LCD Soundsystem
LCD Soundsystem is an American dance-punk band from Brooklyn, New York, formed in 2002 by musician, singer, and producer James Murphy as a solo studio project under the DFA Records label he co-founded with Tim Goldsworthy.[1] The band blends post-punk revival, electronic dance music, disco, and indie rock, characterized by Murphy's witty, self-deprecating lyrics exploring themes of aging, music scene pretensions, and interpersonal dynamics.[2] Emerging from New York's early-2000s underground scene, LCD Soundsystem became a leading act in the dance-punk revival, influencing a generation of artists with their energetic live performances and critically acclaimed recordings.[3] The band's breakthrough came with the 2002 single "Losing My Edge," a satirical monologue critiquing hipster culture that gained cult status through word-of-mouth and club play.[2] Their self-titled debut album, LCD Soundsystem (2005), expanded on this sound with tracks like "Daft Punk Is Playing at My House," which peaked at number 29 on the UK Singles Chart and earned a Grammy nomination for Best Dance Recording.[2] Follow-up albums Sound of Silver (2007) and This Is Happening (2010) solidified their reputation, with the former featuring the euphoric anthem "All My Friends"—a staple of indie dance sets—and the latter showcasing longer, more experimental compositions like "Dance Yrself Clean."[2] Both records received widespread praise for their production and emotional depth, with Sound of Silver ranking highly on numerous decade-end lists. After This Is Happening, LCD Soundsystem announced their disbandment in 2011, culminating in a sold-out farewell concert at Madison Square Garden titled "The Long Goodbye," which was later released as a live album.[2] The group reformed in 2016 for a series of shows, leading to the release of American Dream (2017), a reflective album that debuted at number one on the Billboard 200 and addressed Murphy's experiences with loss and maturity.[4] Subsequent releases include the live album Electric Lady Sessions (2019) and the single "new body rhumba" (2022). In 2024, they released the single "x-ray eyes," and a new album is scheduled for 2025.[5][6] As of 2025, the band remains active, with core members including Murphy (vocals, multi-instruments), Nancy Whang (keyboards, vocals), Pat Mahoney (drums), Al Doyle (guitar, percussion), and Tyler Pope (bass, guitar), and they are currently touring North America, including a multi-night residency at Queens' Knockdown Center from November to December.[7]History
Formation and early releases (2002–2005)
James Murphy, a New York-based musician and producer, had been active in the local scene prior to LCD Soundsystem, serving as the live sound engineer for the post-punk band Six Finger Satellite in the late 1990s, where he developed a reputation for his high-volume mixes.[8] In 2001, Murphy co-founded DFA Records with Tim Goldsworthy, a fellow producer and former member of electronic acts like UNKLE, and manager Jonathan Galkin, aiming to capture the raw energy of New York's underground electronic and punk sounds.[9] DFA quickly became a key player in revitalizing dance-punk through releases like The Rapture's "House of Jealous Lovers."[10] LCD Soundsystem began as Murphy's solo project in 2002, initially envisioned as a one-off outlet for his ideas blending indie rock, disco, and electronic elements, but it soon expanded into a collaborative band featuring regular contributors like vocalist and keyboardist Nancy Whang and bassist Tyler Pope.[11] The project's debut single, "Losing My Edge," was released in July 2002 on DFA Records as a 12-inch vinyl, featuring a satirical monologue over a driving beat that name-dropped obscure artists and captured the anxieties of aging hipster culture.[12] The track earned widespread critical acclaim, ranking #13 on Pitchfork's list of the top 500 songs of the 2000s and praised for its witty lyrics and infectious groove.[13] Building on this momentum, LCD Soundsystem issued the single "Yeah" later in 2002, a raw, extended jam that showcased Murphy's production style with looping guitar riffs and pulsating bass, initially released as a 7-inch before a fuller 12-inch version in 2004.[2] The project continued with sporadic releases, including the 2005 single "Tribulations," a disco-inflected track from the forthcoming album that highlighted the band's growing polish while maintaining its underground edge.[14] The self-titled debut album, LCD Soundsystem, was produced by Murphy and Goldsworthy at DFA's New York studio and released on January 24, 2005, through a joint venture between DFA and Capitol Records.[15] The record compiled reworked versions of early singles alongside new material, with standout tracks like the opener "Daft Punk Is Playing at My House"—a euphoric nod to electronic icons—and the introspective "Never as Tired as When I'm Waking Up," blending raw energy with emotional depth across 16 tracks (including bonus disc remixes).[16] It debuted at #6 on Billboard's Top Electronic Albums chart and sold over 62,000 copies in the U.S. by early 2007, establishing the band as a critical darling in the indie scene.[17] Early live performances further fueled LCD Soundsystem's underground buzz in New York's dance-punk circuit, with Murphy and his rotating lineup playing intimate venues like Williamsburg warehouses and clubs, where the band's sweaty, improvisational sets drew crowds from the city's thriving post-punk revival community.[18] These shows, often extending into marathon DJ sets, helped cultivate a dedicated following amid the early-2000s resurgence of genre-blending nightlife.[19]Sound of Silver era (2006–2008)
