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Bust a Move

''Bust a move'' is an idiom, originating in , meaning to perform an energetic dance or to take decisive action, such as leaving quickly. It may also refer to:

As an idiom

Definition

"Bust a move" is an idiomatic expression in American English, most commonly referring to dancing, particularly in an energetic, skillful, or enthusiastic manner. This usage evokes the idea of breaking into spontaneous or impressive dance moves, often in social settings like parties or dance floors, and is rooted in hip-hop and urban dance traditions. For example, one might say, "She busted a move on the dance floor that had everyone cheering," highlighting the performative and expressive aspect of the action. In a secondary sense, " a move" can mean to leave a place quickly or abruptly, often to avoid a situation or meet a deadline. This interpretation, drawn from (AAVE), implies a hasty departure, as in "We need to a move before the traffic gets worse." While less prevalent than the dancing today, this meaning underscores the phrase's versatility in informal speech, where "" conveys breaking away or initiating action suddenly. Both meanings share a dynamic, action-oriented , reflecting the idiom's informal and colloquial , typically used in casual conversations rather than formal contexts. The phrase's popularity has been amplified through cultural references, making it a recognizable part of everyday for expressing movement—literal or figurative.

Etymology

The idiom "bust a move" originates from (AAVE), where it emerged in the 1980s within and cultures. The phrase combines "bust," a term meaning to break out, burst forth, or perform emphatically—derived from the verb "burst" with roots in earlier AAVE expressions for sudden or energetic action—and "move," referring to a step or , particularly in or contexts. This construction reflects the dynamic, improvisational of , where dancers would "break out" into routines to showcase and during block parties or cyphers in urban communities, especially in and . The phrase was in use in hip-hop circles prior to mainstream success, for example, appearing in DJ Jazzy Jeff and the Fresh Prince's 1986 live performance lyrics as a call to dance or perform. It circulated in underground rap and dance scenes as a call to action, extending beyond dancing to imply making a bold or flirtatious advance, such as approaching someone romantically on the dance floor. Its etymological ties to AAVE underscore broader patterns in Black linguistic innovation, where verbs like "bust" adapt to convey release or initiation, similar to phrases like "bust a rhyme" for rapping. The phrase gained widespread national prominence in 1989 through Young MC's hit single "Bust a Move," which peaked at number 7 on the and integrated the into the to describe navigating social and romantic scenarios through and initiative. This exposure propelled "bust a move" from niche slang to a widely recognized expression, influencing pop culture references in media and everyday speech throughout the 1990s.

In music

"Bust a Move" (Young MC song)

"Bust a Move" is a song by British-American rapper (born Marvin Young) from his debut album Stone Cold Rhymin', released in by Records. The track, which serves as a from the album, was issued on May 22, 1989, and became Young MC's signature hit, blending lighthearted storytelling with funk-infused production to depict various romantic scenarios and the art of making a romantic advance, or "busting a move." Young MC wrote the lyrics in approximately 90 minutes while living in his campus apartment, drawing from observations of everyday life without any subsequent edits; he recorded the first draft directly. Co-written and produced by Dike and Michael Ross, the song features guest vocals from Crystal Blake and bass by of the , who also appeared in the music video. Its production incorporates samples including the drum break from "Found a Child" by Ballin' Jack (1970), the bassline from "Scorpio" by (1971), and elements from "Synthetic Substitution" by Melvin Bliss (1973), creating a bouncy, accessible groove that contributed to its crossover appeal. The single achieved significant commercial success, peaking at number 7 on the chart on October 14, 1989, after debuting at number 81 on July 29, and remaining on the chart for 39 weeks. It reached number 9 on the chart and number 2 on the chart, while topping the chart in and reaching number 25 in . In the UK, it peaked at number 73 on the Official Singles Chart. The song's clean, radio-friendly content—eschewing profanity to broaden its audience—helped propel Stone Cold Rhymin' to platinum status in the . "Bust a Move" received critical acclaim for its witty, relatable lyrics and role in mainstreaming during the late 1980s, earning the 1990 Grammy Award for Best Rap Performance—the category's second year of existence. ranked it number 47 on its list of the 100 Greatest Songs of Hip Hop in , highlighting its enduring influence on pop-rap crossovers. As of October 2025, the track has amassed over 171 million streams on , continuing to appear in media like TV shows and films, underscoring its lasting cultural resonance.

