Arcángel
Arcángel, whose real name is Austin Agustín Santos, is a Puerto Rican-American rapper, singer, and songwriter born on December 23, 1985, in New York City to Dominican parents.[1][2] Raised primarily in Bayamón, Puerto Rico, after his family relocated there during his early childhood, he was influenced by his mother's involvement in the first all-female merengue group and by reggaeton pioneers such as Tego Calderón and Tempo.[1][3] Arcángel emerged in the mid-2000s Puerto Rican underground scene, achieving breakthrough success with the 2005 single "Ven Pégate" alongside Zion y Lennox on the compilation album Sangre Nueva.[1][4] He gained further prominence as half of the duo Arcángel & De La Ghetto, releasing hits like "Pa' Que La Pases Bien" and "Sorpresa" between 2006 and 2007, which helped define the early perreo style of reggaeton.[1] Transitioning to a solo career in 2007, Arcángel debuted with the album El Fenómeno in 2008, which reached number 14 on the Billboard Top Latin Albums chart and featured production from DJ Nelson.[1][5] Subsequent releases such as La Maravilla de Puerto Rico (2011) and A.D.G.G.A.A. (2015) solidified his versatility in blending reggaeton with trap and R&B elements. His 2018 album Ares debuted at number five on the Top Latin Albums chart, while Historias de un Capricornio (2019) marked his highest Billboard 200 entry at number 26 and included the hit "Sigues Con Él."[6] More recent works, including Sr. Santos (2021), Los Favoritos (2022), and Sr. Santos II: Sueños de Grandeza (June 2025), showcase his evolution toward introspective Latin trap narratives. In October 2025, he announced a joint tour with De La Ghetto for 2026.[7][8][9] Arcángel's career highlights include ten number-one singles on Billboard's Hot Latin Songs and Latin Airplay charts, as well as his first entry on the Billboard Hot 100 as a lead artist with "Sigues Con Él" featuring Romeo Santos and Sech in 2020.[10][6] He has collaborated with major artists like Bad Bunny on the 2023 track "La Jumpa," which earned nominations for Best Urban Song and Best Urban Fusion/Performance at the 2023 Latin Grammy Awards.[11] His debut Latin Grammy nomination came in 2022 for Best Urban Music Album with Los Favoritos 2.5.[12] Widely regarded as one of the most influential voices in the Latin urban genre, Arcángel has shaped reggaeton's transition into global trap-infused sounds over nearly two decades.[10]Early life
Childhood and family background
Austin Agustín Santos, professionally known as Arcángel, was born on December 23, 1985, in New York City to parents of Puerto Rican and Dominican descent.[3] His mother, Carmen Rosa Santos, a Puerto Rican singer and former member of the pioneering all-female Dominican merengue group Las Chicas del Can, which performed in the late 1980s and early 1990s.[10] His father, Agustín Santos, is Dominican. Little is publicly known about his father's profession, but Arcángel spent his early years living with him in New York, fostering a close family bond amid the city's vibrant Latino diaspora.[10] Arcángel grew up with his younger brother, Justin Santos, in a household that emphasized familial ties despite the challenges of immigrant life.[13] The family dynamics reflected a supportive environment, with his parents instilling values of resilience and cultural pride, though details on daily routines remain private. This setup allowed for a stable upbringing focused on education and community involvement during his formative preschool years, primarily after the family relocated to Bayamón, Puerto Rico, during his early childhood.[2] His early childhood unfolded in New York City's multicultural neighborhoods, where Puerto Rican and Dominican influences intertwined through food, language, and traditions in the bustling Latino communities of the Bronx and Manhattan.[14] Exposure to these blended heritages—from Dominican merengue rhythms introduced by his mother to Puerto Rican salsa and family gatherings—created a rich cultural tapestry that would subtly inform his later artistic identity.Move to Puerto Rico and early influences
