Awolnation
Awolnation (stylized as AWOLNATION) is an American electronic rock band formed in 2009 in Los Angeles by singer-songwriter and multi-instrumentalist Aaron Bruno, formerly of the band Under the Influence of Giants.[1][2] Fronted by Bruno as its creative leader and primary songwriter, the project blends alternative rock, electronic, and hard rock elements, evolving from a solo endeavor into a collaborative band effort.[3] The band first gained widespread recognition with their debut single "Sail" from the 2011 album Megalithic Symphony, which became a major commercial success, certifying diamond by the RIAA in 2021 after selling over 10 million units in the United States and charting for 79 weeks on the Billboard Hot 100.[4] Following the breakthrough of Megalithic Symphony, released via Red Bull Records, Awolnation toured extensively and built a dedicated fanbase through high-energy live performances that incorporated electronic production and Bruno's dynamic stage presence.[5] Their second album, Run (2015), featured the single "Hollow Moon (Bad Wolf)," continuing their exploration of introspective lyrics and genre fusion, while Here Come the Runts (2018) delivered raw, politically charged tracks amid Bruno's growing production role.[6] The band's discography expanded with Angel Miners and the Lightning Riders (2020), recorded during the early COVID-19 pandemic and emphasizing themes of resilience, and their most recent release, The Phantom Five (2024), which includes the single "Panoramic View" and marks a return to touring post-pandemic.[7] Over their career, Awolnation has amassed millions of streams across platforms and collaborated on soundtracks, including contributions to films like Iron Man 3, solidifying their influence in modern rock.[8] As of 2025, Awolnation remains active, with Bruno at the helm alongside a rotating lineup that has included guitarists like Drew Stewart and keyboardists like Kenny Carkeet in earlier years, though the core sound is driven by Bruno's vision.[9] The band continues to release music and perform live, including festival appearances and a 10th-anniversary deluxe edition of Run, reflecting their enduring commitment to innovative rock experimentation.[6]History
Formation and early releases (2009–2010)
Aaron Bruno, a Los Angeles-based musician with prior experience in several rock acts, launched Awolnation as a solo project in 2009 after the dissolution of his previous bands, including the post-hardcore group Insurgence in the late 1990s, Home Town Hero from 2002 to 2004, and the indie rock outfit Under the Influence of Giants, which disbanded in 2008 following a major-label deal with Island Def Jam.[5] Bruno, who had co-founded Home Town Hero and Under the Influence of Giants alongside guitarist Drew Stewart and bassist David Amezcua, sought greater creative control after years of collaborative band dynamics and industry setbacks. That same year, Red Bull Records approached Bruno with an offer for complimentary access to their Los Angeles recording studio, prompting him to begin producing new material and ultimately securing a record deal with the label.[2] Initially conceived as a solo venture, Awolnation transitioned into a band setup to support live performances, with Bruno enlisting Stewart on guitar and Amezcua on bass—both carryovers from his earlier projects—along with additional musicians for an expanded sound blending electronic rock elements. The group's debut extended play, Back from Earth, was recorded at the Red Bull studio and issued exclusively as a digital release on iTunes on May 18, 2010, marking Awolnation's first official output under Red Bull Records.[10] The five-track EP included "Burn It Down," "Guilty Filthy Soul," the lead single "Sail," "MF," and a remix of "Burn It Down" by Innerpartysystem, showcasing Bruno's fusion of aggressive guitars, electronic beats, and introspective lyrics.[11] Promotional efforts centered on digital distribution to build online buzz, complemented by early live appearances in the Los Angeles area, such as performances at local venues and events like the PacSun Summer Solstice in Santa Monica. These foundational steps positioned Awolnation for the development of a full-length album.Megalithic Symphony breakthrough (2011–2014)
Megalithic Symphony was produced primarily by frontman Aaron Bruno alongside collaborators such as Jimmy Messer and Eric Stenman, with recording sessions taking place across multiple studios including Avatar Studios, Red Bull Studios in Los Angeles, and Gymnasium Hollywood between 2010 and 2011.[12][13] Christopher Thorn, known from Blind Melon, contributed guitar and served as additional producer and engineer specifically for the track "Sail," which he also co-produced.[14] The album's sound blended electronic rock elements with Bruno's raw vocals, reflecting his vision for a project free from prior band constraints. The album was released on March 15, 2011, via Red Bull Records, featuring 12 tracks including standout singles "Sail," "Not Your Fault," and "Kill Your Heroes."