Fact-checked by Grok 2 weeks ago

Alexander Malofeev

Alexander Malofeev (born October 2001) is a classical renowned for his technical virtuosity and interpretive depth in the repertoire. Born in , he began piano studies at age five and graduated from the Gnessin Moscow Special School of Music under Elena Berezkina before advancing to the Gnessin Institute. Malofeev achieved international acclaim at age 13 by winning first prize at the for Young Musicians in 2014, launching a career that includes solo recitals and concerto appearances with prestigious orchestras such as the , Fort Worth Symphony Orchestra, and performances in venues like and the . Now residing in , he continues to perform globally while maintaining ties to musical institutions. In 2022, amid Russia's invasion of , Malofeev publicly condemned the conflict as a "terrible " for which "every will feel guilty for decades," yet several Canadian engagements, including with the Vancouver Recital Society and , were cancelled solely due to his nationality, illustrating tensions between artistic merit and geopolitical pressures.

Early Life and Education

Childhood and Family Background

Alexander Malofeev was born on October 21, 2001, in , , to parents Dmitry Alexandrovich Malofeev, an engineer, and Lyudmila Borisovna Malofeev, a medical . He has an older sister named and a younger brother named . Malofeev's family was not musical, with no professional musicians among his immediate relatives, as he has stated in interviews. Despite this, his parents, described in some accounts as ordinary professionals supportive of cultural pursuits, regularly took the young Malofeev to performances at the Bolshoi Theatre and , fostering his early fascination with . This parental encouragement played a key role in his development, with Malofeev later crediting their insistence on practice and exposure to live music for shaping his dedication, even when he occasionally resisted. The family resided in during his early years, providing a stable urban environment conducive to his initial artistic interests.

Initial Piano Training and Prodigy Recognition

Alexander Malofeev, born in in October 2001, commenced studies at the age of four, demonstrating early aptitude for the instrument. His initial training laid the foundation for a rigorous musical , emphasizing technical proficiency and interpretive depth from a young age. By age five or six, he had advanced sufficiently to engage with more demanding repertoire, reflecting the intensive practice typical of emerging talents in Russia's tradition. Malofeev subsequently attended the Gnessin Special School of Music, a prestigious institution for gifted young musicians, where he trained under Elena Berezkina. This formal environment honed his skills through structured lessons and performances, preparing him for competitive stages. Berezkina's guidance focused on building a solid technique while fostering musical maturity, enabling Malofeev to tackle complex works by composers such as Rachmaninoff and Chopin during his pre-teen years. He graduated from the Gnessin school, marking the completion of his early specialized training. Malofeev's recognition as a arrived decisively in , at age 13, when he secured first prize and the gold medal at the 8th for Young Musicians, held in . This victory, against international peers under 17, showcased his exceptional and poise, earning acclaim for performances of pieces like Tchaikovsky's Concerto No. 1. The award propelled him into global attention, distinguishing him as one of Russia's foremost young pianists and validating his prodigious talent through adjudicators' consensus on his technical command and emotional expressiveness.

Formal Education and Mentors

Malofeev began formal training at the Gnessin Moscow Special School of Music, where he studied under Elena Berezkina. He graduated from this institution in her class, having enrolled as a young child after initial lessons starting at age five. In 2019, Malofeev entered the Moscow State Tchaikovsky Conservatory to continue his advanced studies. There, he initially worked with Sergei Dorensky, a prominent Russian pedagogue and People's Artist of , from 2019 to 2020. Dorensky, known for teaching notable pianists such as and , provided guidance during this transitional period, though his tenure as Malofeev's direct instructor was brief due to Dorensky's passing in 2020. Since 2020, Malofeev has studied under Professor Pavel Nersessian at the same conservatory, focusing on refining his interpretive and technical approach within the Russian tradition. These mentors have emphasized disciplined practice and fidelity to composers' intentions, aligning with Malofeev's development as a performer of repertoire.

Professional Career

Competition Victories and Breakthrough

Malofeev demonstrated prodigious talent through early successes, including a at the Youth Delphic Games of in 2012. In 2014, he secured the Grand Prix and a special prize for the best performance of Bach at the International Rachmaninoff Young Pianists’ in Novgorod, . That same year, at age 13, he achieved a major milestone by winning first prize and the at the for Young Musicians in , marking his breakthrough to international prominence. Subsequent victories reinforced his reputation, such as prize-winner status at the Vladimir Krainev International Competition in 2015 and another at the Youth Delphic Games of that year. In 2016, he earned the Grand Prix at the International Grand Competition in . Further accolades included designation as the first recipient of the Young Artist award in 2017 and Best Young Musician of 2017 at the International Festival of and . In 2019, he took second prize and the silver medal at the inaugural International Music Competition. The 2014 Tchaikovsky triumph catalyzed his professional ascent, leading to debut engagements with leading orchestras and conductors worldwide, including performances at venues like and the . This victory highlighted his technical precision and interpretive maturity beyond his years, distinguishing him among young pianists.
YearCompetitionPrize
2012Youth Delphic Games of RussiaGold Medal
2014International Rachmaninoff Young Pianists’ Competition, Novgorod and Special Prize for Best Bach Performance
2014 for Young Musicians, 1st Prize and Gold Medal
2015Vladimir Krainev International Piano CompetitionPrize Winner
2016International Grand Piano Competition,
2019China International Music Competition2nd Prize and

