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Cabochon

A cabochon is a gemstone that has been shaped and polished into a smooth, convex form with a rounded top and typically a flat base, lacking the facets found in other cuts.^[1] This style emphasizes the stone's inherent color, translucency, and internal features rather than light refraction.^[2] The term derives from the Old French word caboche, meaning "head" or "knob," reflecting the rounded, head-like shape.^[3] The cabochon cut represents one of the earliest and most enduring techniques in gemology, with origins tracing back to ancient civilizations where lapidaries polished stones for adornment without advanced faceting tools.^[4] Prior to the 14th century, when faceting emerged in Europe, nearly all precious and semi-precious stones were prepared as cabochons, making it the default method for showcasing gems in jewelry and artifacts.^[4] This approach persisted because it best highlights phenomena like asterism (star effects) in sapphires and garnets, chatoyancy (cat's-eye banding) in chrysoberyl, and the play-of-color in opals, which would be diminished by faceting.^[5] Cabochons are particularly suited to opaque or translucent materials such as turquoise, jade, moonstone, and agate, where the smooth dome enhances surface luster and depth.^[6] They are commonly cut into oval, round, or custom shapes and set in bezels or closed-back mountings to protect the flat base and secure the stone.^[7] In modern jewelry design, cabochons continue to evoke a timeless, organic aesthetic, often appearing in vintage-inspired pieces or as focal points in necklaces, rings, and earrings.^[8]

Definition and Characteristics

Definition

A cabochon is a gemstone that has been shaped and polished to feature a flat base and a smooth, domed convex top surface, without the flat facets characteristic of traditional gem cutting.^[9]^[10] This cut style contrasts with faceted gems, which rely on angular planes to reflect light and create sparkle.^[11] The term "cabochon" originates from the Old French word "cabochon," derived from "caboche" meaning "head" or "knob," which describes the rounded, protruding dome shape.^[12] The primary purpose of this cut is to highlight the gemstone's inherent qualities, such as its color, internal inclusions, or optical phenomena like asterism—the star-like effect seen in certain minerals when light interacts with aligned inclusions.^[9]^[10] Key terminology in cabochon design includes "dome height," which refers to the vertical measurement from the flat base to the apex of the curved top, influencing the stone's profile and light interaction; domes can vary from low (shallow curve) to high (pronounced elevation).^[10] The "girdle" denotes the thin edge where the dome meets the base, often beveled slightly to protect against chipping and facilitate secure mounting in jewelry settings.^[10]

Physical Properties

Cabochons exhibit distinctive optical effects that are amplified by their smooth, convex surface, distinguishing them from faceted gems. Chatoyancy, known as the cat's-eye effect, arises from the reflection of light off parallel fibrous inclusions or structures, producing a narrow, moving band of light across the dome when the stone is rotated. This phenomenon is optimally showcased in cabochon cuts, as seen in materials like chrysoberyl (cymophane) and crocidolite quartz (tiger's eye).^[9] Asterism creates star-like patterns through intersecting rays of light scattered by oriented inclusions, such as rutile needles in corundum, forming a multi-pointed star visible on the polished dome; star sapphires and rubies exemplify this effect, where the cabochon shape aligns the inclusions perpendicular to the base for maximum visibility.^[13] Adularescence, a soft, floating milky glow, results from light interference within layered structures, as in orthoclase feldspar (moonstone), where the domed surface enhances the billowy diffusion of light through the translucent body.^[13] The luster and surface finish of cabochons contribute significantly to their aesthetic appeal and light interaction. The convex dome receives a high polish to achieve a vitreous or silky luster, allowing for optimal reflection and diffusion of light across the surface, which emphasizes color and subtle internal features.^[14] In contrast, the base is typically left rough, frosted, or ground flat to diffuse stray light and prevent internal reflections that could dull the dome's appearance, ensuring the primary light path focuses through the top.^[10] Cabochons are particularly suited to opaque or translucent gem materials where inclusions enhance rather than detract from beauty, such as turquoise with its matrix patterns, opal displaying play-of-color, or jade showcasing its uniform texture.^[15] Transparent gems, however, are generally better suited to faceting to exploit refraction and brilliance, as cabochons on such materials may appear subdued.^[15] Structurally, ideal cabochon proportions feature a dome height not exceeding one-half the shortest dimension of the base, promoting balanced light return, symmetry, and stability in settings while avoiding excessive bulk or flatness.^[16] This rounded form also minimizes cleavage risks in brittle stones by eliminating sharp edges and facets that could propagate cracks along planes of weakness, providing greater durability compared to angular cuts.^[10]

