Buffalo Stance
"Buffalo Stance" is a song written and performed by Swedish singer-songwriter Neneh Cherry, released in November 1988 as the lead single from her debut album Raw Like Sushi.[1] The track, which derives its title from a street pose involving crossed arms and a sideways glance symbolizing a defiant attitude, blends hip-hop verses with a pop chorus, incorporating samples and synthesizers like the Roland JX-10.[2] Produced by Tim Simenon and Mark Saunders in a rapid five-day session at a London studio, it propelled Cherry to international prominence despite her pregnancy during recording and the accompanying music video shoot.[3][2] Commercially, it achieved peak positions of number 3 on both the UK Singles Chart, where it spent 13 weeks, and the US Billboard Hot 100, alongside reaching number 1 on the Billboard Dance Club Songs chart.[1][4] The song's innovative fusion of genres and Cherry's raw delivery established it as a landmark in late-1980s alternative hip-hop and pop, influencing subsequent artists in the trip-hop scene.[2]Origins and Concept
The Buffalo Stance Pose and Fashion Influence
The Buffalo Stance refers to a defiant posture characterized by crossing one's arms tightly over the chest while gazing sideways, projecting toughness and unyielding attitude.[2][5] This pose, evoking streetwise resilience, draws from Caribbean slang where "buffalo" denotes stylish toughness, as curated by Scottish stylist Ray Petri in the late 1980s Buffalo collective—a loose group of models, musicians, and creatives including Neneh Cherry that pioneered layered, eclectic styling blending hip-hop, punk, and workwear elements.[6] In Neneh Cherry's 1988 "Buffalo Stance" music video and live performances, she exemplified the pose while seven months pregnant, enhancing its raw, empowered imagery amid bold urban backdrops.[6] Her attire—featuring a cropped gold bomber jacket, oversized hoop earrings, a prominent dollar-sign necklace, and layered casual pieces—embodied the collective's signature oversized silhouettes, mixing high-street staples like Doc Martens boots with accessories signaling affluence and rebellion, such as chunky jewelry and neutral-toned outerwear over vibrant underlayers.[2][7] This visual language influenced 1980s and early 1990s street fashion by normalizing confrontational body language and gender-fluid layering, predating mainstream hip-hop aesthetics in Europe and inspiring subcultures to adopt "buffalo" as shorthand for coordinated, attitude-driven outfits that prioritized personal swagger over conformity.[5][8] Cherry's iteration, through MTV exposure reaching millions, amplified the pose's adoption in youth fashion scenes, evidenced by later homages in campaigns like Dr. Martens' 2015 tribute to the Buffalo "youthquake," which credited Petri's group for innovating stylist-driven personal narratives in clothing.[9] The stance's enduring legacy appears in modern reinterpretations, such as 2020 visuals reimagining Buffalo aesthetics for contemporary audiences, underscoring its role in shifting fashion toward empowered, individualistic expression.[10]Neneh Cherry's Inspiration and Early Life Context
Neneh Cherry was born Neneh Mariann Karlsson on March 10, 1964, in Stockholm, Sweden, to Swedish painter Monika "Moki" Karlsson and Sierra Leonean percussionist Amadu Jah, with American jazz trumpeter Don Cherry later becoming her stepfather after her mother's remarriage.[11][12] This multicultural family environment, marked by artistic and musical improvisation—particularly through Don Cherry's free jazz influences—provided early exposure to global rhythms and creative expression, shaping her affinity for genre-blending sounds.[13] Cherry spent formative years dividing time between Sweden and New York City, where her stepfather's performances immersed her in jazz improvisation, before returning to Sweden and leaving formal education at age 14 to pursue music independently.[14] At age 16, in 1980, Cherry relocated to London, entering the vibrant post-punk scene amid the city's multicultural undercurrents, where she contributed vocals to bands including The Cherrys and the experimental Rip Rig + Panic, absorbing punk's raw defiance and communal energy.