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Ashley Peldon

Ashley Peldon (born April 2, 1984) is an actress and voice actress best known for portraying on the CBS daytime [Guiding Light](/page/Guiding Light) from 1988 to 1991, a role that earned her a Daytime Emmy Award nomination for Outstanding Younger Actress in a Series in 1991 when she was just six years old. At age four, she became the youngest actress to secure a daytime contract for this performance. Peldon began her career as a child actress in the late , appearing in films such as (1989) alongside and (1991), where she played a young . She continued with notable supporting roles in television and film throughout the and early , including the TV movie (1992) and the indie film Ghost World (2001) as Margaret. Her early work also featured , such as the villainous Darla Dimple in the animated film (1997). After transitioning from on-camera roles in the mid-2000s, Peldon focused primarily on voice work starting around 2008, contributing to projects like the series Jake and the Never Land Pirates and various . She is the younger sister of actress and , with whom she collaborated on ventures including an eco-friendly perfume line in the late 2000s. Peldon has been married to Steve Hurdle since 2010 and resides in .

Early Life and Education

Family Background

Ashley Peldon was born on April 2, 1984, in , , . She is the daughter of Jeffrey Peldon, an attorney, and Wendy Peldon, a college professor. Peldon has an older sister, , who is also an actress and voice artist; the siblings began their careers as child performers, often working in the together from a young age. Peldon's early exposure to the entertainment world came at age four, when she started acting and secured a contract for a series, originating the role of on the Guiding Light in 1988.

Academic Pursuits

Ashley Peldon graduated from in , in 2007 with dual degrees in child psychology and . Her academic focus on child psychology was sparked by her early acting role as a sexually abused child in the 1992 CBS television movie Child of Rage, which deepened her interest in the emotional and developmental aspects of young characters. Following her undergraduate studies, Peldon earned a master's degree in from of Professional Psychology in , completing the program between 2009 and 2011. This advanced training built on her foundational knowledge, emphasizing therapeutic techniques and psychological assessment relevant to clinical practice. Peldon then pursued doctoral studies at in , enrolling around 2011 and earning a PhD in by 2017. , which explores the and symbolic processes, aligned with her prior work in and . Peldon is a licensed psychotherapist.

Acting Career

Child Roles in Television and Film

Ashley Peldon launched her acting career at the age of four with a breakthrough role as on the Guiding Light, a character she originated and portrayed from 1988 to 1991, becoming the youngest actress to secure a contract in history. Her performance in this recurring role showcased her early talent for emotional depth in family-oriented storylines on the long-running series. In 1989, she made her film debut as Sarah Frank in . Peldon's transition to film continued with her role as the young Jenny Claire in the 1990 drama , starring and directed by John Erman, where she depicted the early years of the protagonist's daughter. The following year, she landed her first major role as young Elizabeth in the cult , opposite and , contributing to the film's exploration of childhood and trauma through flashback sequences. On television, Peldon starred as Kasey Larson, the daughter in a blended family, in the sitcom The Mommies from 1993 to 1995, appearing in 29 of the 38 episodes and highlighting her comedic timing in ensemble family dynamics. She also made notable guest appearances during this period, including as Diane on ABC's Home Improvement in 1997, where she joined the Taylor family storyline in episodes focusing on neighborhood and school interactions. Additional early credits included the lead role of Catherine, a psychologically disturbed adopted child, in the 1992 CBS TV movie Child of Rage, a biographical drama based on real events that examined attachment disorders and family intervention. In 1997, she voiced the villainous Darla Dimple in the animated film . In 1996, at age 12, she portrayed Ruth Putnam in Arthur Miller's , the film adaptation directed by , contributing to the ensemble of young accusers in the narrative alongside stars like and . Navigating child acting presented challenges for Peldon, including the need to balance rigorous on-set schedules with and to meet educational requirements, often under the guidance of members who helped manage her early professional demands. Her entry into the was supported by her , with her older sister also pursuing acting and their mother providing insights from her background as a and .

Transition to Adult Acting

Peldon's transition to adult acting began with her role as Margaret, an art class student, in the 2001 independent film Ghost World, directed by and produced by , marking one of her first significant live-action credits as a . This appearance showcased her maturing presence alongside leads and , representing a shift from her earlier child-oriented projects. During the same year, she took on guest roles in television, including Teenage Kitty on and Tabitha on , further establishing her in episodic formats suited to emerging adult performers. In 2004, Peldon appeared in the independent Skin Walker, a low-budget production exploring themes of urban mythology in ' underground scene, where she contributed to the amid a sparse period of on-screen opportunities. This role highlighted her willingness to engage with genre work outside mainstream . By 2007, she starred as in the independent sci-fi Night Skies, a project involving encounters that underscored her continued involvement in smaller-scale features. That same year, Peldon expanded her creative scope with her directorial debut, helming the play Publicityville at The Actor's Playpen in , a production that premiered in 2007 and drew attention for its satirical take on publicity. Peldon's activities during this era overlapped with her academic pursuits, as she graduated from Skidmore College in January 2007 with a in child psychology and . In 2008, she appeared in the independent drama Dimples as . However, following her college graduation, Peldon entered a career hiatus from on-camera live-action work, prioritizing her education and subsequently shifting focus toward and other professional interests, which led to a notable reduction in such roles by the end of the decade.

