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Pendulum (drum and bass band)

is an band formed in 2002 in by producers and Gareth McGrillen, alongside DJ Paul "El Hornet" Harding, renowned for pioneering a fusion of high-energy rhythms with rock and electronic elements that propelled the genre into mainstream arenas. The band's early work emerged from Perth's underground scene, where Swire and McGrillen, former schoolmates from a short-lived nu-metal project, shifted to after recognizing limited opportunities for heavier music locally; their breakthrough demo "" (2003) caught the attention of labels, leading to a relocation to —the epicenter of —in late 2003, with a full move solidified by 2005. Building a live lineup that included guitarist (since 2006), drummer (later replaced by in 2009), and MC Ben Verse, Pendulum expanded beyond studio production to deliver explosive arena performances, performing on main stages at major festivals like and headlining Ultra Miami while selling over one million albums in the alone. Their discography highlights commercial triumphs, starting with the debut album (2005), which sold over 300,000 copies and featured hits like "Tarantula" with MC $pyda, revitalizing through collaborations and metal-infused tracks. Follow-up (2008) debuted at number two on the and earned platinum certification, while (2010) topped the charts at number one, marking platinum status for their innovative blend of synth-driven electronics, live instrumentation, and anthemic vocals. After a , the band returned with EPs (2021) and (2023), incorporating guest features from artists like Matt Tuck and , and released their fourth studio album (2025), their first full-length release in 15 years, sustaining their influence in electronic and spheres.

History

Formation and early releases (2002–2005)

Pendulum was formed in , , in 2002 as a studio project by producers and Gareth McGrillen, who had previously collaborated in a nu-metal band called Xygen, along with local DJ Paul "El Hornet" Harding. The trio drew from 's burgeoning scene, blending the genre's high-energy breaks with rock and metal influences from their earlier work, creating a distinctive sound that incorporated heavy guitar riffs and aggressive rhythms. Initially operating as a production outfit rather than a live act, they focused on crafting tracks inspired by acts like New Zealand's Concord Dawn, whose dark, atmospheric style resonated with the group's vision. The band's first notable output came in 2003 with the demo track "Vault," which they played to Concord Dawn during a visit to , sparking interest from labels and helping establish early connections in the international community. This led to their debut single, "Spiral / Ulterior Motive," released in March 2004 on the independent label Uprising Records, a double A-side that showcased raw, pulsating basslines and elements, earning underground praise within circles for its innovative production. Additional early releases followed that year, including "Back 2 You / Still Grey" on Timeless Recordings and "Another Planet / Voyager" on Breakbeat Kaos, the latter marking their entry into the scene and gaining traction through DJ support in London's clubs. These vinyl-only singles highlighted Pendulum's experimental approach, mixing with electronic rock textures, and began attracting attention from the 's vibrant underground network. In 2004, following the buzz from their initial releases, Pendulum signed a deal with Breakbeat Kaos, the label run by , which provided a platform for broader exposure. To capitalize on this opportunity, and Harding relocated to the at the end of 2003, with McGrillen joining soon after, allowing the group to immerse themselves in London's production scene and shift from remote studio work to more collaborative efforts. This move marked the end of their purely studio-based phase, as they began experimenting with live DJ sets featuring their tracks, laying the groundwork for future expansions into a full band format while maintaining focus on roots.

Hold Your Colour breakthrough (2005–2007)

Pendulum released their debut studio album, , on 25 July 2005 via the Breakbeat Kaos label. The album showcased the band's sound through tracks like "Tarantula," featuring collaborations with and MC Spyda, and "Slam," which highlighted their high-energy production style. Mastered by Stuart Hawkes at Metropolis Studios in , the record marked a significant step from their earlier singles and EPs, blending intricate breaks with electronic elements. The album's commercial breakthrough came with strong chart performance in both the UK and . It peaked at number 29 on the , accumulating 37 weeks on the listing following its initial entry in 2005 and subsequent reissues. In , Hold Your Colour achieved gold certification from in October 2009 for sales exceeding 35,000 units, reflecting its enduring popularity in the band's home market. Singles from the album contributed to this success; "Tarantula / Fasten Your Seatbelt" reached number 60 on the , while "Slam / Out Here" climbed to number 34, both demonstrating Pendulum's growing mainstream appeal within electronic music circles. Promotion for involved extensive touring across the and , where the band built a dedicated fanbase through and appearances. These efforts capitalized on the album's momentum, with Pendulum performing key tracks live to enthusiastic crowds and establishing their reputation as a dynamic act in the scene. During this period, the group began experimenting with live instrumentation in their shows, adding elements like guitar and drums to complement their DJ sets, which enhanced their stage presence and set the stage for future expansions. An early controversy emerged in 2006 when Breakbeat Kaos released Jungle Sound Gold, a that unauthorizedly featured a two-year-old by on its first disc to leverage the album's success. Pendulum publicly disavowed the release, stating they had no prior knowledge, objected to the outdated mix and associated unreleased track "Masochist VIP," and criticized the artwork for misleadingly tying it to . This dispute ultimately led to the band's departure from the label.