Born Austin Agustín Santos in New York City on December 23, 1985, to Dominican father Agustín Santos and Puerto Rican mother Carmen Rosa Santos—a former member of the merengue group Las Chicas del Can—Arcángel spent his early childhood dividing his time between New York, where he lived with his father, and Puerto Rico, where he stayed with his mother, eventually being raised primarily in Bayamón.[10][2] He relocated permanently to Puerto Rico after high school in the early 2000s to pursue music.[10] The move marked a significant adjustment for Santos, transitioning from the urban hustle of New York to the more relaxed, culturally rich island environment of Puerto Rico, where he became fully immersed in the local way of life.[10] This period exposed him to the emerging reggaeton scene of the late 1990s and early 2000s, a genre originating in Puerto Rico that blended hip-hop, reggae, and Latin rhythms.[10] Santos's early musical influences were deeply shaped by reggaeton pioneers such as Daddy Yankee, Tego Calderón, and Tempo, whose innovative sounds and streetwise lyrics captured the energy of Puerto Rican urban culture.[10] During his school years, a pivotal moment came when he heard Tego Calderón's music on a Planet Reggae CD, instantly recognizing reggaeton's potential as the future of Latin music and solidifying his passion for the genre.[10] Surrounded by this burgeoning scene, he began to appreciate the raw authenticity and social commentary in the works of these artists, which resonated with his own bicultural experiences.[10] In Puerto Rico, Santos completed high school, balancing his studies with growing interests in music amid the island's dynamic cultural landscape.[10]Musical career
Career beginnings with De La Ghetto (2004–2007)
In 2004, Arcángel (Austin Agustín Santos) and De La Ghetto (Rafael Castillo) formed the reggaeton duo Arcángel & De La Ghetto after meeting through mutual connections, including Zion of Zion & Lennox, in Puerto Rico's burgeoning underground scene.[15][10] Influenced by the island's reggaeton movement, the pair quickly immersed themselves in studio sessions in San Juan, blending lyrical flows with street-oriented beats.[16] The duo signed with Baby Records, Zion's label, that same year, marking their entry into the professional music industry.[10] Their early work gained traction through contributions to prominent reggaeton compilations, including Sangre Nueva (2005), where their single "Ven Pégate" achieved breakthrough success, peaking at number five on the Billboard Hot Latin Songs chart. They also appeared on Luny Tunes' Más Flow: Los Benjamins (2006), showcasing tracks like "Sorpresa," highlighting De La Ghetto's versatile rapping and Arcángel's charismatic delivery.[17] These appearances helped establish them as rising talents in the genre, with "Sorpresa" becoming a standout in the underground circuit for its energetic party vibe and smooth production.[18] By 2007, after building a dedicated following with additional features on albums like Sangre Nueva (2005), the duo parted ways amicably to pursue individual paths, allowing each artist to explore distinct styles within reggaeton and trap.[19]Solo career and early albums (2008–2014)
Following the dissolution of his duo with De La Ghetto in early 2007, Arcángel transitioned to a solo career, building on his established presence in reggaeton through guest features and compilations. His debut solo studio album, El Fenómeno, was released on December 9, 2008, through Machete Music, executive produced by the renowned duo Luny Tunes. The project blended traditional reggaeton rhythms with romantic and street-oriented themes, featuring production from Naldo, Echo, and Marioso, with Arcángel co-writing most tracks to showcase a versatile sound he described as "a little bit of everything."[20][21] The lead single, "Por Amar a Ciegas," produced by Naldo and featuring singer Geno, highlighted Arcángel's melodic flow and became a key track in establishing his solo identity.[20] In the ensuing years, Arcángel navigated label transitions and independent releases amid creative and contractual challenges, including the leak of his initially planned debut La Maravilla in 2008, which prompted the pivot to El Fenómeno. By 2011, he issued the mixtape Arca (The Mixtape) as an independent effort, featuring raw, experimental tracks like "El Callejón 2" and diss records such as "No Me Ronque (Tiraera Pa' Franco El Gorilla)," produced by Los Metálicos, allowing him to maintain momentum outside major label structures.[22][23] This period also saw him sign with Pina Records in 2012, leading to prominent singles like "Me Prefieres a Mí," a reggaeton hit that peaked on Latin charts and exemplified his seductive vocal style over upbeat production.[24] The track appeared on the label's compilation La Fórmula that year, marking a commercial resurgence.) [Note: Wikipedia cited here for compilation context, but primary verification from Pina Records release.] Arcángel's exploration deepened with his second studio album, Sentimiento, Elegancia & Maldad, released on November 19, 2013, under Pina Records, which introduced subtle trap elements into his reggaeton framework, reflecting his role in pioneering Latin trap fusions alongside contemporaries like De La Ghetto. The album, spanning over an hour, balanced emotional ballads and aggressive beats, with tracks produced by a range of collaborators emphasizing Arcángel's evolving artistry during this phase with Pina Records.[25][26] This release solidified his transition from duo collaborator to a solo force blending elegance and edge in the urban Latin scene up to 2014.[27]Ares and Historias de un Capricornio (2015–2019)
