Bleached
Bleached is an American alternative rock band formed in Los Angeles by sisters Jennifer and Jessica Clavin, who previously fronted the punk band Mika Miko.[1][2] The duo, often joined by supporting musicians on drums and other instruments, blends punk energy with pop sensibilities and rock and roll influences, creating bouncy, heartfelt songs that explore themes of personal struggle, relationships, and self-discovery.[3][4] Following the 2010 disbandment of Mika Miko, the Clavin sisters launched Bleached in 2011 as a vehicle to continue their collaborative songwriting, drawing from their roots in the Los Angeles DIY punk scene at venues like The Smell.[2] Their debut album, Ride Your Heart, arrived in 2013 via the Dead Oceans label, establishing their signature sound with tracks like "Dead in Your Head" that captured youthful exuberance and emotional rawness.[1] The band toured extensively, sharing stages with acts like The Damned and Paramore, which broadened their punk-pop appeal and honed their live performance style.[1] Bleached's sophomore effort, Welcome the Worms (2016), delved deeper into introspective lyrics amid upbeat melodies, while their third album, Don't You Think You've Had Enough? (2019), marked a pivotal shift as the first record written during Jennifer Clavin's sobriety, addressing addiction, maturity, and resilience through songs like "Hard to Kill" and the acoustic closer "Shitty Ballet."[1] Produced by Shane Stoneback, the album was recorded across Los Angeles and Nashville, showcasing experimentation with disco-punk elements and a more polished production.[1] In 2022, Bleached released the single "Flip It."[5] Following a hiatus from 2019 to 2024, the band reunited for a performance at the Mosswood Meltdown festival on July 19, 2025.[6]History
Formation and early releases (2010–2012)
Bleached was formed in 2011 in Los Angeles by sisters Jennifer and Jessica Clavin, who had previously co-founded the punk band Mika Miko, which disbanded in 2010 after nearly a decade in the local DIY scene.[7] The Clavin sisters, drawing from their roots in queercore punk, aimed to channel their collaborative songwriting into a new project that blended raw energy with emerging pop sensibilities.[8] Bleached started as a duo with Jennifer Clavin on vocals and rhythm guitar and Jessica Clavin on lead guitar and backing vocals, often joined by supporting musicians on bass and drums for early performances at local venues like The Smell.[9] Bleached's first release, the Francis 7-inch EP, arrived in early 2011 via Ooga Booga Records, delivering two tracks—"Dazed" and "No Friend of Mine"—that captured the band's urgent, garage-punk drive influenced by their punk heritage.[10] Later that year, the Carter 7-inch followed on Art Fag Recordings, with "Think of You" and "You Take Time" introducing brighter, more hook-driven melodies that hinted at a shift toward polished pop-punk.[11] In December 2011, Suicide Squeeze Records put out the Searching Through the Past 7-inch, featuring the distortion-heavy "Electric Chair" as a standout example of their raw, high-energy sound, while the title track leaned into nostalgic, upbeat rhythms.[12] These independent singles built Bleached's reputation in the indie circuit through limited pressings and DIY distribution, showcasing their evolution from punk aggression to accessible anthems. By late 2012, the band signed with Dead Oceans, a move that positioned them for wider exposure and their first full-length album in 2013, marking the end of their grassroots phase.[13]Rise with debut album (2013–2015)
Bleached released their debut full-length album, Ride Your Heart, on April 2, 2013, through the independent label Dead Oceans.[14] The record, featuring 12 tracks, marked the band's transition to a more structured studio effort following their earlier EPs, with production handled by Rob Barbato and engineering by Drew Fischer.[15] Standout songs like "Next Stop" and "Dead in Your Head" captured the group's signature fusion of raw punk drive and infectious pop melodies, drawing on the sisters' experiences to craft anthemic, heartfelt rock.[14][16] In support of the album, Bleached undertook an ambitious touring schedule, spanning North America and Europe with headlining shows and opening slots.