In October 2006, LCD Soundsystem released 45:33, a 45-minute continuous composition commissioned by Nike as part of their Nike+ Original Run series, designed for use during workouts via iPod integration.[20] The track, initially available digitally as a single unbroken piece, blended electro-disco elements with building rhythms, reflecting James Murphy's interest in extended, immersive dance structures.[21] Following this, the band recorded their second studio album, Sound of Silver, primarily in 2006 at a studio in Long Island City, Queens, where Murphy covered the walls in silver foil to create a reflective acoustic environment and thematic mood.[22] Released on March 12, 2007, in the United Kingdom via EMI and on March 20 in the United States through DFA and Capitol Records, the album marked a shift toward more polished production while retaining raw energy.[23] Standout tracks included "All My Friends," an eight-minute epic driven by piano and driving percussion, and "Someone Great," a synth-pop lament with emotive falsetto vocals.[24] Sound of Silver received widespread critical acclaim for its seamless fusion of dance-punk and introspective songwriting, earning a 9.2/10 rating and Best New Music designation from Pitchfork, which praised its hybrid of rock and dance values.[24] Rolling Stone awarded it four stars, highlighting Murphy's evolution as a "future-disco hero" with unusually nostalgic depth.[25] Commercially, it peaked at number 28 on the UK Albums Chart, where it was later certified gold by the BPI for sales exceeding 100,000 units, and reached number 46 on the US Billboard 200 with first-week sales of approximately 15,000 copies; overall US sales have surpassed 225,000 units to date.[26][27][28] The album's success propelled an extensive 2007 tour, encompassing over 100 shows across Europe, North America, and South America, with headline performances at major festivals including Coachella on April 28, where the band drew one of the largest crowds at the Sahara Tent.[29][30] This period solidified the band's live lineup, featuring core members such as James Murphy on vocals and multi-instruments, Nancy Whang on keyboards and backing vocals, and Pat Mahoney on drums, alongside collaborators like Tyler Pope on bass and guitar.[31] Lyrically, Sound of Silver drew from Murphy's personal reflections on aging into his mid-30s and the fading allure of New York City's nightlife scene, as explored in tracks like "All My Friends," which captures the exhaustion and nostalgia of endless partying among old companions.[22] Murphy has described these themes as stemming from his own experiences of feeling like a "real-life emotional teenager" amid the transience of youth and cool, infusing the album with a bittersweet tension between revelry and regret.[32]This Is Happening and disbandment (2009–2011)
Following the success of Sound of Silver, LCD Soundsystem began work on their third studio album, This Is Happening, in early 2009. The recording sessions took place primarily at The Manshun, a rented studio space in Los Angeles, with additional work at DFA Studios in New York City; mixing was completed at DFA from April 2009 through February 2010.[33][8] James Murphy, the band's frontman and primary songwriter, handled production alongside the group, emphasizing a raw, expansive sound that built on the emotional introspection of prior work while incorporating longer, more anthemic structures.[33] The album was released on May 17, 2010, in the UK and May 18 in the US via DFA and Virgin Records. Standout tracks included the opener "Dance Yrself Clean," a slow-building nine-minute epic that transitions from subdued verses to euphoric disco-infused choruses, and "I Can Change," a tender duet-inspired ballad featuring Murphy's wife Nancy Whang on vocals, which explored themes of vulnerability and transformation.[33] Commercially, This Is Happening marked the band's strongest performance to date, debuting at number 7 on the UK Albums Chart and number 10 on the US Billboard 200, with approximately 31,000 copies sold in its first US week.[34][35] The record received widespread critical acclaim for its maturity and energy, often cited as a career peak that extended the themes of aging and nightlife from Sound of Silver.