"Bust a Move" (Infected Mushroom song)

"Bust a Move" is a psytrance track by the electronic duo , released on June 20, 2000, as the opening song on their second studio album, Classical Mushroom, via YoYo Records. The 8:21-minute composition was produced by duo members Erez Eisen and Amit Duvdevani, both classically trained pianists who incorporated orchestral elements like piano and strings into the genre's driving rhythms and psychedelic soundscapes. This fusion marked a evolution from their debut album The Gathering (1999), emphasizing the "classical" theme in the album's title through intricate melodies and mood shifts. The track features a prominent vocal sample from the 1998 film Species II, delivering the line "It's about time we infected them," which ties into the song's alien-themed lyrics: "Aliens infected us, it's about time we infected them." Musically, it builds with old-school psytrance twists, including a fast-paced piano solo and recurring melodic motifs that shift dynamically, culminating in an energetic breakdown around the 5:40 mark. These elements contribute to its reputation as a dancefloor staple, blending euphoria with technical complexity. Upon release, "Bust a Move" received acclaim within the psytrance community for its innovative production and accessibility, often cited as Infected Mushroom's most iconic track and a highlight of Classical Mushroom, which earned a 3.2/5 average rating from over 800 user reviews. Critics praised its melodic diversity and instrumental layering, with one review noting its "consistently amazing" structure and punny sample integration as standout features. The song has since become a genre benchmark, inspiring remixes—including versions by BLiSS (2018) and Iboga Records (2024)—and maintaining popularity in electronic music sets.

In video games

Bust-a-Move series

The Bust-a-Move series, known internationally as in and other regions, is a long-running action-puzzle franchise developed and published primarily by . It originated as a from Taito's 1986 classic , featuring the bubble-spitting dragon characters Bub and Bob in a new tile-matching format. The series debuted with the 1994 (released as Bust-a-Move in ), where players control a pointer at the bottom of the screen to fire colored bubbles upward, aiming to connect three or more of the same color to make them pop and clear the playfield. If bubbles accumulate and the ceiling descends to the pointer, the game ends, emphasizing strategic aiming, chain reactions, and quick decision-making in both single-player challenge modes and competitive two-player versus battles. The core mechanics of bubble-shooting and matching proved highly addictive and accessible, contributing to the series' enduring popularity across arcade, console, handheld, and mobile platforms. expanded the franchise rapidly in the mid-1990s, with sequels like (1995, released as Bust-a-Move Again in some markets) introducing versus modes with shared screens and puzzle-specific stages that required solving predefined bubble configurations. Later entries, such as Bust-a-Move 3 (1996), added battles and power-ups, while Bust-a-Move 4 (1998) incorporated elements involving the characters' adventures against evil forces. These evolutions maintained the series' focus on real-time puzzle-solving while experimenting with multiplayer dynamics and level variety, often ported to systems like the , , and . The format's success surpassed that of the original in terms of franchise longevity, spawning over 30 titles by 2023 and influencing similar match-three puzzle games. Throughout the and , the series adapted to new hardware and genres, including handheld spin-offs like Bust-a-Move DS (2005) with touch-screen controls and Bust-a-Move Universe (2011) on featuring elements. Compilations and remakes, such as Bust-a-Move Deluxe (2006) for , bundled classic entries with updated graphics. Crossovers expanded the scope, with Azumanga Daioh Puzzle Bobble (2002) integrating anime characters and (2020) blending the puzzle mechanics with universe in a rhythm-puzzle hybrid. The franchise's impact is evident in its inclusion of the original game in curated lists like 1001 Video Games You Must Play Before You Die, highlighting its role in popularizing bubble-shooter puzzles. In recent years, has revitalized the series with modern releases, including Puzzle Bobble 3D: Vacation Odyssey (2021) for VR platforms like , which shifted to fully 3D environments while retaining matching mechanics, and the 2023 title Everybubble! for . The latter introduces a co-op story mode for up to four players, online versus battles, and a tie-in celebration of ' 45th anniversary, marking the first full narrative adventure in the series' . These updates underscore Taito's commitment to evolving the franchise for contemporary audiences, with Everybubble! emphasizing multiplayer accessibility and bubble-bursting chains in diverse modes like Baron's Tower challenges. The series continues to thrive through digital re-releases via services like , ensuring its legacy as a cornerstone of puzzle gaming.

