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Superbad

Superbad is a 2007 American coming-of-age teen comedy film directed by and written by and . The film stars as Seth and as Evan, two high school seniors and best friends who embark on a chaotic quest to acquire alcohol for a party on their last weekend before , enlisting the help of their awkward classmate Fogell (), while dealing with separation anxiety and encounters with bumbling officers played by and . Produced by under and distributed by Releasing, it premiered on August 13, 2007, at and was theatrically released on August 17, 2007. The screenplay, originally written by Rogen and as teenagers in the early 1990s and later refined during their time at , draws from their own high school experiences and captures the awkwardness, humor, and emotional depth of teenage and romance. With a of approximately $20 million, Superbad grossed $170 million worldwide, becoming one of the highest-grossing R-rated comedies of its time and marking a commercial breakthrough for the Apatow comedy collective. Critically acclaimed for its authentic portrayal of , sharp , and breakout performances—particularly from , Cera, and Mintz-Plasse—the film holds an 88% approval rating on based on 206 reviews, with praise for balancing raunchy humor with heartfelt moments. Superbad received several award nominations, including for Best Comedy and Best Young Actor () at the 13th Critics' Choice Awards, Best Comedy at the , and multiple nods at the 2008 , such as Best Movie and Best Comedic Performance. Its cultural impact endures as a defining teen of the , launching the careers of its young leads and influencing subsequent films in the genre with its blend of vulgarity and vulnerability; the character McLovin has become an iconic pop culture reference, often parodied in . In 2025, the film inspired a virtual table read and a new book. The film's , featuring a mix of and original score by , further contributed to its nostalgic appeal.

Synopsis

Plot summary

High school seniors and Evan, best friends facing separation anxiety as they prepare to attend different colleges, spend their final weeks plotting to attend a house party thrown by popular student in hopes of finally losing their virginities before . Their plan hinges on acquiring to impress the partygoers, enlisting their awkward friend Fogell, who has obtained a fake ID identifying him as the Hawaiian exchange student "McLovin." The trio heads to a , where Fogell attempts to purchase the booze alone, but the situation escalates when two armed robbers burst in, demanding money and threatening the store owner during the chaos. Fogell hides behind the as officers Slater and arrive just in time to scare off the robbers, though they initially suspect Fogell of involvement; after reviewing security footage and being amused by his fake ID, the officers befriend him and decide to help him score themselves, leading to a night of reckless antics including that results in the patrol car hitting and later crashing into a post. Meanwhile, and , waiting outside the liquor store, panic at the sight of and flee on foot, eventually stumbling upon a rowdy filled with older adults. Desperate for , infiltrates the and barters with a guest named Aldo, but a brawl erupts when refuses to hand over cash, resulting in him being struck in the head with a bottle and sustaining a painful that leaves him bloodied. The friends manage to swipe several bottles of during the and escape in a stolen vehicle, but tensions boil over during the drive as accuses of being too passive and reliant on their friendship, leading to a heated argument that strands after drives off in frustration. Reuniting later with Fogell—who has been dragged into the cops' increasingly drunken escapades, including a botched attempt—the group presses on to Jules's , though 's worsening and the group's disheveled state complicate their arrival. At the , which descends into wild chaos with spilled drinks, fights, and rampant underage drinking, attempts to woo but accidentally headbutts her while dancing, exacerbating his head wound and covering both in blood; she helps clean him up in a , where they share a vulnerable moment, though passes out from pain and alcohol. , meanwhile, connects with his crush Becca, who is heavily intoxicated, and accompanies her home, where he gently tucks her into bed without taking advantage of the situation, choosing instead to sleep chastely beside her. The night culminates in Slater and raiding the party in search of the escaped robbers, forcing and an unconscious to flee together, with carrying his friend to safety in a touching display of their bond. The next morning, the friends reconcile at the mall, where and encounter and Becca again; the girls express interest in dating them, and the boys share a final act of rebellion by drawing phallic on their lockers before parting ways, confident in their enduring friendship despite the impending changes.