Major Performances and International Tours

Malofeev gained international recognition following his 2014 victory at the for Young Musicians, leading to debut performances with prominent Russian orchestras such as the Orchestra under and the . He subsequently collaborated with conductors including , Myung-Whun Chung, and , appearing as soloist with ensembles like the Russian National Orchestra, RAI National Symphony Orchestra, and Baltic Sea Philharmonic. ![Alexander Malofeev (August 2017)][float-right] In 2019, Malofeev embarked on an tour with the Orchestra Filarmonica della Scala under , performing works such as Tchaikovsky's Piano Concerto No. 1. He also toured with the Festival Orchestra led by the same conductor, alongside appearances in venues including Tokyo Bunka Kaikan and Shanghai Oriental Art Center. European engagements have featured recitals and concerto performances at the in —where he opened the 30th anniversary concert of the Meesterpianisten series—the , and . Malofeev's North American debuts included a solo recital at on March 19, 2024, and performances with orchestras such as the and New World Symphony. In 2022, he debuted at festivals including , Ravinia, Aspen, and (with conducting). Additional international tours encompass a 2023–2024 solo tour in and multi-concert residencies with the . He has also participated in European festivals such as La Roque d'Anthéron International Piano Festival, Rheingau Music Festival, and the Mariinsky International Piano Festival in St. Petersburg.

Recording Contracts and Discography

In April 2025, Alexander Malofeev signed an exclusive recording agreement with , marking his entry into a major label partnership. This contract followed his rising international profile, with the label highlighting his virtuosic technique and interpretive depth in announcing the deal. Malofeev's debut for , Forgotten Melodies, is set for release on February 27, 2026. The recording focuses on lesser-known works by composers, including Medtner's Forgotten Melodies I, Op. 38, Glazunov's pieces, and Mikhail Glinka's Farewell , comprising 29 tracks totaling over two hours. A promotional from the album, Medtner's Canzona serenata (from Forgotten Melodies I, Op. 38: VI), was released digitally in October 2025, available on platforms such as and . Prior to the Sony contract, Malofeev's consisted primarily of live recordings and digital releases rather than full studio albums. Notable among these is a debut DVD captured during a at Queensland Conservatorium in June 2016, issued by the Master Performers label. Digital singles and excerpts of works like Rachmaninoff and Liszt have appeared on streaming services, often derived from concert footage or early sessions, but no comprehensive commercial albums were produced under prior labels.

Musical Style and Repertoire

Technical Approach and Influences

Malofeev's technical approach emphasizes virtuosic precision within the Russian piano school tradition, featuring crystal-clear articulation, high accuracy, and a balanced command of dense textures even in complex Romantic repertoire. His touch is often described as pounding yet controlled, with a rich dynamic palette that supports profound expressiveness and emotional depth, as evidenced in performances of works like Rachmaninoff's concertos. He employs generous application to enhance resonance without compromising voicing clarity, particularly in thickly scored passages. A distinctive physical posture—sitting low and leaning forward over the keyboard, reminiscent of —facilitates an intimate, immersive engagement with the instrument. Key influences include , whom Malofeev has named a personal hero, informing his preference for a , bronze-toned sonority and interpretive depth over mere surface . This aligns with the broader Russian lineage, prioritizing mnemonic and technical mastery for authentic recreation of composer intent. Primary pedagogical guidance came from teacher Elena Berezkina, who nurtured his early prodigious talents, supplemented by mentorship from conductor , who collaborated with him from age 14 and highlighted his interpretive maturity beyond technical skill. Critics praise his pearly tone and melodic sculpting but note occasional challenges, such as bass-heavy balances or phrasing that probes excessive depth, potentially leading to textural muddiness or in extended works. These elements reflect a commitment to emotional honesty over polished superficiality, prioritizing causal fidelity to the music's structure and intent.