In Silico expansion and live milestones (2007–2009)

Following the success of their debut album, Pendulum expanded their sound on their second studio album, In Silico, released on May 12, 2008, by Warner Bros. Records in Australia and Europe. The album marked a shift toward incorporating rock elements alongside their drum and bass foundation, featuring tracks like "Granite," which blends aggressive guitar riffs with electronic breaks, and "The Island" (divided into Parts I and II), showcasing orchestral swells and anthemic builds. This fusion aimed to create a more accessible, hybrid style suitable for live performances while retaining high-energy electronic production. To support this evolving sound and transition to a full live band format, expanded their lineup in 2007 from a core to a , adding Peredur ap , drummer , and vocalist/MC Ben Mount. These members enabled the group to perform as a cohesive rock-electronic ensemble, moving beyond DJ sets to include on-stage and vocals, which enhanced their presence during subsequent tours. The band's live achievements peaked in this period with extensive international touring, including a prominent set on Festival's Other Stage in 2009, where they drew massive crowds with high-energy renditions of new material. A key milestone was the release of the live album and DVD Live at on June 15, 2009, capturing sold-out performances from December 4–5, 2008, at London's O2 Academy Brixton, which highlighted their expanded setup and crowd interaction. In Silico received praise for its innovative genre fusion, with critics noting its bold reinvention that broadened 's appeal through rock influences, though it drew some backlash, such as pioneer dismissing "" as a "shit single" for straying from roots. The album achieved commercial success, certified gold in by for sales exceeding 35,000 units, underscoring its impact on the band's growth.)

Immersion era and commercial peak (2009–2012)

Pendulum's third studio album, , was released on 21 May 2010 in and , and on 24 May 2010 internationally. The record marked a continued evolution in the band's sound, blending with rock and electronic elements, and debuted at number one on the . Key singles from the album included "Watercolour", which became the band's highest-charting single to date by reaching number four on the , and "", released later in 2010. To promote Immersion, Pendulum embarked on an extensive world tour, performing in arenas across , , and . Highlights included headline shows at London's in December 2010 and Glasgow's , where the band's elaborate live production—featuring lasers, visuals, and a full rock lineup—drew large crowds. In early 2011, they served as main support for Linkin Park's North American tour, exposing their music to broader rock audiences alongside openers like . The era solidified Pendulum's commercial success, with the band earning multiple awards, including recognitions at the Australian Independent Record (AIR) Awards and West Australian Music Industry (WAMi) Awards for their electronic and live achievements. A deluxe edition of Immersion, featuring 12 remixes by artists such as Knife Party and Example, was released on 14 January 2011, further extending the album's reach through digital platforms like iTunes LP. By 2012, mounting internal tensions—stemming from creative differences and exhaustion with the demands of large-scale live performances—led founding members and Gareth McGrillen to prioritize side projects, culminating in the band's announcement of an indefinite hiatus in . later cited a loss of passion for the Pendulum format as a key factor, though the group committed to completing existing tour obligations. This period represented the peak of their mainstream prominence before the break.

Hiatus, Knife Party venture, and initial reunion (2012–2016)

In early 2012, Pendulum announced an indefinite hiatus from touring, allowing members to pursue individual projects while expressing gratitude to fans for their support over the previous decade. This decision was solidified in June 2012 when frontman stated via that there would be no further live shows and no plans for a new album in 2013, emphasizing a shift in priorities. Shortly thereafter, and bassist Gareth McGrillen launched their electro-house side project , which had originated as a alias but quickly evolved into a standalone duo. Knife Party achieved rapid commercial success, releasing the EP Rage Valley in May 2012, which debuted at number one on Beatport's chart and entered the top 10 on album charts in multiple countries including the , , and . Their follow-up EP, , arrived in May 2013 and similarly topped Beatport's releases, solidifying the duo's prominence in the scene with aggressive, high-energy tracks that contrasted Pendulum's roots. These releases marked a creative pivot for and McGrillen, who described Knife Party as offering greater artistic freedom compared to the band's prior obligations. During the hiatus, Pendulum maintained sporadic activity through DJ sets at major festivals, often featuring remaining members like Paul "El Hornet" Harding and Ben Verse. For instance, they performed a DJ set at Leeds Festival in August 2014, delivering a mix of classic tracks and remixes to enthusiastic crowds. Signs of reunion emerged in 2015 when Swire tweeted about joining a Pendulum DJ set, followed by the band's social media posting photos of Swire and McGrillen onstage with El Hornet and Verse at V Festival in August, marking their first joint appearance in years. This tease culminated in December 2015 with an official announcement of a full live band reunion for Ultra Music Festival in March 2016, where Pendulum closed the main stage with a high-energy performance featuring the classic lineup, including guest appearances, signaling a renewed commitment to live shows.