Themes

Superbad explores the intricacies of male as its core theme, portraying the deep emotional bonds between adolescent boys navigating of high school. The film depicts these relationships with sensitivity, highlighting moments of vulnerability and affection that underscore the value of amid societal pressures to prioritize romance. This theme is amplified through the protagonists' fears of separation as they approach , emphasizing how serves as a during the turbulent transition to adulthood. The humor arises from the awkwardness of their interactions, blending crude jokes with genuine tenderness to illustrate the complexities of growing up. Central motifs in the film symbolize the characters' quests for maturity and self-definition. functions as a key emblem of hood, representing the characters' misguided belief that will unlock confidence and romantic success, often leading to comedic mishaps that expose their inexperience. The "McLovin" fake ID embodies experimentation, as the character adopts a fabricated to infiltrate forbidden spaces, reflecting the teenage impulse to reinvent oneself for acceptance. Homosocial bonds take precedence over heterosexual romance, with the film delving into homoerotic undercurrents in male friendships that challenge traditional notions of , ultimately affirming among peers. The narrative subverts conventional teen comedy tropes by prioritizing emotional authenticity over superficial conquests, such as shifting focus from sexual triumphs to the preservation of friendships. This approach evokes a for teen films like those of John Hughes, through its emphasis on awkward outsiders and heartfelt coming-of-age humor, while adapting these elements to a more raunchy, contemporary lens. By humanizing the awkwardness of teenage sexuality and the rite-of-passage quest for a , Superbad offers a layered comedic examination of youth that resonates beyond mere laughs.

Cast and characters

Principal cast

The principal cast of Superbad (2007) features a mix of emerging and established comedic talents, portraying the film's core ensemble of high school students and authority figures.
ActorRoleBasic Traits
SethAcademically challenged high school senior, outgoing and aggressive best friend hopeful about romantic prospects.
EvanLanky high school senior with a reserved demeanor and wide-eyed surprise, Seth's loyal counterpart.
Fogell (aka McLovin)Awkward classmate aspiring to suavity, skilled at forging identities but often a comedic irritant.
Officer MichaelsJuvenile police officer partnering in bungled enforcement, bringing deadpan humor to authority.
Officer SlaterEnergetic and dangerously immature cop, amplifying the duo's chaotic comedic energy.
JulesCharismatic school "hottie," object of adolescent infatuation with poised allure.
BeccaAttractive peer embodying teenage crush ideals, with a mix of vulnerability and appeal.
Jonah Hill's portrayal of Seth marked his breakout role in lead comedy, following supporting parts in Judd Apatow productions like (2007), which helped establish him as a go-to for brash teen characters. Michael Cera, already known for awkward teen roles in (2003–2006), reinforced his typecasting as the endearingly neurotic Evan in Superbad. Christopher Mintz-Plasse made his film debut as Fogell, launching his career with the memorable "McLovin" persona after minor TV appearances. Seth Rogen, who co-wrote the screenplay based on his youth, played Officer Michaels as an extension of his (1999–2000) roots in slacker comedy. Bill Hader, fresh from (2005–2012), brought improvisational flair to Officer Slater, building on his cameo. Emma Stone debuted on film as Jules, transitioning from TV guest spots on shows like (2007). Martha MacIsaac, with prior Canadian TV experience including (1998–2000), portrayed Becca as a natural fit for youthful ensemble roles.