In 2018, Arcángel released his third studio album, Ares, on July 13 through Pina Records and Sony Music Latin, marking a shift toward Latin trap production while incorporating elements of reggaeton and pop rap.[28] The project featured 18 tracks, including the single "El Granjero," which highlighted Arcángel's exploration of personal resilience amid industry challenges and cultural tributes to Puerto Rican heritage, such as a sample of salsa legend Ismael Rivera's work on "Un Vacilón (Young Maleo)."[29] Ares debuted at No. 5 on the Billboard Top Latin Albums chart, underscoring its commercial viability in the evolving urban Latin landscape.[30] Following Ares, Arcángel parted ways with Pina Records in early 2019 after fulfilling his contract, entering a transitional period that allowed him to reflect on his career trajectory before signing with Rimas Entertainment. This buildup culminated in the release of his fourth studio album, Historias de un Capricornio, on December 20, 2019, a 15-track project that delved into introspective themes of fame, personal struggles, and emotional reconciliation, as evident in the ballad-like "Capricornio," where he grapples with his public persona versus private vulnerabilities.[31] The lead single, "Te Esperaré," dropped on August 16, 2019, setting the tone for the album's vulnerable narrative. Historias de un Capricornio showcased Arcángel's growth through collaborations with rising stars, including Ozuna on "Rehén," Bad Bunny on "Infeliz," Manuel Turizo on "Hábitos," and Sech alongside Dímelo Flow on "Sigues Con Él," blending trap influences with melodic reggaeton to amplify its emotional depth.[32] During this era, Arcángel also participated in notable joint efforts, such as the 2016 track "La Ocasión" with De La Ghetto, Ozuna, and Anuel AA, and the 2015 single "Nos Aman y Nos Odian" featuring Cosculluela, Kendo Kaponi, and Ñengo Flow, which highlighted his role in bridging reggaeton and trap communities.[33] The album achieved his highest commercial peak, debuting at No. 2 on the Billboard Top Latin Albums chart and demonstrating sustained streaming success across platforms.[30]Los Favoritos series and collaborations (2020–2021)
In 2020, amid the global COVID-19 pandemic that disrupted live music events, Arcángel released his collaborative album Los Favoritos 2 on October 16 through Rimas Entertainment, serving as a sequel to his 2015 mixtape of the same name.[34] The 18-track project emphasized reunions and fresh partnerships within the reggaeton and Latin trap scenes, including standout tracks with his former duo partner De La Ghetto such as "Aparentemente 2" (featuring Yaga & Mackie) and "Tussi" (with Justin Quiles and Eladio Carrión), which revived their signature dynamic of rhythmic flows and streetwise lyrics.[35] Other key collaborations featured Sech on "Amantes y Amigos," Myke Towers on "Satisfacción," Ozuna on "Sigas Moviendo," and Wisin & Yandel on "Emilio & Gloria," blending melodic hooks with trap-infused beats to maintain momentum in a year dominated by virtual fan engagement.[36] The album debuted at No. 5 on Billboard's Top Latin Albums chart, Arcángel's fifth top-five placement, underscoring its commercial resonance despite restricted touring.[30] With live performances curtailed by pandemic restrictions, Arcángel adapted by prioritizing digital releases and online promotions, including social media previews and streaming platform exclusives that allowed real-time interaction with audiences worldwide. This shift facilitated deeper explorations of trap-reggaeton fusion, evident in the album's production style—characterized by heavy basslines, auto-tuned verses, and perreo rhythms—that bridged Arcángel's trap roots with reggaeton's danceable energy, influencing contemporaries in the urban Latin landscape.[36] Building on the formula's success, Arcángel followed with the 15-track EP Los Favoritos 2.5 on September 17, 2021, again via Rimas Entertainment, extending the collaborative ethos into the ongoing pandemic era.[37] Highlights included renewed features with De La Ghetto on "Con Sus B" (alongside Elian Bless and Dalex), Jay Wheeler and Miky Woodz on "Si Te Veo," and Manuel Turizo and Nicky Jam on "Na de Eso," which incorporated emotive balladic elements into trap frameworks for a versatile sound.[38] Tracks like "Mia" with Becky G further exemplified the EP's role in solidifying Arcángel's trap-reggaeton hybrid, promoting genre evolution through remote recording sessions and virtual collaborations that sustained artistic output without physical gatherings.Sr. Santos era and recent releases (2022–present)
