction, Presence, was self-released on May 22, 2020, after a postponement from its original April date due to the COVID-19 pandemic.[12] Despite the timing, the album received critical acclaim in the indie synth-pop community, with outlets praising its polished production and evocative melodies, and it built a dedicated audience primarily through streaming services and virtual performances amid widespread lockdowns.[13][14][15] Nation of Language's sound is rooted in 1980s new wave and synth-pop influences, including acts like Depeche Mode and New Order, resulting in a retro-futuristic aesthetic characterized by shimmering synths, driving rhythms, and introspective vocals.[16][17][18] The success of Introduction, Presence was tempered by pandemic-related challenges from 2020 to 2021, including severe restrictions on live touring that curtailed the band's ability to perform after initial small-scale shows.[19][20] This period of isolation, however, fueled the momentum that propelled them toward their sophomore album, A Way Forward.[21]Album conception
A Way Forward was announced on June 3, 2021, as the sophomore album from Nation of Language, serving as a follow-up to their 2020 debut Introduction, Presence, which captured themes of isolation amid the early stages of the COVID-19 pandemic. The new record shifted focus toward themes of hope, resilience, and forward momentum, reflecting a broader sense of collective empathy and progress in the post-lockdown era. This evolution stemmed from the band's experiences during the height of restrictions, transforming personal and shared struggles into a soundtrack for renewal.[22][23][21] Ian Devaney handled primary songwriting duties, drawing inspiration from his personal encounters with urban life in New York City and the relational intricacies navigated by him and his wife, bandmate Aidan Noell, during lockdown. Living in Brooklyn, Devaney found creative solace in daily walks through Prospect Park, channeling the city's rhythms and existential undercurrents into lyrics that explored disillusionment alongside optimism. These experiences infused the album with a sense of place, particularly evident in tracks addressing the grind and romance of metropolitan existence.[20][21][24] The band decided to expand their sonic palette by incorporating more layered synth arrangements and guitar elements, moving toward a looser, groove-oriented sound that amplified emotional depth without abandoning their synth-pop roots. This approach aimed to evoke greater narrative charm and melodic elasticity, as seen in the opener "In Manhattan," where soaring vocals and neon synths convey starry-eyed reflections on urban longing. Influences from '70s electronic pioneers like Kraftwerk and Cluster, alongside '80s New Romantic vibes, guided this development, allowing for a more confident live energy.[25][21][26] A Way Forward marked the final album featuring original bassist Michael Sue-Poi, who departed the band in 2022 ahead of their touring cycle, shaping the collaborative dynamics during its creation as the core trio refined their interplay. Sue-Poi's contributions helped solidify the low-end drive that underpinned the record's expanded arrangements, fostering a tight-knit process amid the uncertainties of the pandemic. This lineup's cohesion contributed to the album's cohesive journey from introspection to propulsion.[27][25][21]Production
Recording process
The recording of A Way Forward occurred between 2020 and 2021 across studios in Brooklyn, New York, amid the ongoing COVID-19 pandemic. Primary sessions took place at local facilities in the city, supplemented by work at band member Ian Devaney's home setup to accommodate restrictions on in-person collaboration.[21] The album was co-produced by Abe Seiferth, who had handled production on the band's 2020 debut Introduction, Presence, and Nick Millhiser of Holy Ghost! and LCD Soundsystem; the two split duties, with Seiferth overseeing roughly half the tracks and Millhiser the rest, to craft a sound that balanced polish with organic synth-pop elements.[28][29] Key to the production was the integration of vintage analog synthesizers paired with modern digital processing techniques; this approach allowed the band to evoke 1980s synth aesthetics while ensuring contemporary sonic clarity and depth.[16] Pandemic limitations influenced the process, with the band using the extra time from halted touring to experiment and refine their sound in the studios.[21]Personnel
The core lineup of Nation of Language for A Way Forward featured Ian Devaney on lead vocals, guitar, synthesizers, and programming; Aidan Noell on synthesizers, programming, and backing vocals; and Michael Sue-Poi on guitar, bass synthesizer, and backing vocals.[17] This album marked Sue-Poi's final contribution to the band as a founding member before his departure in 2022.[30] The trio handled all instrumentation without guest musicians, underscoring their commitment to a self-contained production that preserved the album's intimate, synth-driven sound.[26] Production duties were shared between Abe Seiferth and Nick Millhiser, who each produced and mixed five tracks: Seiferth on tracks 2, 3, 5, 6, and 8, and Millhiser on tracks 1, 4, 7, 9, and 10, with Millhiser also credited for engineering.[31] The album was mastered by Heba Kadry at Optimum Mastering in Bristol, UK.[32] Artwork design was handled by Nation of Language, with cover photography by Michael Devaney.[33]Composition