Character development

The central characters in Superbad undergo significant personal growth amid the chaos of their final high school days, with Seth's arc revealing a bravado that conceals deep-seated insecurities about his social standing and impending separation from his . Initially driven by a desire to prove his maturity through acquiring alcohol for a and pursuing a romantic encounter, Seth confronts his vulnerabilities during a heated argument that exposes his fear of abandonment, ultimately leading to greater and emotional openness. Evan's development contrasts sharply, as his inherent sensitivity and reluctance to engage in crude antics evolve into a newfound , motivated by his to connect authentically with his while navigating the pressures of transition. This growth culminates in his rejection of opportunistic advances, affirming his values and strengthening his resolve. Fogell's transformation is marked by his initial awkwardness as the group's outsider, using a fabricated ID named McLovin to seek validation and adventure, which unexpectedly fosters confidence through unlikely alliances and mishaps, shifting him from naive follower to a more assertive participant in the night's escapades. The relationships among the protagonists form the emotional core of the narrative, particularly the between and , which serves as the central dynamic and is tested by their diverging paths—Evan's acceptance to an out-of-state versus Seth's local plans—highlighting themes of and . Their , characterized by playful banter masking profound affection, reaches a poignant that underscores mutual reliance without overt until a climactic moment of vulnerability. Romantic subplots further illuminate maturity gaps, as Seth's aggressive pursuit of exposes his inexperience with genuine intimacy, while Evan's gentler approach to Becca reveals a more empathetic but hesitant navigation of desire, both arcs emphasizing the protagonists' uneven transition from adolescent fantasies to adult realities. These characters embody classic teen archetypes, with Seth representing the loud, insecure whose crudeness stems from a need for , Evan the thoughtful introvert striving for , and Fogell the quirky misfit leveraging ingenuity for belonging. Supporting roles, such as the bumbling partnership of police officers Slater and , mirror this immaturity through their own regressive antics and nostalgic camaraderie with Fogell, portraying authority figures as equally prone to youthful folly and reinforcing the film's exploration of across ages.

Production

Development and writing

The script for Superbad originated as a semi-autobiographical project by and , drawing directly from their experiences as high school friends in Vancouver, Canada. The duo began writing it in around age 14 in the mid-1990s, motivated by a desire to create a better teen than the films they were watching at the time, and completed the first draft not long after. Early versions featured characters closer to their actual age at the start of writing, reflecting raw, unfiltered adolescent antics like party crashes and awkward social maneuvers. Rogen first pitched the script to in 1999 while working on the television series , though significant development accelerated around 2003 after Rogen and Goldberg had relocated to . Apatow, recognizing its potential, collaborated on revisions to deepen the emotional core, particularly the theme of male friendship, by adding scenes like the sleeping bag sequence and mall confrontation to balance the humor with vulnerability. These changes addressed the script's initial length and intensity, toning down some extreme elements—such as an early pot-smoking subplot—while preserving its chaotic energy. Following the commercial success of Apatow's in 2005, Columbia Pictures greenlit Superbad in 2006 with a budget of $20 million, allowing for a mid-range production scale suitable for its character-driven comedy. Key creative decisions centered on committing to an R-rated tone to authentically depict high school life, incorporating profane dialogue, sexual innuendos, and scenarios like forging IDs for alcohol—elements rooted in the writers' real-life stories. The script also built in flexibility for improvisational elements in dialogue, enabling actors to expand on the naturalistic banter during rehearsals and filming. Later, director was attached to helm the project, bringing a grounded visual style to the material.

Casting

The casting process for Superbad emphasized finding actors who could capture the authentic awkwardness and camaraderie of high school friendships, with producer and casting director Allison Jones prioritizing chemistry through extensive auditions and table reads. Jonah was cast as Seth after persistent self-tapes and auditions, despite initial concerns about his age in his early 20s for a high school role, while was selected as Evan following recommendations from and multiple chemistry tests with Hill that highlighted their natural rapport, building on Hill's prior work in Apatow-produced projects like . A key challenge was securing age-appropriate performers to convincingly portray teenagers, as many young actors struggled to balance youthful appearance with the film's mature comedic tone; ultimately, actors like 17-year-old Christopher Mintz-Plasse and 17-year-old Emma Stone fit naturally, though older cast members such as Hill required careful direction to maintain verisimilitude. Open auditions were held at Southern California high schools to discover fresh talent for the role of Fogell (later McLovin), where Mintz-Plasse, a high school senior, impressed director Greg Mottola with his confident, improvisational delivery during callbacks, even as Hill initially objected to his caustic style that disrupted their read. Apatow overruled the tension, noting it mirrored the characters' dynamic, securing Mintz-Plasse's debut role. For the adult roles, and were cast as the bumbling cops Officers Michaels and Slater to provide comedic contrast to the teens' chaos, drawing from Seth Rogen's real-life experience with an inept officer during preparation for the film; Rogen, who co-wrote the script, insisted on Hader after their collaboration on , citing their shared sense of humor for the antagonistic yet endearing duo. landed her film debut as Jules after multiple auditions with Jones and chemistry reads with Hill, where their hour-long improvisations convinced the team of her fit, though her hair was dyed red to distinguish her from another redheaded cast member.

