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Blindside

Blindside is a post-hardcore and band formed in 1994 in the southern suburbs of . Originally known as Underfree, the group changed its name to Blindside in 1996. The group released their debut EP, Empty Box, in 1997. The band's lineup has remained consistent since its inception, featuring vocalist Christian Lindskog, guitarist Simon Grenehed, bassist Tomas Naslund, and drummer Marcus Dahlström. Emerging from the scene, Blindside blends intense, melodic songwriting with themes of faith, emotion, and introspection, drawing influences from and . Their music gained traction in both Christian and mainstream audiences, particularly after signing with . Blindside achieved their breakthrough with the 2002 album , produced by and released as their major-label debut, which peaked at number 83 on the US chart. Follow-up releases like About a Burning Fire (2004) and The Great Depression (2005) solidified their reputation, with the band touring alongside prominent acts such as , , and . After a hiatus beginning in 2007, they returned in 2011 with With Shivering Hearts We Wait, an independent release that showcased their evolved sound. In recent years, Blindside has remained active, releasing the single "Dead Weight" in March 2025 and announcing work on their first full-length album since 2011. The band continues to perform at festivals like and maintains a dedicated fanbase in the community.

Sports terminology

American and Canadian football

In American and , the blindside refers to the side of the quarterback opposite their dominant throwing arm—typically the left side for right-handed quarterbacks—where the player cannot easily see incoming defenders without turning their head, making it particularly vulnerable to rushes from the weak-side or outside linebacker. This vulnerability arises during pass plays when the quarterback drops back, facing downfield and relying on the offensive line for protection, with the blindside often exposed to speed rushes that can lead to sacks or injuries if not adequately blocked. The concept of the blindside gained strategic prominence in the 1980s amid the NFL's shift toward pass-heavy offenses, exemplified by the rise of quick-release schemes and the need for enhanced pocket protection against aggressive defenses. This evolution was accelerated by players like , whose disruptive rushes from the quarterback's left side as a left outside linebacker for the forced teams to prioritize elite left tackles to counter blindside threats, elevating the position's value in offensive schemes. Hall of Famers such as , who protected the blindside for the during their "" era, and , renowned for his decade-long consistency with the , became benchmarks for the physical and technical demands of neutralizing these rushes. Tactically, the blindside influences defensive strategies like the blindside blitz, where linebackers or safeties loop around to exploit the gap, often catching the off-guard and increasing potential. data indicates that approximately 36% of by front-seven defenders originate from the right position, underscoring the blindside's role in a significant portion of pressures that disrupt passing plays. The left tackle bears primary responsibility for this protection, tasked with mirroring elite pass rushers using techniques like kick slides and hand placement to , a role demanding exceptional size and agility—elite performers average around 6'5" in height and 315 pounds in weight to withstand constant physical battles. The term's cultural awareness was popularized by Michael Lewis's 2006 book The Blind Side and its 2009 , which highlighted the position's critical importance.

Rugby

In rugby, the blindside refers to the narrower or shorter side of the field relative to a such as a ruck, , or lineout, positioned opposite the open side where more space and defenders typically align. This area, also known as the weakside, is often exploited for quick, direct attacks like short-side runs or taps to catch defenses off-guard and create overlaps. The blindside's tactical value lies in its potential to isolate fewer defenders, allowing attackers to advance with fewer passes and higher efficiency, though it demands precise execution to avoid isolation. Key scenarios highlight the blindside's role in set pieces and open play. In scrums, the blindside flanker (typically numbered 6) packs down on the narrow side to contest possession, disrupt opposition feeds, and launch immediate counterattacks by shifting play to exploit the shorter flank. During lineouts, blindside throws target the far edge, enabling lifters and jumpers—often involving the blindside flanker—to secure ball and drive mauls for territorial gains, as seen in structured overloads that pull defenders thin. In rucks, following a tackle, teams frequently recycle possession to the blindside for rapid snipes or offloads, emphasizing the flanker's duty to clear out and protect space against poachers. Tactical examples underscore the blindside's impact, such as the All Blacks' lineout strategy in the against , where blindside flanker secured possession from a top and passed to prop for a crucial try, exploiting defensive gaps on the narrow side to giving them a 5-0 lead. However, blindside plays carry risks, including player isolation if support lags, leading to higher turnover rates due to concentrated defensive pressure on the confined area. Differences between and influence blindside application. In union, the blindside emphasizes contested possession through dynamic rucks and mauls, where forwards like the blindside flanker fiercely compete for turnover ball. In , with its six-tackle structure and play-the-ball ruck equivalent, the blindside supports more predictable, structured attacks post-tackle, focusing on quick shifts to the short side for line breaks rather than prolonged contests.