[36] To support the album, LCD Soundsystem embarked on an extensive world tour in mid-2010, spanning North America, Europe, and South America, with performances that highlighted the new material alongside fan favorites. A key highlight was their June 27, 2010, headline slot on the Other Stage at Glastonbury Festival, where they delivered a sunset set blending tracks like "Drunk Girls" and "All My Friends," drawing massive crowds and earning praise for its communal, dance-driven atmosphere.[37][38] The tour built momentum through sold-out arena shows and festival appearances, culminating in a series of intimate warm-up dates before the announced finale. On February 7, 2011, the band released a video statement on their official website announcing their disbandment after one final performance, with frontman James Murphy explaining the decision stemmed from personal exhaustion after years of intense touring and a desire to conclude the project while still at its creative zenith, avoiding the pitfalls of diminishing returns.[39] The announcement, framed as a "slow goodbye" to allow for a proper send-off, specified the last show as April 2, 2011, at Madison Square Garden in New York City, billed as a three-hour extravaganza with special guests.[40] The Madison Square Garden concert served as the band's final performance of the initial era, running nearly four hours and featuring guest appearances from Arcade Fire's Régine Chassagne and Will Butler, as well as a career-spanning setlist that closed with an emotional rendition of "New York, I Love You but You're Bringing Me Down." Fans reacted with a mix of devastation and celebration, with tickets selling out in seconds and resale prices soaring to $1,500 amid widespread online outpouring of grief and gratitude for the band's raw honesty and influence on indie dance music.[41][42] The event, later documented in the 2012 film Shut Up and Play the Hits, underscored the breakup as a poignant, self-aware exit rather than a dramatic fracture.Interlude period (2011–2014)
Following the disbandment in 2011, James Murphy experienced significant emotional fatigue from the band's exhaustive final tour, retreating to process the aftermath privately. The morning after the Madison Square Garden farewell concert, he awoke to 50 voicemails but immediately returned to bed, underscoring the toll of the high-intensity performances.[43] Murphy channeled his energies into diverse solo endeavors outside of music production. In 2012, he debuted as an actor, portraying the character Ken in Rick Alverson's independent film The Comedy. The following year, he directed the short film Little Duck as part of Canon's Project Imaginat10n initiative, which supported emerging filmmakers. By early 2014, Murphy expanded into the beverage industry, partnering with Blue Bottle Coffee to launch the House of Good single-origin blend, reflecting his interest in curated sensory experiences.[44][43] Despite the hiatus, Murphy stayed engaged in musical collaborations and scoring projects. In April 2013, he produced the track "Buried Alive Interlude" for Yeah Yeah Yeahs' album Mosquito. Later that year, he co-produced Arcade Fire's fourth studio album Reflektor, contributing to its expansive, dance-oriented sound. Also in 2013, Murphy delivered an extended remix of David Bowie's "Love Is Lost (Hello Steve Reich Mix by James Murphy for the DFA)," clocking in at over 10 minutes, and composed original music for the Broadway revival of Harold Pinter's Betrayal, starring Daniel Craig and Rachel Weisz. In July 2014, director Noah Baumbach enlisted him to score the comedy While We're Young, building on their prior collaboration for Greenberg in 2010.[43][45][46] Murphy's non-album work extended to innovative installations and experimental releases. In summer 2013, he co-created Despacio, a custom-built, mobile sound system and DJ booth with Belgian brothers Stephen and David Dewaele of Soulwax (2manydjs), designed for immersive club experiences and debuted at Manchester International Festival. That August, in an interview, he explicitly stated having no intentions of reuniting LCD Soundsystem, emphasizing focus on new pursuits. In 2014, he produced Remixes Made with Tennis Data, a series of tracks generated from U.S. Open tennis match data in partnership with IBM, showcasing algorithmic composition.[47][48] LCD Soundsystem's core members also pursued independent paths during the break. Guitarist Al Doyle formed the synth-pop trio New Build alongside Hot Chip's Felix Martin and engineer Tom Hopkins, releasing their debut album Yesterday Was Lived and Lost on March 5, 2012, via Lo Recordings. The group followed with a second album, Pour It On, in October 2014. Meanwhile, bassist Tyler Pope managed the Output record label, which he co-founded, and drummer Pat Mahoney contributed to recordings by artists including Holy Ghost! and Junior Boys, while keyboardist Nancy Whang continued performing and producing with The Juan MacLean. These activities highlighted the band's members maintaining ties to the electronic and indie scenes without a full LCD Soundsystem revival.Reunion and American Dream (2015–2017)