Filming

Principal photography for Superbad took place primarily in and around Los Angeles, California, during September 2006. The high school scenes, depicting the fictional Clark Secondary School, were filmed at El Segundo High School, located at 640 Main Street in El Segundo. The iconic liquor store sequences, where Fogell (Christopher Mintz-Plasse) attempts to purchase alcohol using his fake ID, were shot at the 7 Days Food Store on 1700 Victory Boulevard in Glendale. The chaotic house party at Jules's home was captured at a residence on 140 N. Cliffwood Avenue in Brentwood. A key stunt sequence, the car crash involving Seth (Jonah Hill) being struck by a vehicle driven by Francis (Joe Lo Truglio), utilized practical effects filmed in a school parking lot on the California State University, Northridge campus in the Northridge neighborhood. The production rigged the police car to another vehicle via cables, spinning it around light poles to simulate the impact while avoiding collisions, as described by actor Bill Hader: "We were hooked to this other car that was in the Fast and the Furious movies or something... Every time, you thought you were going to smash into one [of the poles]." Cinematographer Russ T. Alsobrook employed Arriflex 435 ES cameras with Panavision Primo Anamorphic lenses to achieve a 1.85:1 , contributing to the film's vibrant, color-saturated look. The production favored practical effects and on-set execution over digital enhancements, with kept minimal due to budget constraints—producer noted that for tasks like removing period-blood stains was "more expensive than the budget of the film" at the time. The cast incorporated to heighten the comedic chaos, such as extended back-and-forth exchanges between and that lasted several minutes in a single take.

Release and reception

Premiere and marketing

Superbad screened at the in August 2007, ahead of its U.S. premiere at on August 13, 2007, followed by a wide theatrical release in the United States on August 17, 2007, distributed by Releasing. The film's marketing campaign leveraged digital platforms for a grassroots push, including an R-rated trailer that amassed over 1.5 million views on and exclusive content on comedy sites like FunnyOrDie.com, such as mock arguments featuring the leads and sketches with supporting actors as officers. Trailers highlighted the movie's crude, R-rated humor centered on teen awkwardness and party antics, while a element revolved around the "McLovin" fake ID prop from the film, inspiring online memes and fan recreations. Additional promotions included tie-ins with for screenings and comedy programming, alongside interactive ads and widgets on social networks like to target younger audiences. The film received an from the MPAA for pervasive crude and sexual content, strong language, drinking, and drug use, shaping its theatrical run aimed at mature teen and adult viewers. International distribution began in September 2007, with key releases including on September 20 and the on September 14, contributing to a worldwide gross of approximately $170 million. The strong opening weekend performance underscored the effectiveness of the promotional strategy in driving attendance.

Box office

Superbad was released in on August 17, 2007, and earned $33.1 million in its opening weekend across 2,948 theaters, securing the top position on the domestic charts. The film ultimately grossed $121.5 million domestically and $48.6 million internationally, for a worldwide total of $170.1 million, against a reported of $20 million. This performance represented a commercial success, with the film earning more than eight times its budget. Its late-summer release timing positioned it well to attract teen audiences heading into the school year, even amid competition from established hits like , which was in its fourth weekend. Strong word-of-mouth among young viewers, with approximately 60% of the opening weekend audience aged 18-30, further supported its extended run and multiplier of 3.7 times the debut.