[17] They joined Best Coast for several West Coast dates in summer 2013, sharing stages at venues like the El Rey Theatre in Los Angeles and the Fillmore in San Francisco.[18] The band also appeared at key festivals, including the Capitol Hill Block Party in Seattle and the Jubilee Music & Arts Festival in Los Angeles, where their energetic performances helped solidify their presence in the indie scene.[19] The release generated notable media coverage, with Pitchfork praising the album's Shangri-Las-inspired pop sensibilities emerging from the Clavin sisters' punk background in Mika Miko.[16] Similarly, Consequence of Sound highlighted Bleached's shift toward concise, Minutemen-like urgency blended with accessible hooks, positioning the band as a fresh voice in indie rock.[20] This buzz contributed to growing recognition, emphasizing the duo's evolution from noise punk to a brighter, more melodic sound. During 2013–2015, Jennifer and Jessica Clavin remained the creative core, handling primary songwriting and vocals while collaborating on arrangements.[16] The live lineup saw minor adjustments to support touring demands, with drummer Jonathan Safley contributing early on and bassist Micayla Grace joining in 2014 to add stability for performances.[21][22] This period focused on honing their partnership, allowing the sisters to refine their blend of high-energy rock and emotional lyricism amid rising visibility.Lineup changes and second album (2016–2018)
Following the success of their debut album Ride Your Heart, which provided the foundation for continued label support from Dead Oceans, Bleached experienced notable lineup shifts in the mid-2010s. Original drummer Jonathan Safley, who had contributed to the band's early recordings, departed after 2013, leading to a period of flux with temporary members. Bassist Micayla Grace, who had joined as a live performer in 2014, became a full-time member, while Nick Pillot was added on drums in early 2016, forming a stable quartet alongside sisters Jennifer Clavin (vocals and guitar) and Jessica Clavin (guitar and bass).[23][9][24] These changes coincided with the creation of the band's second studio album, Welcome the Worms, released on April 1, 2016, via Dead Oceans. Produced by Joe Chiccarelli (known for work with The Strokes and Elton John) and Carlos de la Garza (Paramore, YACHT) at studios in Los Angeles, the record marked a sonic evolution toward cleaner, more assertive pop-punk arrangements with '70s rock influences, diverging from the debut's lo-fi garage aesthetic.[25][26][27] Lyrically, Welcome the Worms delved into themes of anxiety, heartbreak, and personal turmoil, drawing from the Clavin sisters' real-life challenges, including Jennifer's breakup and Jessica's eviction during the album's gestation. Tracks like "Trying to Lose Myself Again" and "Sour Candy" convey raw emotional depth amid struggles with relationships and substance use, transforming hardship into resilient, upbeat anthems. The lead single "Keep on Keepin' On," released in January 2016, and follow-up "Wednesday Night Melody," out in February, both garnered significant radio airplay and set the tone for the album's blend of vulnerability and defiance.[28][29][27] To promote the release, Bleached embarked on extensive tours, including a spring North American leg supporting SXSW appearances in Austin and headlining shows across the U.S., followed by a summer European run with dates in the UK (such as Visions Festival in London), Denmark, and the Netherlands. These performances highlighted the band's heightened energy and tighter dynamics post-lineup stabilization. Internally, the period also saw the onset of the Clavin sisters' sobriety journey amid their ongoing battles with addiction, which began shaping the band's creative process and lyrical introspection during this era.[30][31][32][29]Third album and hiatus (2019–2024)