Musical style
A Way Forward is primarily a synth-pop album incorporating elements of new wave and post-punk revival, characterized by pulsating basslines, shimmering synth arpeggios, and reverb-heavy guitars.[25][17] The instrumentation features programmed synthesizers, drum machines, and occasional grand piano, creating a retro yet inventive sound that evokes the 1980s while maintaining modern production clarity.[34][35] Compared to the band's debut album Introduction, Presence, A Way Forward exhibits more dynamic and spacious arrangements, with tracks building gradually rather than rushing to climaxes.[17] For instance, "Across That Fine Line" integrates bouncy, disco-inflected rhythms and an angular post-punk guitar riff, adding chaotic energy to the synth framework.[35][17] Similarly, "This Fractured Mind" employs minimalist synth layers and atmospheric builds, enhancing its introspective tension through layered drum machines and warm synth sparkles.[35] The album draws influences from 1980s synth-pop and new wave acts such as Orchestral Manoeuvres in the Dark, Depeche Mode, New Order, and The Cure, blending their melodic hooks and brooding tension with earlier electronic pioneers like Kraftwerk.[25][34][17] These are fused with modern indie electronic production techniques, including influences from 2000s indie-dance groups like LCD Soundsystem and Future Islands, resulting in a groovier low-end focus and emotional versatility.[25][35] Spanning 10 tracks with a total runtime of 44:05, the album balances upbeat anthems with introspective ballads, offering a broader emotional palette within its synth-pop structure.[32][25]Lyrics and themes
The lyrics of A Way Forward center on navigating uncertainty in personal relationships and the disorienting rhythms of urban life, often blending melancholy introspection with glimmers of optimism amid emotional fractures. Ian Devaney, the band's frontman, draws from universal human experiences to explore these motifs without delving into explicit autobiography, employing a poetic style rich in vivid imagery that evokes longing, memory, and tentative hope. For instance, the album opener "In Manhattan" portrays New York City as a landscape of isolation and unfulfilled aspirations, with lines like "Strung along by a fiction / Read it in a magazine" capturing the tension between idealized dreams and harsh reality, reflecting the band's own early experiences relocating to Brooklyn.[36][37] Recurring themes of relational ambiguity and healing are prominent, particularly in tracks like "Wounds of Love," which examines the lingering scars of breakups and the false comfort of unresolved connections. Devaney describes the song as addressing how "seeing the person regularly can give you this false sense that you’ll fall into your old ways together," using imagery of deep emotional cuts to convey vulnerability and the slow process of recovery. Similarly, "Across That Fine Line" delves into the thrill and confusion of romantic uncertainty, with lyrics such as "Every day we’re circling, never closing in on what we want" illustrating a precarious balance between desire and disconnection, infused with an undercurrent of possibility. These narratives highlight optimism as a quiet force, emerging not as triumph but as resilience in the face of fracture.[37][25] Devaney's introspective lens extends to motifs of memory, change, and elusive connection, often through self-reflective vignettes that avoid overt politics in favor of personal universality. In "Former Self," he questions past ambitions with lines like "My former self says I could ask for more," evoking a dialogue between who one was and who one has become amid life's shifts. Tracks such as "Miranda" further this by depicting aimlessness and avoidance via a road trip metaphor, symbolizing a reluctance to commit emotionally or geographically, while "A Word & A Wave" portrays the exhaustion of self-sacrifice in relationships, ending in a sense of depleted resolve. Overall, the lyrics' evocative, non-literal style—drawing on everyday scenes like commutes and city streets—fosters a sense of shared human striving, where connection remains a fragile yet pursued ideal.[37][25][38]Track listing
A Way Forward is the second studio album by the American synth-pop band Nation of Language, consisting of ten tracks with a total runtime of 44:05.[36] All songs on the album were written by Nation of Language.[38] The standard edition features the following track listing:| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "In Manhattan" | Nation of Language | 3:53 |
| 2. | "Across That Fine Line" | Nation of Language | 5:25 |
| 3. | "Wounds of Love" | Nation of Language | 3:19 |
| 4. | "Miranda" | Nation of Language | 3:42 |
| 5. | "The Grey Commute" | Nation of Language | 3:37 |
| 6. | "This Fractured Mind" | Nation of Language | 5:20 |
| 7. | "Former Self" | Nation of Language | 5:10 |
| 8. | "Whatever You Want" | Nation of Language | 4:53 |
| 9. | "A Word & A Wave" | Nation of Language | 3:52 |
| 10. | "They're Beckoning" | Nation of Language | 4:49 |