Voice Work and Specialized Roles

Following her transition from on-camera acting around 2008, Ashley Peldon shifted her focus to voiceover work, leveraging her early experience in animation to build a career in audio performance. She provided additional voices for the animated series Trollhunters: Tales of Arcadia from 2016 to 2018, contributing to its ensemble of character sounds in the DreamWorks production. More recently, she has taken on roles in high-profile animated projects, including additional voices across three episodes of Arcane in 2024 and four episodes of the Marvel Zombies series in 2025. Peldon also participated in the loop group for the 2025 film Drop, enhancing crowd and background audio elements. A significant aspect of Peldon's voice work has been her specialization as a "scream artist," delivering visceral vocal stunts for horror and action genres that protect lead actors' voices from strain. She provided specialized screams for films such as Godzilla Minus One (2023), where her additional voices featured in the English dub, and Amityville: The Awakening (2017), as part of the loop group. Her expertise in this niche gained wider recognition through a 2022 Guardian profile, which highlighted her contributions to screams in projects like Paranormal Activity, Free Guy, and Scream (2022), likening scream artists to vocal stunt performers. This aspect of her career continued to draw attention in 2025, with Instagram reels posted on October 19 and 28 showcasing her techniques and early experiences in scream work. In addition to performing, Peldon has contributed to production in voice direction and (automated dialogue replacement) loop groups for over 20 projects since 2012, including background vocals and sound enhancement in and . Her academic pursuits in , including a in , have briefly informed her approach to conveying emotional depth in performances. Currently, Peldon is on hiatus from on-camera to prioritize commitments, such as voice work in Disney Jr.'s (2024–present), alongside ongoing contributions to video games and .

Personal Life

Marriage and Family

Ashley Peldon married Steve Hurdle in May 2010. The couple has two daughters, and . Peldon and Hurdle have prioritized privacy, with limited public details about their beyond the marriage and children. She balances parenting with her professional commitments through , a field that enables from home and accommodates needs. This arrangement aligns with her shift to voiceover work in the late 2000s, shortly after earning a bachelor's degree in 2007, allowing greater flexibility as she started a family.

Professional Interests Beyond Acting

Peldon has leveraged her graduate degrees in psychology to engage in informal therapy work, particularly supporting actors in navigating mental health challenges associated with the profession. Holding a PhD in depth psychology from Pacifica Graduate Institute and a master's in clinical psychology with a specialization in marriage and family therapy from the Chicago School of Professional Psychology, she founded the Voice of the Actor Institute to integrate psychological insights with acting training, helping performers address emotional stressors like performance anxiety and industry pressures. As a licensed marriage and family therapist practicing under the name Ashley Hurdle, she provides therapy to individuals from teens through adults, drawing on her own experiences as a former child actor to inform her approach. Her early exposure to themes of trauma and resilience in child roles further shaped this focus. In addition to , Peldon has pursued directing and writing as extensions of her creative interests, with an emphasis on content that explores acting's psychological dimensions. She made her directorial debut in 2007 with the play Publicityville at The Actor's Playpen in , a production that highlighted interpersonal dynamics in the entertainment world. Through her institute and related initiatives, she has shown interest in producing educational materials on the mental aspects of performance, aiming to equip with tools for emotional sustainability in their careers. Peldon is an active supporter of voice actors' , particularly in automated dialogue replacement () and loop group sessions, where she specializes in high-intensity vocal work such as screams and fight efforts. With over two decades of experience in these areas, she advocates for recognition of the physical demands involved, comparing ADR performers to stunt professionals who risk vocal without adequate protections. In an October 2025 interview, she discussed the of scream work, stressing the importance of vocal health techniques to avoid long-term damage while delivering authentic emotional intensity for . While Peldon's hobbies remain largely private, she has shared her enthusiasm for reading texts on , aligning with her academic pursuits, and enjoys family-oriented activities that provide balance amid her professional commitments. She also maintains an interest in perfumery, having created the eco-friendly Starring Fragrances line in collaboration with her sister in the late 2000s.

Recognition

Awards

Ashley Peldon garnered recognition for her early performances through multiple wins at the s, formerly known as the Youth in Film Awards, which honored outstanding youth contributions to film and television. In 1990, at the age of five, she received the for Best Young Actress in a for portraying on the Guiding Light, marking her as one of the youngest recipients in the category. Three years later, in 1993, Peldon won the Youth in Film Award for Best Young Actress Under Ten in a Television Movie for her intense depiction of the abused child Catherine in the biographical drama , a role that showcased her ability to handle complex emotional material. She earned an additional Young Artist Award in 1994 for Best Actress Under Ten in a Television Series for her recurring role as Nikki on The Mommies, contributing to her total of three wins between 1990 and 1999. These honors underscored Peldon's precocious talent and her significant impact on family-oriented programming during her childhood career.

Industry Impact

Peldon earned a Daytime Emmy nomination in 1991 for Outstanding Younger Actress in a Drama Series for her portrayal of on . She also received multiple nominations in 1991 for Best Young Actress in a Daytime Series (), in 1995 for Best Performance by an Actress Under Ten in a Motion Picture (Without Warning) and Best Youth Comedienne in a TV Show (The Mommies), and in 1999 for Best Performance in a TV Drama Series - Guest Starring Young Actress (The Pretender). As a pioneering scream artist in automated dialogue replacement (ADR), Peldon has provided distinctive vocal performances for horror and action genres, beginning with her childhood role in Child of Rage (1992) and extending to films such as Paranormal Activity (2007), Scream (2022), and Jurassic World (2015). Her nuanced screams—differentiating fear, rage, and pain—have enhanced scene authenticity, making intense horror elements more accessible and immersive for audiences, as noted in industry profiles. This work has inspired recent media features on professional scream artistry, including coverage in 2025 highlighting her enduring influence. Peldon's legacy includes active mentorship in communities through professional interviews and her presence, where she shares expertise on techniques and career transitions. Her background in stems from early experiences portraying traumatized children. Although no major awards have followed her 1999 Young Artist nominations, Peldon has gained increasing recognition in voiceover circles by 2025 for her specialized contributions.

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