[12] "Sail," the lead single originally from the 2010 EP Back from Earth, became the album's breakout hit, debuting on the Billboard Hot 100 in September 2011 and eventually peaking at No. 17 while charting for a record-tying 79 weeks, the longest run for a rock song at the time.[4] It earned multi-platinum certification from the RIAA, certified diamond on June 14, 2021, for 10 million units sold in the U.S., and gained further traction through licensing in media, including ESPN's NFL game broadcasts and promotional spots.[15][4] Awolnation's rising popularity fueled extensive touring from 2011 to 2014, including support appearances at major festivals like the DeLuna Festival alongside Linkin Park and Weezer, as well as headlining tours across the U.S. and internationally.[16] The band played over 100 shows in this period, building a dedicated live following with high-energy performances emphasizing electronic-infused rock anthems. The core lineup during this era consisted of Aaron Bruno on vocals and guitar, Drew Stewart on guitar and backing vocals, and David Amezcua on bass, supplemented by touring musicians such as Christopher Thorn on guitar.[13]Run era and lineup shifts (2014–2016)
In the lead-up to their second album, Awolnation underwent significant lineup changes. Bassist David Amezcua departed in 2013 after contributing to the band's debut era, while guitarist Drew Stewart, a founding member, left in September 2015 amid the promotional cycle for the new record.[17][18] To stabilize the rhythm section, the band recruited drummer Isaac Carpenter in 2014, who brought experience from groups like Loaded and Gosling, and bassist Marc Walloch, whose versatile playing on bass and guitar helped shape the album's live sound.[19][20] Keyboardist Kenny Carkeet remained from the original lineup, providing continuity on synths and programming.[21] Recording for Run took place primarily in 2014 at Dragonfly Creek studio in Malibu, California, with frontman Aaron Bruno handling most production duties and playing the majority of instruments, including vocals, synthesizers, drums, guitars, and piano.[22] The album marked a sonic evolution, leaning more heavily into electronic-rock elements with layered synths and programmed beats compared to the rawer alternative rock of Megalithic Symphony, while retaining Bruno's introspective lyrical themes.[23] Released on March 17, 2015, via Red Bull Records, Run featured 11 tracks, including the pulsating opener "Run," the synth-driven single "Hollow Moon (Bad Wolf)," and the anthemic "I Am," which explored themes of self-empowerment.[24][25] The Run era emphasized extensive touring to build on the band's growing international profile. Awolnation headlined a North American run starting in spring 2015, supporting the album with high-energy sets that highlighted the new material's electronic edge, followed by appearances at major U.S. festivals like Firefly Music Festival and international events such as Lowlands Festival in the Netherlands and Sziget Festival in Hungary.[26][27][28] These performances, often exceeding 80 dates, showcased the updated lineup's cohesion and allowed Bruno to refine the electronic-rock hybrid live, blending programmed elements with live instrumentation for a more immersive experience.[29] By late 2015, the band began hinting at future shifts, including exploratory discussions with potential new label partners beyond Red Bull Records, setting the stage for their next creative phase.[30]Here Come the Runts period (2016–2019)
In 2016, following the conclusion of promotional activities for their sophomore album Run, AWOLNATION maintained their partnership with Red Bull Records while beginning work on their third studio album, Here Come the Runts. The band, led by frontman Aaron Bruno, continued collaboration with key production personnel from the Run era, including engineer Eric J. Dubowsky, to ensure creative continuity. Recording took place primarily at Bruno's home studio in the coastal mountains near Los Angeles during 2016 and 2017, allowing for a more intimate and experimental approach to songwriting and production.[31] Here Come the Runts marked a notable evolution in AWOLNATION's sound, shifting from the electronic and orchestral elements prominent in earlier works toward a rawer alternative rock style infused with '80s-inspired pop anthems and guitar-driven energy. Influences from bands like The Cars and Fleetwood Mac contributed to this direction, emphasizing Bruno's vision of blending rock accessibility with personal, introspective themes. The album was released on February 2, 2018, via Red Bull Records, featuring standout tracks such as "Handyman" and "Passion," which highlighted the band's renewed focus on dynamic rhythms and melodic hooks.