In late December 2015, LCD Soundsystem announced their reunion, confirming headlining performances at the 2016 Coachella Valley Music and Arts Festival, marking the band's return after a four-year hiatus.[49] The surprise announcement followed months of rumors and generated significant excitement among fans, with frontman James Murphy later explaining that the decision stemmed from a desire to create new music without the pressure of a definitive farewell.[50] The band's first post-reunion performances were intimate surprise shows at New York City's Webster Hall on March 27 and 28, 2016, which served as warm-up gigs before larger festival appearances and drew crowds including celebrities like Jonah Hill and Aziz Ansari.[51] Following these initial shows, the band began recording their fourth studio album, American Dream, primarily at DFA Studios in New York City, with additional sessions at other locations; Murphy noted that this would be the final album recorded at the original DFA space before its relocation. Released on September 1, 2017, via DFA and Columbia Records, the album features a tracklist including standout songs like "Call the Police," "Tonite," and the title track, exploring themes of political disillusionment amid the Trump era and personal aging, with lyrics often reflecting on the hiatus and Murphy's midlife anxieties. Critics praised its blend of urgent energy, expansive grooves, and emotional introspection, awarding it a Metacritic score of 86 out of 100 based on 37 reviews, indicating universal acclaim.[52] Commercially, American Dream debuted at number one on the US Billboard 200, the band's first chart-topping album there, and reached number three on the UK Albums Chart.[53][26] At the 60th Annual Grammy Awards, the album earned a nomination for Best Alternative Music Album, while the track "Tonite" won for Best Dance Recording. To support American Dream, LCD Soundsystem embarked on an extensive world tour in 2017–2018, beginning with summer festival dates such as Splendour in the Grass in Australia, Fuji Rock Festival in Japan, and Pitchfork Music Festival in Chicago, before a fall run of arena and theater shows across North America, Europe, and beyond.[54] The tour highlighted the band's revitalized live energy, incorporating new material alongside classics, and extended into 2018 with additional dates, solidifying their comeback momentum.[55]Post-reunion releases (2018–2023)
In late 2018, LCD Soundsystem announced their live album Electric Lady Sessions, recorded during three days in January 2018 at New York's Electric Lady Studios.[56] The double LP, released on February 8, 2019, via DFA and Columbia Records, features reinterpreted tracks from the band's catalog alongside covers of songs by Heaven 17, Chic, and Liquid Liquid, capturing the group's post-reunion energy in an intimate studio setting.[57] This release extended the momentum from their American Dream era, offering fans polished live renditions that highlighted James Murphy's evolving production style.[58] The band's activities slowed in 2020 amid the COVID-19 pandemic, entering a full hiatus that halted planned tours and live performances globally.[59] With venues closed and travel restrictions in place, LCD Soundsystem focused inward, postponing any international outings and contributing to broader industry disruptions in live music.[60] In December 2021, LCD Soundsystem returned with The LCD Soundsystem Holiday Special, a Prime Video concert film directed by Eric Wareheim, blending scripted sketches with live performances from Brooklyn Steel.[61] The special, aired on December 22, debuted the original festive track "christmas will break your heart" alongside classics like "Tonite," providing a timely, introspective holiday offering amid ongoing pandemic recovery.[62] The group resumed extensive live work in 2022 with a 20-night residency at Brooklyn Steel, announced in September and running from November 18 to December 17, marking their most concentrated series of shows to date.[63] However, rising COVID-19 cases led to the cancellation of the final three dates on December 19, reflecting persistent health challenges for touring acts.[64] During this period, LCD Soundsystem shared stages with acts like IDLES at festivals such as This Ain't No Picnic in California, fostering collaborative energy through joint bills that amplified their dance-punk sound alongside punk contemporaries.[65] In 2023, LCD Soundsystem maintained a steady pace of performances, including a 12-show multi-venue residency across New York boroughs from November 16 to December 16 at Brooklyn Steel, Terminal 5, and The Rooftop at Pier 17.[66] They also headlined major U.S. festivals like the Re:SET Concert Series in June, sharing the lineup with IDLES and others, underscoring their enduring draw in live settings.[67] This run of shows, including stops at Red Rocks Amphitheatre and Frost Amphitheater, reinforced the band's post-reunion vitality through extended sets blending catalog staples with newer material.[68] Additionally, August 2021 saw the reissue of The Long Goodbye: LCD Soundsystem Live at Madison Square Garden, the complete recording of their 2011 farewell concert, on vinyl for its 10th anniversary, providing a reflective bridge to their pre-reunion legacy.[69]New material and recent tours (2024–present)