[14][15] This period bridged her jazz heritage with emerging hip-hop imports from New York, fostering a style that merged rhythmic spoken-word delivery with attitude-driven performance, as she navigated squats, clubs, and the urban youth culture of 1980s Britain.[16] These experiences directly informed "Buffalo Stance," released in 1988, with its title and iconic pose—arms crossed tightly while glancing sideways—drawing from the Buffalo Collective, a London-based fashion and style crew led by stylist Ray Petri, whose subversive aesthetic celebrated layered, oversized clothing and street toughness among black and multicultural youth.[17][2] Cherry's immersion in this scene, echoing hip-hop stances like those of Run-DMC, channeled her early punk resilience and familial improvisational roots into lyrics evoking female empowerment amid economic and social survival in city streets.[2][15] The track's fusion reflected her trajectory from jazz-infused childhood to London's hybrid club cultures, prioritizing unpolished authenticity over commercial polish.[18]Production
Songwriting and Sampling Sources
The song "Buffalo Stance" was co-written by Neneh Cherry, Cameron McVey (also known as Booga Bear), Jamie J. Morgan, and Phil Ramocon, with credits reflecting their collaborative contributions to lyrics and composition.[19] [20] It originated during sessions for the project Morgan McVey, featuring Cherry's vocals on an early version released under that group's name before being redeveloped as her debut single.[19] Cherry handled primary lyrical duties, drawing from personal experiences of urban life and empowerment, while McVey and Morgan contributed structural and melodic elements tied to their electronic and hip-hop influences.[21] Ramocon's input focused on arrangement details, as noted in production credits.[22] Sampling played a central role in the track's sound, with producers Tim Simenon and Mark Saunders integrating elements from prior recordings to create its fusion of hip-hop, pop, and funk. The prominent saxophone break samples "Chicken Yellow (Let Me Do It to You)" by the American funk band Miami, released in 1974 on their album Party Down.[23] Vocal and rhythmic hooks derive from "Buffalo Gals" by Malcolm McLaren and the World's Famous Supreme Team, from McLaren's 1983 album Duck Rock, which itself interpolated traditional folk elements with hip-hop beats.[23] [24] Additionally, breakbeat and ad-lib samples come from "(Hey You) The Rock Steady Crew" by The Rock Steady Crew, a 1983 single emphasizing b-boy culture and scratching techniques.[23] These choices, cleared through licensing, underscore the era's sampling practices, blending obscure funk grooves with early rap and breakbeat sources to evoke streetwise energy without relying on mainstream hits.[23] No uncleared or disputed samples have been documented in legal or production records for the original release.[25]Recording and Key Contributors
"Buffalo Stance" was recorded at Hot Nights Studio in Fulham, London, over approximately five days in late 1988, with mixing completed at The Roundhouse Studios in Camden within two additional days.[26][3] The session operated under a modest budget allocated by Circa Records, emphasizing efficiency in a compact studio environment equipped with an Otari 24-track recorder, Soundcraft console, Akai S900 sampler, Casio CZ101 synthesizer, Atari ST running Cubase for sequencing, and a Neumann U87 microphone for vocals.[3][26] Key contributors included co-producers Tim Simenon and Mark Saunders, with Saunders also serving as recording engineer responsible for programming drums and bass lines using the Akai S900 and Casio CZ101, as well as incorporating samples from a limited stack of vinyl records.[26][3] Neneh Cherry provided lead vocals and ad-libs in a spontaneous manner, delivering her performance while heavily pregnant, which Simenon described as unfettered and effective despite the circumstances.[26] Simenon contributed turntable scratches and sample selections, drawing from hip-hop and electronic influences, while Cameron McVey, Cherry's partner and co-writer, offered creative input during the process.[26][3] The track's assembly relied on cut-and-paste sampling techniques rather than extensive live instrumentation, with Saunders noting the session as exceptionally smooth, requiring minimal revisions: "It was the most painless track I’ve ever worked on."[26]Musical and Lyrical Elements