[31][32] To promote the album, AWOLNATION embarked on an extensive world tour in 2018 and 2019, including a headline European leg in April 2018 with dates in cities like London, Amsterdam, and Munich. Later that year, they joined Twenty One Pilots as special guests on the North American portion of The Bandito Tour from October to December 2018, performing over 30 shows and reaching diverse audiences across arenas. The tour schedule also incorporated festival appearances, such as at Sonic Temple Arts & Music Festival in Columbus, Ohio, in May 2018, underscoring the band's growing international presence and high-energy live performances.[33][34] During this period, the band's core lineup remained stable, with Aaron Bruno on vocals and rhythm guitar, Zach Irons on lead guitar and backing vocals, and supporting members handling bass, drums, and keyboards for touring duties, allowing flexibility without major disruptions. By late 2019, AWOLNATION transitioned to Better Noise Music ahead of their next project, closing out the Here Come the Runts era on a high note with sustained momentum from the album's reception and tour success.[35][36]Angel Miners & The Lightning Riders (2019–2021)
The production of AWOLNATION's fourth studio album, Angel Miners & The Lightning Riders, was significantly shaped by personal and environmental challenges preceding the COVID-19 pandemic. Following the 2018 Woolsey Fire, which destroyed frontman Aaron Bruno's Malibu studio, recording took place in makeshift home setups, including his living room and bedroom, with contributions from bandmates in California.[37] The process emphasized intimate, organic collaboration, drawing from Bruno's experiences of loss and recovery, though much of the core work occurred before global lockdowns. As the pandemic escalated in early 2020, Bruno adapted by incorporating remote elements, such as Instagram Live discussions with artists like Pearl Jam's Mike McCready, and preparing acoustic arrangements for virtual formats, which influenced the album's raw emotional delivery.[38] Released on April 24, 2020, via Better Noise Music—the band's first project with the label—the album marked a stable partnership that supported its timely rollout amid industry disruptions. Standout tracks included "Slam (Angel Miners)," an energetic opener blending rock and electronic elements, and "Lightning Riders," a driving anthem of forward momentum. Collaborations added depth, with Alice Merton featuring on the sarcastic critique "The Best," Rivers Cuomo of Weezer on the reflective "Pacific Coast Highway in the Movies," and Alex Ebert of Edward Sharpe and the Magnetic Zeros on the festive "Mayday!!! Fiesta Fever."[39] A companion live album, Angel Miners & The Lightning Riders Live From 2020, followed on August 14, 2020, capturing studio performances without an audience to evoke the lockdown era's intensity.[40] Thematically, the record explored isolation, personal reckoning, and resilience, inspired by the Woolsey Fire's devastation and broader societal turmoil, including the 2018 Borderline Bar and Grill shooting near Bruno's home. Songs like "Slam (Angel Miners)" channeled chaos and hope, while "I'm a Wreck" confronted self-doubt, offering an uplifting counterpoint to despair.[37] These motifs resonated during the pandemic, providing emotional solace as Bruno viewed the release as essential for connection in uncertain times.[38] The global health crisis severely limited touring, with a planned 2020 co-headlining run with Andrew McMahon canceled shortly after the album's release, shifting focus to virtual engagements. Bruno hosted Instagram Lives and live streams, including a full album playback event in November 2020 and archived concert streams premiering selections from the live album.[41] By late 2021, as restrictions eased, AWOLNATION resumed small-scale U.S. performances, including festival appearances and intimate venues, signaling a cautious return to live activity under Better Noise Music's continued support.[42]Recent releases and ongoing tours (2022–present)
In 2022, AWOLNATION released their first covers album, My Echo, My Shadow, My Covers and Me, on May 6 via Better Noise Music. The project features reinterpretations of tracks by various artists, including a brooding take on Twenty One Pilots' "Stressed Out," alongside covers of songs originally by ABBA, Madonna, and fun.[43][44] The band announced their fifth studio album, The Phantom Five, on May 31, 2024, with recording sessions spanning 2023 and early 2024. Released on August 30, 2024, through Two Twenty Five Music, the album explores themes of resilience and reinvention, building on the introspective tone of Angel Miners & The Lightning Riders. Key tracks include the lead single "Panoramic View," the collaborative "I Am Happy" featuring Del the Funky Homosapien, and "Jump Sit Stand March" with vocals from Emily Armstrong of Dead Sara.[45][46] Supporting The Phantom Five, AWOLNATION launched the Phantom Five Tour in spring 2025, headlining U.S. dates starting March 27 in San Diego and concluding May 10 in Los Angeles, with stops in cities like Chicago and Houston. Special guests included Bryce Fox and MAKUA, who joined for select performances, including the April 2 Houston show at House of Blues. The tour extended into late 2025 with festival appearances and was announced to continue into 2026, including a special set on the ShipRocked Cruise departing Miami from January 26 to 31.