Bleached released their third studio album, Don't You Think You've Had Enough?, on July 12, 2019, through the independent label Dead Oceans.[33] The album was produced by Shane Stoneback, known for his work with artists like Vampire Weekend and Sleigh Bells, and marked a continuation of the band's core duo of sisters Jennifer and Jessica Clavin alongside bassist Micayla Grace. The album featured the core trio, with additional contributors on drums.[34] Recorded in Los Angeles and Nashville, the record captured a refined punk-pop sound honed through the band's evolving experiences.[33] The album's themes centered on sobriety, personal recovery, and self-reflection, drawing directly from the Clavin sisters' journeys toward getting sober after years of touring and industry pressures.[35] It represented their first full-length project written from a place of clarity and growth, with lyrics exploring resilience and moving past destructive habits. Key singles included the lead track "Hard to Kill," released in April 2019, which highlighted defiant survival, and the title track "Don't You Think You've Had Enough?," issued in June 2019 as a pointed anthem of self-reprimand and renewal.[36] These songs underscored the album's emotional core, blending upbeat melodies with introspective narratives. To promote the album, Bleached embarked on a North American headline tour in summer and fall 2019, alongside select support slots and festival appearances, including a short run opening for Refused and The Hives in May.[37] However, touring was scaled back amid personal challenges tied to the sisters' ongoing recovery processes, limiting the band's live engagements compared to prior cycles.[38] In late 2019, Bleached announced an indefinite hiatus, allowing members to focus on individual pursuits, such as Jennifer Clavin's emerging solo endeavors under the moniker Dear Francis.[39] From 2020 to 2024, the band maintained a low profile on tours and major activities but released occasional singles, including 'Jingle Bells' and 'Stupid Boys' in 2020, and 'Flip It' in 2022, a period influenced by the global COVID-19 pandemic, which severely disrupted independent music tours, recordings, and live scenes across the industry. This hiatus provided space for personal healing but left fans awaiting further developments from the group.[29]Reunion and ongoing activities (2025–present)
In early 2025, Bleached announced their reunion, driven by an invitation to perform at the Mosswood Meltdown festival and ongoing fan demand following their hiatus. On February 4, 2025, sisters Jennifer and Jessica Clavin shared the news via the band's official Instagram account, stating, "Hey everyone, it's been a long time. We're really excited to announce that Bleached will be performing at Mosswood Meltdown in Oakland this summer!"[40] The band's first show in six years took place at Mosswood Meltdown on July 19, 2025, featuring the original core lineup of the Clavin sisters. The performance, introduced by John Waters, energized the audience with reverb-soaked punk tracks like "Think of You," recapturing the group's angular post-punk vibe and drawing praise for its celebratory atmosphere.[41][42][43] In response to fan interest, Bleached added a Los Angeles show at Zebulon on July 26, 2025, which sold out quickly and received enthusiastic crowd feedback. The band expressed gratitude afterward on Instagram, noting, "Thank you so much to everyone who came out to Zebulon Saturday night, it truly meant so much to us."[44][45] As of November 2025, Bleached has released no new music since their 2022 single 'Flip It', maintaining a semi-active status while members balance commitments to other projects, including Jennifer Clavin's solo endeavors as dear francis.[46]Musical style and influences
Core genre and sound characteristics
Bleached is primarily classified as a pop-punk, indie rock, and garage rock band, incorporating punk and rock and roll influences that define their energetic, hook-driven sound.[16][47] Their music features signature elements such as catchy hooks and jangly guitars that evoke a sunny, West Coast vibe, paired with energetic drums and thumping backbeats that propel tracks forward with punk urgency.[48][49] The dual vocals of sisters Jennifer and Jessica Clavin add a distinctive layer, blending harmonious melodies with raw, whiplashed howls and shouts that create anthemic choruses.[16][50] Lyrically, Bleached focuses on personal struggles, relationships, and empowerment, often delivered with gritty honesty and emotional directness that resonates through their raw energy.