Amanda Ghost
Amanda Ghost (born Amanda Louisa Gosein; 1974) is a British singer, songwriter, record producer, and entertainment executive renowned for co-writing multi-platinum hits such as "You're Beautiful" for James Blunt and "Beautiful Liar" for Beyoncé and Shakira, as well as her leadership in major record labels and production companies.[1][2][3] Born in London to an Indian father and a Spanish mother, Ghost initially pursued a career as a solo artist, releasing her debut album Ghost Stories in 2000 on Warner Bros. Records, which blended alternative rock, electronica, and trip-hop elements.[1][2][4] Transitioning to songwriting and production, Ghost collaborated with artists including Whitney Houston, John Legend, and Boy George, earning three Ivor Novello Awards, six Grammy nominations, and a Golden Globe nomination for Best Original Song for "Once in a Lifetime" from the film Cadillac Records.[5][3] In 2009, she became president of Epic Records, where she nearly doubled the label's market share before departing in 2010 to found the Outsiders imprint in a joint venture with Universal Music Group.[1][3] Expanding into film and theatre, Ghost co-founded Unigram in 2015 with Gregor Cameron under Access Industries, producing projects such as the 2023 film Tetris and serving as a lead producer for the 2024 musical adaptation Gatsby: An American Myth, co-composed by Florence Welch of Florence + the Machine.[3][6] She currently chairs AI Film, sits on the boards of Deezer and Amuse, and continues to influence the intersection of music and media through Unigram's ventures in production and content creation.[5][3]Early life and education
Family background
Amanda Ghost, born Amanda Louisa Gosein in 1974, grew up in a working-class household in Enfield, an outer London neighborhood, as the youngest of three sisters.[1] Her mother was Gibraltarian and had immigrated to London from Gibraltar, while her father was an Indo-Trinidadian who moved to Britain from Trinidad.[7] Her father's diverse career paths, including work as a driving instructor, in construction, owning shops, and founding a textile company, instilled in her a sense of adaptability and resilience.[7] He emphasized to her the need to work harder due to her gender and ethnicity, advising, "you’ve got to work twice as hard. Once because you’re a woman, twice because you’re brown."[7] This multicultural family background exposed Ghost to racism during her childhood, including encounters with white-power National Front posters from neighbors, dog excrement pushed through the letterbox, being spat at on buses with "go home" remarks, and institutionalized racism at her nearly all-white school.[7] She later reflected that "only people who look like me and grew up where I grew up will understand it."[7] Ghost credits her father's immigrant experience and entrepreneurial spirit for her own "have-a-go streak," recalling how he demonstrated that "it didn't matter what you've done before, you can just go ahead and say: 'Today I'm a carpenter! Tomorrow I'm a driving instructor! Next week I'm gonna be a lawyer!'"[8]Education
Amanda Ghost attended the London College of Fashion in the mid-1990s, where she was described as a so-so student.[9] During her time there, she began exploring her interest in music, eventually recording a demo tape that led to her professional breakthrough.[10] She ultimately dropped out of the college after being signed as a recording artist by Warner Bros. Records, prioritizing her emerging music career over formal education.[11] No further details on her academic pursuits or degrees have been publicly documented.Music career
Performer discography
Amanda Ghost's performer discography features one studio album released during her early career, supported by several singles that achieved moderate success in the UK and on US dance charts. Her later output includes digital singles and an EP issued through her own label, reflecting a shift toward independent releases after forming a band under her name in 2005. She has also appeared as a featured vocalist on select tracks by other artists. Studio albums| Title | Released | Label | Format | Notes |
|---|---|---|---|---|
| Ghost Stories | 2000 | Warner Bros. Records | CD | Debut studio album; includes tracks like "Cellophane" and "The Wrong Man".[12] |
| Title | Released | Label | Format | Notes |
|---|---|---|---|---|
| Blood on the Line | 2006 | Ghost Productions | CD, digital | Independent release; features original tracks and collaborations.[13] |
| Title | Year | Album | Label | Format | Peak chart positions |