[46][47][48] During the Houston concert, the band introduced new drummer Linden Reed, who had joined earlier in 2025 following Isaac Carpenter's departure to Guns N' Roses. In a September 2025 interview, frontman Aaron Bruno discussed the lineup evolution as part of a creative refresh. Bruno also pursued a side project with Barbarians of California, releasing the single "Pseudo Intellectuals Are Hating on My Band" in October 2025, channeling hardcore influences.[49][50][51] In an August 2024 interview, Bruno hinted at The Phantom Five potentially marking AWOLNATION's final full-length album, citing personal growth and a shift toward shorter-form releases and collaborations, though he emphasized ongoing touring commitments.[52]Artistry
Musical style and evolution
Awolnation's music is primarily rooted in alternative rock, infused with electronic rock, electropop, and indie rock elements, alongside influences from dubstep and hip-hop that create a genre-blending sound.[53][54] The band's core aesthetic emphasizes heavy synthesizer use for atmospheric depth and Aaron Bruno's dynamic vocals, which shift from raw, distorted delivery to melodic falsettos, driving the intensity of their tracks.[55] This fusion produces a high-energy style that merges electronic production with live instrumentation, setting Awolnation apart in the alternative scene.[56] The band's evolution began with the electronic-heavy sound of their debut album Megalithic Symphony (2011), where synthesizers dominated alongside organic rock elements and Bruno's versatile singing, creating a chaotic yet cohesive mash-up of styles.[55][57] By Run (2015), the sound shifted toward more organic rock foundations with stripped-back production, incorporating string arrangements on some tracks but reducing the electronic bombast and intensity of the debut for a less aggressive palette.[58][59] In Here Come the Runts (2018), Awolnation leaned into experimental tones, balancing rock riffs with electro-pop beats to explore rawer, more introspective textures while retaining electronic undercurrents.[60] Signature elements of Awolnation's music include soaring, anthemic choruses that build to explosive crescendos and deliberate genre fusions, such as rap-infused verses in "Sail" that juxtapose hip-hop rhythms with rock hooks.[53] Production contributions from guitarist Christopher Thorn, particularly on early tracks like "Sail," enhanced this hybrid approach by layering gritty guitars over electronic backdrops for added texture and punch.[14] These traits underscore the band's commitment to boundary-pushing within alternative frameworks. Critically, Awolnation has been praised for the raw energy and innovative genre-blending in their sound, which delivers compelling, high-impact listening experiences across albums.[61] However, later works like The Phantom Five (2024) have drawn critique for relying on formulaic hooks and repetitive structures, diluting the experimental edge of prior releases despite maintaining anthemic vigor.[62][63]Influences and themes
Aaron Bruno, the founder and creative force behind Awolnation, draws from a diverse array of musical influences that span genres and eras, shaped significantly by his early exposure to music through his older brother and his own experiences in prior bands. In interviews, Bruno has cited 1980s pop icons like Madonna, Prince, and Michael Jackson as foundational, alongside hip-hop acts such as Public Enemy, N.W.A., Kid 'n Play, and LL Cool J, which he encountered as a teenager and views as a modern extension of punk's rebellious energy.[64][53] His rock influences include Nirvana and Radiohead's OK Computer, while his formative years in punk and hardcore bands—like the sixth-grade group Ice Monkeys and a high school straightedge hardcore outfit—instilled a raw, genre-defying ethos.[64][65] These prior signed bands, which failed despite major-label deals, profoundly impacted Bruno's approach, pushing him toward independent, emotionally driven songwriting free from commercial constraints.[64] Bruno's admiration for electronic music further broadens Awolnation's palette, with references to producers like The Prodigy, Justice, Simian Mobile Disco, and Boys Noize informing the band's fusion of synth elements and aggressive rhythms; he has described electronic music as a key awareness in his creative process, blending it seamlessly with hip-hop's urgency and metal's intensity.[53] This eclectic inspiration echoes in collaborations that reflect these roots, such as the 2018 reimagining of Awolnation's "Table For One" with electronic artist and producer Elohim, which amplified the track's introspective electronica layers.[66] Later works, like the 2022 covers album My Echo, My Shadow, My Covers, and Me, featured electronic-tinged reinterpretations with artists including Beck, highlighting Bruno's ongoing nod to synth-pop and industrial influences akin to Nine Inch Nails' electro-rock aggression.