Apricot Princess
Apricot Princess is the second studio album by English singer-songwriter Rex Orange County, whose real name is Alexander James O'Connor, released independently on April 26, 2017.[1][2][3] The album consists of ten tracks spanning approximately 39 minutes and marks a significant step in O'Connor's career following his 2016 mixtape Bcos U Will Never B Free.[4][5] Blending genres such as indie pop, alternative R&B, neo-soul, and jazz, Apricot Princess features sumptuous hooks, jazzy piano figures, soulful grooves, and unexpected musical shifts that highlight O'Connor's multi-instrumental talents and production skills.[1][6] The lyrics delve into themes of young love, relationships, personal identity, and emotional vulnerability, often drawing from O'Connor's own experiences as a teenager. Notable for its candid and introspective tone, the record includes a guest appearance by singer Marco McKinnis on the track "Nothing" and seamless transitions between songs that create a cohesive listening experience. Self-released via O'Connor's own label, Apricot Princess garnered critical acclaim for its maturity and originality, contributing to his rising prominence in the music scene, including collaborations with artists like Tyler, the Creator, and a second-place finish in the BBC Sound of 2018 poll.[7]Background and development
Conception
The conception of Apricot Princess stemmed from Alex O'Connor's personal experiences with young love and emotional growth during his late teenage years, particularly his relationship with his girlfriend, Thea Morgan-Murrell, whom he affectionately nicknamed the "Apricot Princess."[8][9] At age 18, O'Connor channeled the positivity and vulnerability of this 17-month relationship into the album's core themes, marking a shift from the angst-ridden introspection of his earlier work to a more celebratory exploration of partnership and self-assurance.[9][10] This project developed in the wake of O'Connor's debut mixtape Bcos U Will Never B Free (self-released in 2015, officially 2016), a lo-fi collection of bedroom recordings that he self-released at age 16 and which unexpectedly garnered attention from Tyler, the Creator, via SoundCloud in 2016.[11][10] Tyler's endorsement, including features on his 2017 album Flower Boy, motivated O'Connor to pursue a more structured and ambitious full-length release, expanding beyond solo home production to incorporate live instrumentation and orchestral elements for a richer, widescreen sound.[10][12] This transition reflected O'Connor's growing confidence as a songwriter, influenced by his move from the rural town of Haslemere to London, where he lived with Thea and drew from their shared daily life.[12] Early songwriting for Apricot Princess emphasized raw emotional honesty, with the title track serving as a key example through its jazz-infused intro that captures O'Connor's vulnerability in love, blending soft piano and brass to evoke a sense of tender exposure before building into an upbeat celebration.[8][13] Songs like "Sycamore Girl," a duet featuring Thea's vocals, further illustrate this initial creative impulse, prioritizing intimate, relationship-driven narratives over the abstract experimentation of his mixtape era.[9][12]Pre-release context
Following the success of his mixtape Bcos U Will Never B Free (self-released in 2015, officially 2016), which garnered significant attention on SoundCloud without major label backing, Alexander O'Connor opted to self-release Apricot Princess to maintain full creative control over the project.[14] This decision allowed him to produce the album largely independently, building on the momentum from his earlier work while avoiding initial involvement from a record label.[9] O'Connor's relocation from his hometown of Haslemere in Surrey to London further shaped the album's context, marking a period of personal transition as he pursued studies at The BRIT School in Croydon at age 16 and later settled in south west London with his girlfriend, singer Thea.[14][9] This move symbolized newfound independence and influenced the record's emotional tone, reflecting themes of love, positivity, and adaptation to urban life.[9] Building anticipation, O'Connor received early praise from Tyler, the Creator, who emailed him at age 17 to commend the mixtape's style, leading to subsequent collaborations and heightened buzz around his evolving sound.[14] In early 2017, he began sharing snippets of tracks on social media, teasing the project's intimate, jazz-inflected vibe.[15] By April, O'Connor announced the album's tracklist and release date of April 26 via platforms like Twitter, further fueling excitement among fans.[15]Recording and production
Sessions