|---|---|---|---|---|---|
| "Filthy Mind" | 2000 | Ghost Stories | Warner Bros. Records | CD, vinyl | US Dance: 5[14] |
| "Idol" | 2000 | Ghost Stories | Warner Bros. Records | CD, vinyl | UK: 63, US Dance: 18[15] |
| "Glory Girl" | 2000 | Ghost Stories | Warner Bros. Records | CD | UK: 90[16] |
| "Silver Lining" | 2000 | Ghost Stories | Warner Bros. Records | CD (promo) | — |
| "Girls Like You" | 2005 | Non-album single | Self-released | Digital | — |
| "Monster" | 2005 | Non-album single | Self-released | Digital | — |
| "Time Machine" (with Boy George) | 2007 | Non-album single | Plan A Records | CD, digital | UK: 75[17][18] |
| Title | Year | Artist | Album | Label | Peak chart positions |
|---|---|---|---|---|---|
| "Break My World" | 2004 | Dark Globe | Non-album single | Island | UK: 52[19] |
Songwriting credits and awards
Amanda Ghost has established herself as a prominent songwriter, collaborating with major artists across pop, R&B, and hip-hop genres. Her credits include multi-platinum hits that have topped international charts, often blending emotional lyricism with melodic hooks. Notable examples encompass co-writing "You're Beautiful" for James Blunt in 2005, which reached number one on the UK Singles Chart and became a global smash. She also co-penned "Beautiful Liar" for Beyoncé and Shakira in 2007, peaking at number three on the US Billboard Hot 100 and earning platinum certification. Other significant contributions include "Tattoo," Jordin Sparks's debut single from 2007 that hit number eight on the Billboard Hot 100, and "Gypsy" for Shakira's 2009 album She Wolf.[20][21][20][20][22] Further credits highlight her versatility, such as co-writing "Once in a Lifetime" for Beyoncé's 2008 film Cadillac Records, a soulful track reflecting themes of redemption, and "Disappear" from Beyoncé's album I Am... Sasha Fierce (2008). In hip-hop, she contributed to A$AP Rocky's "I Come Apart" from the 2012 soundtrack The Great Gatsby, featuring introspective verses. For alternative acts, Ghost co-wrote "Bedroom Hymns" for Florence + the Machine's 2011 album Ceremonials, incorporating gothic elements into its arrangement. These collaborations underscore her role in crafting songs that balance commercial appeal with artistic depth, often co-produced with partners like Ian Dench and Stargate.[3][22][22][23] Ghost's songwriting has garnered critical acclaim and industry recognition, including three Ivor Novello Awards, the UK's premier songwriting honors administered by the British Academy of Songwriters, Composers, and Authors. She won the International Hit of the Year (2006) and Most Performed Work (2006) for "You're Beautiful" with James Blunt and Sacha Skarbek, and the Best Song Musically and Lyrically (2008) for "Beautiful Liar" with Beyoncé, Shakira, Mikkel Eriksen, and Tor Erik Hermansen.[24][21][25] Additionally, she received a 2009 Golden Globe nomination for Best Original Song – Motion Picture for "Once in a Lifetime" from Cadillac Records, co-written with Ian Dench.[26][27] Her work has also intersected with Grammy recognition, with six nominations to her name. These include Song of the Year (2007) for "You're Beautiful"; Best Pop Collaboration with Vocals (2008) for "Beautiful Liar"; Best Song Written for Motion Picture, Television or Other Visual Media (2010) for "Once in a Lifetime"; and Album of the Year (2010) as co-producer for Beyoncé's I Am... Sasha Fierce. Ghost contributed to five Grammy-nominated songs and albums overall, including tracks from I Am... Sasha Fierce and related projects, affirming her impact on high-profile recordings. These accolades reflect her influence in shaping contemporary pop songcraft.[28][29][30][3][27][24][31]Executive career
Epic Records presidency
In February 2009, Amanda Ghost was appointed president of Epic Records, a Sony Music Entertainment imprint, by Rob Stringer, chairman of the Columbia/Epic Label Group.[32] She assumed the role on February 16, succeeding Charlie Walk, who had departed in December 2008, and reported directly to Stringer.[32] As president, Ghost oversaw the label's artist roster, which included established acts such as Jennifer Lopez, Ozzy Osbourne, and Franz Ferdinand, while focusing on creative development and A&R strategies drawn from her background as a songwriter and performer.[33] Her appointment was viewed as an unconventional move in the industry, leveraging her songwriting credits—including co-writing James Blunt's "You're Beautiful"—to inject artistic perspective into label operations.