Bust a Groove series

The Bust a Groove series is a pair of rhythm action video games developed by Metro Corporation, blending dance battles with fighting game elements on the PlayStation console. The original Bust a Groove, released in Japan in January 1998 under the title Bust a Move: Dance & Rhythm Action and localized in North America and Europe later that year, was published by Enix in Japan and 989 Studios internationally. An arcade adaptation followed, handled by Namco and Atlus. The sequel, Bust a Groove 2, arrived in 1999 for both PlayStation and arcades, with Namco publishing the arcade version and Enix the home console edition in Japan; it saw North American release by 989 Studios but no European launch. The series is noted for its innovative mechanics that required players to input dance sequences in time with music, influencing early rhythm game design. Gameplay centers on one-on-one dance-offs where players control characters by pressing directional arrows and action buttons to match on-screen cues, building an "" meter to outscore opponents while avoiding attacks from "Jammers"—projectile-like special moves. The first game features 10 playable characters with distinct dance styles, such as for Heat or for Kitty-N, each set against themed stages and accompanied by a of 12 tracks from the Avex Group, spanning genres like , , and . Bust a 2 expands this with new characters including the zombie Bi-O and secret unlocks like the enthusiast Michael Doi, plus refinements such as a visible input , an "Intensity" scoring system, and randomized single-player paths for replayability. Songs in the sequel, produced by East West and FBIJ, include diverse tracks like samba-infused "Gotta Be Happy" and acid- "Zombie Hopper," with dynamic stage transitions during breaks. Both titles support two-player versus modes and adjustable difficulties, emphasizing fluid animations that showcased hardware capabilities. Reception for the series was generally positive among players for its energetic style and accessible fun, though critics noted limitations like repetitive single-player progression and uneven difficulty. The original earned user praise as a "gem" with a 9.0 average on , highlighting its charm despite modest sales of approximately 0.35 million units worldwide. The sequel received mixed reviews, scoring 66 on , with appreciation for added variety but criticism for distracting visuals and lack of depth; it remains rarer due to no reprints or digital ports. Overall, the series holds cult status in rhythm gaming history for pioneering hybrid mechanics and vibrant character designs, though it did not achieve mainstream commercial success.

In television

"Bust A Move Part 1" (Degrassi episode)

"Bust a Move: Part 1" is the thirteenth episode of the seventh season of the Canadian teen drama series Degrassi: The Next Generation, and the 107th episode of the overall series. It originally premiered on CTV in Canada on March 31, 2008, and aired in the United States on The N on April 4, 2008. The episode was directed by Bruce McDonald and written by Vera Santamaria. Running for approximately 22 minutes, it holds an IMDb user rating of 7.8 out of 10 based on 120 votes. This installment serves as the first part of a two-episode arc centered on spring break escapades, exploring themes of relationships, personal growth, and family pressures among the students of Degrassi Community School. The primary storyline follows Manny Santos (played by Cassie Steele), who is eager to secure admission to Smithdale University's prestigious drama program. To bolster her application and appease her conservative father, Manny and her boyfriend, Jay Hogart (Mike Lobel), stage a fake engagement, presenting themselves as a committed couple during her audition preparations. Their ruse initially succeeds, with Manny's father approving of the arrangement and even gifting them a family heirloom ring. However, tensions escalate when Jay, in a moment of jealousy, replaces Manny's professional acting demo reel with a personal sex tape featuring the two of them. Upon discovering the sabotage at a crucial viewing with university scouts, Manny confronts Jay, leading to the immediate dissolution of their pretend engagement and a heated breakup. Distraught but determined, Manny rallies her friends—Emma Nelson (Miriam McDonald), Ashley Kerwin (Melissa McIntyre), and Liberty Van Zandt (Sarah Barrable-Tishauer)—for a girls-only road trip to Smithdale, aiming to salvage her audition opportunity and escape the drama. A parallel subplot focuses on Darcy Edwards (Shenae Grimes), who is dealing with behavioral issues following her , which has strained her family relationships and led to declining grades. Concerned about her rebellious streak, Darcy's parents enroll her in Red Pine Ascent, a strict "" for troubled teens during . Upon arrival, Darcy resists the program's rigid structure, including group therapy sessions and outdoor challenges designed to build self-discipline and emotional resilience. The environment forces Darcy to confront her inner turmoil, and she unexpectedly reunites with her ex-boyfriend Peter Stone (Jamie Johnston), who is also attending the camp. Their interaction hints at unresolved feelings, setting the stage for further development in the subsequent episode. Meanwhile, male characters Jimmy Brooks (Aubrey Graham) and Spinner Mason () plan their own adventure to Smithdale, intending to scout the university's music program and enjoy some freedom. , regretting his actions, hitches a ride with them in a desperate bid to reconcile with Manny and rectify his mistake. The episode builds suspense around these converging road trips, emphasizing the characters' quests for independence amid relational conflicts. Featured cast also includes as Paige Michalchuk in a supporting role, with no notable guest stars. In the U.S., this episode was combined with its sequel and aired as the 90-minute special "The Degrassi Movie" on .