The recording sessions for Apricot Princess primarily occurred at Alexander O'Connor's home setup in South London after he relocated there at the beginning of 2017.[12] O'Connor, performing as Rex Orange County, managed most of the multi-instrumental duties himself, incorporating MIDI samples for elements like gongs and arranging strings that were performed by a group of eight musicians during supplementary studio sessions in London.[12] These home-based efforts, spanning early 2017 in the lead-up to the album's April release, fostered an iterative process that emphasized experimentation with instrumentation and arrangements.[12] Key collaborators included mix engineer Ben Baptie, who handled mixing for the majority of the tracks, contributing to the album's polished yet organic sound.[16] Guitarist Michael Uzowuru provided contributions on select tracks, such as "Waiting Room," adding layered textures to O'Connor's compositions.[17] The intimate, self-directed nature of the sessions at O'Connor's residence resulted in a raw quality, capturing personal reflections amid the demands of his emerging career and young adulthood.[9]Production techniques
Alexander O'Connor embraced a hands-on self-production style for Apricot Princess, managing most of the album's creation independently to craft its distinctive sound. He began compositions on piano or guitar before layering additional elements such as vocals and instrumentation using digital production tools, allowing him to fuse jazz, soul, and indie pop influences seamlessly across the tracks.[18][19] To achieve an organic texture, the production featured live instrumentation, including upright bass performed by Joe MacLaren on multiple songs like "Apricot Princess," "Sycamore Girl," and "Nothing," alongside brass sections and string arrangements that added depth and warmth to the jazz-inflected arrangements.[16] These elements fostered an intimate, bedroom-recorded vibe that underscored the album's personal lyricism.[20] The final mixes, overseen by engineer Ben Baptie, polished the recordings to evoke a rich, analog-inspired warmth despite their digital foundations, with Baptie also contributing to recording on select tracks to refine the overall balance.[16] This approach highlighted O'Connor's innovative blend of traditional and modern methods. Additional producers such as Two Inch Punch contributed to tracks including "Television / So Far So Good" and "Sycamore Girl," while string arrangements were handled by Haydn Bendall on select songs.[21][22]Music and lyrics
Musical style
Apricot Princess fuses indie pop with jazz, R&B, and soul elements, creating a distinctive sound that draws heavily from classic influences like Stevie Wonder's jazz-pop arrangements and Frank Ocean's lush, emotive production styles.[23][24] The album's title track, for instance, pays direct homage to Wonder's "Another Star" through its seamless blend of jazz harmonies and pop accessibility, employing sophisticated chord progressions reminiscent of Stevie Wonder, Michael Jackson, and Quincy Jones to achieve a timeless, layered texture.[23] This genre fusion is evident across the record, incorporating vintage hip-hop rhythms alongside jangly indie-pop melodies and subtle R&B inflections, resulting in a warm, introspective vibe that balances accessibility with emotional depth.[13][25] Instrumentation plays a central role in defining the album's cozy, bedroom-pop aesthetic, featuring prominent piano-driven ballads, horn sections for added brass warmth, and understated electronic touches via MIDI and Logic samples.[13] Tracks like "Happiness" highlight delicate piano arrangements that evoke a sense of intimate reflection, while brass accents contribute to the lush, orchestral feel without overpowering the core intimacy.[26] Subtle electronic elements, including synth layers and sampled percussion, integrate seamlessly with live drums, guitar, and bass, fostering a production that feels both handmade and polished, enhancing the album's snug, personal atmosphere.[27][13] The album's structure showcases variety through short interludes and abrupt dynamic shifts, maintaining an experimental edge while allowing for emotional range—from the mellow, jazz-infused title track to the upbeat indie rock energy of "Never Enough."[28] Brief segments like the 44-second "Rain Man" serve as transitional breaths, contrasting fuller compositions and underscoring the record's youthful playfulness.[27] This approach builds on Rex Orange County's debut mixtape bcos u will never b free (2016), evolving from its sample-heavy, lo-fi construction to a more refined yet still innovative sound that retains a raw, exploratory spirit through enhanced live instrumentation and vocal clarity.[13][27]Themes and songwriting
Apricot Princess explores themes of young love, vulnerability, identity, and emotional turmoil through its deeply personal lyrics, often drawing from O'Connor's real-life relationship with his then-girlfriend Thea Morgan-Murrell, who inspired the album's title as an affectionate nickname symbolizing an idealized, sweet yet delicate partner.[29][30] The album personifies this "Apricot Princess" as a source of comfort amid inner chaos, with lines like "I’m a walking emotion" capturing O'Connor's raw sense of emotional exposure.[18] O'Connor's songwriting adopts a confessional style that prioritizes blunt honesty over elaborate metaphors, as he has described his process of starting with simple chords on piano or guitar before layering in direct, relatable lyrics that reflect everyday turmoil.[13][18] In tracks like "Sycamore Girl"—which features vocals from Morgan-Murrell—he delves into unrequited feelings and the ache of pining for a close companion, using straightforward phrasing to convey the blurred lines between friendship and romance.