In 2022, Arcángel entered a new phase of his career with the release of his album Sr. Santos on December 1 through Rimas Entertainment, marking a significant collaboration-heavy project that included the hit single "La Jumpa" featuring Bad Bunny, which reunited the artists after years apart.[39][40] The 18-track album featured contributions from artists such as Duki, Bizarrap, Myke Towers, and Eladio Carrión, blending trap and reggaeton elements to showcase Arcángel's matured production style. This release solidified his position in the Latin urban music scene, with tracks like "Bottas" and "Dígitos" highlighting his lyrical prowess and beat selection.[41] Building on this momentum, Arcángel released Sentimiento, Elegancia y Más Maldad on November 17, 2023, via Rimas Entertainment, serving as a sequel to his earlier work and delving into evolved trap sounds infused with reggaeton, house, and pop influences across its 19 tracks.[42] The album emphasized emotional depth and refined production, with standout moments that reflected Arcángel's growth in blending vulnerability with high-energy rhythms.[43] In 2024, he continued his prolific output with Papi Arca, a nine-track EP released on December 19 that explored personal themes through reggaeton and trap latino, followed shortly by the holiday-themed album Feliz Navidad on December 25, featuring nine festive tracks reimagining classic sounds.[44][45] Arcángel's 2025 releases further highlighted his family-oriented and ambitious direction, beginning with the single "Gohan y Goku" on June 12, featuring his son Austin San and officially introducing the young artist to the public in a track that combined trap beats with paternal themes inspired by anime references.[46][47] This led into the full album Sr. Santos II Sueños de Grandeza, released on June 26 with 18 tracks that expanded on the original Sr. Santos formula, incorporating global trap influences and collaborations to underscore dreams of legacy and success.[48] Throughout the year, Arcángel maintained a rigorous touring schedule, performing at major events in Mexico such as Baja Beach Fest in Rosarito and Resuena Dos Equis in Cholula, while extending his reach to Europe with shows in Spain, including dates in Murcia and Alcalá de Guadaíra.[49] This period also reflected his strategic shift to Rimas Entertainment in 2019, an independent label that provided creative stability and global distribution support, enabling consistent output without major label constraints.[10][50]Artistry
Musical style and influences
Arcángel's primary genres are reggaeton and Latin trap, often infused with elements of hip-hop and R&B to create a versatile urban sound. His music frequently incorporates the rhythmic dembow patterns rooted in his Dominican heritage, blending them with the pulsating beats of reggaeton and the gritty production of trap.[51] This fusion allows for a dynamic style that shifts between high-energy dance tracks and more atmospheric, introspective compositions.[52] His influences draw from 1990s hip-hop icons and early reggaeton pioneers, including lyricists like The Notorious B.I.G. for narrative depth, as well as Puerto Rican artists such as Daddy Yankee, Tempo, Tego Calderón, and Don Omar for their raw urban storytelling and rhythmic innovation.[53] Additionally, romantic singer Robi Draco Rosa has shaped his melodic sensibilities, adding emotional layers to his otherwise street-oriented delivery.[54] These inspirations are evident in his adoption of hip-hop's confessional flows and reggaeton's infectious perreo rhythms, which he adapts into trap's darker, synth-heavy aesthetic.[55] Lyrically, Arcángel explores themes of street life, romance, and personal redemption, often reflecting the struggles of urban existence alongside tales of love and self-reflection.[56] His vocal style combines auto-tuned melodies for a polished, modern edge with raw, unfiltered delivery in verses that convey authenticity and vulnerability, allowing him to alternate between melodic hooks and aggressive rap cadences.[57] Over time, Arcángel's sound has evolved from the party-driven perreo of his duo era to more introspective trap explorations in later works, such as his 2018 album Ares, where he delves into personal growth amid trap's brooding production, and continuing in Sr. Santos II: Sueños de Grandeza (2025), which incorporates themes from his recovery following open-heart surgery in early 2025.[28][58] This progression highlights his role in bridging reggaeton's foundational energy with trap's experimental introspection.[59]Collaborations and impact on reggaeton and trap