[47][51] Songs explore themes like surviving dead-end relationships, embracing independence, and confronting inner challenges such as sobriety, transforming vulnerability into empowering anthems.[38][52] This approach aligns with their production style, which balances polished arrangements—featuring lush, manicured melodies and crisp punchiness—with a gritty undercurrent rooted in lo-fi punk aesthetics, evolving toward a more stadium-ready pop-punk sheen.[16][53] The band's sound draws comparisons to contemporaries like Best Coast and Vivian Girls, sharing a hazy, fuzz-pedal indie ethos that captures the carefree yet defiant spirit of Los Angeles garage-punk scenes.[54] This West Coast vibe infuses their tracks with surf-rock tinges and bouncing bass lines, maintaining a loose sloppiness amid refined songcraft.[48][49]Evolution across albums
Bleached's debut album, Ride Your Heart (2013), established the band's early sound as a raw hybrid of punk and pop, characterized by high-energy tracks that captured themes of fun and youthful rebellion through loose, inviting production and garage rock urgency.[16][20] The album's sloppiness and LA-influenced garage punk vibe emphasized direct, catchy melodies with a sense of playful chaos, setting a foundation in lo-fi aesthetics.[55] With their second album, Welcome the Worms (2016), Bleached shifted toward a darker, more introspective tone, incorporating added synth elements and emotional depth to explore mental health struggles amid personal tragedies like the deaths of close friends and family.[28][27] The production became more polished and focused, contrasting the debut's rawness with stark, clean melodies and a dream-like quality that retained punk sensibilities while introducing greater catharsis.[56][57] By the time of their third album, Don't You Think You've Had Enough? (2019), the band had evolved into a mature pop-rock style with cleaner, crisper production that highlighted recovery and resilience, reflecting the sisters' sobriety and personal growth.[48][58] This release blended the earlier garage rock messiness with punchier hooks, subtle funk, and disco influences, creating a more ambitious and radio-friendly sound without losing underlying rawness.[59][60] Across their discography, Bleached progressed from the chaotic energy of garage punk on their debut to a refined indie rock maturity by 2019, marked by increasing emotional vulnerability and sonic polish.[58] Following a hiatus after 2019, the band's 2025 reunion activities, including live performances at venues like Zebulon and Mosswood Meltdown, suggest potential for further evolution through onstage experimentation and renewed energy.[45][44]Key influences and comparisons
Bleached's roots trace back to the vibrant Los Angeles punk and queercore scenes through the Clavin sisters' earlier band, Mika Miko, which embodied the raw, confrontational energy of queer punk at DIY spaces like The Smell, a longstanding hub for LGBTQ+ artists and performers. Influenced by foundational LA punk outfits such as Black Flag, the sisters channeled the genre's aggressive, street-level spirit into their work, reflecting the gritty underbelly of West Coast rock. This foundation also extended to local icons like The Go-Go's, whose all-female pop-punk blueprint earned Bleached the descriptor of an "evil Go-Go's" from close associates, underscoring a shared lineage of empowered, harmony-driven LA sound.[61][62][63] Drawing from pop-rock trailblazers, Bleached incorporated elements of female-fronted empowerment seen in acts like Blondie, whose punk-pop fusion aligned with the band's West Coast lyrical and stylistic flair despite East Coast origins. Joan Jett's rebellious rock attitude, rooted in her Runaways days, similarly informed their anthemic drive, as noted in analyses of their sound's DNA alongside other '80s female rock pioneers. The Clavin sisters have personally cited classic rock staples like The Rolling Stones and Fleetwood Mac—passed down via parental tastes in country, blues, and radio airplay—as formative, blending these with '90s alt-rock vibes from bands like The Cure and The Replacements to add melodic depth.