[13][31] While O'Connor has noted he is "not so great with metaphors" and prefers to "say it how it is," the album's occasional symbolic touches—such as the fruit-inspired title evoking fleeting, seasonal tenderness—add poetic depth to its exploration of transient emotions.[13][29] The narrative arc unfolds as a cohesive story tracing the highs and lows of a budding relationship, beginning with infatuation and doubt in songs like "Television / So Far So Good" and progressing to affirmations of enduring happiness, as in "Happiness," where O'Connor reflects on commitment and long-term love.[18][32] This progression mirrors his personal growth, shifting from earlier works' negativity to a more balanced positivity rooted in love's stabilizing force.[13][20] O'Connor's vocal delivery amplifies the intimacy of these themes, employing ad-libs, layered harmonies, and a youthful falsetto to convey unfiltered emotion, making listeners feel the vulnerability of lines about needing "insurance on my emotions" as if whispered in confidence.[18][32] The subtle musical accompaniment, blending jazz-infused elements with soft instrumentation, further enhances this raw lyricism without overpowering its confessional core.[20]Release and promotion
Singles
The lead single from Apricot Princess, "Untitled", was released digitally on April 19, 2017, one week prior to the album's launch, and was accompanied by an official music video directed by Sam Hiscox.[33][34] "Best Friend" served as an earlier promotional single, released on January 25, 2017, through digital download and streaming platforms, and was praised for its upbeat, soulful energy that contributed to early radio airplay and buzz around Rex Orange County's evolving sound.[35][36] The album's second single, "Never Enough", arrived with the full project on April 26, 2017, also via digital formats and streaming services, and later achieved wider initial impact through its feature on the soundtrack for the video game FIFA 18 later that year.[37][4] These releases, distributed independently through digital channels, played a key role in driving pre-album promotion and introducing the project's blend of indie pop and R&B to broader audiences.Marketing efforts
The independent release of Apricot Princess on April 26, 2017, relied heavily on self-promotion through social media platforms, where Rex Orange County announced the album, tracklist, and availability directly to fans via Twitter.[38] The digital rollout was made accessible across major streaming services, emphasizing grassroots outreach without major label backing.[33] To build buzz, Rex Orange County focused on live performances in the UK during 2017, including an appearance at the Lovebox Festival in London's Victoria Park in July, where he debuted tracks from the album.[39] Additional shows, such as supporting Frank Ocean's touring band over the summer and performing guitar with Skepta at the Mercury Prize Awards in September, helped cultivate a dedicated audience through intimate, word-of-mouth experiences.[20] Endorsements from influential peers amplified visibility, notably from Tyler, the Creator, who had previously praised Rex Orange County's work and later collaborated on his 2017 album Flower Boy, drawing cross-fanbase attention to Apricot Princess.[38] Similar support came from artists like BADBADNOTGOOD and Two Inch Punch, whose nods helped secure placements on editorial playlists and expanded streaming exposure.[38] In 2018, the release of physical formats further sustained interest, with a limited-edition orange vinyl pressing that appealed to collectors and marked the album's first widespread analog distribution.[22] This edition, self-released through Rex Orange County's own channels, included the full 10-track lineup and contributed to ongoing fan engagement beyond the initial digital launch.[40] In 2022, a 5-year anniversary edition was released exclusively for Record Store Day on April 23, featuring a limited-edition green vinyl with the original tracks plus two previously unreleased live recordings.[41]Reception
Critical response
Upon its release in 2017, Apricot Princess received generally positive reviews for Alexander O'Connor's maturing songwriting and production skills, blending pop, jazz, indie, and hip-hop elements with confidence and fluidity. The Irish Times awarded it three out of five stars, commending its lush, fully formed tunes and the nuanced melodic hooks in standout tracks like "Happiness," "4 Seasons," and the title song, which captured a youthful energy from the teenage producer.[38] Aggregate scores reflected strong user appreciation, with Album of the Year reporting a 79 out of 100 based on 1,737 ratings, often emphasizing the album's emotional depth and relatable introspection. Sputnikmusic users rated it 3.5 out of five on average from 71 votes, praising its comforting jazz ballads and alt-rock flourishes, such as electric guitar solos and rap verses that added playful variation.[1] However, professional reception was mixed, with Album of the Year's sole critic score at 60 out of 100, and some reviewers pointed to occasional lacks in memorable hooks or overly earnest lyrics, which contributed to a sense of uneven catchiness.[1] Retrospectively, following the 2019 release of O'Connor's Pony, Apricot Princess has achieved cult status as a foundational work in his discography, with a 2022 Sputnikmusic review hailing it as 39 minutes of raw, romantic emotion through tear-jerking lyricism and captivating instrumentals, underscoring its enduring influence on his style.[28]Accolades and legacy