Arcángel has engaged in numerous high-profile collaborations that have bridged generations and subgenres within urban Latin music. In 2022, he teamed up with Bad Bunny for the track "La Jumpa," a reggaeton-infused single that peaked at No. 3 on the Billboard Hot Latin Songs chart and exemplified their shared ability to blend introspective lyrics with infectious rhythms.[60] His reunions with former duo partner De La Ghetto have been particularly notable, including the 2022 song "Entonces" from Arcángel's album Sr. Santos, which revisited their early 2000s chemistry, and a joint tour announced in 2025 for 2026 across the U.S. and Latin America to celebrate their enduring legacy.[9][40] Additionally, Arcángel made a surprise cameo in the 2023 music video for "Crush" by producer Sky Rompiendo and Dei V, highlighting his influence on emerging trap producers through subtle yet impactful appearances that fuse melodic trap elements.[61] In September 2025, he collaborated with Yan Block on "EN TUS SUEÑOS," adding emotional depth to Latin trap.[62] As a pioneer of Latin trap in Puerto Rico following the genre's post-2010 surge, Arcángel played a foundational role in shifting reggaeton toward darker, hi-hat-driven beats inspired by Southern U.S. trap, helping to establish the sound in the island's underground scene.[63] His contributions extended to influencing subsequent artists like Anuel AA, with whom he collaborated on the 2016 hit "La Ocasión" alongside De La Ghetto and Ozuna—a track that amassed over a billion streams and propelled Latin trap into mainstream Latin airplay by introducing gritty narratives to a broader audience.[64] Through early mixtapes such as La Factoria Del Flow (2006) with De La Ghetto and strategic features on global tracks, Arcángel aided reggaeton's international expansion, providing blueprints for artists worldwide to adapt the genre's dembow rhythms with trap's intensity.[65] In a 2024 Billboard interview, Arcángel reflected on reggaeton's evolution, describing its transformation from a niche Puerto Rican street sound to a dominant global force, crediting early innovators like himself for laying the groundwork while critiquing modern dilutions of its raw authenticity.[10] These partnerships and innovations underscore his lasting impact, as his work continues to inspire the fusion of reggaeton and trap, evidenced by his 10 No. 1 hits on Billboard charts and collaborations with superstars that have amplified the genres' reach across continents.[10]Personal life
Family and relationships
Arcángel, born Austin Agustín Santos, was born in New York City to parents of Dominican heritage; his mother, Carmen Rosa Santos, is a former member of the pioneering all-female merengue group Las Chicas del Can. Raised primarily in Puerto Rico after moving from New York City at a young age, Santos grew up immersed in the cultural influences of both nations, which shaped his multicultural identity. He had a younger brother, Justin Santos, who died in a car accident on the Teodoro Moscoso Bridge in San Juan on November 21, 2021, at the age of 21. In January 2025, the driver responsible, Mayra Nevárez, was sentenced to three years in prison following a prolonged legal battle.[66][10][13][67] Santos has been married twice. His first marriage was to Alejandra Pascual in 2006, ending in divorce in 2020; the couple shares a son, Austin Alejandro Santos Pascual. In 2021, he married Janexsy Figueroa, with whom he has a daughter, Angélica Lucero Santos Figueroa. Additionally, Santos has raised Joe Martin—biological son of fellow reggaeton artist Nicky Jam and Janexsy Figueroa—as his own since the child was an infant, viewing him as an eldest son who turned 20 in 2025.[68][69][70] Fatherhood features prominently in Arcángel's music, often reflecting themes of guidance, legacy, and life's challenges. In June 2025, he released the single "Gohan y Goku," a collaboration with his son Austin Alejandro (known as Austin San) that draws parallels to the father-son dynamic in Dragon Ball, symbolizing mentorship and familial bonds while introducing his child's involvement in his artistic world. Santos has shared personal insights on parenting, such as emphasizing resilience to his children amid everyday struggles like schoolwork, underscoring his role as a devoted Latino father.[46][71]Legal issues
In April 2019, Arcángel was arrested in Las Vegas on misdemeanor domestic battery charges following an altercation outside a nightclub, where surveillance footage allegedly showed him kicking the mother of his children.[72] He posted $2,000 bail and was released the same day, but the arrest occurred just hours before the Latin Billboard Music Awards.[73] Prosecutors later declined to file charges in June 2019, citing insufficient evidence, resulting in no probation or further legal consequences.[74] This event briefly halted his momentum amid rising popularity in the trap and reggaeton scenes, though he continued releasing music without long-term career interruption.[75]Controversies