Preferred Works and Interpretations

Malofeev exhibits a pronounced affinity for Russian composers, with frequent performances of Sergei Rachmaninoff's demanding works, including the No. 2 in C minor, Op. 18; the Rhapsody on a Theme of Paganini, Op. 43; and Etudes-Tableaux from Op. 39. His interpretations of these pieces are characterized by explosive technical virtuosity, expansive , and a blend of fiery intensity with lyrical tenderness, as noted in performances where he transforms familiar variations into monumental statements. Conductors like have highlighted his excellence in Rachmaninoff, emphasizing his command of the composer's idiomatic pianism. Pyotr Ilyich Tchaikovsky holds a foundational place in Malofeev's repertoire, with the stating that the "has been with me since childhood," underscoring an enduring personal attachment cultivated from early training. In the Piano Concerto No. 1 in , Op. 23, his readings feature brilliant technical execution, refined expressive contours, and imaginative tonal shading that illuminate narrative arcs, evoking influences from Schumann and Liszt while maintaining Tchaikovsky's inherent lyricism. Beyond these staples, Malofeev gravitates toward virtuosic challenges from fellow , such as Mily Balakirev's Islamey—a notoriously difficult Oriental fantasy he performs with unyielding precision—and Alexander Scriabin's preludes and nocturnes, where he conveys mystical sensuality through forceful dynamics and subtle sensibility. He has also drawn inspiration from for recording initiatives, including the Canzona serenata, valuing its melodic depth and pianistic demands. This selective focus reveals an interpretive style rooted in bold structural command and emotional authenticity, prioritizing composers whose music aligns with his prodigious and .

Political Views and Controversies

Public Statements on Geopolitical Events

Malofeev issued public statements condemning Russia's full-scale invasion of , which began on February 24, 2022. On March 2, 2022, in a message addressed to the Recital Society following the cancellation of his scheduled performance, he wrote on : "The truth is that every Russian will feel guilty for decades because of the terrible and bloody decision that none of us wanted." He emphasized that the was not supported by ordinary Russians and expressed hope that audiences would distinguish between the actions of the and individual artists. On March 7, 2022, Malofeev posted another statement on lamenting the ongoing conflict: "It is very painful for me to see everything that is happening. I have never seen such a in my life. I quite understand the sufferings of the good people of , and I would be ready to host some refugees if necessary. I pray for peace." In this message, he reiterated his opposition to the bloodshed and advocated for an end to hostilities, framing his position as one of personal anguish rather than political alignment with the Russian state. These statements were made amid broader Western cultural responses to the , including calls for artists to denounce the government explicitly. Malofeev's comments focused on expressing collective remorse and a desire for peace without endorsing or detailing specific policy critiques of the operation. No statements from Malofeev on other geopolitical , such as conflicts in the or domestic politics beyond the crisis, have been documented in available sources as of .

Cancellations in Western Venues

Following Russia's invasion of on February 24, 2022, the Recital Society canceled Alexander Malofeev's scheduled solo recital, originally set for presentation in the city, citing his initial public silence on the conflict as a factor amid broader pressure to distance from artists. Malofeev responded on March 2, 2022, via , condemning the invasion by stating that "every will feel guilty for decades because of the terrible tragedy that is happening now" and expressing personal anguish, including that "all I can do is pray and cry." Despite this statement, the society upheld the cancellation, emphasizing a policy against presenting artists perceived as aligned with the government, even absent explicit support for the . Subsequently, the Orchestre symphonique de Montréal (OSM) canceled three scheduled performances of Malofeev's Tchaikovsky Piano Concerto No. 1 with conductor , planned for March 9, 10, and 13, 2022, after Malofeev had already arrived in the city. The decision followed protests from Montreal's community and petitions demanding the events' cancellation, with the OSM stating it prioritized sensitivity to those affected by the over Malofeev's reiterated anti-war position, which he had publicized on on March 7, 2022, distancing himself from the military actions. Malofeev described the cancellations as politically motivated, noting in a post that he had condemned the war but faced backlash regardless. These incidents reflected a pattern in cultural institutions, where Russian artists, including those without documented ties to the , encountered scrutiny and boycotts post-invasion, often driven by public pressure rather than evidence of personal endorsement of the conflict. Critics, including commentators in outlets like , argued that such actions imposed requirements, punishing neutrality or delayed responses amid the fog of wartime information in . No similar cancellations were reported in major U.S. venues at the time, though the events contributed to Malofeev's reduced bookings in during 2022.