[67][68] Lyrically, Awolnation's themes often center on alienation and introspection, as exemplified in the breakout single "Sail" from 2011's Megalithic Symphony, where Bruno explores overwhelming personal struggles, depression, and a desire to escape societal expectations through abstract metaphors of drifting away—lines like "Maybe I should cry for help" and references to ADD convey a profound sense of isolation and self-doubt.[69] This introspective core evolves across albums, incorporating societal critique in 2020's Angel Miners & The Lightning Riders, where tracks like "The Best" lambast digital-age superficiality and the obsession with social media validation, urging authenticity over performative competition.[39] The album's motifs of resilience amid chaos draw from real-world events, including the 2018 Woolsey Fire that destroyed Bruno's studio, inspiring songs like "Slam (Angel Miners)" to reflect hope and frustration in the face of environmental and personal loss.[39] By contrast, 2024's The Phantom Five shifts toward personal growth and navigating complexity, delving into happiness, frustration, and the pursuit of genuine self-expression as Bruno reflects on artistic maturity and life's uncertainties.[70][71] This thematic progression—from the metaphorical escapism of early work like "Sail" to more direct confrontations with societal and existential issues in Angel Miners, and ultimately to affirmative self-evolution in The Phantom Five—mirrors Bruno's growth as a songwriter, informed by pandemic-era isolation that served as therapeutic fuel for raw, unfiltered expression.[38][72]Personnel
Current members
AWOLNATION's current lineup, as of 2025, centers around founder Aaron Bruno, who serves as lead vocalist and rhythm guitarist since the band's inception in 2009 and remains the primary songwriter.[7] Zach Irons joined as lead guitarist and backing vocalist in 2015, contributing melodic complexity and energy to both recordings and live performances.[73] Daniel Saslow handles programming and keyboards, having been involved since 2016 and producing recent albums like The Phantom Five.[74] Josh Moreau plays bass, bringing his extensive touring experience to the band since around 2020 and anchoring the live sound with heavy, hypnotic grooves.[73] Linden Reed joined on drums in April 2025, debuting during The Phantom Five Tour and providing a rhythmic foundation shaped by his background in California rock scenes.[75] This core group is supported by additional touring musicians on guitar and keys for expanded live arrangements, ensuring dynamic stage presentations.[76]Former members
Drew Stewart served as Awolnation's lead guitarist from 2009 to 2015, contributing guitar performances to the debut album Megalithic Symphony, which helped shape the band's early alternative rock sound during its breakthrough period.[77][78] David Amezcua joined as bassist in 2010 and remained until 2013, providing essential low-end support and backing vocals for the foundational tours promoting Megalithic Symphony and establishing the band's live energy in its initial years.[77][79] Christopher Thorn was the guitarist and producer from 2010 to 2012, with occasional returns later; he produced the breakout single "Sail" and contributed guitar work that influenced the electronic-rock fusion on Megalithic Symphony, while also touring internationally during that era.[77][14][80] Kenny Carkeet served as keyboardist, programmer, and backing vocalist from 2009 to 2016, co-producing key tracks like "Sail" and contributing to the band's synth-driven sound on early albums and tours.[81] Prior to 2014, the band featured short-term drummers like Hayden Scott (2009–2013), who drove the rhythm section on early tours and recordings.[77][82]Discography
Studio albums
Awolnation's studio albums have showcased the band's evolution from electronic rock to more organic alternative sounds, with varying commercial success primarily in the United States. Their debut album gained traction through the enduring popularity of the single "Sail," which propelled long-term chart longevity and certifications. Later releases emphasized independent distribution and streaming, reflecting a shift toward festival performances and dedicated fanbases rather than mainstream radio dominance.| Title | Album details | Peak chart positions | Certifications |
|---|---|---|---|
| Megalithic Symphony | Released: March 15, 2011 Label: Red Bull Records Format: CD, digital download | US: 35 | US: Platinum (February 29, 2016) [83] |
| Run | Released: March 17, 2015 Label: Red Bull Records Format: CD, digital download, vinyl | US: 17 [84] | — |
| Here Come the Runts | Released: February 2, 2018 Label: Red Bull Records Format: CD, digital download, vinyl | US: 42 [85] | — |
| Angel Miners & the Lightning Riders | Released: April 24, 2020 Label: Better Noise Music Format: CD, digital download, vinyl | US Album Sales: 16 | — |
| The Phantom Five | Released: August 30, 2024 Label: Two Twenty Five Music Format: CD, digital download, vinyl | — | — |