Genre Fusion and Instrumentation
"Buffalo Stance" exemplifies a fusion of hip-hop, pop, and cut-and-paste sampling techniques, incorporating rap verses delivered with rhythmic sass alongside melodic sung choruses to create a propulsive, hook-driven track that bridged underground influences with mainstream appeal.[26][2] This blend drew from early 1980s hip-hop grooves, reggae undertones, and R&B elements, evident in its inventive arrangement featuring multiple bridges and ad-libs that added dynamic shifts and character.[26][3] The song's structure eschewed conventional verse-chorus formulas, opting instead for a collage-like progression that integrated scratched introductions and funky interludes, reflecting producer Tim Simenon's expertise in layering disparate sounds into a cohesive pop breakthrough.[26][2] Instrumentation centered on electronic and sampled elements, with drums programmed via Atari ST running Cubase software and realized through an Akai S900 sampler for a crisp, machine-like rhythm foundation, augmented by a Roland DR-55 drum machine.[26][3] Basslines were generated using a Yamaha DX7 synthesizer, while arpeggiated synth lines and the rising keyboard motif concluding each chorus employed a Roland Super JX-10, leveraging its dual JX-8P-derived architecture for rich, layered tones.[26][2] A twangy guitar riff, sampled and processed on an E-mu Emulator II (or III in some accounts), provided a yearning hook reminiscent of alternative rock influences, introduced subtly during mixing at Roundhouse Studios.[26][3][2] Additional textures came from a Casio CZ-101 synthesizer and vinyl-sourced samples, including a funky saxophone break scratched from The Rock Steady Crew's "Hey You (The Rock Steady Crew)," alongside interpolations from Miami's "Chicken Yellow" and Malcolm McLaren's "Buffalo Gals."[26][23] Vocals were captured with a Neumann U87 microphone, enhanced by techniques like backward reverb on select lines for atmospheric effect.[26][3]Lyrics: Themes of Empowerment and Street Survival
The lyrics of "Buffalo Stance," written by Neneh Cherry alongside co-writers, center on a narrative of a confident woman confronting urban hustlers and asserting her independence.[20] Key verses depict a "gigolo on the street" attempting seduction with superficial flair—"with his hands in his pockets and his crocodile feet"—but facing rejection: "No money man could win my love / It's sweetness I'm thinking of."[20] This establishes a protagonist who demands genuine emotional depth over transactional exchanges, embodying self-reliance amid predatory encounters.[27] Empowerment emerges through the repeated chorus, which invokes the "buffalo stance" as a defiant posture: "We always hang in a buffalo stance / We do the dive every time we dance / I'll give you love baby not romance / I'll make a move nothing left to chance." Cherry has described this as symbolizing "female strength, female power, female attitude," emphasizing proactive agency rather than passive romance.[27] [2] The stance itself, akin to hands-on-hips defiance, serves as both physical and metaphorical armor, allowing the woman to navigate social dynamics on her terms without vulnerability to manipulation.[5] Street survival themes underscore the song's urban grit, portraying life as a high-stakes environment requiring vigilance: "It was coming your way, but you had to survive / When you lost your babe, you lost the race / Now you're watching from the back / Trying to reach the main line."[20] These lines evoke the consequences of complacency in a competitive street milieu, where losing ground to rivals demands adaptive resilience. Cherry frames the track as concerning "sexual survival," not ideological feminism, but practical toughness forged in real-world encounters with opportunists like pimps or gigolos.[27] The buffalo metaphor reinforces this, representing headstrong navigation of challenges, as Cherry noted it as "an attitude you have to have in order to get by."[17] Overall, the lyrics blend bravado with caution, promoting an empowered survival strategy rooted in authenticity over illusion.[28]Release and Promotion
Single Release Details