[62][64][65] In comparisons to contemporaries, Bleached shares a dreamy pop-punk haze with the Dum Dum Girls, both emerging from the 2010s LA indie ecosystem with surf-inflected hooks and girl-group harmonies. Their punk edge echoes the raw intensity of Screaming Females, though with a sunnier, melody-forward twist suited to West Coast revivalism. Culturally, the band fits into the broader 2010s resurgence of riot grrrl-inspired scenes on the West Coast, amplifying female-led indie acts amid a DIY punk revival that prioritized empowerment and genre-blending experimentation. These external inspirations subtly shaped Bleached's evolution, merging punk urgency with pop accessibility across their catalog.[66][67][48]Members
Current lineup
As of 2025, Bleached's active lineup revolves around its founding sisters, Jennifer Clavin and Jessica Clavin, who reunited following a hiatus to perform at events including Mosswood Meltdown and a hometown show at Zebulon in Los Angeles.[41] Jennifer Clavin handles lead vocals and rhythm guitar while serving as the band's primary songwriter and leader.[47][68] Jessica Clavin contributes lead guitar and backing vocals as co-founder and longtime collaborator.[47][69] The duo has committed to the band's revival through select live appearances, incorporating rotating supporting musicians on drums and bass for performances, reflecting a flexible touring configuration after years away from the road.[41]Former members and contributions
In Bleached's early years around 2011, the band included drummer Kevin McCarthy and bassist Danny Diaz, who contributed to initial releases like the EP Searching Through the Past.[70] Drummer Dan Allaire played on the debut album Ride Your Heart (2013), providing the raw punk energy central to its garage rock sound.[14] Micayla Grace joined as bassist around 2013 and remained through the mid-2010s, offering a solid foundation for live performances and recordings, including the 2016 album Welcome the Worms.[47][25] Marc Jordan served as drummer for the recording of Welcome the Worms (2016), bringing a structured percussion style to the band's evolving sound.[25] Nick Pillot joined as drummer in 2016 and contributed to touring and the third album Don't You Think You've Had Enough? (2019), enhancing the band's polished punk vitality.[9] Departures among these members were primarily due to pursuits of personal projects and creative differences, with reports indicating amicable separations that preserved positive relationships within the band's circle. The core duo of Jennifer and Jessica Clavin has since achieved greater stability following these changes.[32]Discography
Studio albums
Bleached's debut studio album, Ride Your Heart, was released on April 2, 2013, through Dead Oceans. The album features 12 tracks, including "Next Stop" and "Dead in Your Head," blending garage rock energy with pop hooks that established the band's raw, sister-led sound. It achieved modest commercial success, reflecting the band's emerging indie presence and dedicated early fanbase.[14] The follow-up, Welcome the Worms, arrived on April 1, 2016, also via Dead Oceans, comprising 10 tracks such as "Keep on Keepin' On" and "Wednesday Night Melody." Noted for its thematic cohesion around self-reflection and resilience, the album marked a maturation in production while maintaining the group's punk-infused pop style, contributing to their growing reputation in alternative circles.[25] In 2019, Bleached issued their third studio album, Don't You Think You've Had Enough?, released on July 12 through Dead Oceans, with 12 tracks like "Hard to Kill" and "Daydream." The record garnered strong streaming performance, amassing millions of plays across platforms and underscoring the band's enduring appeal amid personal themes of recovery and growth. As of November 2025, no additional studio albums have been released, though recent live activities hint at potential future projects. Overall, the band's discography has cultivated a loyal following, with combined streaming figures exceeding 45 million across their catalog.[71][72]Extended plays and singles