Anniversary tours and reworks (2016–2019)

Following the 10th anniversary of their debut album in 2015, Pendulum reunited for live performances starting in 2016, marking a return to full-band shows after years focused on side projects. Their first major reunion set as a live band occurred at in in March 2016, where they performed alongside and surprised the crowd with a by Deadmau5. This event kickstarted a series of anniversary-celebrating appearances, including a DJ set at the Origin NYE festival in to commemorate the event's 10th year in December 2016. These shows emphasized the band's classic sound, rebuilding excitement among fans during the post-hiatus phase. In 2017, expanded their touring with a mix of DJ sets and live band performances across and , further capitalizing on the anniversary momentum. They announced an regional DJ tour in late July 2017, presented by and Falcona, which included stops in regional areas to reconnect with their home audience and rebuild the fanbase through high-energy electronic sets. On the European front, the band confirmed a live performance at in in June 2017, signaling their intent to tour as a full live act amid rumors of broader arena dates. These outings, including festival slots and headline DJ shows, highlighted Pendulum's evolution while nodding to their foundational material from . A key release during this period was The Reworks in June 2018, a featuring reimagined versions of tracks from their early catalog by prominent electronic artists such as , , and . The project, released via Earstorm Records, included updates like Noisia's intense take on "Hold Your Colour" and Skrillex's rework of "The Island, Pt. 1 (Dawn)," blending the band's original rock-infused DnB with contemporary production styles. Announced in February 2018 as the end of their extended hiatus, The Reworks served as a bridge between anniversary nostalgia and modern experimentation, without introducing new original material. It was supported by limited live shows, including a one-off performance in , reinforcing Pendulum's influence in the electronic scene. Pendulum's return to Australian festivals during 2016–2018 helped solidify their domestic resurgence, with appearances at events like Origin NYE and the 2017 DJ tour drawing large crowds and fostering renewed loyalty among fans who had followed the band since their early 2000s breakthrough. By late 2019, however, the group decided to pause full-band activities once more, allowing members to pursue solo endeavors and side projects such as Rob Swire's ongoing work with . This second interlude shifted focus away from collective touring until the early .

EPs and gradual comeback (2020–2023)

In 2020, amid the global and associated touring restrictions, Pendulum marked their gradual return to activity by releasing their first new original material in over a decade. On September 17, they dropped the double A-side singles "Nothing for Free" and "," which were premiered on and , respectively, signaling a refreshed sound infused with the band's signature elements. These tracks debuted during a February 2020 live performance in , , but their official release came as the band navigated lockdown challenges by focusing on studio production. To connect with fans virtually, Pendulum staged a socially distanced live performance at , a historic 150-year-old ex-military structure in the , on September 14, 2020, which was streamed worldwide on on October 2. The no-audience set featured high-production visuals and a setlist blending classics like "Watercolour" with the new singles, adapting their renowned live show format to digital platforms amid venue closures. This event, produced in collaboration with creative agency LMC, highlighted the band's resilience and served as a promotional platform for their returning output. Later that year, they further engaged audiences through official music videos on , such as for "Nothing for Free," which amassed millions of views and fostered interaction via comments and shares. The momentum continued into 2021 with the release of the EP on June 17, via Earstorm and Music, comprising four tracks: "," "Nothing for Free," "Louder Than Words" (featuring Minds), and "Come Alive." Recorded during pandemic lockdowns, the EP represented a concise evolution of Pendulum's style, with "Louder Than Words" dropping as the on the same day in collaboration with the liquid drum and bass duo. Restrictions limited physical tours, but the band capitalized on this by releasing remix packages of the EP later that year, including versions by artists like and Desire, which extended the tracks' lifespan on streaming services like and . As live events resumed cautiously, Pendulum headlined one of the UK's first major post-lockdown shows at The Drumsheds in on September 24, 2021, performing as their live configuration to a capacity crowd and debuting EP material alongside reimagined older tracks in a high-energy set. By 2023, accelerated their comeback with the Anima EP, released on November 3 via and , featuring four tracks that bridged with heavier influences. The EP included "Halo," a collaboration with of , whose guest vocals added a metal edge to the frenetic basslines; "Colourfast," a pulsating released earlier in September; "Mercy Killing"; and "Silent Spinner." "Halo" had premiered as a on June 2, with a rework by Tuck following in August, emphasizing the band's crossover appeal and garnering playlist placements on platforms like Spotify's Drum & Bass DNA. These releases, alongside targeted teasers and premieres, built fan engagement through interactive polls and behind-the-scenes content, while remixes of select older catalog tracks—like updated versions played in limited live sets—teased further evolution. The EPs collectively heightened anticipation for the band's long-awaited fourth studio album, .