"Buffalo Stance" was released as a single in November 1988 by Circa Records, an imprint of Virgin Records, in the United Kingdom.[26][29] It served as the lead single from Neneh Cherry's debut album Raw Like Sushi.[30] The single was issued primarily in 7-inch and 12-inch vinyl formats, with UK catalog numbers YR 21 and YRT 21 respectively.[25] The 7-inch version featured the main track "Buffalo Stance" on the A-side, while B-sides varied across pressings and included versions such as the Scratchapella or instrumental mixes.[25] The 12-inch edition offered extended mixes, including dub and house-oriented remixes, catering to club and radio play.[25] Additional formats like cassettes and CDs followed in various markets, with releases extending into 1989 in regions such as the United States.[25]Music Video Production and Visual Style
The music video for "Buffalo Stance" was directed by John Maybury and produced by Ali Newling, with filming occurring in late 1988 shortly before its December release in the United States and United Kingdom.[31] Conducted on a low budget, the production captured Neneh Cherry performing while heavily pregnant, a detail that contributed to its unconventional and provocative presentation at the time.[3] Cherry's pregnancy, which was eight months along during related live performances like on Top of the Pops, mirrored the video's raw energy, emphasizing her commitment to an unfiltered artistic expression without altering her style or choreography.[32] [33] Visually, the video centers on Cherry executing the titular "buffalo stance"—a hip-hop-inspired pose involving tightly crossed arms and a sideways glance, evoking toughness and streetwise defiance akin to styles adopted by groups like Run-DMC.[2] She appears in casual, oversized streetwear including trainers, bicycle shorts, and layered tops that accentuate the pose's bold silhouette, blending urban fashion with a minimalist set design to foreground her commanding presence.[34] The aesthetic fuses hip-hop attitude with pop accessibility, using straightforward lip-syncing and dynamic camera work to highlight movement and facial expressions, avoiding elaborate effects in favor of authentic, gritty realism.[35] This visual approach not only reinforced the song's themes of empowerment and skepticism toward superficiality but also sparked discussion for portraying a pregnant artist in a high-energy, unapologetic manner, challenging 1980s norms around maternity and performance.[3] The video's style influenced subsequent representations of female rappers in media, prioritizing personal authenticity over polished production values.[36]Commercial Performance
Chart Trajectories and Peak Positions
"Buffalo Stance" entered the UK Singles Chart on December 10, 1988, and ascended steadily to reach its peak position of number 3, which it maintained for two weeks. The track spent 13 weeks on the chart overall, including 5 weeks in the top 10 and 7 weeks in the top 20.[1] In the United States, the single debuted on the Billboard Hot 100 in early April 1989 and climbed to a peak of number 3 after approximately 12 weeks, reflecting its crossover appeal in pop, dance, and alternative formats. It also achieved number 1 on the Billboard Dance Club Songs chart for the week ending April 29, 1989, driven by remixes and club play. On the Hot R&B/Hip-Hop Songs chart, it peaked at number 30.[4][37] The song demonstrated strong international performance, topping charts in the Netherlands and Sweden, while reaching number 21 in Australia and number 14 in New Zealand. It also hit number 1 in Canada.[38][37]| Country/Region | Peak Position | Source |
|---|---|---|
| United Kingdom | 3 | Official Charts Company |
| United States (Hot 100) | 3 | Billboard |
| United States (Dance Club Songs) | 1 | Billboard |
| United States (Hot R&B/Hip-Hop) | 30 | Music VF |
| Netherlands | 1 | Music VF |
| Sweden | 1 | Classic Rock History |
| Canada | 1 | Classic Rock History |
Sales Certifications and Market Reach