Broader Debates on Art, Politics, and Cancel Culture

Malofeev's cancellations in Western venues, including the Orchestre symphonique de Montréal on March 9, 2022, and the Vancouver Recital Society for an August 2022 performance, ignited discussions on the boundaries between artistic expression and political accountability. Critics contended that penalizing a 20-year-old artist—who publicly expressed opposition to the invasion, citing personal anguish and familial ties to Ukraine—amounted to collective punishment based on nationality rather than individual culpability, thereby undermining the universality of classical music as a domain insulated from state-sponsored conflicts. This perspective framed the actions as emblematic of cancel culture's overreach, where institutional risk aversion to activist pressure supplants merit-based evaluation, potentially fostering a chilling effect on cultural exchange and free inquiry in the arts. Proponents of the cancellations, including some groups, argued that platforming Russian artists during active hostilities signals insufficient solidarity with victims, positing boycotts as a moral imperative akin to , even if the artist dissents from government policy. However, empirical outcomes—such as the persistence of the conflict despite widespread cultural decoupling—suggest limited causal efficacy, while disproportionately affecting non-complicit individuals like Malofeev, who relocated to amid the backlash. The episode underscored tensions in applying "separate the art from the artist" inconsistently: Western institutions have historically tolerated performers with divergent political stances (e.g., from authoritarian regimes) when aligned with prevailing narratives, revealing driven by contemporary geopolitical alignments rather than principled detachment. These events contributed to broader scrutiny of cancel culture's role in , where preemptive withdrawals erode audience access to virtuosic talent and risk politicizing itself—evident in parallel bans on composers like Tchaikovsky. Advocates for artistic emphasized that conflating performers with their governments distorts causal , as individual agency in repressive contexts is constrained, and warned of reciprocal that diminishes global . In Malofeev's instance, the crystallized around : targeting a whose technical prowess had earned international acclaim prior to 2022 highlighted how ideological can eclipse empirical assessment of artistic value.

Reception and Impact

Critical Acclaim and Awards

Malofeev first garnered international recognition by winning first prize at the 8th for Young Musicians in in June-July 2014, at the age of 12. He subsequently earned the Grand Prix at the 1st Grand Piano Competition for Young Pianists in in 2016. In 2019, he secured second prize at the inaugural . Critics have praised Malofeev's technical prowess and interpretive depth in live performances. A 2021 review of his debut highlighted his command of virtuosic works by Liszt and Prokofiev, noting the pieces' technical challenges and his ability to deliver them with precision. In a 2024 Hall concert with the , his rendition of Prokofiev's Third Piano Concerto was described as combining finesse with fireworks, featuring muscular phrasing and rapid shifts from silky arpeggios to hammering chords. Similarly, a 2023 review of his performance with the Orchestre Symphonique de Montréal lauded his "impeccable technique that seems to transcend the limitations of the instrument," emphasizing transcendent execution in Rachmaninoff's Third Concerto. These accounts underscore recurring commendations for his power, sensitivity, and musical fantasy, particularly in and repertoire.

Influence on Contemporary Pianism

Alexander Malofeev exemplifies the enduring vitality of the Russian school in contemporary performance practice, characterized by its rigorous technical demands and expressive intensity. Critics have hailed him as "the latest phenomenon of the Russian piano school," crediting his interpretations with preserving and revitalizing traditions rooted in composers like Rachmaninoff and Prokofiev. His command of complex works, such as Rachmaninoff's No. 3, has been lauded for combining "depth and technical abilities" with superior musical memory, as noted by conductor following a 2019 performance. This approach underscores a causal link between disciplined training—evident from his studies at Moscow's Gnessin Special of Music—and the production of pianism that prioritizes clarity, power, and structural coherence over interpretive subjectivity. Malofeev's technical precision, described as yielding "crystal clear sounds and perfect balance" despite his youth, establishes a high standard for emerging pianists navigating the instrument's physical and interpretive challenges. At age 13, his victory in the 2014 for Young Musicians demonstrated precocious maturity, influencing perceptions of prodigious talent as viable within professional circuits when grounded in empirical mastery rather than novelty alone. Performances at venues like Vienna's , dubbed a "Piano World Revolution" by , highlight how his style integrates Russian school's octave-spanning agility and dynamic control to engage global audiences, potentially shifting repertoire emphases toward underperformed Russian etudes and concertos. In the broader landscape of 21st-century pianism, Malofeev is positioned as manifesting "the piano mastery of the new millennium," bridging historical with modern recording and digital dissemination. His 2025 exclusive signing with anticipates recordings that could standardize his interpretive model—emphasizing unadorned fidelity to score markings—for pedagogical use, countering trends toward minimalist or historically informed reductions in repertoire. While direct emulation by peers remains anecdotal, his trajectory alongside contemporaries like and signals a generational toward virtuosic revivalism, substantiated by shared pedigrees and venue debuts. This influence, derived from verifiable competition outcomes and critical consensus rather than speculative acclaim, reinforces causal realism in assessing pianistic through sustained technical excellence.

Personal Life

Residence and Lifestyle

Alexander Malofeev, born in in October 2001, relocated to , , at the end of 2022 and has resided there since. His move coincided with a period of international touring amid geopolitical tensions, though he maintains professional ties to through family and early training. Malofeev's lifestyle centers on intensive musical preparation and global performance commitments as a artist. He has described practicing up to 12 hours daily during intensive training periods, such as ahead of major competitions, driven by personal passion rather than obligation. His routine involves balancing reflection away from the instrument with structured skill-building, alongside frequent travel for residencies and concerts at venues like the in and in . This nomadic schedule underscores his focus on stage performance as a source of fulfillment, while adapting to life in as a base for European engagements.