[34] During her approximately 20-month tenure, Ghost emphasized artist-centric initiatives, signing Danish singer Oh Land as one of her first new acts and collaborating on projects with Sony-affiliated artists like Beyoncé, Shakira, and John Legend.[8] She also co-wrote tracks such as "Getting Nowhere" for the electronic group Magnetic Man during this period.[8] Notably, Epic Records' market share nearly doubled amid a broader industry downturn, attributed to targeted releases and digital strategies, though specific metrics were not publicly detailed beyond this growth indicator.[8] Ghost's approach prioritized creative freedom, but it drew internal criticism for being overly hands-on, including allegations of pushing her own material onto artists and fostering a disorganized environment.[35] Ghost's leadership faced significant scrutiny, with reports describing a tense workplace marked by staff clashes, budget inconsistencies—such as lavish artist expenditures alongside cost-cutting measures like eliminating free office water—and an unconventional office culture that included marijuana use.[35] Tensions peaked at the 2010 CMJ Music Marathon, where, during a performance by Epic act Augustana, a technical malfunction prompted Ghost to interrupt the set with an intoxicated, profanity-filled onstage rant, alienating attendees and accelerating calls for change.[35] These incidents contributed to perceptions of her as erratic and unprepared for executive demands, amid claims of gender bias in the coverage.[8] Ghost departed Epic Records at the end of 2010, officially to return to songwriting and production, though sources indicated her exit followed mounting internal pressure post-CMJ.[36] Stringer later acknowledged the hire as a "radical decision" that did not succeed, leading to a leadership restructuring under L.A. Reid in 2011.[37] Despite the controversies, her tenure highlighted efforts to blend artistic intuition with commercial goals in a challenging era for major labels.[8] Following her departure from Epic, Ghost founded Outsiders, her own record label, in a joint venture with Universal Music Group in 2011. As CEO, she aimed to nurture emerging artists with a focus on creative autonomy, though the imprint's activities were limited and it did not achieve major commercial breakthroughs before winding down.[3][38]Unigram foundation and music ventures
In 2015, Amanda Ghost co-founded Unigram, an independent British production company focused on film, theatre, and music, alongside her husband, film and television producer Gregor Cameron. The venture was launched in partnership with Len Blavatnik's Access Industries, providing financial backing and operational support for developing original content across multiple media formats. Unigram operates as a London-based entity, with Ghost serving as a founding partner, emphasizing creative projects that integrate music production with storytelling in cinema and stage productions.[39] Unigram's music ventures, led by Ghost, center on executive production and soundtrack supervision for high-profile films and theatrical works. A key project was Ghost's role as executive music producer for the 2021 biographical drama The United States vs. Billie Holiday, directed by Lee Daniels and starring Andra Day, which explored the jazz singer's life and her encounters with federal authorities. The film's soundtrack contributed to Day's Golden Globe win for Best Actress in a Motion Picture – Drama and a nomination for Best Original Song ("Tigress & Tweed"). This effort highlighted Unigram's capacity to blend historical narrative with contemporary musical arrangements, resulting in a score that earned critical acclaim and was made available for streaming on Hulu.[40][41] Another significant music initiative under Unigram involved the supervision and production of the soundtrack for Moulin Rouge! The Musical, which premiered in Boston in 2018, opened on Broadway in 2019, and transferred to London's West End in 2020. Ghost oversaw the integration of pop-infused renditions of classic songs, aligning with the production's innovative adaptation of Baz Luhrmann's film. The cast album received widespread recognition, as the musical garnered 14 Tony Award nominations, including for Best Musical, underscoring Unigram's impact in theatre music curation. Beyond these, Unigram has produced original scores for various film and theatre projects as of 2025, including Ghost's role as lead producer for the 2024 musical adaptation Gatsby: An American Myth, co-composed by Florence Welch of Florence + the Machine, reinforcing her expertise in leveraging music to enhance narrative depth.[40][42][6]Film production