Inertia album and 2025 resurgence (2024–present)

In 2024, Pendulum began teasing new material as part of their ongoing resurgence, culminating in the announcement of their fourth studio album, , on May 27, 2025. The 16-track record, their first full-length release in 15 years, was produced by and Owen Charles at the band's and released on August 22, 2025, via Earstorm Records in partnership with Mushroom Music and . Described as a "rampaging, emotional ," the album blends the band's signature with rock and electronic elements, featuring collaborations such as on "Halo," Wargasm on "Cannibal," , , , and Hybrid Minds. Key singles included "Save The Cat," released ahead of the album to herald its explosive energy. Earlier in the year, expanded their collaborative reach with the release of "Sound of You" on April 11, 2025, a high-energy track featuring and , marking van Buuren's first original in the genre. This single, issued separately from , underscored the band's evolving production style and cross-genre appeal. The album's launch propelled into a heightened phase of activity, with Inertia receiving praise for its personal depth and experimental edge while reconnecting with their roots. The band's live resurgence peaked with their headline performance at the on August 9, 2025, as part of the Tribes Unite Festival, billed as their largest show to date and featuring support from acts like , , and Netsky. This event, drawing tens of thousands, showcased a set blending Inertia tracks with classics, capturing the full live band experience. Following the album's release, Pendulum embarked on an extensive 2025 tour schedule, including European dates across the —such as November shows at Depot Mayfield in and Academy —and Australian stops like the Our Sound Festival in on November 22. The tour emphasized a mix of new material from Inertia and fan-favorite anthems, reinforcing their status in the electronic music scene. Throughout 2025, Pendulum maintained momentum with ongoing DJ sets and festival appearances, including a New Year's Eve performance at Northern Bass Festival in Kaiwaka, , on December 31. These engagements, often featuring Rob Swire's solo DJ outings, kept the band's influence alive amid their full-band revival. As of late 2025, former MC Ben Verse, who contributed to early Pendulum releases, continued recovery from health challenges including , with updates indicating steady progress.

Artistry

Musical style and influences

Pendulum's music is primarily rooted in , characterized by rapid breakbeats and heavy sub-bass, but the band distinguishes itself through a bold fusion with , , and elements. This hybrid approach emerged from their origins as producers in , , where they initially crafted dark, atmospheric tracks blending neurofunk's intricate, mechanical basslines with trance-like synth leads. Over time, their sound incorporated live instrumentation, creating a dynamic interplay between electronic rhythms and organic textures that sets them apart from traditional DJ-led acts. The band's influences draw heavily from pioneering electronic and rock acts, including , whose aggressive integration of energy into electronic music inspired Pendulum's early drive to infuse with intensity. Additional rock inspirations include Metallica, evidenced by their cover of "" and admiration for the band's riff-driven heaviness, as well as ' experimentation, which contributed to Pendulum's anthemic, synth-heavy builds. Other notable touchstones encompass Led Zeppelin and for their ethereal, guitar-led dynamics, reflecting the members' pre-Pendulum backgrounds in metal and scenes. Pendulum's style evolved from the shadowy, neurofunk-leaning underground sound of their formative releases—marked by amelodic, buzzing bass and minimal vocals—to a more accessible, mainstream aesthetic by the late . This progression is evident in their shift toward melodic hooks, soaring guitar riffs, and vocal-driven choruses, transforming raw breaks into stadium-ready anthems while retaining electronic cores. The use of live guitars, drums, and vocals layered over these breaks further amplifies this evolution, allowing for emotive, high-energy compositions that bridge club and arena environments. Lyrically, Pendulum explores themes of , raw emotion, and , often through abstract, poetic narratives that evoke , , and dystopian visions—such as subconscious motifs of symbolizing in overwhelming forces. This thematic depth imbues their frenetic sound with rare emotional , contrasting the genre's typical instrumental focus. Critics have drawn comparisons to for their shared hybrid energy, blending electronic aggression with rock's cathartic release, a parallel underscored by recent collaborations like Pendulum's of Enter Shikari's "Sorry You're Not a Winner."

