Strange Disciple
Strange Disciple is the third studio album by the Brooklyn-based American synth-pop trio Nation of Language, released on September 15, 2023, through PIAS Recordings.[1] The album features ten tracks, including lead single "Weak in Your Light," and was produced and mixed by Nick Millhiser, with mastering by Heba Kadry.[2] Formed in 2016 by husband-and-wife duo Ian Devaney (vocals, synths, guitar) and Aidan Noell (synths, vocals), along with bassist Alex MacKay, Nation of Language draws inspiration from 1980s new wave and synth-pop acts like Depeche Mode and New Order.[3] Strange Disciple builds on the band's signature sound of propulsive grooves, soaring melodies, and introspective lyrics, marking a more expansive and idiosyncratic evolution from their previous releases, including the 2021 album A Way Forward.[4] Thematically, the record explores love in its various forms—from pure affection and unrequited longing to toxic infatuation and self-exploration—described by the band as "a spiritual, searching" journey filled with moments of clarity amid emotional turmoil.[5] Tracks like "Sole Obsession" and "Swimming in the Shallow Sea" highlight bouncing basslines and ambulatory rhythms that evoke wayfaring excitement, while the overall narrative meditates on the beauty and devastation of deep feelings.[6] Upon release, Strange Disciple received positive critical acclaim for its emotional depth and genre refinement, with reviewers praising its blend of nostalgic synth elements and contemporary production.[7]Background
Band context
Nation of Language was formed in 2016 in Brooklyn, New York, by Ian Richard Devaney and Aidan Noell, with Devaney handling lead vocals and guitar and Noell contributing on synthesizers and backing vocals.[8] The duo drew initial inspiration from 1980s synth-pop acts such as Orchestral Manoeuvres in the Dark and New Order, establishing a sound characterized by icy, post-punk-inflected electronic melodies.[9] Devaney, formerly of the indie-rock band the Static Jacks, recruited bassist Michael Sue-Poi, a fellow ex-bandmate, to complete the core lineup shortly after the project's inception.[9] The band released their debut album, Introduction, Presence, in 2020 as a self-released effort, which introduced their nostalgic yet forward-looking synth-pop aesthetic and began building a dedicated following amid the early pandemic era.[10] This was followed by their second album, A Way Forward, in 2021, which further solidified their reputation for crafting emotive, danceable tracks exploring themes of longing and infatuation.[11] In a notable personnel shift, bassist Michael Sue-Poi departed amicably prior to the band's 2022 touring commitments to focus on his family, with Alex MacKay stepping in on bass for subsequent projects including Strange Disciple.[12] This change marked the band's evolution from its DIY roots—evident in the independent release of their debut—to a more established presence after signing with PIAS Recordings for A Way Forward, enabling broader distribution and professional growth.[11] Following the release of Strange Disciple, Nation of Language signed with Sub Pop Records and released their fourth studio album, Dance Called Memory, on September 25, 2025.Development and recording
The songwriting for Strange Disciple was led by frontman Ian Richard Devaney, whose lyrics drew from personal experiences of infatuation and distorted perceptions of reality, while bandmate Aidan Noell contributed synth arrangements during breaks from the group's extensive touring schedule.[9][13] The process unfolded in iterative cycles, allowing the band to refine ideas amid their road commitments.[13] Recording sessions took place primarily in Brooklyn studios, including producer Nick Millhiser's East Williamsburg home setup, spanning from late 2021 through early 2023 and interrupted by tours supporting the band's prior synth-pop efforts.[14][15] Millhiser, known from Holy Ghost! and his work with LCD Soundsystem, handled production and mixing, focusing on a clean, groove-oriented sound featuring prominent bouncing basslines and expansive spatial synth elements to amplify the album's drive.[4][1] By mid-2023, the 10 tracks were finalized, marking the band's first fully collaborative studio album outside their initial DIY phases.[16] Key production techniques included the heavy use of analog synthesizers to evoke an 1980s revival aesthetic, with intentional imperfections like tape delay warbles added for organic texture.[17] Layered vocals were employed to build emotional intensity, while a minimalistic mixing approach preserved the tracks' ambulatory, propulsive quality without overcrowding the arrangements.[13][4]Music and lyrics
Musical style