Literature

Non-fiction books

The Blind Side: Evolution of a Game (2006) by is a seminal work that intertwines the personal story of , a young man rising from poverty in to become a star offensive at the and later with the , with an analysis of the economic and strategic shifts in the (NFL). Lewis examines how the position of left tackle, responsible for protecting the 's blindside, evolved into one of the most valuable roles in professional football due to rising quarterback salaries and pass-heavy offenses in the late 20th and early 21st centuries. The book highlights the NFL's economic dynamics, noting that by the 2004 season, the average salary for a left tackle had reached $5.5 million annually, making it the second-highest paid position after , as teams prioritized elite protection for their high-value passers. Lewis uses Oher's journey—supported by the Tuohy family who provided him stability and opportunities—as a lens to illustrate broader themes of race, class, and opportunity in American sports, while tracing the historical impact of players like on offensive line strategies. Published in hardcover on September 2, 2006, by , the book quickly became a #1 New York Times bestseller, praised for its narrative drive and insightful . Its cultural impact extended to inspiring the 2009 Academy Award-winning film The Blind Side, directed by . In response to the 2023 conservatorship controversy involving Oher and the Tuohy family—where Oher alleged deception regarding his legal status and film royalties—Lewis publicly defended the Tuohys, blaming the studio system for financial disputes and emphasizing the authenticity of the relationships depicted in his work. Another notable non-fiction work is I Beat the Odds: From Homelessness, to The Blind Side, and Beyond (2011) by Michael Oher with Don Yaeger, a memoir that offers Oher's firsthand perspective on his upbringing, adoption by the Tuohys, and NFL career, providing deeper personal insights into the events chronicled by Lewis while reflecting on themes of resilience and self-determination. Published on February 8, 2011, by Gotham Books, the book complements Lewis's account by focusing on Oher's internal struggles and triumphs beyond the football field.

Fiction books

Fictional works titled Blindside or close variants often employ the term as a for unexpected emotional or situational surprises, drawing loosely from its origins in sports like and where it denotes an unanticipated attack from a vulnerable side. Blind Side (2022), the second installment in Kandi Steiner's Red Zone Rivals series, is a self-published romance featuring a fake-dating between a and a cheerleader. The centers on their arrangement to make an ex jealous, evolving into "lessons" in intimacy, with the title symbolizing the emotional blindsides of and attraction. It has garnered over 83,000 ratings on , averaging 4.0 stars. eXtreme Blindside (2019) by Leslea Wahl serves as a to The Perfect Blindside, following teen snowboarder Jake Taylor as he navigates sudden fame after winning silver and accepts a spokesperson role that uncovers personal and mysterious crises. The "blindside" underscores the protagonist's encounters with unforeseen life challenges, blending , romance, and elements in a setting. Blindside (2020), the twelfth entry in James Patterson's Michael Bennett thriller series co-authored with James O. Born, is a crime novel set in New York City where detective Bennett investigates the mayor's missing daughter amid deadly twists to secure his son's release from prison. The title evokes the story's sudden plot reversals and betrayals, heightening the suspense in this fast-paced procedural. It holds a 4.2-star average from nearly 20,000 Goodreads ratings. Blindside (2003) by Catherine Coulter is an FBI thriller in her series, involving agents Savich and investigating a and , with elements of and unexpected twists. It became a Times bestseller. Blindside (2023) by Michael Mammay is a , the fifth in the series, following Carl Butler as he uncovers mysteries and corporate intrigue on his home planet after interstellar service.