In October 2024, LCD Soundsystem teased the development of their fifth studio album during the announcement of their headlining slot at Primavera Sound Barcelona 2025, with frontman James Murphy stating that recording sessions were ongoing amid the band's touring schedule.[70] However, the festival organizers later clarified that the band would not debut the full album at the event, though Murphy confirmed in November 2024 that work on the project continued without a finished LP or firm release plans.[71] As of November 2025, the album remains unfinished with no firm release date announced.[72] The first single from these sessions, "X-Ray Eyes," premiered on NTS Radio in late October 2024 and was officially released on November 1, featuring a minimalist, tech-driven production co-written by Murphy, Al Doyle, and Nancy Whang, who also contributes vocals.[73] The track explores themes of introspection and relational scrutiny through its repetitive, synth-heavy structure, marking a return to the band's dance-punk roots while hinting at the evolving sound of the forthcoming album.[73] In spring 2025, LCD Soundsystem embarked on a North American tour comprising 10 shows across five cities, including multi-night stands in Austin, Dallas, and New Orleans, alongside stops in San Diego and Atlanta, supported by acts like Nation of Language and Gustaf.[74] The run highlighted the band's sustained live intensity, with setlists blending classics like "All My Friends" and recent material such as "X-Ray Eyes." The band headlined Primavera Sound Barcelona on June 7, 2025, delivering a high-energy set without introducing new album tracks beyond the already-released single, focusing instead on fan favorites from their catalog.[71] Later that month, on June 20, 2025, they issued a digital and limited vinyl release of Tom Sharkett's remix of "Home" from their 2010 album This Is Happening, transforming the original's melancholic build into a more upbeat, synth-pop edit suitable for club play.[75] In September 2025, LCD Soundsystem announced a 12-show residency at Queens' Knockdown Center from November 20 to December 13, reviving their annual NYC tradition with tickets selling out rapidly via general sale on September 16, priced around $190 including fees.[76][77] Setlist expectations include staples like "Dance Yrself Clean" and "Tribulations," potentially incorporating previews from the ongoing album sessions to maintain the residency's improvisational vibe.[78]Musical style and influences
Musical style
LCD Soundsystem's music fuses dance-punk, electronic, post-punk revival, and disco elements, creating a propulsive sound that bridges indie rock's raw edge with dance floor urgency.[2] The band employs synthesizers and drum machines alongside live instrumentation such as thudding kick drums, throbbing bass lines, and snapping hi-hats to craft energetic, danceable tracks that manipulate rhythm to engage the body.[79] This blend draws from underground disco and electro traditions while incorporating punk's intensity, resulting in extended grooves that prioritize movement over conventional song structures.[2] James Murphy's lyrics often explore introspective themes of aging, failure, and nightlife, delivered with a mix of irony, humor, and emotional transparency that balances satire and sincerity.[2] In songs like "All My Friends," Murphy ruminates on life's relentless passage and the regrets of long nights out, using self-deprecating wit to underscore personal and social critiques.[80] His hyperdeclaratory vocal style—raw and unpolished—conveys vulnerability amid the music's drive, turning confessions of self-loathing into communal anthems.[79] The band's production emphasizes layered builds and repetitive hooks, starting with sparse elements that gradually accumulate into dense, immersive soundscapes, often blending synthetic and organic textures for a hyper-modern feel.[80] Murphy's studio craft, honed through self-production, favors clockwork precision in rhythms and deliberate sonic overloads, ensuring tracks like "Dance Yrself Clean" evolve from quiet introspection to euphoric release without losing their visceral punch.[2] Over time, LCD Soundsystem's sound evolved from the lo-fi rawness of early singles—characterized by crackling analog crispness and punk urgency—to the polished, emotionally layered arrangements of later albums, while preserving a DIY ethos rooted in independent experimentation.