Strange Disciple is characterized by its core synth-pop sound, infused with post-punk and minimal wave elements that emphasize groove-driven tracks and ambulatory basslines, evoking a nostalgic 1980s revivalism.[18][3] The album draws clear influences from seminal acts like Depeche Mode, New Order, and Orchestral Manoeuvres in the Dark (OMD), evident in its layered synth textures and melodic structures that blend cold, reverb-forward pop with warm, infectious dance energy.[7][18] Compared to the band's earlier albums, such as 2021's A Way Forward, Strange Disciple evolves with added idiosyncrasies including soft synth swells and a cleaner, more streamlined production that incorporates more live drums and guitar for a fuller, rounder aesthetic.[4][3] Instrumentation centers on prominent analog synthesizers like the MicroKORG and Moog Sub Phatty, paired with driving rhythms, live bass, and subtle electronic flourishes such as bleeps, sweeps, and jittery percussion.[4][7] Tracks like "Weak in Your Light" exemplify this approach through bobbing synth lines, soaring melodies, and cascading analog layers that create a kinetic, crystalline sonic landscape.[17][4] The production, handled by Nick Millhiser, emphasizes space and arrangement, resulting in a "glittery" yet "clean" sound that balances moody introspection with upbeat propulsion.[3][17] Spanning a 44:02 runtime across 10 songs, the album blends upbeat grooves with introspective builds, maintaining a cohesive flow that highlights the band's mastery of revivalist synth-pop while introducing modest diversification through elements like shoegaze-tinged guitar and cathedral-like synth washes.[19][20] Lyrical themes of infatuation briefly enhance the emotional depth of these synth layers, amplifying the album's themes of hopeless devotion without overshadowing its sonic focus.[7]Themes
Strange Disciple explores the central theme of infatuation and its capacity to distort one's perception of reality, tracing a progression from the purity of initial love to the complexities of unrequited obsession and eventual self-exploration.[21] Frontman Ian Devaney describes the album as delving into "the agony and ecstasy of finding yourself being infatuated with someone or something," highlighting how such emotions can warp reality and lead to profound personal questioning.[21] This narrative arc begins with tracks like "Weak in Your Light," which Devaney identifies as "the purest love song" the band has written, evoking unfiltered devotion before evolving into more tumultuous territory.[22] The album employs a journey motif to depict a "bumpy" path through emotional clarity and confusion, infused with spiritual undertones that underscore the cyclical nature of desire and surrender. Devaney articulates this as a "roller coaster of highs and lows" that loops back to self-giving, reflecting an ongoing internal voyage marked by growth, repetition, regression, and catharsis.[22][9] For instance, "Sole Obsession" captures the fixation of infatuation turning obsessive, with lyrics questioning its worth amid the thrill of potential madness.[21] Similarly, "Stumbling Still" portrays emotional stumbling as part of this uneven progression, emphasizing persistence through inner disarray.[7] These elements suggest a spiritual dimension, where obsession borders on a devotional fervor, as implied in the lyrics of "Sole Obsession," which includes the phrase "Empty idol, strange disciple."[7] Broader concepts of warped perceptions in relationships further enrich the lyrical landscape, with urban wandering serving as a metaphor for inner chaos and self-reckoning. Devaney notes how infatuation prompts a "confusion of, I really want this person, but who am I right now?"—a disorientation that mirrors aimless city strolls through New York and other locales, symbolizing the navigation of emotional voids.[23] This ties into love's transformative power, which Devaney views as a force that awakens profound aliveness, even in pain: "There’s almost a joy in the pain... to know that you are so alive."[22] Such perceptions extend to relational dynamics, where expectations clash with reality, fostering a sense of becoming a "strange disciple" tied in emotional knots.[22] The lyrics' connection to the album's synth-pop delivery enhances these themes, using repetitive, hypnotic phrasing to mirror the entrancing yet disorienting grip of inner turmoil. Synth elements briefly amplify this unease, creating a sonic parallel to the lyrical descent into obsession.[4]Release and promotion
Singles and announcement
The album Strange Disciple by Nation of Language was officially announced on April 13, 2023, coinciding with the release of the single "Weak in Your Light," at which point the full tracklist and artwork were also revealed.[24][14] The rollout of singles began earlier with the lead single "Sole Obsession" on March 8, 2023, accompanied by a music video directed by the band's Alex MacKay that visually captures themes of obsessive desire.[25][26] Subsequent singles included "Weak in Your Light" on April 13, 2023, with a video emphasizing emotional vulnerability; "Stumbling Still" on May 17, 2023, featuring a performance-based clip highlighting rhythmic tension; "Too Much, Enough" on July 26, 2023, paired with a narrative video starring actors like Jimmi Simpson and Reggie Watts to underscore relational excess; and the final pre-release single "Sightseer" on September 11, 2023, with a video exploring voyeuristic longing.[24][27][28][29] Each single's promotion included music videos that reinforced the album's motifs of infatuation and devotion through stylized, cinematic visuals. Pre-orders for the album became available in April 2023 through PIAS in multiple formats.[14][30] The album was released on September 15, 2023, via PIAS in vinyl, CD, and digital formats.[24][14]Touring and marketing