History and Evolution

Origins in Ancient Times

The earliest evidence of cabochon-like forms in human adornment appears in the Paleolithic era, where naturally rounded pebbles and early attempts at polishing hard stones such as flint served as simple amulets and jewelry components. Archaeological finds, including a chlorite stone bracelet dated to approximately 40,000 years ago from Denisova Cave in Siberia, demonstrate rudimentary polishing techniques applied to create smooth, rounded surfaces for wearable ornaments. These items, often perforated for suspension, reflect the initial human experimentation with stone shaping, prioritizing durability and natural luster over intricate cutting.^[17] In ancient Egypt, cabochon-like cuts emerged prominently around 3000 BCE, particularly in the use of lapis lazuli and turquoise for inlays in scarabs, amulets, and jewelry. Lapis lazuli, imported from Afghanistan and valued for its deep blue hue symbolizing the heavens, was fashioned into smooth, domed shapes to enhance color rather than sparkle, as seen in artifacts from the Old Kingdom period (c. 2686–2181 BCE). Turquoise, sourced from Sinai mines, was similarly polished into cabochon forms for protective amulets and inlays, underscoring its role in ritual and elite adornment where opacity and vibrancy were prized over transparency.^[18]^[19]^[20] Mesopotamian and Indus Valley civilizations further advanced these techniques circa 2500 BCE, producing beads and seals with domed, polished profiles from carnelian and agate. In Mesopotamia, etched carnelian beads—smooth and rounded for stringing into necklaces—were traded extensively and incorporated into royal burials like that of Queen Puabi at Ur, featuring long, barrel-shaped forms that highlighted the stones' warm translucency. Indus Valley artisans, centered at sites like Mohenjo-Daro, crafted similar domed beads and etched spheres from agate, often with flat bases for engraving, facilitating trade networks that reached Mesopotamia. These objects, absent any faceting due to technological limitations, emphasized the inherent beauty of the material through polishing alone.^[21]^[22] Across these cultures, cabochons carried profound symbolism, often representing protection, divine favor, or social status in rituals and daily life. In Egypt, lapis and turquoise amulets warded off evil and invoked deities like Hathor, while Mesopotamian and Indus examples served as talismans or markers of authority, their smooth domes evoking celestial or earthly powers without the later innovation of faceted light play.^[18]^[23]

Modern Developments

The Renaissance marked a significant revival of cabochon polishing in Europe, particularly around 1500 CE, as Italian jewelers refined techniques to create smooth, domed surfaces on stones like agate and onyx for use in cameos and intaglios, blending artistic carving with polished finishes to evoke classical antiquity.^[24] This period shifted cabochons from simple protective talismans to sophisticated elements in jewelry and decorative arts, influenced by renewed interest in ancient glyptic traditions.^[25] In the 19th century, industrialization transformed cabochon production through the adoption of diamond powder as abrasives, enabling cutters to achieve more precise and symmetrical domes that maximized the stones' color and luster.^[26] These advancements aligned with the Victorian era's surge in demand for sentimental jewelry, where cabochons—often garnets or moonstones—adorned brooches, pendants, and lockets as symbols of mourning, love, or nature.^[27] The 20th century saw stylistic evolutions, with cabochons embracing organic, flowing forms in Art Nouveau designs around 1900, where their soft curves complemented motifs of flora and fauna in pieces by jewelers like René Lalique.^[28] Following World War II, synthetic cabochons and glass imitations proliferated as affordable alternatives, replicating the appearance of natural gems like quartz or opal for mass-market jewelry.^[29] In the mid-20th century, the Gemological Institute of America (GIA) advanced education and standards in gem cutting to ensure consistency in the trade.^[30] By the 1950s, the Gemological Institute of America (GIA) advanced standardization in gem cutting, including guidelines for cabochon proportions and polish quality, to ensure consistency and ethical identification in the trade. Key innovations included the development of double cabochons—domed on both sides—to create balanced, reversible elements ideal for pendants and enhance light play from multiple angles.^[31] In the 2000s, ethical sourcing movements gained momentum, prompted by concerns over environmental damage and labor abuses in gem mining, leading organizations like the Responsible Jewellery Council to promote traceable supply chains for cabochon materials such as turquoise and jade.^[32]