Key projects
Amanda Ghost has been instrumental in several notable film productions through her companies Unigram and AI Film, blending her music expertise with cinematic storytelling. One of her early significant contributions was as executive music producer on Kill Your Friends (2015), a satirical thriller directed by Owen Harris and based on John Niven's novel about the British music industry in the 1990s. The project, which starred Ed Skrein and premiered at the Toronto International Film Festival, marked a pivotal collaboration with producer Gregor Cameron and laid the groundwork for Unigram's formation.[43] Through AI Film, which Ghost has led as Chairwoman since 2019, the company financed and executive produced high-profile films prior to her tenure, including Mel Gibson's Hacksaw Ridge (2016), an Academy Award-winning biographical war drama starring Andrew Garfield as WWII medic Desmond Doss. The film grossed over $180 million worldwide and received six Oscar nominations, highlighting AI Film's role in supporting impactful independent cinema. Similarly, AI Film fully financed I, Tonya (2017), Craig Gillespie's dark comedy biopic starring Margot Robbie as figure skater Tonya Harding, which earned three Academy Award nominations, including Best Actress for Robbie, and grossed $53 million on a $13 million budget.[44][45] Unigram, co-founded by Ghost and Cameron in 2015 in partnership with Len Blavatnik's Access Industries, has produced several contemporary features. Ghost served as executive music producer on The United States vs. Billie Holiday (2021), Lee Daniels' biopic starring Andra Day, where she supervised the original score that contributed to Day's Golden Globe win for Best Actress in a Motion Picture – Drama. The film also featured a soundtrack that earned Grammy recognition for its musical authenticity.[40][41] In 2023, Ghost executive produced She Came to Me, Rebecca Miller's romantic comedy starring Anne Hathaway and Peter Dinklage, which premiered at the Venice Film Festival and explored themes of reinvention through music and opera. That same year, she produced Tetris, Jon S. Baird's thriller about the video game's licensing saga, starring Taron Egerton and distributed by Apple TV+, which achieved critical acclaim for its tense narrative and grossed significant viewership on the platform.[46][47] More recently, Unigram produced The Deb (2024), Rebel Wilson's directorial debut, an Australian musical comedy-drama that premiered at the Toronto International Film Festival, showcasing Ghost's commitment to emerging filmmakers and genre-blending projects. These endeavors underscore her focus on stories intersecting music, culture, and personal ambition.[48]Legal controversies
Amanda Ghost has been embroiled in multiple legal disputes primarily stemming from her role as a producer on the 2024 musical comedy film The Deb, directed by and starring Rebel Wilson. In July 2024, Ghost, along with co-producers Gregor Cameron and Vince Holden, filed a defamation lawsuit against Wilson in Los Angeles Superior Court, alleging that her Instagram posts falsely accused them of theft, bullying, and sexual misconduct on the set.[49] The suit claims Wilson's statements were fabricated to gain unearned writing and music credits for the film and to promote her memoir, causing reputational harm.[49] Wilson responded with a countersuit in October 2024, accusing Ghost, Cameron, and Holden of breach of contract, fraudulent inducement, false imprisonment, and intentional infliction of emotional distress.[50] Specific allegations include the misappropriation of approximately AUD 900,000 in production funds, coercive tactics to secure agreements, and Ghost engaging in sexual harassment of lead actress Charlotte MacInnes, which purportedly led to MacInnes' emotional breakdown.[50] MacInnes later publicly denied these harassment claims in August 2025, describing them as "categorically false" and threatening legal action against Wilson for defamation. After MacInnes' denial, she filed a defamation lawsuit against Wilson in October 2025 in Australian Federal Court over the harassment allegations.[51][52] The disputes escalated further in September 2025 when Ghost and her co-producers amended their complaint, linking Wilson's actions to a broader smear campaign uncovered through discovery in Blake Lively's separate lawsuit against Justin Baldoni and his team over the film It Ends With Us.