Critical response

Upon its release in 2007, Superbad received widespread critical acclaim for its authentic depiction of teenage awkwardness, blending raunchy humor with heartfelt moments about friendship and growing up. The film holds an 88% approval rating on , based on 206 reviews, with an average score of 7.4/10, where critics praised its sharp writing, relatable characters, and standout performances from , , and . On , it earned a score of 76 out of 100 from 36 critics, indicating "generally favorable reviews," with commendations for the film's balance of vulgarity and sincerity in capturing the anxieties of . Prominent reviewers highlighted the movie's comedic strengths while noting its explicit content. Roger Ebert awarded it 3.5 out of 4 stars, calling it a "hilarious and heartfelt" raunchy that excels in rhythm and emotional depth despite its foul-mouthed . However, some outlets criticized the pervasive crude language and sexual themes, with Plugged In describing the film's heart as "submerged beneath f-words and a mountain of raunch," arguing it glamorizes underage drinking and debauchery over positive messages. In retrospect, Superbad has been hailed as a benchmark for the teen comedy genre, with later analyses affirming its enduring appeal in portraying the "agony and ecstasy of growing up" through awkward youth experiences. Fifteen years on, critics continue to celebrate it as a "stupid, fantastic cinematic coming-of-age gift" for its honest representation of millennial , solidifying its status as a cultural touchstone.

Music and media

Soundtrack and score

The original score for Superbad was composed by , a and known for his work on Judd Apatow-produced films. Workman's score draws heavily from and influences, featuring wailing electric guitars, infectious rhythms, and contributions from funk legends like and members of James Brown's backing band, . This retro style creates an upbeat, gritty atmosphere that underscores the film's comedic tension and adolescent awkwardness, blending seamlessly with licensed tracks to evoke nostalgia without overwhelming the narrative. The Superbad soundtrack album, titled Superbad: Original Motion Picture Soundtrack, was released by Lakeshore Records on August 7, 2007, and includes a mix of Workman's original cues and select licensed songs. Key score tracks such as "Super What?" (4:06) and "Seth Pulls Into Lot" (2:38) highlight the funky, swaggering vibe, while integrated songs like "Too Hot to Stop" by (3:28) play during the and driving sequences to amp up the energy. The album runs 52 minutes across 18 tracks and became available digitally shortly after its physical CD release, though it does not encompass all music featured in the film. The soundtrack was reissued on in December 2022 by Lakeshore Records in a limited transparent red edition. Beyond the album, the film incorporates various licensed songs to heighten key moments of humor and chaos. Representative examples include "These Eyes" by , performed acapella by Michael Cera's character during a tense party confrontation with a biker gang, adding emotional vulnerability to the . "Pork and Beef" by The Coup energizes a house party dance sequence where characters like Slater let loose, amplifying the film's raucous teen energy. Other notable tracks, such as "Do Me" by during workplace and drawing scenes, and "Soul Finger" by in parking lot moments, contribute to the nostalgic, eclectic mix that mirrors the protagonists' fumbling quest for maturity. Overall, the soundtrack and score play a pivotal role in Superbad by using funky, period-inspired sounds to punctuate the humor, build comedic rhythm, and infuse the story with a sense of youthful exuberance and retro charm.

Home media

Superbad was released on on December 4, 2007, by in DVD, , and Blu-ray formats as a two-disc unrated extended edition, adding approximately five minutes of additional footage not present in the theatrical version. The edition presented the film in on Blu-ray with 5.1 audio, alongside a standard DVD version. Special features across the discs included an audio commentary track featuring director , producer , writers and , and actors , , and ; about 10 minutes of deleted and extended scenes in ; a 13-minute making-of documentary; audition tapes running 13 minutes; a five-minute gag reel; a "line-o-rama" feature compiling alternate improvised dialogue; and a "Superbad SuperMeter" Blu-ray exclusive that tallied profanities during playback. Additional extras comprised cop car confessions, table reads, and featurettes on the film's production. A Blu-ray double feature pairing Superbad with Pineapple Express was issued on October 23, 2009. The film later became available for digital purchase and rental in 4K UHD resolution on platforms including , offering enhanced visuals in where supported. In the streaming era, Superbad appeared on starting in September 2019, among other periods in the 2010s, before rotating off the service. It also streamed on Peacock from at least June 2023 until sometime in the mid-2020s. As of November 2025, the film is available for digital rental or purchase on platforms including , , and at Home, but not on free streaming services. No significant physical re-releases or new special features have been produced since the initial home media launch.