Views on Prodigy Life and Future Aspirations

In a 2025 interview, Malofeev described child prodigies as often functioning like "monkey playing," merely replicating teachers' instructions without genuine comprehension of the music's deeper elements. He elaborated that young performers lack the maturity to grasp technical nuances fully, stating, "You can't understand all the technical things," and emphasized that even identical interpretations evolve significantly with time and experience. This reflection underscores his view of early prodigy success as technically impressive but superficial, contrasting it with the interpretive depth he now pursues as an adult artist. Malofeev has highlighted the personal demands of his accelerated career, noting that by his late teens, he began traveling internationally alone after his mother accompanied him earlier, a shift complicated by post-pandemic requirements. As an introvert, he requires extended periods of to generate and fresh ideas, balancing the of rigorous practice with the intensity of global performances. Despite these challenges, he expressed profound fulfillment in live performance, declaring himself "happiest on ," where sincerity connects him directly with audiences. Looking ahead, Malofeev aims to broaden his beyond works, planning in 2023 to incorporate for expanded artistic exploration. His signing with in 2025 signals ambitions for a sustained recording career, building on debut releases to document maturing interpretations. These goals reflect a commitment to evolving from status toward a versatile, introspective pianism grounded in emotional authenticity over mere .

References

  1. [1]
    Biography - Alexander Malofeev
    The young “Russian genius” (Corriere della Sera) came to international prominence when, in 2014, he won the International Tchaikovsky Competition for Young ...Missing: achievements | Show results with:achievements
  2. [2]
    Alexander Malofeev - Boston Symphony Orchestra
    Alexander was born in Moscow in October 2001. The pianist graduated from the Gnessin Moscow Special School of Music in the class of Elena Berezkina. In 2019, ...Missing: achievements | Show results with:achievements
  3. [3]
    Alexander Malofeev | Opus 3 Artists
    Alexander Malofeev gained international recognition in 2014, winning the International Tchaikovsky Competition for Young Musicians at the age of thirteen.Missing: achievements | Show results with:achievements<|separator|>
  4. [4]
    The truth is that every Russian will feel guilty for decades because of ...
    Mar 2, 2022 · Alexander will be fine, but many in the war for Ukraine will not be fine. Alexander is not responsible for Putin, but I believe Putin and the ...
  5. [5]
    A Russian pianist's shows are canceled, even though he condemns ...
    Mar 12, 2022 · Russian pianist Alexander Malofeev, 20, has condemned his native country's invasion and war against Ukraine. But that hasn't kept a string of his concerts from ...
  6. [6]
    Montreal Symphony Orchestra drop Russian pianist Alexander ...
    Mar 10, 2022 · Montreal's symphony orchestra cancelled the appearances of a classical pianist from Russia this week saying it would be 'inappropriate' to ...
  7. [7]
    Alexander Malofeev - Age, Family, Bio | Famous Birthdays
    Alexander Malofeev ; Birthday October 21 ; Birth Sign Libra ; Birthplace Moscow ; Age 23 years old.
  8. [8]
    Малофеев Александр Дмитриевич - Российский Пианист
    Появился на свет в семье инженера Дмитрия Александровича и врача Людмилы Борисовны Малофеевых. У Александра есть старшая сестра Дарья и младший брат Андрей.Missing: детство | Show results with:детство
  9. [9]
    ПИАНИСТ АЛЕКСАНДР МАЛОФЕЕВ. ИНТЕРВЬЮ ... - VK
    Jan 23, 2025 · АЛЕКСАНДР: Нет, в моей семье нет музыкантов. Хотя мои брат и сестра ... К тому же я был послушным ребёнком, и когда родители посоветовали мне ...
  10. [10]
    Юный пианист Александр Малофеев, которого называют
    Jan 15, 2019 · Родители, обычные инженеры, не жалели времени, чтобы маленький Саша регулярно бывал в Большом театре и консерватории, где он, как завороженный, ...Missing: семья | Show results with:семья
  11. [11]
    Alexander Malofeev: Tchaikovsky has been with me since childhood
    Mar 23, 2020 · Of course, sometimes I tried to resist, but my parents were unyielding (smiles), and I am really grateful to them. I played a lot at various ...
  12. [12]
    Alexander Malofeev | Lucerne Festival
    Born in Moscow in 2001, Alexander Malofeev began taking piano lessons at the age of five and later studied at the Gnessin Institute and the Conservatory in ...
  13. [13]
    Alexander Malofeev - Queensland Symphony Orchestra