[2] This progression, evident from the debut's joking electro-punk rushes to the vulnerable art-rock remakes on This Is Happening, maintained an emphasis on authenticity over slick perfection, reflecting Murphy's commitment to organic recording processes.[80] In the post-reunion era, beginning with American Dream (2017), the band's style grew more mature and introspective, featuring longer, more expansive compositions that delve deeper into themes of loss, mortality, and personal reflection, while retaining the core dance-punk energy and rhythmic drive.[81] Subsequent releases, such as the Yr Body Is Nothing EP (2022) and singles like "x-ray eyes" (2024), continued this trajectory with minimalistic and experimental elements, blending raw emotional depth with evolving electronic textures as of 2025.[82]Influences
LCD Soundsystem's music draws heavily from post-punk bands, particularly their rhythmic and angular styles, with James Murphy citing Gang of Four as a key inspiration for angular guitar riffs and beats, as heard in tracks like "Anthrax."[2] Liquid Liquid also influenced the band's percussive rhythms and minimalist funk, evident in Murphy's appreciation for their no-wave-adjacent grooves from the early 1980s New York scene.[83] Talking Heads contributed to the angular, talky post-punk energy that Murphy emulated in LCD's nervy, intellectual dance-punk fusion.[84] Electronic and dance influences are central to the band's sound, with Murphy frequently referencing Kraftwerk's pioneering synth work and robotic vocals as foundational to his electronic explorations, likening them to rock rather than pure dance music in his early listening experiences.[85] Daft Punk's Homework shaped the band's approach to house and techno production,[86] though he critiqued their later work for lacking the same raw power.[87] New Order's blend of post-punk and synth-pop informed LCD's melodic electronic structures and emotional depth in songs like "I Can Change."[88] The New York no-wave and club scenes profoundly impacted Murphy, who drew from the city's late-1970s and early-1980s friction between new wave, disco, and hip-hop, citing bands like Suicide and ESG for their raw, experimental rhythms.[2] His experiences in New York's underground venues, including the punk birthplace CBGB, fueled LCD's gritty, scene-aware aesthetic, with Murphy recalling the influence of Sonic Youth's noise-rock energy from his early days in the city.[85] These elements manifest briefly in albums like Sound of Silver, where no-wave angularity meets club pulse. Broader cultural factors from the 1970s–1980s disco and punk crossover shaped the band's hybrid sound, with Murphy highlighting Loose Joints' post-disco grooves as pivotal to the DFA label's drum aesthetics and LCD's dance-floor urgency.[85] Punk acts like The Stooges and Violent Femmes provided a raw, anti-macho edge that contrasted with disco's hedonism, inspiring Murphy's fusion of aggression and groove.[2] In interviews, Murphy has cited David Bowie as a major personal inspiration for artistic reinvention and genre versatility, crediting Bowie's encouragement during LCD's reunion for pushing him toward discomfort as a creative force.[89] He also positioned LCD Soundsystem as a self-referential critique of indie trends, drawing from post-punk's ironic detachment to mock name-dropping culture in tracks like "Losing My Edge."[87]Awards and nominations
Grammy Awards
LCD Soundsystem has received five Grammy Award nominations throughout their career, with one win, primarily recognizing their contributions to electronic and alternative music. Their nominations span from the mid-2000s to the late 2010s, highlighting key albums and singles that blended dance-punk, electronic, and rock elements. At the 48th Annual Grammy Awards in 2006, the band earned two nominations for their self-titled debut album: Best Dance Recording for the single "Daft Punk Is Playing at My House," which showcased their infectious dance-rock energy, and Best Electronic/Dance Album for the album as a whole. Neither award was won, but these early nods marked LCD Soundsystem's breakthrough in the electronic music scene.[90] The band's second album, Sound of Silver, brought another nomination at the 50th Annual Grammy Awards in 2008 for Best Electronic/Dance Album. This recognition came for tracks like "All My Friends" and "Someone Great," which exemplified their evolving sound with introspective lyrics over pulsating rhythms.[91] The album did not win, but it solidified their critical acclaim in the genre.[90] LCD Soundsystem achieved their first Grammy win at the 60th Annual Grammy Awards in 2018, held on January 28 at Madison Square Garden in New York City. They won Best Dance Recording for "Tonite" from their comeback album American Dream, beating nominees including Gorillaz's "Andromeda" and Bonobo's "Cirrus."[90] The track, with its urgent disco-punk drive, was praised for capturing themes of aging and loss.[92] The album American Dream was also nominated for Best Alternative Music Album, though it lost to The National's Sleep Well Beast.[93] This ceremony represented a career milestone, as the win was their first after years of nominations.[94]| Year | Ceremony | Category | Work | Result |