Books

Two official tie-in books were published by Newmarket Press to accompany the 2007 film Superbad, serving as visual and textual companions that expand fan engagement through production insights rather than a traditional novelization. Superbad: The Illustrated Moviebook, released on December 4, 2007 (ISBN 978-1-55704-798-4), features the complete screenplay by Seth Rogen and Evan Goldberg, along with movie stills and the outrageous phallic drawings that appear in the film. The 144-page volume provides a detailed look at the script's development and key visual elements, timed to coincide with the film's DVD release. Superbad: The Drawings, published on February 13, 2008 ( 978-1-55704-808-0), compiles 62 captioned phallic illustrations created exclusively for the movie by artist David Goldberg, brother of co-writer . This 96-page hardcover focuses on the humorous "phallographics" central to the film's , including those shown in the end credits and additional exclusive pieces inspired by the protagonist's obsessive hobby. These publications draw from the autobiographical roots of the , where Rogen and incorporated elements from their own high school experiences, such as phalluses as teenagers. Together, they offer fans supplementary material highlighting the film's creative process and comedic style without delving into narrative adaptation.

Legacy and accolades

Awards and nominations

Superbad received several accolades highlighting its comedic and breakout performances, though it garnered no nominations from the . In 2007, won the Breakthrough Artist award from the Austin Film Critics Association for his roles in Superbad and . The 2008 Canadian Comedy Awards honored the film with two wins: for Best Performance by a Male – Film, and for Best Writing – Film (Scribe Award). At the , Superbad earned five nominations, the most of any film that year, including Best Movie, Best Comedic Performance for Jonah Hill's portrayal of , and Best Breakthrough Performance for as Evan.

Cultural impact

Superbad has left a significant mark on , particularly through the character Fogell, alias "McLovin," who emerged as an enduring and icon. The fake ID scene, where Fogell adopts the persona of a 25-year-old organ donor, spawned widespread parodies and references across media, solidifying its status as a comedic touchstone. Merchandise featuring "McLovin" designs, such as T-shirts and enamel pins, remains widely available, reflecting the character's lasting appeal as a symbol of youthful audacity and awkward rebellion. The film's influence extends to subsequent teen comedies, notably (2019), which adopts a similar structure of best friends embarking on a chaotic pre-graduation adventure but shifts the focus to female protagonists, evolving the genre's portrayal of adolescent bonds. The movie's cult status is evident in its enduring fanbase, fueled by quotable lines like "I am McLovin!" that continue to permeate everyday language and online discourse. sales underscore this popularity, with over 5.7 million DVD units sold in the United States in 2007 alone, ranking it among the year's top sellers and contributing to its long-term accessibility. In 2025, recognized its cultural resonance by including Superbad at No. 100 on its list of the 100 Best Movies of the , compiled from over 500 filmmakers, actors, and critics, and at No. 53 in the readers' choice poll based on more than 200,000 ballots. Beyond memes and rankings, Superbad has shaped representations of awkward humor in , emphasizing the cringeworthy realities of teenage through characters like and , whose misadventures highlight vulnerability over polished wit. It also sparked discussions on male friendship, portraying the duo's codependent bond with sensitivity and depth, challenging by exploring amid raunchy —a theme that resonated in analyses of dynamics in film. Although no sequels have materialized, rumors of potential reboots or follow-ups, including pitches involving college-aged versions of the characters, have circulated but remain unconfirmed, with cast and crew expressing reluctance to revisit the story.

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