Public feuds and statements
Arcángel has been involved in several high-profile feuds with other reggaeton and trap artists, often expressed through diss tracks known as tiraeras and social media confrontations. During the 2010s, Arcángel engaged in a prolonged rivalry with Puerto Rican rapper Cosculluela, characterized by a series of indirect and direct diss tracks that highlighted tensions within the underground reggaeton scene. The feud included responses to Cosculluela's tracks aimed at Arcángel, and Arcángel's counter in his annual "Feliz Navidad" series, such as "Feliz Navidad 3" in 2011, which targeted Cosculluela alongside other artists. These exchanges underscored competitive dynamics over lyrical prowess and street credibility in Puerto Rico's urban music landscape.[76] In March 2021, following International Women's Day, Arcángel posted a social media comment perceived as misogynistic, stating that women belonged in the kitchen and bedroom, which sparked widespread backlash. Female artists including Anitta, Kali Uchis, and Cazzu publicly criticized him, leading to discussions on sexism in reggaeton. Arcángel later deleted the post but did not issue a formal apology.[77] From 2022 to 2023, tensions with Anuel AA intensified, rooted in personal disputes involving Arcángel's brother-in-law, who served as Anuel's former manager, and broader claims regarding authenticity in Latin trap music. Arcángel, recognized as a pioneer of the genre, publicly questioned Anuel's self-styled title as the "god of trap" through social media posts and interviews, sparking a series of tiraeras. The conflict peaked in December 2023 with Arcángel's holiday-themed diss track "FN8" (also known as "Feliz Navidad 8"), which criticized Anuel's credibility and lifestyle, followed by Anuel's retort "Glock Glock Glock" the next day. Social media platforms amplified the feud, with both artists posting provocative messages and fans creating memes and debates, though no formal resolution occurred beyond the musical exchanges.[78][79][80] In a 2024 Billboard interview, Arcángel addressed the commercialization of reggaeton, offering a controversial perspective on the genre's evolution and accessibility. He argued that reggaeton's simplicity has contributed to its widespread commercial success, stating, “If we compare it to any other genre, it's much more complex to make another genre than to make reggaetón.” Arcángel reflected on how this ease of production has sustained his career and wealth for nearly two decades, while acknowledging the genre's cultural impact amid its mainstream saturation. These statements sparked discussions among fans and critics about reggaeton's artistic integrity versus its economic dominance.[10]Label disputes
In the late 2010s, Arcángel faced significant tensions with Pina Records, his longtime label since 2012, primarily revolving around limited creative control.[81] In a 2019 interview, he revealed that "there were a lot of problems with Pina," which contributed to his decision to negotiate an exit from the contract.[81] These disputes highlighted broader business challenges in the reggaeton industry, where artists often grapple with unfavorable contract terms that restrict artistic freedom and financial transparency.[81] The conflicts culminated in Arcángel's departure from Pina Records in 2018, allowing him to pursue greater independence.[10] Shortly thereafter, in 2019, he signed with Rimas Entertainment, an emerging label known for supporting Latin trap and reggaeton artists, amid ongoing resolutions from his prior contractual obligations.[10] This move was framed as a strategic shift to regain full artistic autonomy, with Arcángel noting that he now had "one hundred percent control" over his music.[81] Into the early 2020s, allegations of contract breaches from previous labels persisted, echoing the issues with Pina and delaying some project timelines.[81] Arcángel addressed these by transitioning to more favorable partnerships, such as his deal with Rimas, which enabled consistent releases and revitalized his career trajectory without further major legal entanglements.[10]Discography
Studio albums