"Buffalo Stance" earned Gold certification from the Recording Industry Association of America (RIAA) in June 1989, denoting shipments of 500,000 units in the United States.[39] The single also received Gold status from Music Canada for 50,000 units sold, as well as Gold certification in Sweden.[38] In the United Kingdom, it was awarded Silver certification by the British Phonographic Industry (BPI) in February 1989, representing sales exceeding 250,000 copies under the prevailing thresholds at the time.[39] These certifications underscore the track's strong commercial performance, particularly in North America and Europe, where physical single sales dominated the late 1980s market. No higher-tier certifications, such as Platinum, were reported for the single in major territories, though its parent album Raw Like Sushi benefited from the song's momentum, selling over 300,000 copies in the US by mid-1989.[40] The song's market reach extended across multiple continents, topping charts in the Netherlands and Sweden, and reaching number one on the US Billboard Dance Club Songs chart.[38] It peaked at number three on the UK Singles Chart and entered the top ten in countries including Switzerland, Belgium, and Canada, demonstrating broad appeal in English-speaking and European markets despite limited penetration in non-Western regions.[4] This international traction, driven by radio airplay and club play, positioned "Buffalo Stance" as a crossover hit bridging hip-hop, pop, and dance audiences globally.[39]Reception
Contemporary Critical Reviews
"Buffalo Stance," released in November 1988, garnered acclaim from music critics for its audacious blend of hip-hop attitude, funky basslines, and pop accessibility, positioning Neneh Cherry as a fresh voice in late-1980s urban music. Reviewers highlighted the track's sassy, streetwise lyrics—delivered with Cherry's confident swagger—and its production by Booga Bear and Tim Simenon, which sampled elements like the bass from Jarrett & DeCilveo's "I Got the Feelin'" while incorporating minimalist drum machines and scratches. The song's empowering narrative, critiquing superficial male advances in favor of genuine connection, resonated as a feminist-leaning counterpoint to prevailing rap tropes.[26] In a review of Cherry's debut album Raw Like Sushi—which prominently featured the single—Rolling Stone critic Rob Tannenbaum praised her evolution from post-punk roots to "hip-hop adventurer," calling the work an "artsy interpretation of current dance styles" that is "funny, timely, inventive and thrilling."[41] Similarly, Village Voice dean Robert Christgau graded the album B+, noting that while Cherry's rapping outshone her singing and songwriting, her "taste in beats is impeccable" and "'Buffalo Stance' is a monster," underscoring the track's infectious appeal amid otherwise solid but uneven material. These assessments reflected broader enthusiasm in UK and US music press for Cherry's genre-defying approach, though some observed the single's reliance on club-friendly grooves occasionally overshadowed deeper lyrical nuance. The track's live premiere on Top of the Pops in late 1988, with Cherry performing eight months pregnant in casual attire, amplified its cultural buzz; while sparking tabloid controversy over propriety, critics celebrated the unapologetic authenticity as emblematic of the song's defiant ethos.[6] Overall, contemporary reception cemented "Buffalo Stance" as a breakthrough, blending commercial savvy with subversive edge in an era dominated by polished pop and gangsta rap precursors.Artist and Industry Perspectives
Neneh Cherry has described "Buffalo Stance" as embodying female strength and power, emphasizing themes of sexual survival rather than positioning it as a feminist anthem.[27][17] She explained the title phrase as "an attitude you have to have in order to get by," drawing from urban slang for standing proud amid adversity, informed by her experiences in London's punk and hip-hop scenes.[42] Producers involved in the track highlighted its experimental evolution. Tim Simenon of Bomb The Bass, who co-produced, noted its origins as a B-side for the pop duo Morgan-McVey, transforming through layered hip-hop beats and jazz-infused samples into a genre-blending hit.[2] Mark Saunders, the engineer and co-producer, recalled innovating with a guitar riff he initially hesitated to suggest, crediting the session's loose, collaborative energy—conducted while Cherry was pregnant—for its raw edge.[3] Cameron McVey, credited as Booga Bear and Cherry's husband, contributed significantly to the production, fostering a creative partnership that extended across her debut album Raw Like Sushi.[43] Subsequent artists have praised its influence on genre fusion and female agency in music. Robyn, in a 2022 rework featuring Mapei, described the song's enduring appeal in blending rap sass with danceable grooves, reflecting its role in inspiring cross-genre experimentation.[44] Industry observers, including author Jayna Brown, have viewed it as a blueprint for Black women's confident expression in hip-hop-pop hybrids, predating similar acts and challenging mainstream norms without conforming to them.[45][46] Its production style, as noted by Sound on Sound, exemplified early hip-hop's punchy hooks and modernist twists, influencing UK producers in merging electronic and organic elements.[26]Legacy and Influence