Production techniques and evolution

Rob Swire serves as the primary producer for , handling the writing, arrangement, and mixing of tracks across their discography. In the studio, Swire employs digital audio workstations such as Nuendo 4 and for recording and editing, often aligning live drum takes to the grid for precision in rhythms. He frequently incorporates hardware synthesizers, including the Sequential Circuits Prophet 10, Alesis , and Oxford , to craft aggressive basslines and rhythmic breaks, layering them with software plugins like Cakewalk Z3TA+ for additional tonal depth and Multimedia Amplitube 2 for guitar processing. Pendulum's early productions, exemplified by their 2005 debut album , relied heavily on sampling techniques typical of , drawing from breakbeats and vocal snippets to build high-energy club tracks. Swire and collaborators like McGrillen would process these samples extensively to create the band's signature punchy percussion and neurofunk-inspired atmospheres, though they began experimenting with original recordings to avoid overused elements. This sample-centric approach allowed for rapid iteration in their initial Perth-based sessions but highlighted limitations in live adaptability. The band's production evolved significantly with In Silico (2008), shifting toward integrated live instrumentation to expand beyond pure into hybrids. Live drums were recorded by engineer Dave Bascombe at and multisampled into Kontakt libraries, layered with electronic elements for a more organic feel, while guitars and vocals—captured via Brauner VMA microphones and Blue Stripe 1176 compressors—added rock urgency. By Immersion (2010), this method matured into cinematic, multi-layered arrangements, with emphasizing fresh recordings over samples: "We try not to sample as much as we can... If we need a , we'll record it." This transition prioritized conceptual song structures with verse-chorus dynamics, reducing intro-heavy DnB conventions. Collaboration in Pendulum's production process involves iterative exchanges between Swire and band members, such as on guitars, until collective approval is reached, often refining demos into polished tracks. During the 2012–2016 hiatus, while Swire focused on , groundwork for reunions maintained this dynamic through shared files and feedback loops, enabling remote contributions amid geographical separation. For later projects like the 2025 album , produced with Owen at the band's , the process echoed this, blending in-person sessions with digital sharing to explore Pendulum's core sound after years apart. Pendulum's remix philosophy, as showcased in The Reworks (2018), centers on reinterpreting classic tracks across genres while honoring their original energy, inviting a "full spectrum" of artists like , , and to apply fresh perspectives. Remixers adjusted tempos—such as slowing "9,000 Miles" from 170 to 126 for melodic emphasis—and incorporated new vocals or structures, balancing fidelity to the source with innovation: , for instance, amplified the rebellious tone of "" with a Wu-Tang-inspired female vocal layer. This approach treats remixes as evolutionary extensions, adapting DnB roots to contemporary electronic landscapes without diluting the band's intensity. Technical innovations in Pendulum's production include for syncing visuals to music, developed to enhance immersive elements in their output, such as beat-matched animations that mirror bass drops and builds for a unified sensory experience. This integration, rooted in Swire's modular setups, evolved from studio experimentation to support the band's electronic-rock identity, allowing precise control over dynamic shifts in both audio and accompanying .

Live performance approach

Pendulum's live performances evolved significantly following the release of their 2008 album , transitioning from traditional DJ booth setups to a full format that incorporated live instrumentation, including guitars, bass, and , to deliver a more dynamic and immersive experience. This shift, which began around 2007 with the addition of guitarist Peredur ap Gwynedd and intensified by 2009 with drummer , allowed the band to blend with rock elements on stage, moving beyond pre-recorded mixes to real-time jamming and energy exchange with audiences. The format change marked a departure from their earlier club-oriented DJ roots, enabling larger arena productions that emphasized the band's hybrid electronic-rock identity. Central to their stage setup are synchronized visuals and , which enhance the high-octane atmosphere and align with the pulsating rhythms of tracks like "Blood Sugar" and "." These elements, including projections, LED screens displaying abstract animations, and bursts of flames timed to bass drops, create a cinematic that amplifies the music's intensity, as seen in appearances where the rivals major rock acts. Setlists are strategically structured to balance high-energy singles such as "" and "" with deeper album cuts like "" and "Encoder," often themed around album anniversaries—such as celebrations of 's 20th anniversary in recent tours—to maintain momentum and cater to longtime fans. Milestone venues underscore this evolution, with the 2008 recording of their live album and DVD at London's in December—released in 2009—representing a pivotal moment as their first official live capture, drawing sold-out crowds of 5,000 and showcasing the band's burgeoning live prowess. Fast-forward to 2025, their headline performance at on August 9, as part of the Tribes Unite Festival, stands as their largest show to date, drawing a crowd of approximately 30,000 and featuring an expansive stage production that highlighted tracks from their reunion-era releases. Audience interaction is a hallmark, with McGrillen frequently rallying crowds into mosh pits and sing-alongs during drops, while extended encores incorporate fan-favorite remixes to prolong the communal energy. The band's 2012 hiatus, driven by members' focus on side projects like , posed challenges to maintaining live momentum, limiting full-band outings until a 2016 reunion. The further disrupted plans, prompting a to formats that combined DJ sets with select live elements, as evidenced by virtual streams and scaled-back club shows in 2020–2021. This adaptability allowed to sustain engagement through raw DJ performances at events like , before fully resuming expansive live band tours in 2021 with the EP, blending pre-recorded precision with on-stage .