Film and television

Feature films

The Blind Side (2009) is a biographical sports drama directed by John Lee Hancock. The film stars Sandra Bullock as Leigh Anne Tuohy, a determined mother who adopts Michael Oher, a homeless African American teenager played by Quinton Aaron, providing him with stability and guidance as he pursues a football career. Supporting roles include Tim McGraw as Sean Tuohy and Jae Head as their son SJ. Adapted from Michael Lewis's 2006 book The Blind Side: Evolution of a Game, the story traces Oher's journey from poverty and adversity to becoming an All-American offensive lineman and first-round NFL draft pick for the Baltimore Ravens, emphasizing the "blindside" concept in football where a left tackle protects the quarterback's vulnerable side. Released on November 20, 2009, the film explores themes of family, race, and opportunity through Oher's integration into the affluent Tuohy household and his rise in high school and college football. It received widespread acclaim for Bullock's performance, earning her the Academy Award for Best Actress and a Best Picture nomination at the 82nd Academy Awards, along with two total nominations. Commercially successful, it grossed $309 million worldwide against a $29 million budget, becoming one of the top-grossing films of 2009. Critics praised its uplifting narrative and emotional depth, though some noted its sentimental tone. Blindside (1987) is a Canadian directed by Paul Lynch. stars as Penfield Gruber, a disgraced former expert now managing a rundown , where he secretly monitors his tenants' activities using hidden cameras. The plot revolves around Gruber's reluctant involvement in corporate when criminals hire him to spy on a guest suspected of double-crossing a deal, leading to chases, , and a murder cover-up amid seedy motel intrigue. Supporting includes and . Premiering at the on August 28, 1987, and receiving a limited U.S. theatrical release, the film embodies 1980s action-thriller aesthetics with voyeuristic elements and tense pursuits. Reception was mixed, with critics describing it as dull and convoluted despite Keitel's committed performance; it holds a 25% approval rating on and has garnered a modest for its gritty style and influences.

Television productions

Television productions featuring "Blindside" or "Blind Side" in their titles span episodic dramas, made-for-TV movies, and documentaries, often exploring themes of surprise, ethical dilemmas, or personal upheaval. These works include standalone episodes in established series and short-form specials that delve into real-life controversies. The 2023 documentary short Blindsided, produced by as part of its FlashDocs series, examines former player Michael Oher's allegations against Sean and , the family portrayed in the 2009 film The Blind Side as his adoptive parents. The 40-minute special, which premiered on and later streamed on Max, highlights Oher's 2023 lawsuit claiming the Tuohys tricked him into a in 2009 rather than adopting him, allowing them to control his finances and likeness for profit from the film and related deals. It features interviews with Oher discussing feelings of exploitation, alongside archival footage and legal context. The Shelby County terminated the conservatorship in November 2023; as of October 2024, the lawsuit continues, with the Tuohys agreeing to cease using 'adopted' references, but disputes over name, image, and likeness rights persist. Oher has emphasized the suit is about reclaiming his narrative, not monetary gain. Blind Side (1993) is a suspense thriller directed by Geoff Murphy. Starring Rebecca De Mornay as Lynn Kaines and Ron Silver as her husband Doug, the story follows the affluent American couple who accidentally kill a Mexican police officer with their car during a business trip and flee across the border to avoid imprisonment. Rutger Hauer plays a mysterious witness who tracks them to their U.S. home, securing a job at their furniture factory while subtly extorting them over the incident, escalating into a tense game of betrayal and psychological terror. Additional cast includes Jonathan Banks and Mariska Hargitay. Originally an HBO production debuting on January 30, 1993, it received theatrical releases in select European markets, including France on July 21, 1993, and Italy. The film builds suspense through the couple's paranoia and Hauer's chilling presence, praised for its taut pacing and thriller conventions despite formulaic elements; it earned a 41% Rotten Tomatoes score and positive notes on Hauer's menacing portrayal. In the British medical drama , the episode "The Blind Side" (series 11, episode 20) aired on on May 19, 2009, and centers on ethical conflicts in patient care. The plot follows surgeon Elliot Hope as he grapples with a terminally ill patient, Brian Coley, who invokes a do-not-resuscitate (DNR) order from his living will prior to surgery, forcing the medical team to confront issues of and professional duty. Praised for its character-driven exploration of end-of-life decisions, the episode underscores tensions between medical intervention and patient rights in a hospital setting. Several other television episodes bear the "Blindside" title, often involving unexpected betrayals or accidents. For instance, the 1993 Baywatch episode "Blindside" (season 4, episode 4) depicts a former lifeguard returning to the team amid personal reconciliations and rescue challenges. Similarly, the 1997 JAG episode "Blind Side" (season 2, episode 15) investigates a naval aviator's ejection after an F-14 Tomcat clips a tower, leading to a fatal crash and questions of accountability. The 1993 Bodies of Evidence episode "Blindside" (season 1, episode 16) portrays detectives pursuing a stabbing suspect despite eyewitness contradictions and hospital intrigue. In the Marvel series Daredevil, the episode "Blindsided" (season 3, episode 4, aired October 19, 2018) depicts Matt Murdock infiltrating a prison to find information on Wilson Fisk while facing threats from inmates.