"Bust A Move Part 2" (Degrassi episode)

"Bust a Move: Part 2" is the fourteenth episode of the seventh season of the Canadian teen drama series Degrassi: The Next Generation, and the 108th episode of the overall series. Written by Brendon Yorke and directed by Bruce McDonald, the episode originally premiered in the United States on The N on April 4, 2008, and in Canada on CTV on April 7, 2008. The episode serves as the conclusion to the two-part storyline initiated in "Bust a Move: Part 1," centering on the ongoing road trip adventures of students from Community School. It explores themes of personal accountability, relationship strains, and trauma recovery amid the high school seniors' transition to post-secondary life. The narrative interweaves multiple character arcs during the trip, highlighting the consequences of past actions on future aspirations. In the primary storyline, Manny Santos (Cassie Steele) faces a crisis when she realizes the demo reel for her audition at Smithdale University Drama School is actually an explicit sex tape she recorded with her fiancé, Jay Hogart (Mike Lobel). This mix-up, stemming from Jay's earlier mishandling of the materials, threatens Manny's chances of admission and underscores tensions in their relationship, which began as a for her acting career. By the time Jay rushes to the campus with the proper reel, Manny has already underperformed in her audition due to the shock. However, Jay secures a second chance by posing as her agent and charming Professor Iris Dunwoody (guest star ). Manny aces the re-audition and reconciles with Jay, confirming their at a . The episode examines Manny's resilience as she confronts the fallout, blending humor with the serious implications of and ambition in young adulthood. A parallel subplot follows Peter Stone (Jamie Johnston) supporting his girlfriend, Darcy Edwards (), as she processes the trauma of her at a separate during . Peter encourages Darcy to engage in therapeutic activities focused on rebuilding self-respect and emotional strength. These efforts help Darcy regain a sense of and , portraying a positive model of without relying on unhealthy coping mechanisms. This arc provides contrast to the more chaotic elements of the group road trip to Smithdale, emphasizing supportive partnerships amid adversity. The episode features the core ensemble, including appearances by Emma Nelson (Miriam McDonald), Jimmy Brooks (Aubrey Graham), and Spinner Mason (), who contribute to the road trip dynamics through group interactions and minor conflicts. Guest star , an acclaimed Canadian actress known for roles in films like (1962), adds gravitas to the university scenes as the discerning professor. Production notes highlight the two-part format as a special "Spring Break Movie" event on , allowing for extended runtime to develop the vacation-themed narratives. Upon release, the received a 7.7 out of 10 rating on based on 126 user votes, reflecting appreciation for its blend of drama and character growth during a pivotal transitional phase for the series' protagonists. It continues 's tradition of addressing real teen issues like , ambition, and recovery in an accessible format.

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