Long-Term Cultural Impact
"Buffalo Stance" has exerted a lasting influence on hip-hop and pop music by exemplifying genre fusion and empowering female voices in rap, particularly for British women artists who followed Cherry's trailblazing path into the genre. The track's blend of hip-hop rhythms, pop accessibility, and Cherry's assertive delivery helped break molds for women in UK rap during the late 1980s and beyond, inspiring subsequent acts such as the Cookie Crew and later figures like M.I.A., whose styles echo Cherry's confident, boundary-pushing approach.[5] Critics have noted its role as a blueprint for confident expressions of Black female identity in music, aligning with contemporaneous hip-hop releases from artists like MC Lyte while achieving crossover success that elevated women's visibility in the male-dominated field.[45] The song's cultural resonance persists through its sampling of Malcolm McLaren's "Buffalo Gals" and its nod to London's subversive Buffalo Collective, a group of creatives that amplified underground club culture and progressive values, embedding the track in narratives of rebellion and innovation.[2] Its 1989 performance on Top of the Pops, where Cherry appeared heavily pregnant, became an iconic moment symbolizing unapologetic femininity and body positivity, referenced in discussions of 1980s pop zeitgeist and enduring media retrospectives.[47] By the 2020s, "Buffalo Stance" experienced a resurgence on platforms like TikTok, where users recreated its poses and aesthetics, highlighting its adaptability to modern digital culture and renewed interest in 1980s hip-hop fusion. Ranked among the 500 greatest pop songs for its predictive genre-splicing—foreshadowing future hybrids of rap, dance, and electronic elements—the track maintains presence in curated playlists and annual retrospectives of 1980s hits, underscoring its role in shaping perceptions of eclectic, street-smart pop anthems.[48] In 2020, a remade visual by artists Stephen Isaac-Wilson and Gareth Wrighton celebrated its ties to marginal UK club figures, reinforcing its legacy in observing cultural-political parallels across decades.[10] This enduring usage in documentaries and creative reinterpretations affirms "Buffalo Stance" as a touchstone for artistic maturity and cross-generational influence, beyond its initial commercial peak.[49][46]Retrospective Analyses and Modern Reassessments
In the years following its release, "Buffalo Stance" has been reassessed as a pioneering fusion of hip-hop, pop, and dance elements, with critics highlighting its streetwise lyrics and genre-blending production as ahead of its time. A 2018 Pitchfork review of the parent album Raw Like Sushi described the track as a "nearly six-minute collision of synths and skronk, scratching and squealing," emphasizing Cherry's commanding delivery of rebukes to superficiality that anticipated broader trends in female-fronted rap-pop hybrids.[50] Similarly, a 2014 No Ripcord analysis positioned it as a "retrospectively pivotal one-hit-wonder" that achieved a "masterful balance" between raw rap attitude and accessible dance rhythms, influencing subsequent artists who merged urban authenticity with commercial appeal.[51] The 30th anniversary reissue of Raw Like Sushi in 2019–2020 prompted further evaluations of the song's lasting freshness, with outlets noting its continued sonic vitality amid remastered audio and bonus remixes. The Irish Times awarded the deluxe edition four stars in 2020, praising "Buffalo Stance" as "still fresh, still funky as hell," crediting its remixes, demos, and extended versions for underscoring the track's innovative drum-machine grooves and confident swagger.