|---|---|---|---|---|
| 2006 | 48th Annual Grammy Awards | Best Dance Recording | "Daft Punk Is Playing at My House" | Nominated |
| 2006 | 48th Annual Grammy Awards | Best Electronic/Dance Album | LCD Soundsystem | Nominated |
| 2008 | 50th Annual Grammy Awards | Best Electronic/Dance Album | Sound of Silver | Nominated[91] |
| 2018 | 60th Annual Grammy Awards | Best Dance Recording | "Tonite" | Won[90] |
| 2018 | 60th Annual Grammy Awards | Best Alternative Music Album | American Dream | Nominated[93] |
Other awards
LCD Soundsystem has garnered acclaim from various music critics' polls and industry honors beyond the Grammy Awards, particularly highlighting their critical success in the United States and innovative contributions to electronic and rock music. In the Village Voice's annual Pazz & Jop critics' poll, a highly regarded survey aggregating votes from hundreds of music journalists, Sound of Silver topped the albums list in 2007 with 1,662 points from 141 voters, marking a pinnacle of critical consensus for the band's sophomore release.[95] The album's blend of dance-punk energy and introspective lyrics was praised for its emotional depth and sonic innovation. This Is Happening followed suit in 2010, securing second place overall behind Kanye West's My Beautiful Dark Twisted Fantasy, underscoring the band's continued relevance during their pre-disbandment peak.[96] American Dream, their 2017 reunion album, ranked ninth in the poll, reflecting sustained admiration for its mature exploration of aging and politics amid a competitive field.[97] Sound of Silver also earned a nomination for the 2008 Shortlist Music Prize, an American award recognizing outstanding albums outside mainstream genres, where it competed alongside works by Arcade Fire, M.I.A., and Feist but did not win.[98] This recognition positioned the band as a key player in the indie and electronic scenes, akin to the UK's Mercury Prize in scope and prestige. In 2011, LCD Soundsystem received the Webby Award for Artist of the Year in the Special Achievement category, honoring their pioneering use of digital platforms to build a global fanbase, including interactive online campaigns and direct engagement that blurred lines between artist and audience.[99] This accolade complemented their reputation for blending live performance intensity with technological savvy, as seen in viral promotions around their farewell shows.Band members
Current and former members
James Murphy, born February 4, 1970, in Princeton Junction, New Jersey, is the founder, lead vocalist, multi-instrumentalist, and primary songwriter of LCD Soundsystem. As the driving creative force, he established the band in 2002 through his DFA Records label, blending post-punk, disco, and electronic elements into a signature dance-punk sound. Murphy's background includes early work as a punk musician and assistant engineer at studios like Funkytown Recording, before co-founding DFA with Tim Goldsworthy and Jonathan Galkin.[1][100] Nancy Whang serves as the band's longtime keyboardist and vocalist, providing backing and occasional lead vocals since joining the live lineup in 2005. A New York-based DJ and producer, Whang first contributed to LCD Soundsystem's early singles like "Losing My Edge" and has since become integral to their stage presence and recordings, also collaborating extensively with The Juan MacLean on DFA. Her synth work and harmonies add a disco-infused layer to the band's energetic performances.[101][102] Pat Mahoney has been the drummer and percussionist since 2005, anchoring the band's rhythm section with a versatile style influenced by punk and funk. A visual artist and DJ who performs alongside Murphy as Special Disco Version, Mahoney's tenure spans the band's original run and reunion, contributing to albums like Sound of Silver and live sets known for their intensity.[103][104] The current lineup also includes Tyler Pope on bass and guitar (reduced role post-reunion), who co-wrote tracks during the band's early years starting in 2004 and rejoined for the 2015 reunion; Al Doyle, guitarist and keyboardist from Hot Chip, contributing since 2005 with his dual-band commitments; Korey Richey on synthesizers, piano, percussion, and guitar, a Louisiana native who joined post-reunion for added textural depth; Nick Millhiser on synthesizers, percussion, and backing vocals since 2021, bringing experience from Holy Ghost!; Abby Echeverri on flute and multi-instruments, enhancing the band's live horn and woodwind elements in recent tours; and Nay Wilkins on bass for touring duties since 2025.