Bleached's early extended plays and singles established the band's raw, punk-inflected pop sound through limited-run 7-inch vinyl releases on independent labels. Their debut single, "Carter," was issued in 2011 on Art Fag Recordings as a 7-inch featuring the title track and "No Friend of Mine," capturing the Clavin sisters' initial post-Mika Miko energy with lo-fi garage rock vibes.[73] Later that year, "Francis" followed on Ooga Booga as another 7-inch single, including the A-side "Francis" and B-side "Dead in Your Head," showcasing Jennifer Clavin's snarling vocals over driving riffs.[74] The same year, Suicide Squeeze released "Searching Through the Past" as a 7-inch EP limited to 750 copies, with tracks "Searching Through the Past" and the B-side "Electric Chair," blending nostalgic lyrics with distorted guitars that hinted at their evolving style.[75][76] As Bleached signed with Dead Oceans, their output shifted toward promotional singles and EPs that previewed album material while standing alone. In 2013, "Next Stop" emerged as a standalone single from the upcoming Ride Your Heart, praised for its upbeat surf-punk drive, while "Dead in Your Head" served as another promo single with a video emphasizing the band's live intensity.[77] By 2014, the EP For the Feel arrived on Dead Oceans as a 12-inch vinyl with three tracks—"For the Feel," "Poison Ivy," and "Born to Kill"—exploring themes of desire and rebellion in concise, hook-filled bursts.[78] In 2016, "Wednesday Night Melody" was released as a promo single, its melancholic melody marking a more introspective turn ahead of Welcome the Worms.[77] That year also saw the self-released digital EP Acoustic Covers by Jennifer, a band-affiliated side project by Jennifer Clavin featuring stripped-down renditions of The Ramones' "Bonzo Goes to Bitburg" and Barry McGuire's "Eve of Destruction," highlighting her vocal versatility in an acoustic format.[79] The 2017 EP Can You Deal? on Dead Oceans expanded to four tracks—"Can You Deal?," "Flipside," "Turn to Rage," and "Dear Trouble"—addressing personal struggles and empowerment with polished production and feminist edge, released as a 12-inch vinyl limited edition.[80] Later singles included "Keep On Keepin' On" in 2016, a motivational anthem, and "Hard to Kill" in 2019, the lead single from Don't You Think You've Had Enough?, noted for its resilient lyrics drawn from the band's sobriety journey.[1] Post-2019 releases were sporadic singles: "Stupid Boys" in 2020 critiquing toxic masculinity, "Jingle Bells" as a holiday cover that year, and "Flip It" in 2022, a high-energy track signaling potential future directions. In 2024, the band released the single "Romantic Tune" in April and "Down In Salem (feat. Corby James)" in September, both digital releases exploring new sonic territories. October 2025 saw the release of the EP Evokative on October 26, featuring five tracks including "Thermal" and "Kyriakí," marking a continued evolution in their catalog as of November 2025.[81][82][83][84][85]| Release | Year | Label | Format | Key Tracks |
|---|---|---|---|---|
| Carter | 2011 | Art Fag Recordings | 7-inch single | Carter, No Friend of Mine |
| Francis | 2011 | Ooga Booga | 7-inch single | Francis, Dead in Your Head |
| Searching Through the Past | 2011 | Suicide Squeeze | 7-inch EP | Searching Through the Past, Electric Chair |
| Next Stop | 2013 | Dead Oceans | Single (promo) | Next Stop |
| For the Feel | 2014 | Dead Oceans | 12-inch EP | For the Feel, Poison Ivy, Born to Kill |
| Keep On Keepin' On | 2016 | Dead Oceans | Single (promo) | Keep On Keepin' On |
| Wednesday Night Melody | 2016 | Dead Oceans | Single (promo) | Wednesday Night Melody |
| Acoustic Covers by Jennifer | 2016 | Self-released | Digital EP | Bonzo Goes to Bitburg, Eve of Destruction |
| Can You Deal? | 2017 | Dead Oceans | 12-inch EP | Can You Deal?, Flipside, Turn to Rage, Dear Trouble |
| Hard to Kill | 2019 | Dead Oceans | Single | Hard to Kill |
| Stupid Boys | 2020 | Dead Oceans | Digital single | Stupid Boys |
| Jingle Bells | 2020 | Dead Oceans | Digital single | Jingle Bells |
| Flip It | 2022 | Dead Oceans | Digital single | Flip It |
| Romantic Tune | 2024 | Indies | Digital single | Romantic Tune |
| Down In Salem (feat. Corby James) | 2024 | Self-released | Digital single | Down In Salem (feat. Corby James) |
| Evokative | 2025 | Self-released | Digital EP | Thermal, Kyriakí, #03, Blochd, S4 |