Arcángel's debut studio album, El Fenómeno, was released on December 9, 2008, via Machete Music. The project featured 21 tracks blending reggaeton and early trap influences, with key singles including "Por Amar a Ciegas," which peaked in the Top 40 on Billboard's Latin Airplay chart, and the title track "El Fenómeno."[82] The album reached the Top 20 on the Billboard Top Latin Albums chart, marking Arcángel's breakthrough as a solo artist following his work with Arcángel & De La Ghetto.[82] Critics praised its raw energy and streetwise lyricism, positioning it as a foundational release in Latin urban music. His second studio album, Sentimiento, Elegancia & Maldad, arrived on November 19, 2013, through Pina Records and Sony Music Latin.[26] Spanning 18 tracks, it showcased a more polished sound with collaborations from Daddy Yankee, De La Ghetto, and Ñengo Flow, highlighted by singles "Hace Mucho Tiempo" (released June 21, 2013) and "Contigo Quiero Amores" (November 9, 2013).[83] The album debuted at No. 1 on Billboard's Top Latin Albums chart, underscoring Arcángel's commercial dominance in the genre.[84] Reception highlighted its balance of emotional depth and aggressive trap elements, earning acclaim for evolving reggaeton's emotional range.[83] Ares, Arcángel's third studio album, was released on July 13, 2018, by Pina Records and Sony Music Latin.[28] This 15-track effort leaned heavily into Latin trap, featuring guests like J Balvin on "Corte, Porte y Elegancia" and Ozuna, with singles such as "Date Cuenta" driving its promotion.[85] It entered the Billboard Top Latin Albums chart in the Top 10, reflecting strong streaming performance amid the trap wave.[86] Critics noted its experimental pop-rap fusion but critiqued its uneven pacing, calling it a bold if inconsistent pivot from traditional reggaeton.[28] In 2019, Arcángel delivered Historias de un Capricornio on December 20 via Rimas Entertainment, a 15-track introspective project with features from Bad Bunny, Ozuna, and Sech.[87] Key singles included "Invicto" and "Sigues Con Él" featuring Sech, which amplified its romantic and trap-infused themes.[88] The album peaked at No. 2 on Billboard's Top Latin Albums chart, bolstered by viral streaming hits.[84] It received positive reviews for its personal storytelling and genre-blending production, solidifying Arcángel's versatility.[89] Sr. Santos, released December 1, 2022, through Rimas Entertainment, marked a return to pure trap across 18 tracks with high-profile collaborations including Bad Bunny, Eladio Carrión, and Duki.[90] Promoted by singles like "La Chamba" featuring Peso Pluma, it debuted at No. 3 on the Billboard Top Latin Albums chart.[86] The album was lauded for its gritty lyricism and life-affirming energy, capturing Arcángel's maturation in the genre.[91] The sequel Sentimiento, Elegancia y Más Maldad followed on November 17, 2023, via Rimas, expanding the 2013 original with 19 tracks incorporating reggaeton, house, and pop elements alongside features from artists like Ovy on the Drums. It debuted strongly on streaming platforms, building on the original's legacy with singles emphasizing emotional introspection.[92] Critics appreciated its sonic experimentation and cohesive narrative, viewing it as a refined evolution of Arcángel's style.[93] Arcángel's most recent studio album, Sr. Santos II Sueños de Grandeza, was issued on June 26, 2025, via Rimas, comprising 18 trap-centric tracks with guests including Maria Becerra and Eladio Carrión.[94] Driven by singles exploring personal triumphs and struggles, reviewers commended its raw intensity and thematic depth, hailing it as a resilient follow-up amid Arcángel's career challenges.[95]Mixtapes and EPs
Arcángel's mixtapes and EPs have served as platforms for experimental collaborations and rapid content delivery, allowing him to bridge gaps between full albums while showcasing his versatility in reggaeton and trap. These shorter formats evolved from his early underground street tapes, which emphasized raw lyricism and local appeal, to polished digital releases that leverage streaming platforms for broader reach and immediate fan engagement. Over his career, he has produced at least six notable projects in this category, including early works like La Maravilla de Puerto Rico (2011 mixtape, featuring street-oriented reggaeton tracks), A.D.G.G.A.A. (2015 mixtape, blending trap and R&B with collaborations), and Los Favoritos (2015 mixtape, establishing his "favoritos" series), focusing on thematic consistency and high-profile features to reinforce his status as "La Maravilla de la Calle." One of the pivotal transitional works was Los Favoritos 2, released on October 16, 2020, as an 18-track digital mixtape under Rimas Entertainment. Featuring collaborations with Sech on "Amantes y Amigos," Myke Towers on "Satisfacción," and Ozuna on "Sigas Moviendo," the project highlighted Arcángel's commanding flow and production by teams like Dímelo Flow and Slow Mike. Notable for its blend of introspective tracks like "El Favorito" and party anthems, it built a dedicated fanbase by expanding on the 2015 original, achieving over 100 million streams on platforms like Spotify within its first year and marking a commercial resurgence post-label disputes.