[53] Court documents revealed emails suggesting Wilson, through publicist Melissa Nathan of TAG PR, orchestrated anonymous websites—such as amandaghost.com—containing defamatory content, including racial slurs labeling Ghost an "Indian Ghislaine Maxwell."[53] This paralleled tactics alleged in Lively's case, where the same PR firm was accused of similar online attacks.[53] In December 2024, Ghost initiated a World Intellectual Property Organization (WIPO) domain name dispute against the registrant of amandaghost.com, successfully arguing that the site hosted abusive and misleading material intended to tarnish her reputation.[54] In July 2025, AI Film (co-owned by Ghost and her partners) filed an additional lawsuit against Wilson and her production company Camp Sugar in the New South Wales Supreme Court, Australia, claiming she deliberately sabotaged The Deb's release by spreading falsehoods online and threatening legal action against distributors, resulting in financial losses and the film's delayed release status despite its Toronto International Film Festival premiere. Despite the ongoing disputes, Unigram secured distribution deals for The Deb, including with Rialto Distribution for Australia and New Zealand (theatrical release January 15, 2026) in October 2025 and Vertigo Releasing for UK-Ireland in November 2025. The producers seek damages, an apology, and corrective statements from Wilson. In November 2024, a Los Angeles court denied Rebel Wilson's anti-SLAPP motion to dismiss the defamation suit, allowing the case to proceed; Wilson announced plans to appeal. The cases remain ongoing as of November 2025, with producers continuing to investigate the anonymous websites.[55][56][57][58]Personal life
Marriage and family
Amanda Ghost, born Amanda Louisa Gosein, is married to film and television producer Gregor Cameron, with whom she shares the hyphenated surname Gosein-Cameron.[7] The couple co-founded the production company Unigram in 2015, collaborating on projects in music, film, and theatre.[39] They reside in London.[3] Ghost and Cameron have one daughter, born in 2007 or 2008.[59] In a 2008 interview, Ghost described transitioning into motherhood as a natural and fulfilling experience, noting she had settled down after a more nomadic lifestyle.[59] Details about their daughter remain private, consistent with Ghost's preference for keeping family matters out of the public eye.[37]Professional names
Amanda Ghost is the stage name and primary professional pseudonym used by the British singer, songwriter, music executive, and film producer throughout her career. Born Amanda Louisa Gosein in 1974 in Enfield, North London, to a Spanish mother and an East Indian father, she adopted the surname "Ghost" early in her musical journey.[8][1][7] Following her marriage to producer Gregor Cameron, Gosein legally adopted the surname Gosein-Cameron, but she has consistently retained "Amanda Ghost" for all professional credits, releases, and executive roles, including her presidency at Epic Records, as well as her songwriting and production work. This decision underscores her established brand identity in the entertainment sector, where the name "Ghost" has become synonymous with her contributions to pop music and film soundtracks.[7]Discography
Studio albums
Amanda Ghost has released one studio album to date. Her debut album, Ghost Stories, was released on September 12, 2000, in the United States by Warner Bros. Records.[60] The album was primarily produced by Lukas Burton and Paul Staveley O'Duffy, with Amanda Ghost credited as a co-producer on several tracks and as the sole songwriter for all ten songs.[12] Musically, Ghost Stories incorporates elements of electronic pop, downtempo, and rock, featuring contributions from musicians such as Andy Gangadeen on drums and The London Session Orchestra for string arrangements.[60][61] The track listing for Ghost Stories is as follows:| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Filthy Mind" | Ghost, Burton | Burton, O'Duffy | 3:34 |
| 2. | "Idol" | Ghost, Dench, Burton, Skarbek | Burton, O'Duffy | 3:59 |
| 3. | "Glory Girl" | Ghost | Burton, O'Duffy | 3:52 |
| 4. | "The Wrong Man" | Ghost | Burton, O'Duffy | 3:42 |
| 5. | "Taste" | Ghost | Burton, O'Duffy | 3:41 |
| 6. | "Empty" | Ghost, Skarbek | Burton, O'Duffy | 3:16 |
| 7. | "Silver Lining" | Ghost | Burton, O'Duffy | 3:37 |
| 8. | "Cellophane" | Ghost | Burton, O'Duffy | 3:48 |
| 9. | "Love Song" | Ghost | Burton, O'Duffy | 4:02 |
| 10. | "Spaceman" | Ghost | Burton, O'Duffy | 3:50 |
Singles