Although Apricot Princess did not secure major award wins, it received nominations for UK indie accolades, including Best Mixtape at the 2018 VO5 NME Awards, where it competed against releases like Avelino's No Bullshit but ultimately lost.[42] The album's success also contributed to Rex Orange County's second-place finish in the BBC Sound of 2018 poll, behind Sigrid, highlighting its role in elevating O'Connor's profile among emerging artists.[43] Additionally, the track "Never Enough" was included on the soundtrack for the 2017 video game FIFA 18, broadening the album's exposure to a global gaming audience.[37] In terms of legacy, Apricot Princess has influenced the bedroom pop and indie soul scenes through its intimate, self-produced sound blending jazz-infused R&B with vulnerable lyricism, as classified in genre analyses.[44] Its relatable coming-of-age themes, exploring love, loss, and emotional growth, resonated widely, paving the way for O'Connor's major-label breakthrough. The album proved pivotal in O'Connor's career trajectory, directly leading to his signing with RCA Records for his 2019 major-label debut Pony, as the independent release garnered critical attention and collaborations, including contributions to Tyler, the Creator's Flower Boy.[45] Often compared to Flower Boy for shared jazz-rap elements and themes of personal introspection, Apricot Princess solidified O'Connor's reputation as a key figure in modern alternative R&B.[46]Commercial performance
Chart performance
Upon its independent release in 2017, Apricot Princess achieved modest chart success in the United States, peaking at No. 2 on the Billboard Heatseekers Albums chart.[47] The album also entered the Billboard Independent Albums chart within the top 10, reflecting early recognition among emerging artists.[48] In the United Kingdom, the album first charted in 2018, reaching No. 24 on the Official Independent Albums Chart, where it spent multiple weeks amid growing interest in Rex Orange County's catalog.[49] This entry marked a delayed but notable breakthrough for the project on the UK market. The album experienced subsequent surges following the commercial success of Rex Orange County's 2019 release Pony, which debuted at No. 3 on the Billboard 200 and boosted retrospective streams for earlier works. Apricot Princess re-entered various specialist charts and maintained a sustained presence on Spotify's global daily and weekly album lists through 2025, driven by organic streaming growth rather than traditional radio airplay.[50] These performances highlighted the album's enduring traction in niche and emerging artist categories without major label backing at launch.Certifications and sales
In the United Kingdom, Apricot Princess was certified Silver by the British Phonographic Industry (BPI) on July 15, 2022, denoting shipments of 60,000 units, with no further certifications awarded as of 2025.[51] On streaming platforms, the album has surpassed 1.28 billion plays on Spotify as of November 2025, reflecting sustained listener engagement years after its release.[50] The single "Never Enough" has exceeded 62 million Spotify streams as of November 2025.[52] In the United States, the album's performance was propelled by inclusions on major playlists such as Spotify's Indie Pop and Alternative R&B selections.Track listing and credits
Track listing
Apricot Princess features 10 tracks on its standard edition, with a total runtime of 39:35. All tracks were written by Alexander O'Connor, except for co-writing credits on "Nothing" (with Marco McKinnis) and "Sycamore Girl" (with Thea Morgan-Murrell). The album was primarily produced by O'Connor, with co-production from Ben Baptie on "4 Seasons", Jeff Kleinman and Michael Uzowuru on "Waiting Room", and Two Inch Punch on "Never Enough" and "Happiness". There are no deluxe editions with additional studio tracks, though a 2022 anniversary edition includes live recordings; all tracks are original to the album's 2017 release. The sequencing creates an intentional flow, beginning with the introspective title track and building to the anthemic closer "Happiness".[16]| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1 | "Apricot Princess" | O'Connor | O'Connor | 3:58 |
| 2 | "Television / So Far So Good" | O'Connor | O'Connor | 4:23 |
| 3 | "Nothing" (featuring Marco McKinnis) | O'Connor, McKinnis | O'Connor | 4:53 |
| 4 | "Sycamore Girl" (featuring Thea Morgan-Murrell) | O'Connor, Morgan-Murrell | O'Connor | 4:40 |
| 5 | "Untitled" | O'Connor | O'Connor | 2:16 |
| 6 | "4 Seasons" | O'Connor | O'Connor, Baptie | 5:02 |
| 7 | "Waiting Room" | O'Connor | O'Connor, Kleinman, Uzowuru | 4:00 |
| 8 | "Rain Man" | O'Connor | O'Connor | 0:44 |
| 9 | "Never Enough" | O'Connor | O'Connor, Two Inch Punch | 4:59 |
| 10 | "Happiness" | O'Connor | O'Connor, Two Inch Punch | 4:40 |