Members and personnel

Current members

The current members of form the core group that has driven the band's reunion and resurgence since 2016, blending their original foundations with live rock instrumentation and high-energy performances. This lineup has been instrumental in releasing EPs like (2021) and (2023), as well as the full-length album in 2025, while headlining major tours including their largest run in 2023. Rob Swire serves as the band's lead vocalist, keyboardist, producer, and primary songwriter, having founded in 2002 and handling the majority of studio production and vocal duties across their . As the creative force behind the group's evolution, Swire has contributed to post-reunion tracks by integrating elements, notably on 's lead single "Save the Cat," which marked their first full album in 15 years. His multifaceted role extends to live shows, where he performs synthesizers and guitar, maintaining the band's signature high-octane delivery. Gareth McGrillen, a co-founder since , plays and provides backing vocals, while also contributing to production and DJ sets that amplify the band's live energy and rhythmic drive. Since the reunion, McGrillen has focused on enhancing the group's stage presence through basslines that fuse with rock grooves, as heard in reworked tracks from their anniversary tours and recent releases like the Anima EP. His involvement has been key to bridging Pendulum's electronic roots with their expanded live format. Peredur ap (also known as ) joined in 2006 as the lead guitarist, bringing heavy rock riffs that define Pendulum's crossover sound and have been featured on every album since (2008). Post-reunion, his guitar work has added a dynamic layer to live performances, particularly during the 2016–2019 anniversary tours where he helped reimagine classics like "Watercolour" with amplified instrumentation, contributing to the band's billion-plus streams on platforms like . KJ Sawka has been the band's drummer since rejoining for the 2016 reunion tours, having originally joined in 2009, providing the percussive backbone that elevates their hybrid electronic-rock sets and distinguishes Pendulum's full-band live experience. His contributions include precise, high-energy drumming on tracks from Inertia, as showcased in drum-cam footage from 2024–2025 shows like the London O2 Arena performance of "Come Alive," and he has collaborated on production elements drawing from his background with acts like Illenium. Paul "El Hornet" Harding, an original member since , acts as the MC and DJ, specializing in and hype-building that energizes crowds during live shows and DJ sets. Since the ended, Harding has handled MC duties across major tours, including the 2023 headline run, and contributed to the authenticity in reunion-era releases by curating DJ transitions and ad-libs that maintain the genre's underground vibe.

Former and touring members

Paul Kodish served as Pendulum's live drummer from 2006 to 2009, contributing to their transition from studio production to high-energy live performances during the promotion of albums like . His departure in 2009 was not publicly detailed by the band, though it coincided with a period of lineup adjustments as Pendulum prepared for extensive touring. Ben Verse, whose real name is Ben Mount, joined Pendulum in 2006 as their MC and live vocalist, delivering energetic performances that became a hallmark of the band's early live shows and appearing on tracks from onward. He remained with the group for 11 years until announcing his departure in February 2018, citing a desire to focus on solo projects and his own label after extensive touring. The exit marked the end of an era for Pendulum's full-band setup, prompting a shift toward DJ-led sets during their hiatus, which altered the group's dynamic from a rock-infused ensemble to a more electronic-focused act. In late 2024, Verse was diagnosed with acute monoblastic (AML-M5a) following hospitalization for a severe , leading to immediate and a prolonged stay in intensive care. By January 2025, a campaign was launched to support his medical costs, rehabilitation, and family care, raising over £60,000 to aid his . In September 2025, Verse provided an update stating he was "getting stronger" amid ongoing treatment but noted that a recent had severely damaged his , potentially impacting his future as an MC. These health challenges have highlighted Verse's resilience, as he continued releasing music, including the benefit single "" with Youngsta and Cimm, during his treatment. Verse had earlier collaborated with Pendulum in the mid-2000s as a touring MC before his official integration into the lineup, contributing to their formative live energy during the drum and bass scene's expansion. For select tours and performances, particularly during lineup transitions in the and reunion eras, Pendulum incorporated occasional touring musicians, such as guest vocalists for specific tracks—exemplified by frontman Matt Tuck providing vocals on "Halo" during promotional sets. These substitutions helped maintain the band's live intensity without a fixed roster, allowing flexibility amid departures like Kodish's and Verse's, though they sometimes led to varied setlists and audience experiences compared to the original sextet's cohesive rock-drum and bass fusion.