[52] Consequence described the album—and by extension the lead single—as "genre-defying," more dance-oriented than Prince's contemporary work and more politically charged than Madonna's, reflecting a reassessment of Cherry's role in elevating women's voices in male-dominated rap scenes.[53] Audiofemme echoed this in 2020, pointing to the reissue's revelations of the song's "depth and breadth" in dance music influences, from UK street soul to global fusion.[54] Modern reinterpretations, such as Robyn's 2022 cover featuring Mapei on Cherry's The Versions album, affirm the track's adaptability and cultural resonance, reimagining its "stand proud" ethos for contemporary audiences. uDiscover Music noted the remake's video as depicting a "modern day version" of the buffalo stance pose, symbolizing empowerment in diverse, urban settings.[55] Nowness described it similarly as showcasing what "standing proud" looks like today, with collaborators updating the original's bold attitude for a new generation.[56] A 2012 Guardian retrospective credited the song with setting a "template for generations of street smart women" in music, a view reinforced in 2021 Clash Music reflections on its empowering impact amid evolving feminism in pop.[5][57] These reassessments collectively elevate "Buffalo Stance" beyond its initial commercial peak, recognizing its causal role in normalizing confident, genre-crossing female expression in hip-hop-derived music.Remixes, Covers, and Enduring Usage
Several remixes of "Buffalo Stance" were produced contemporaneously with its 1988 release, including the Extended Mix and 12" Mix, which emphasized the track's hip-hop beats and extended instrumental sections for dancefloor appeal.[58][59] In 1989, Virgin Records issued a dedicated remix EP featuring the Electro Ski Mix by Bomb the Bass, incorporating additional electronic elements, alongside the Sukka Mix.[60] Subsequent versions include Kevin Saunderson's Techno Stance Remix I, released in 2012, which infused techno influences into the original's structure.[61] Covers of the song highlight its adaptability across genres. Dutch electro act Alice in Videoland delivered an electronic reinterpretation in 2010.[62] In 2014, American band TeamMate offered a rock-infused version.[63] More recently, James Elkington and Nathan Salsburg, known for instrumental guitar work, covered it acoustically as the lead single for their 2024 album All Gist.[64] Swedish pop artist Robyn, featuring Mapei, reimagined it in 2022 for Neneh Cherry's collaborative album The Versions, which compiled reinterpretations of her catalog by guest artists.[65] Enduring usage manifests in widespread sampling, with the original sampled in 22 tracks and the Sukka Mix in 36, per music database WhoSampled; notable examples include Brazilian artist Fernanda Abreu's "SLA Radical Dance Disco Club" (1990).[66][67][68] The song's integration into anniversary reissues, such as the 2018 30th-anniversary edition of Raw Like Sushi, and its frequent citation in analyses of 1980s hip-hop-pop fusion affirm its sustained relevance in music discourse.[35]Formats and Credits
Track Listings Across Releases
The single "Buffalo Stance" was released in multiple formats beginning in November 1988, primarily through Circa Records in the UK and affiliated Virgin labels internationally, with variations in track listings to accommodate radio edits, instrumentals, and dub mixes for different markets.[25] The core track, a hip-hop influenced number produced by Tim Simenon, appeared in a standard 7-inch mix of approximately 3:40 duration on shorter formats, while extended versions clocking around 5:45 were featured on 12-inch and CD releases.[69] UK 7-inch vinyl (Circa YR 21, 1988)| Side | Title | Duration |
|---|---|---|
| A | Buffalo Stance (7" Mix) | 3:40 |
| B | Buffalo Stance (Electro Ski Mix) | 3:33 |
| Track | Title | Duration |
|---|---|---|
| A1 | Buffalo Stance | 5:45 |
| A2 | Buffalo Stance (Scratchapella) | 1:38 |
| B1 | Buffalo Stance (Instrumental) | 5:29 |
| B2 | Buffalo Stance (Electro Ski Mix) | 3:33 |
| Track | Title | Duration |
|---|---|---|
| 1 | Buffalo Stance (12" Mix) | 5:49 |
| 2 | Buffalo Stance (Scratchapella) | 1:41 |
| 3 | Buffalo Stance (Electro Ski Mix) | 3:35 |
| 4 | Give Me A Muthuf*****ing Break Beat (Sukka Mix) | 5:19 |