    Alexander Malofeev was born in 2001 in Moscow, and began his studies at Gnessin Moscow Children's School of Music with Elena Berezkin.Missing: childhood background early life
  14. [14]
    Alexander Malofeev | Dr. Phillips Center for the Performing Arts
    Alexander Malofeev came to international prominence when, in 2014, he won the International Tchaikovsky Competition for Young Musicians at age thirteen.Missing: teacher | Show results with:teacher<|control11|><|separator|>
  15. [15]
    Alexander Malofeev, piano - BroadStage
    ... Alexander Malofeev is renowned for his remarkable technical precision and profound musical maturity. He first gained international recognition at age 13 ...Missing: teacher | Show results with:teacher
  16. [16]
    Getting to Know Alexander Malofeev - The Gilmore
    Oct 4, 2022 · Alexander Malofeev was born in Moscow in October 2001. He graduated from the Gnessin Moscow Special School of Music in the class of Elena Berezkina.
  17. [17]
    Alexander Malofeev - Verbier Festival
    Moscow-born pianist Alexander Malofeev came to international prominence when he won the International Tchaikovsky Competition for Young Musicians in 2014, aged ...Missing: achievements | Show results with:achievements
  18. [18]
    Alexander Malofeev - Master Performers
    Alexander Malofeev was born in Moscow in 2001. · In 2014 he won first prize and the Gold Medal at the International Tchaikovsky Youth Competition in Moscow.
  19. [19]
    Alexander Malofeev signs to Sony Classical - Pianist Magazine
    May 6, 2025 · In 2019 he won second prize and silver medal at the 1st China International Music Competition. He is also the recipient of numerous other ...Missing: victories | Show results with:victories
  20. [20]
    Alexander Malofeev - Pasadena Symphony & Pops
    He studied at two legendary Moscow institutions, Gnessin Moscow Special School of Music and Moscow State Tchaikovsky Conservatory. SIGN UP FOR NEWS AND ...<|separator|>
  21. [21]
    Alexander Malofeev - Fort Worth Symphony Orchestra
    Alexander was born in Moscow in October 2001. He is currently a junior student at the renowned Gnessin Institute of Music in Moscow, where he studies with Elena ...Missing: achievements | Show results with:achievements
  22. [22]
    Alexander Malofeev Concert in NYC | Mar 19, 2024 - Carnegie Hall
    Mar 19, 2024 · Malofeev's return to the Bournemouth Symphony Orchestra for a multi-concert residency, a solo tour to China, and a European tour with ...
  23. [23]
    Alexander Malofeev - San Francisco Symphony
    Alexander Malofeev came to international prominence in 2014, when he won the International Tchaikovsky Competition for Young Musicians at age 13.Missing: early | Show results with:early
  24. [24]
    Alexander Malofeev - Sony Classical
    Apr 10, 2025 · His debut album for Sony Classical is expected in the fall. The twenty-three-year-old Berlin-based musician has quickly emerged as one of the ...Missing: discography | Show results with:discography
  25. [25]
    Pianist Alexander Malofeev Signs with Sony Classical
    The Berlin-based Russian pianist Alexander Malofeev has signed an exclusive agreement with the Sony Classical label.Missing: contract | Show results with:contract
  26. [26]
  27. [27]
    Raab & Böhm übernimmt Generalmanagement von Alexander ...
    His debut album Forgotten Melodies will be released in February 2026 by Sony Classical. The recording brings together works by Glazunov, Glinka ...
  28. [28]
    Play Forgotten Melodies by Alexander Malofeev, Mikhail Glinka ...
    29 SONGS • 2 HOURS AND 1 MINUTE • FEB 27 2026 • THIS ALBUM WILL BE AVAILABLE ON FEBRUARY 27, 2026 AT 00:00 UTC. YOU CAN PRE-ORDER THIS ALBUM OR CHECK OUT ...<|control11|><|separator|>
  29. [29]
    Forgotten Melodies I, Op. 38: VI. Canzona serenata - Spotify
    Listen to Forgotten Melodies I, Op. 38: VI. Canzona serenata on Spotify. Song · Nikolai Medtner, Alexander Malofeev · 2025.
  30. [30]
    Alexander Malofeev - Apple Music
    Listen to music by Alexander Malofeev on Apple Music. Find top songs and albums by Alexander Malofeev, including Forgotten Melodies I, Op. 38: VI.
  31. [31]
    Alexander Malofeev impresses with Rachmaninov and more in Naples
    Feb 16, 2023 · With an amazing technique, a clear and pounding touch, and a rich dynamic palette, Malofeev literally subjugated the audience, who in the end ...
  32. [32]
    Pianist Alexander Malofeev Dazzles Audience at Spivey Hall
    Mar 22, 2024 · Once again, we found a performance of it by the pianist on YouTube, in this case as an encore in the Great Hall of the Moscow Conservatory:.
  33. [33]
  34. [34]