Music

Bands and albums

Blindside is a Christian rock and band formed in 1994 in the suburbs of , originally under the name Underfree. The group changed its name to Blindside in 1996 and consists of vocalist Christian Lindskog, guitarist Simon Grenehed, drummer Marcus Dahlström, and bassist Tomas Näslund. They drew early inspiration from American metal, , and , evolving into a melodic yet aggressive sound with nu-metal influences through associations with acts like . Initially self-financed and playing local gigs, the band signed with Solid State Records, a of Tooth & Nail, which released their early work and helped establish them in the Christian hardcore scene. The band's self-titled debut album, Blindside, arrived in 1997 via Solid State Records, featuring raw hardcore elements and marking their entry into the international scene; it was reissued in 2005 by DRT Entertainment. Their second album, A Thought Crushed My Mind (2000, also on Solid State), shifted toward darker, more introspective lyrics while retaining melodic intensity. Signed to Elektra Records in 2002 through an endorsement by P.O.D., they released Silence, produced by Howard Benson, which debuted at No. 83 on the Billboard 200 and broadened their mainstream appeal with tracks blending vulnerability and aggression. Follow-up About a Burning Fire (2004, Elektra), also produced by Benson, peaked at No. 39 on the Billboard 200, showcasing a refined dynamic style and solidifying their presence in alternative rock. Later releases include The Great Depression (2005, DRT Entertainment), an EP titled The Black Rose (2007), and With Shivering Hearts We Wait (2011, INO Records), emphasizing themes of hope and emotional depth. Blindside gained significant impact through extensive touring, including stints with , , and , which exposed them to wider audiences across more than 25 countries and hundreds of shows. After entering a hiatus in 2007 to focus on personal lives, the band reunited sporadically, releasing occasional singles like "" (2019), "Dead Weight" (March 2025), and featuring on Memphis May Fire's "Overdose" (January 2025), with plans for a new album announced in June 2025—their first full-length in over a decade.

Songs

Several songs titled "Blindside" or close variants have been released by various artists across genres, often exploring themes of vulnerability, deception, or narrative-driven storytelling. One prominent example is James Arthur's "Blindside," a single released on August 4, 2023, from his fifth studio album Bitter Sweet Love (2024). This pop ballad delves into the emotional turmoil of falling in love at the wrong time while unpacking past trauma, as described by Arthur himself. The track peaked at number 18 on the UK Singles Chart. Its accompanying music video, directed by Tim Mattia, features Arthur in introspective and dramatic scenes, emphasizing the song's raw emotional edge. In the progressive rock realm, Coheed and Cambria released "Blind Side Sonny" as a single on October 1, 2024, serving as the lead track for their album Vaxis – Act III: The Father of Make Believe (released March 14, 2025). This sci-fi-infused song introduces a new character in the band's expansive Amory Wars universe, portraying a ruthless mercenary driven by revenge, with vocalist Claudio Sanchez explaining it as a narrative about what may seem like justice but reveals deeper moral ambiguity. The track showcases the band's signature complex instrumentation and thematic depth, blending heavy riffs with melodic hooks. Instrumental compositions bearing similar titles appear in film soundtracks, notably Carter Burwell's "To Protect His Blind Side," a 1:06-minute piece from the original motion picture soundtrack for The Blind Side (2009). This subtle, orchestral cue underscores moments of protection and vulnerability in the film's narrative, composed as part of Burwell's score that mixes tension with emotional resonance. While other tracks like ' "Cello Song" (featuring José González) are featured on the same album, they do not directly match the "Blindside" . Other notable recordings include Alice Merton's "Blindside" (2022), an track from her album S.I.D.E.S., which critiques personal blind spots in relationships through upbeat synth-driven production. Additionally, Icon for Hire's "Blindside" (initially released as a in 2019, from Amorphous in 2021) delivers intensity, focusing on themes of unexpected betrayal with aggressive vocals and guitar work. These songs, while not always charting highly, contribute to the motif's presence in and , occasionally echoing influences from earlier rock acts like the Swedish band Blindside in their exploration of introspective lyrics.)

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