Following the release of Strange Disciple, Nation of Language embarked on an extensive tour spanning 2023 to 2024, headlining shows across North America, Europe, and the UK to promote the album. The initial leg in late 2023 included North American dates starting August 12 in Portland, Oregon, and concluding December 2 in Toronto, Ontario, with performances at venues like the Rickshaw Theatre in Vancouver and the Bomb Factory in Dallas.[31] In 2024, the band expanded to additional headline tours, including joint dates with Beach Fossils across the Midwest and South, such as stops in Chicago and Atlanta.[32] The band's touring in support of Strange Disciple concluded in 2024, with subsequent tours in 2025 promoting their follow-up album Dance Called Memory (September 19, 2025, Sub Pop).[33] Marketing efforts for the album emphasized merchandise bundles and digital engagement to build fan connection. Album purchases on Bandcamp and the band's official site often included exclusive items like the forest green Strange Disciple hoodie and tour-specific T-shirts featuring album artwork, priced at $65 and $30 respectively, which sold out quickly during the 2023-2024 legs.[34] Social media campaigns on Instagram and the band's website highlighted the album's synth-pop roots, evoking '80s nostalgia through behind-the-scenes clips of analog tape recording sessions and thematic posts tying into the record's introspective vibe.[35] Festival appearances bolstered visibility, notably at Day In Day Out in Seattle on August 13, 2023, where Nation of Language shared the bill with acts like Leon Bridges and Bon Iver, performing tracks like "Sole Obsession" to enthusiastic crowds.[36] Visual elements played a central role, with music videos for singles like "Sole Obsession" and "Sightseer" showcasing chaotic, introspective imagery—such as fragmented urban scenes and shadowed figures—to mirror the album's themes of self-exploration.[37][38] These efforts positioned Strange Disciple tracks as setlist staples during the 2023–2024 tours, with songs like "Weak In Your Light" routinely closing shows to foster communal sing-alongs.[39]Reception
Critical reception
Strange Disciple received generally favorable reviews from music critics, with praise centered on its emotional depth and evolution of the band's synth-pop sound. On review aggregator Metacritic, the album holds a score of 78 out of 100, based on six critic reviews, indicating "generally favorable" reception.[40] The positive consensus highlights the album's ability to expand on nostalgic synth elements while conveying the inner turmoil of infatuation through resonant themes and polished production.[40] Pitchfork awarded the album 7.3 out of 10, commending its "surprisingly idiosyncratic" expansions on the band's signature sound, noting how Nation of Language stretches their auditory imagination without abandoning roots.[4] NME gave it 4 out of 5 stars, praising its conveyance of "the inner chaos of infatuation" through every lyrical and musical note, positioning it as an ideal entry for newcomers to the band's cult appeal.[7] AllMusic rated it 4 out of 5 stars, describing the record as an "honest revivalism" that hits its stride with catchy, anxious synth-pop tracks inspired by early '80s aesthetics.[41] Clash magazine scored it 8 out of 10, lauding the groove-driven synths and sparkling reminders of the genre's power, particularly in tracks that blend calm pacing with soaring melodies.[17] Critics commonly applauded the album's clean production and thematic resonance, which deepen the emotional pull of its synth-pop framework, though some pointed to a lack of bold innovation in certain tracks as a minor shortcoming. For instance, PopMatters gave it 6 out of 10, acknowledging the band's dogged devotion to their influences but suggesting it leaves room for a more daring turn.[3] Loud and Quiet echoed this, calling it an "impressive record" with strong grooves but critiquing its absence of artistic focus for lasting impact.[42] As of 2025, Strange Disciple has not received major accolades such as Grammy nominations, but it has garnered recognition in indie circles, including being named Rough Trade's #1 Album of the Year for 2023, underscoring the growth of the band's cult following in specialized press.[43]Commercial performance
Strange Disciple debuted on several UK charts shortly after its release on September 15, 2023, reflecting initial sales and digital downloads in the indie and synth-pop markets. The album peaked at No. 29 on the Scottish Albums Chart, No. 49 on the UK Album Downloads Chart, and No. 12 on the UK Independent Albums Chart, all during the week ending September 28, 2023.[44] In the United States, it marked the band's first appearance on Billboard charts, entering at No. 66 on the Top Current Album Sales chart and No. 99 on the Top Album Sales chart for the week dated October 7, 2023.[45] The album also performed strongly on niche formats, reaching No. 11 on the UK Vinyl Albums Chart and No. 6 on the UK Record Store Chart.[44]| Chart | Peak Position | Weeks on Chart |
|---|---|---|
| Scottish Albums (OCC) | 29 | 1 |
| UK Album Downloads (OCC) | 49 | 1 |
| UK Independent Albums (OCC) | 12 | 2 |
| UK Vinyl Albums (OCC) | 11 | 1 |
| Top Current Album Sales (Billboard) | 66 | 1 |
| Top Album Sales (Billboard) | 99 | 1 |
Album details
Track listing
All tracks are written by Ian Richard Devaney, Aidan Noell, and Alex MacKay.[46]| No. | Title | Length |
|---|---|---|
| 1. | "Weak in Your Light" | 4:15 |
| 2. | "Sole Obsession" | 4:16 |
| 3. | "Surely I Can't Wait" | 4:03 |
| 4. | "Swimming in the Shallow Sea" | 4:37 |
| 5. | "Too Much, Enough" | 4:51 |
| 6. | "Spare Me the Decision" | 3:55 |
| 7. | "Sightseer" | 4:07 |
| 8. | "The Wall & I" | 4:38 |
| 9. | "In Favor of Acting" | 4:25 |
| 10. | "Most of All" | 4:49 |