    Pianist Alexander Malofeev on Prodigies, Rachmaninoff, and Life
    Jan 16, 2025 · Pianist Alexander Malofeev is making his way onto the world's most prestigious stages at an early age, joined by esteemed orchestras and ...Missing: parents family
  35. [35]
    Review of the recital in the Concertgebouw - Alexander Malofeev
    Oct 1, 2022 · Twenty-year-old Russian pianist Alexander Malofeev is as early as a quite experienced musician. Yesterday, he made debut with a solo concert in the Concert ...
  36. [36]
    Alexander Malofeev - Sony Classical
    Renowned for his virtuosic technique and profound musical expressiveness, Malofeev's exceptional talent has also been recognized with numerous awards and prizes ...Missing: approach | Show results with:approach
  37. [37]
    Alexander Malofeev pianist - With my teacher Elena Berezkina.
    Mar 11, 2016 · I think Malofeev represents that Mozartian genius that technology allows us to appreciate in an almost real way.
  38. [38]
    REVIEW: Pianist Alexander Malofeev a big hit in San Diego debut
    Nov 1, 2021 · Alexander Malofeev's startling performances of Schubert, Rachmaninoff and Nikolai Medtner were likely etched into the memories of all present.Missing: influences mentors<|separator|>
  39. [39]
  40. [40]
    Alexander Malofeev – Enchanting Musicality and Virtuosity on the ...
    Mar 19, 2025 · Alexander Malofeev demonstrated extraordinary artistic maturity and technical virtuosity while maintaining an honest emotional depth in his interpretations.
  41. [41]
    Pianist Alexander Malofeev on Rachmaninoff's Paganini Variations ...
    Oct 10, 2025 · Pianist Alexander Malofeev on Rachmaninoff's Paganini Variations, this weekend at the Concertgebouw! · Comments.Missing: influences | Show results with:influences
  42. [42]
    Rachmaninoff's Rhapsody and Stravinsky's The Firebird - 2025-10-11
    Oct 11, 2025 · Alexander Malofeev with Rachmaninoff's Paganini Variations. “A world revolution on the piano” was how the press described the young Russian ...
  43. [43]
    Alexander Malofeev - YouTube
    Alexander Malofeev -- F.Chopin. Piano Sonata No.2 in B-flat minor, Op ... Alexandеr Malofeev - Grand Piano Competition, 2 Rоund. 73K views. 9 years ago.
  44. [44]
    Great Pianists: Alexander Malofeev - Concertgebouw - English
    ... Alexander Malofeev will put it all to use during ... Rachmaninoff – according to the renowned conductor Riccardo Chailly, Malofeev excels in Rachmaninoff.
  45. [45]
    Pianist Alexander Malofeev's illuminating Tchaikovsky performance ...
    Sep 22, 2025 · Featuring widely-heralded 23-year-old Russian pianist Alexander Malofeev, the performance of the concerto was very successful: magnetic and ...Missing: breakthrough | Show results with:breakthrough
  46. [46]
    Beethove, Rachmaninoff, Tchaikovsky, Prokofiev: Alexander ...
    Alexander Malofeev's interpretations are powerful in Beethoven, impressive in width in Rachmaninov, colorful in Balakirev, lyrical in Tchaikovsky and ...
  47. [47]
    Alexander Malofeev plays Balakirev, Tchaikovsky, Rachmaninov ...
    The young virtuoso is unafraid to tackle the most notoriously difficult works in the piano repertoire, like Balakirev's Islamey, piano sonatas by Rachmaninov ...Missing: preferred | Show results with:preferred
  48. [48]
  49. [49]
    Unique Strengths - Classical Music Daily
    Feb 8, 2025 · Ron Bierman listens to music by Billy Childs, Sergei Prokofiev, Nikolai Medtner and Ludwig van Beethoven played by Alexander Malofeev.
  50. [50]
    Alexander Malofeev pianist - Facebook
    Mar 7, 2022 · I wouldn't say anything but that I dislike any kind of war. It's not your choice and you don't have to answer to those questions. You're a ...
  51. [51]
    Pianist Alexander Malofeev speaks out against Russian invasion's ...
    Mar 8, 2022 · The 20-year-old pianist's concert with the Vancouver Recital Society was cancelled due to the ongoing conflict in Kyiv. The society's founder ...
  52. [52]
    Canceling an Artist Because He's Russian Is Nothing Short of Bigotry
    Mar 17, 2022 · There are several immediate problems with that approach, but the most glaring: Malofeev condemned the war in Ukraine—not an easy task for ...
  53. [53]
    THE CANCELLATION OF ALEXANDER MALOFEEV'S CONCERT
    Mar 5, 2022 · It has been a few days since we announced that we will not be presenting pianist Alexander Malofeev at this time.
  54. [54]
    'Every Russian will feel guilty for decades,' says Russian pianist after ...
    Mar 5, 2022 · The 20-year-old Russian virtuoso's long-anticipated performance was abruptly cancelled this week following Russia's invasion of Ukraine.<|separator|>
  55. [55]