[96][97] Building directly on that momentum, Los Favoritos 2.5 arrived as a 15-track EP on September 17, 2021, again via Rimas Entertainment, with features from Jay Wheeler and Miky Woodz on "Si Te Veo," De La Ghetto and Dalex on "Con Sus B," and Zion & Lennox on "La Clika." Tracks like the aggressive "Flow Violento" and melodic "Insegura" (ft. Gigolo Y La Exce) exemplified his shift toward hybrid trap-romantic sounds, amassing significant plays and serving as a creative outlet during the pandemic era to sustain hype ahead of his next studio effort. This release underscored his adaptability to digital distribution, garnering praise for its cohesive energy and role in elevating collaborators.[98][37] Papi Arca, a concise nine-track EP, dropped unexpectedly on December 19, 2024, through Rimas Entertainment.[44] Focused on reggaeton and trap, it featured minimal collaborations and singles like "La Franquicia," peaking at No. 96 on Spain's albums chart and No. 99 on the U.S. iTunes chart.[99] Reception was mixed, with some praising its brevity and others critiquing its lack of cohesion compared to prior works.[100] In a nod to his diss track legacy, Arcángel dropped the Feliz Navidad EP on December 25, 2024, a 9-track digital collection compiling his annual "Feliz Navidad" series from 1 through 8, plus an instrumental teaser for "FN9" targeting rivals like Farruko and Anuel AA. Released independently through Rimas Entertainment, it captures his confrontational style with raw, unfiltered bars over festive beats, totaling 51 minutes of content that reignited feuds and trended on social media. This EP reinforced his underground ethos in a commercial landscape, drawing millions of views on YouTube and streams on Spotify, while evolving the street tape tradition into viral, holiday-timed drops.[45][101]Awards and nominations
Latin Grammy Awards
Arcángel received his first Latin Grammy nomination in 2022, marking a significant milestone after more than two decades in the reggaeton and urban music scenes.[12] This recognition came for his album Los Favoritos 2.5 in the Best Urban Music Album category at the 23rd Annual Latin Grammy Awards, where it competed against works like Bad Bunny's Un Verano Sin Ti (the winner), Maria Becerra's Animal, and Rauw Alejandro's Saturno.[102] He did not win, but the nomination highlighted his enduring influence in the genre.[103] In 2023, at the 24th Annual Latin Grammy Awards, Arcángel earned two nominations for his collaboration with Bad Bunny on the track "La Jumpa," from the album Un x100to. These included Best Urban Fusion/Performance, competing against entries like "TQG" by Karol G and Shakira (the winner), "Amargura" by Karol G, and "Feliz Cumpleaños Ferxxo" by Feid; and Best Urban Song, where it vied with "TQG" (also the winner in this category), "Monaco" by Bad Bunny, and "LALA" by Myke Towers featuring Bad Bunny. Neither nomination resulted in a win. Arcángel continued his streak of nominations in 2024 at the 25th Annual Latin Grammy Awards with a nod for Best Rap/Hip Hop Song for "Me Gusta Tu Flow," which competed against tracks like "Aprender A Amar" by Nathy Peluso (the winner), "Mi Ex Tenía Razón" by Karol G, and "Según Quién" by Maluma and Carin León.[104] He did not secure a win in this category.[105] At the 26th Annual Latin Grammy Awards, held on November 13, 2025, Arcángel was nominated for Best Urban Music Album for his project THC, competing alongside albums such as DeBí TiRAR MáS FOToS by Bad Bunny (the winner), El Favorite de Mami by Big Soto and Eladio Carrión, Sudor y Tinta by J Noa and Vakero, and Fresh by Trueno.[106][107] Arcángel has yet to claim a Latin Grammy throughout his career.[108]| Year | Category | Work | Result | Notes |
|---|---|---|---|---|
| 2022 (23rd Annual) | Best Urban Music Album | Los Favoritos 2.5 | Nominated | Competed against Un Verano Sin Ti (Bad Bunny, winner), Animal (Maria Becerra), Saturno (Rauw Alejandro) |
| 2023 (24th Annual) | Best Urban Fusion/Performance | "La Jumpa" (with Bad Bunny) | Nominated | Competed against "TQG" (Karol G & Shakira, winner), "Amargura" (Karol G), "Feliz Cumpleaños Ferxxo" (Feid) |
| 2023 (24th Annual) | Best Urban Song | "La Jumpa" (with Bad Bunny) | Nominated | Competed against "TQG" (Karol G & Shakira, winner), "Monaco" (Bad Bunny), "LALA" (Myke Towers feat. Bad Bunny) |
| 2024 (25th Annual) | Best Rap/Hip Hop Song | "Me Gusta Tu Flow" | Nominated | Competed against "Aprender A Amar" (Nathy Peluso, winner), "Mi Ex Tenía Razón" (Karol G), "Según Quién" (Maluma & Carin León) |
| 2025 (26th Annual) | Best Urban Music Album | THC | Nominated | Competed against DeBí TiRAR MáS FOToS (Bad Bunny, winner), El Favorite de Mami (Big Soto & Eladio Carrión), Sudor y Tinta (J Noa & Vakero), Fresh (Trueno) |