Band timeline

Discography

Studio albums

Pendulum has released four studio albums, each marking significant evolutions in their sound from roots toward broader electronic and rock fusion. Their debut, (2005), established their breakthrough with high-energy tracks blending and live instrumentation. Subsequent releases expanded their palette, incorporating more rock elements and collaborations, culminating in the 2025 return with . , released on 25 July 2005 by , was Pendulum's inaugural full-length album and a cornerstone of early 2000s . The 12-track record featured highlights such as "Tarantula" (featuring Fresh), "Slam", and "Watercolour", showcasing aggressive basslines, rapid percussion, and melodic hooks that propelled the genre into mainstream awareness. It achieved certification in for sales exceeding 35,000 units and platinum status in the UK, reflecting strong commercial performance across markets. In Silico, Pendulum's second studio album, arrived on 12 May 2008 via Warner Bros. Records, signaling a shift toward rock-infused production with layered guitars and anthemic structures. Produced primarily by band members Rob Swire and Gareth McGrillen, the album's 14 tracks, including standouts "Propane Nightmares", "The Other Side", and "Granite", emphasized thematic depth inspired by futuristic and dystopian concepts, diverging from pure drum and bass toward hybrid electronic rock. It debuted at number 2 on the UK Albums Chart, underscoring their growing international appeal. The third album, , was released on 21 May 2010 in and 24 May internationally by Warner Bros., building on prior successes with a more cinematic scope and guest vocalists. Spanning 17 tracks, key highlights included "Watercolour" (revisited with vocals by Jaime Simpson), "", and "Immunize", which integrated orchestral elements and emotional ballads alongside high-tempo bangers, earning praise for its production polish. The record topped the Albums Chart in and reached number 1 in the UK, solidifying Pendulum's commercial dominance with over a million units sold globally across their early catalog. Inertia, the band's long-awaited fourth studio album, dropped on 22 August 2025 through Mushroom Music, ending a 15-year gap since and featuring a roster of contemporary collaborations. The 16-track effort includes contributions from on "Salt", Wargasm on "Knife of Gold", , , , and Hybrid Minds, blending Pendulum's signature with metal, , and pop influences for a refreshed, high-octane sound. Initial reception has been enthusiastic, with critics highlighting its explosive energy and experimental edge as a triumphant return that honors their legacy while pushing boundaries.

EPs and remix albums

Pendulum has released several extended plays (EPs) and remix albums that serve as bridges between their studio albums, offering fresh interpretations of their drum and bass sound while incorporating collaborations and experimental elements. These releases have been instrumental in maintaining the band's relevance during hiatus periods and previewing stylistic evolutions leading to full-length projects. The Elemental EP, released on June 18, 2021, marked Pendulum's return to original music after an eight-year absence from new material, emerging as a pandemic-era project that captured the band's renewed energy. Comprising four tracks—"Driver," "Nothing for Free," "Louder Than Words" (featuring Hybrid Minds), and "Come Alive"—the EP blended high-energy drum and bass with electronic rock influences, laying the groundwork for their subsequent album Inertia. A remix version followed on November 19, 2021, featuring reworkings by various artists to expand its sonic palette. In 2023, Pendulum issued the Anima EP on November 3, building directly on Elemental's momentum as a precursor to and showcasing deeper forays into genre fusion. The four-track collection includes "Halo" (with ), "Colourfast," "Mercy Killing" (featuring ), and "Silent Spinner," highlighting collaborations with metal and trap artists to merge with heavier, aggressive textures. This EP underscored the band's evolving production approach, emphasizing crossover appeal and live performance potential. The Remixes, part of the 2011 deluxe edition of the band's third studio album , provided a comprehensive rework of the original tracks, transforming the project's and rock-infused into diverse electronic variations. Released on January 14, 2011, the expanded set features remixes such as "Watercolour" by Emalkay, "" by (as Drum-Step Remix), and "The Island" by Statelapse, among others, allowing fans to explore alternate mixes that extended the album's immersive themes. This collection bridged the gap between 's core sound and the band's broader electronic influences. The Reworks, a dedicated released on June 29, 2018, via Earstorm, celebrated the band's legacy by enlisting external producers to reimagine tracks from their earlier albums, fulfilling contractual obligations while signaling their comeback. Spanning 13 cuts, including "Hold Your Colour" ( Remix), "Blood Sugar" ( Remix), and "The Island, Pt. I (Dawn)" ( Remix), it drew from seminal works like and , infusing modern , , and experimental elements to refresh Pendulum's catalog for anniversary contexts.