Amanda Ghost released several singles during the early 2000s, primarily as the lead artist from her debut album Ghost Stories (2000), with subsequent independent releases following her departure from major labels. Her singles blended pop, electronic, and downtempo elements, often featuring collaborations that highlighted her songwriting and vocal style. While none achieved major commercial success on the UK Singles Chart, they garnered attention in dance and alternative circuits, with "Filthy Mind" serving as her debut lead single in the US market.[63] Her initial singles were issued by Warner Bros. Records. "Filthy Mind," released in May 2000, was promoted as the album's lead single internationally, particularly in the US, where it received radio play and remixes targeting dance audiences, peaking at number 5 on the Billboard Dance Club Songs chart.[64] "Idol" followed in March 2000 in the UK, peaking at number 63 on the Official Singles Chart with two weeks in the Top 100, and number 18 on the US Billboard Dance Club Songs chart; it was noted for its ambient production by Ian Dench and Mikey J. Morgan.[65] "Glory Girl," issued in August 2000, marked her lowest-charting effort at number 90 for one week, serving as a promotional track with a focus on her narrative lyrics about fame.[66] Later singles reflected a shift to independent production. "Time Machine," a collaboration with Boy George released in 2007 via Plan A Records, explored themes of nostalgia through electronic pop arrangements but did not chart.[67] In 2004, she appeared as a featured vocalist on Dark Globe's "Break My World," which peaked at number 52 on the UK Singles Chart and number 6 on the Official Dance Singles Chart, benefiting from club remixes and her distinctive ethereal vocals.[19]| Title | Year | Label | UK Peak | Notes |
|---|---|---|---|---|
| Grow (James Hardway feat. Amanda Ghost) | 1998 | Recordings Of Substance | — | Early featured single.[68] |
| Filthy Mind | 2000 | Warner Bros. | — | Lead US single from Ghost Stories; #5 on US Billboard Dance Club Songs; dance remixes prominent.[63] |
| Idol | 2000 | Warner Bros. | 63 | From Ghost Stories; 2 weeks on chart; #18 on US Billboard Dance Club Songs.[65] |
| Glory Girl | 2000 | Warner Bros. | 90 | Promotional single from Ghost Stories.[66] |
| Blood on the Line | 2006 | Independent | — | Single/EP release.[13] |
| Time Machine (with Boy George) | 2007 | Plan A Records | — | Independent electronic pop release.[67] |
| Break My World (Dark Globe feat. Amanda Ghost) | 2004 | Island | 52 | Featured vocal; #6 on UK Dance Chart.[19] |
Songwriting and production credits
Amanda Ghost has established herself as a prolific songwriter, collaborating with major artists across pop, R&B, and alternative genres. Her contributions often involve co-writing lyrics and melodies that have achieved significant commercial success on international charts. Notable examples include her work on James Blunt's "You're Beautiful" (2004), which she co-wrote with Blunt and Sacha Skarbek and reached number one on the US Billboard Hot 100. Similarly, she co-wrote "Beautiful Liar" (2007) with Beyoncé, Shakira, Ian Dench, Mikkel Eriksen, and Tor Erik Hermansen, a bilingual track that peaked at number three on the Billboard Hot 100 and earned a Grammy nomination for Best Pop Collaboration with Vocals. Other key songwriting credits encompass "Tattoo" (2007) for Jordin Sparks, co-written with Dench, Eriksen, and Hermansen, which topped the Billboard Hot 100; "Satellites" (2008) for Beyoncé, co-written with Beyoncé, Dench, and Dave McCracken; "Red" (2009) for Daniel Merriweather, co-written with Dench and Scott McFarnon; "Bedroom Hymns" (2011) for Florence + the Machine, co-written with Dench, Florence Welch, and McCracken; and "Undiscovered" (2015) for Laura Welsh, co-written with Dev Hynes, Emile Haynie, and Welsh.| Song Title | Artist(s) | Year | Co-Writers | Chart Peak (US Billboard Hot 100) |
|---|---|---|---|---|
| You're Beautiful | James Blunt | 2004 | James Blunt, Sacha Skarbek | 1 |
| Billy | James Blunt | 2004 | James Blunt, Sacha Skarbek | - |
| Beautiful Liar | Beyoncé & Shakira | 2007 | Beyoncé, Ian Dench, Mikkel Eriksen, Tor Erik Hermansen | 3 |
| Tattoo | Jordin Sparks | 2007 | Ian Dench, Mikkel Eriksen, Tor Erik Hermansen | 1 |
| Satellites | Beyoncé | 2008 | Beyoncé, Ian Dench, Dave McCracken | - |
| Red | Daniel Merriweather | 2009 | Ian Dench, Scott McFarnon | - |
| Bedroom Hymns | Florence + the Machine | 2011 | Ian Dench, Florence Welch, Dave McCracken | - |
| Undiscovered | Laura Welsh | 2015 | Dev Hynes, Emile Haynie, Laura Welsh | - |