[105][106][107][74][108][109][110] Among former members, Jerry Fuchs played drums and percussion from 2005 until his death in 2009, bringing a funky, disco-rooted groove from prior work with !!! and The Juan MacLean before a tragic elevator accident in Brooklyn. Phil Mossman, an original guitarist and percussionist from 2004 to 2011, contributed to the band's debut tours and recordings; a London native with credits alongside David Holmes and Primal Scream, he occasionally rejoined for special performances like the 2022 Queens show. Matt Thornley served as guitarist and multi-instrumentalist during the late 2000s and 2010s, including on This Is Happening, before shifting focus; originally from the UK, he later formed The Crystal Ark with Gavilán Rayna Russom. Gavilán Rayna Russom, a synthesist and keyboardist from 2008 to 2021, shaped the band's electronic textures on This Is Happening and reunion efforts; a transdisciplinary artist and former Black Leotard Front member, Russom departed to pursue solo work in cultural sustainability and performance.[111][112][113][114][115]Timeline
| Period | Lineup | Key Events and Notes |
|---|---|---|
| 2002–2004 | James Murphy (vocals, instruments) with session musicians including Phil Mossman (guitar, percussion) | LCD Soundsystem began as James Murphy's solo project under DFA Records, releasing early singles like "Losing My Edge" (2002). No fixed band lineup during this phase. |
| 2005 | Core band formation: James Murphy (vocals, instruments), Nancy Whang (keyboards, vocals), Pat Mahoney (drums), Tyler Pope (bass, guitar), Al Doyle (guitar, percussion) | The band expanded into a live ensemble for the self-titled debut album release and subsequent tours. Additional contributors included Jerry Fuchs (drums, 2005–2009).[11] |
| 2005–2011 | Core members plus Gavilán Rayna Russom (synthesizers, joined 2008); occasional additions like Matt Thorn (keyboards, percussion) | Lineup supported albums Sound of Silver (2007) and This Is Happening (2010), with tours including the farewell Madison Square Garden show in 2011. Jerry Fuchs passed away in 2009.[2] |
| 2011–2015 | No active lineup | The band entered hiatus following the 2011 disbandment announcement, with members pursuing solo projects and DFA Records operations.[116] |
| 2016–2020 | Reunion lineup: James Murphy, Nancy Whang, Pat Mahoney, Al Doyle, Tyler Pope, Gavilán Rayna Russom; additional touring musicians | Reformed for festival appearances (e.g., Coachella 2016) and album American Dream (2017), followed by Electric Owl (2019, Japan-only). Russom contributed to synth arrangements until her departure.[50] |
| 2021–present | Core: James Murphy, Nancy Whang, Pat Mahoney, Al Doyle; additions including Nick Millhiser (programming), Korey Richey (multi-instrumentalist), and touring members like Nay Wilkins (bass), Abby Echeverri (DJ/multi-instrumentalist). Tyler Pope reduced role post-reunion. Al Doyle participates part-time on tours. | Post-Russom departure (2021, due to health and creative reasons), the band maintained a stable seven-to-eight piece configuration for albums, residencies, and 2025 tours including North American dates and NYC residency.[115][108][117] |
Discography
Studio albums
LCD Soundsystem's debut studio album, titled LCD Soundsystem, was released on January 24, 2005, through DFA and Capitol Records. Produced primarily by James Murphy, the album features 16 tracks and runs for approximately 62 minutes. It peaked at number 20 on the UK Albums Chart but did not enter the US Billboard 200.[118][119] The band's second studio album, Sound of Silver, followed on March 12, 2007, also via DFA and Capitol Records. Again produced by Murphy, it contains 10 tracks over 46 minutes. The record reached number 28 on the UK Albums Chart and number 46 on the US Billboard 200, while earning gold certification from the British Phonographic Industry (BPI) for 100,000 units sold in the UK.[120][53][121] This Is Happening, the third studio effort, arrived on May 17, 2010, released by DFA and Virgin Records. Produced by Murphy, the 10-track album lasts 49 minutes. It debuted at number 10 on the US Billboard 200 and number 7 on the UK Albums Chart.[34][53] After a seven-year hiatus, LCD Soundsystem returned with American Dream on September 1, 2017, through DFA and Columbia Records. Self-produced by Murphy, the album comprises 9 tracks and runs for 48 minutes. It debuted at number 1 on the US Billboard 200 with 85,000 equivalent album units in its first week (81,000 from traditional sales) and peaked at number 3 on the UK Albums Chart.[122][53][123]| Album | Release Date | Label | Tracks | Duration | UK Peak | US Billboard 200 Peak |
|---|---|---|---|---|---|---|
| LCD Soundsystem | January 24, 2005 | DFA / Capitol | 16 | 62 min | 20 | Did not chart |
| Sound of Silver | March 12, 2007 | DFA / Capitol | 10 | 46 min | 28 | 46 |
| This Is Happening | May 17, 2010 | DFA / Virgin | 10 | 49 min | 7 | 10 |
| American Dream | September 1, 2017 | DFA / Columbia | 9 | 48 min | 3 | 1 |