Selected singles and collaborations

Pendulum's breakthrough single "", a with featuring Spyda, was released in 2005 and marked an early fusion of with vocal elements, peaking at number 60 on the . The track's double A-side format, paired with "Fasten Your Seatbelt", helped establish the band's presence in the UK scene through its high-energy production and club play. In 2010, "Watercolour" became one of Pendulum's most commercially successful releases, reaching number 4 on the and spending 14 weeks in the top 100, driven by its orchestral build-ups and emotional vocals that broadened the band's appeal beyond purists. Featured on the album , the single's remix versions, including those by , further amplified its impact in dance charts and radio rotation. The 2023 single "" featured vocals from Bullet for My Valentine's , blending screams with Pendulum's signature basslines to create a high-octane crossover track released via /. Although it did not chart prominently, "" garnered attention for its live debut at festivals and a subsequent rework by Tuck emphasizing heavier guitar elements. In 2025, Pendulum collaborated with trance pioneer Armin van Buuren on "Sound of You", featuring frontman Rob Swire's vocals in a drum and bass reimagining of an original progressive house track, marking van Buuren's first foray into the genre as an original production. Released on Armada Music, the single targeted festival stages with its euphoric drops and anthemic structure, though it has not yet achieved major chart success. Among non-album releases, the 2020 double A-side "Nothing for Free/" served as Pendulum's return to original material after a decade, with "Driver" emphasizing driving rhythms and narrative without ties to a full-length project. Similarly, the 2024 single "", featuring rap duo , delivered punk-infused energy and was previewed in live sets before its official drop. Festival exclusives, such as extended mixes and VIP versions of tracks like "" performed at events including , have allowed Pendulum to test new arrangements in immersive live environments.

Awards and recognition

AIR Awards

Pendulum received recognition at the inaugural Australian Independent Record Labels (AIR) Awards in , marking their early impact as an emerging act in the electronic music scene. The band's debut album was nominated for Best Performing Independent Album, alongside releases from artists such as and . Pendulum was also nominated for Independent Artist of the Year, competing with acts including and . However, Pendulum did not secure any wins at the 2006 ceremony, where took home both the Best Performing Independent Album award for The Hard Road and Independent Artist of the Year. These nominations nonetheless underscored Pendulum's breakthrough status as a notable release, contributing to their growing profile in Australia's underground music landscape.

West Australian Music Industry Awards

Pendulum and its key member achieved notable recognition at the West Australian Music Industry Awards (WAMi Awards), highlighting their impact on the local electronic and scenes during the band's formative years in . Pendulum won the Best Electronic Producer award in 2007 and 2008, acknowledging the band's production work on releases such as and . The band secured the Best Live Electronic Act award consecutively from 2007 to 2009, reflecting their innovative live performances that blended electronic production with rock elements, including a win at the 2009 ceremony held at Metro City in .

Controversies

Album release disputes

In 2006, Pendulum became embroiled in a contractual dispute with their label Breakbeat Kaos after the label released the Jungle Sound Gold without the band's permission, which included a 2-year-old by Pendulum. The band, particularly , publicly criticized the label for this unauthorized use, stating it damaged their relationship and highlighting the mix's outdated content from 2004. This incident strained ties with Breakbeat Kaos, ultimately leading to Pendulum's departure from the label. Separately, a reissue of their debut album Hold Your Colour was released in 2007, featuring updated tracks that replaced "Still Grey" and "Another Planet" with "Blood Sugar" and "Axle Grinder" to refresh the album for broader appeal and international markets. Despite the earlier label tensions, Hold Your Colour achieved commercial success, peaking at number 29 on the UK Albums Chart and selling over 225,000 copies in the UK. The fallout from the 2006 incident paved the way for Pendulum's move to Warner Bros. Records for their subsequent releases.

Public criticisms and feuds

In 2008, drum and bass pioneer publicly criticized Pendulum's "Granite" from their album In Silico, describing it as a "shit " and accusing the band of failing to properly acknowledge their influences from the genre. This remark highlighted tensions within the community over Pendulum's evolving sound, which increasingly incorporated rock and electronic elements for broader appeal. Pendulum's frontman responded by defending the band's originality and creative direction, emphasizing that they were not aiming to remain strictly within but to create a hybrid rock-electronic style. argued that sticking solely to traditional would have felt like "selling out" to expectations, even as some scene veterans viewed their crossover approach as a of genre roots. The incident fueled wider debates in the scene about genre purity versus commercial evolution, with critics accusing of diluting underground authenticity to chase mainstream success during the era. Supporters, however, praised their innovation in expanding the genre's reach. No significant public feuds or criticisms of this nature have emerged involving since 2010.

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