    OSM cancels performances by Russian pianist Alexander Malofeev
    Mar 9, 2022 · The Orchestre symphonique de Montréal has cancelled three performances by Russian pianist Alexander Malofeev that had been scheduled for ...
  56. [56]
    Russian pianist's performances cancelled in Montreal as invasion of ...
    Mar 9, 2022 · Russian pianist's performances cancelled in Montreal as invasion of Ukraine intensifies ... Alexander Malofeev for three shows on March 9 ...
  57. [57]
    Montreal Symphony Replaces Russian Pianist Alexander Malofeev
    Mar 9, 2022 · On March 7, Malofeev had distanced himself from the Russian invasion of Ukraine on his Facebook page. What the audience missed: Here is ...
  58. [58]
    Too Close to Putin? Institutions Vet Artists, Uncomfortably.
    Mar 5, 2022 · Malofeev, 20, had not made any statements on the war, nor did he have any known ties to Mr. Putin. But Ms. Getz issued a statement saying she ...
  59. [59]
    Denounce Putin, or Be Blacklisted - City Journal
    Mar 16, 2022 · The most recent casualty of the compelled-speech norm is 20-year-old pianist Alexander Malofeev. He is the latest in a long line of Russian ...
  60. [60]
    The anti-democratic targeting of Russian pianist Alexander Malofeev
    Mar 9, 2022 · Malofeev observed that there were obvious conclusions to be drawn, “no problem can be solved by war, people cannot be judged by their ...
  61. [61]
    Cancel culture rears its ugly head in the Russia-Ukraine conflict
    Mar 11, 2022 · Orchestre symphonique de Montréal has cancelled appearances by famed 20-year-old Russian pianist Alexander Malofeev after complaints from ...
  62. [62]
    Montreal Symphony Orchestra drops Russian piano prodigy from ...
    Mar 8, 2022 · Some Ukrainian Montrealers had emailed the OSM to ask it to cancel Malofeev's performances, saying it wasn't about his stance on the war but ...<|separator|>
  63. [63]
    Russian Music and Musicians Should Not Be Canceled
    Mar 15, 2022 · Witness the growing list of world-touring Russian classical musicians who have been canceled by Western arts institutions. The cancellations ...Missing: debates | Show results with:debates
  64. [64]
    Canceling Russia – Tal Fortgang - Law & Liberty
    Mar 22, 2022 · Tal Fortgang considers western elites' cancelation of Russian culture and artists in response to Putin's invasion of Russia.<|separator|>
  65. [65]
    Don't Cancel All Russians for Putin's Crimes - Independent Institute
    Mar 23, 2022 · How do we justify placing on their shoulders the blame for Putin's genocidal bombardment of Ukrainian cities? Alexander Malofeev, the 20-year- ...Missing: geopolitical | Show results with:geopolitical
  66. [66]
    Essay: Music, War, & The Reality Of Cancellation (Part 1)
    Mar 16, 2022 · Chasms in the classical music world are becoming more obvious as a result of the war in Ukraine – but they are not what they appear to be.
  67. [67]
    Alexander Malofeev - Steinway Society - San Jose Theaters
    Two years later, he was awarded the Grand Prix at the 1st Grand Piano Competition – International Competition for Young Pianists in Moscow. In 2019, he won ...
  68. [68]
    Malofeev, BBCSO, Lintu, Barbican review - finesse as well as fireworks
    Feb 17, 2024 · The fireworks came in the brilliant John Adams finale, but also from the young Russian pianist Alexander Malofeev, whose playing blazed in the first half.<|control11|><|separator|>
  69. [69]
    Alexander Malofeev dazzles in mixed OSM program - Bachtrack
    Sep 24, 2023 · Malofeev is a marvel to witness, showcasing impeccable technique that seems to transcend the limitations of the instrument itself. Yet, what ...Missing: critical acclaim
  70. [70]
    Review: Alexander Malofeev - Letter V
    Nov 4, 2024 · In the Scriabin selections, and several encores, Malofeev proved to be an unusually sensitive colorist and exponent of musical fantasy.Missing: critical | Show results with:critical
  71. [71]
    OSR - Alexander Malofeev - Orchestre de la Suisse Romande
    In addition to his 1st prize at the Tchaikovsky Competition for Young Musicians, he has won numerous prizes and awards at international competitions and ...
  72. [72]
    Living the Creative Life on Instagram: "Alexander Malofeev on child ...
    Jan 18, 2025 · Alexander Malofeev on child prodigies. Watch the full episode on YouTube @living.the.creative.life #piano #pianist #rachmaninoff # ...Missing: lifestyle daily
  73. [73]
    Speaking with Rising Star Alexander Malofeev - The Gilmore
    Oct 8, 2022 · The technical approach can be one thing, but only if the listener empathizes with you will the concert be considered successful. You Also ...