Cutting and Finishing Techniques

Material Selection and Preparation

The selection of rough material for cabochon cutting prioritizes stones with uniform color distribution or appealing patterns, as these enhance the visual appeal of the finished dome without requiring faceting to distribute light. Minimal flaws, such as cracks or pits, are sought on the intended dome side to avoid compromising the smooth, polished surface, while the back can tolerate more imperfections since it is typically hidden in settings. Pieces of sufficient size for the desired finished cabochon, often from slabs several millimeters thick, are chosen to allow for meaningful cabochons after trimming, though smaller fragments may be used for beads or inlays. Inclusions are deliberately selected if they contribute to special effects like asterism in corundum varieties or chatoyancy in chrysoberyl, as cabochon cutting preserves these phenomena better than faceting.^[10]^[33] Rough assessment focuses on material properties to ensure workability and durability in the final piece. Hardness is evaluated on the Mohs scale to ensure appropriate handling; materials across a range of hardness, from softer stones like opal (5.5–6.5) to harder quartz (7), are suitable, with adjustments for polishing. Cleavage planes are inspected to identify potential fracture risks, as materials with strong cleavage, such as topaz, can split along these directions during sawing or grinding if not oriented carefully. This evaluation helps predict how the stone will respond to the rounding process, prioritizing stability over transparency.^[10]^[34]^[35] Pre-cutting preparation starts with sawing or trimming the rough to an approximate outline using diamond-bladed tools, which removes excess matrix and creates a preform close to the desired shape for efficiency. Slabs are often marked with templates to guide cuts, ensuring the dome area aligns with the best color or pattern. This step preserves the material's integrity while facilitating precise planning.^[10] Waste minimization is achieved by strategically planning cuts to maximize yield from the rough's natural form, such as nodules in turquoise or slabs from jade deposits, where the goal is to retain as much weight as possible compared to faceting—while centering the dome on premium features. This approach is essential for economically viable processing of irregular or porous materials, reducing loss from flawed sections and enabling multiple cabochons from a single piece.^[10]^[33]

Shaping and Polishing Process

The shaping and polishing of a cabochon transforms a preformed slab into a smooth, convex gemstone through a series of grinding, sanding, and buffing steps, emphasizing manual control to achieve symmetry and luster. Initial shaping involves mounting the stone on a dop stick with wax for secure handling, then grinding the outline on a lapidary machine using silicon carbide or diamond-impregnated wheels. A coarse abrasive, typically 100-grit for harder materials like agate, removes excess material to establish the basic oval, round, or custom perimeter while maintaining proportional symmetry, often checked with calipers or templates to avoid asymmetry.^[10]^[36] Doming follows to create the characteristic rounded top, starting with progressive sanding on finer wheels to build a convex curve. This technique employs a "peeling the apple" method, where bevels are ground at angles from 45° to steeper inclines, gradually refining the dome from coarse 80- to 100-grit abrasives to medium 260- to 600-grit stages, either freehand for custom contours or guided by templates for consistency. The process ensures an even curvature across the surface, leaving a slight margin (about 0.5 mm) for final adjustments, with frequent inspections under water to monitor progress and prevent over-grinding.^[10]^[36] Polishing stages elevate the surface to a mirror-like finish, beginning with ultra-fine sanding on 1,200-grit diamond wheels or silicon carbide belts to eliminate remaining scratches, followed by application of polishing compounds on felt, leather, or suede pads. Cerium oxide is commonly used for quartz and opal to achieve high luster without excessive heat, while aluminum oxide or diamond paste suits a broader range of stones; the stone is buffed at low speeds to enhance reflectivity, avoiding facets and preserving the smooth dome. Final buffing removes residue, often aided by ultrasonic cleaners for thorough decontamination.^[10]^[36] Essential tools include handheld dop sticks for precise manipulation during grinding and polishing, lapidary machines like the Genie or CabKing with expandable drums for versatility, and safety equipment such as eye protection, respirators, and gloves to mitigate dust inhalation and particulate hazards from abrasive processes. Water lubrication is standard to cool the stone and reduce friction, particularly for heat-sensitive materials.^[10]^[36]

Types and Variations

By Shape and Style

Cabochons are categorized by their geometric forms and stylistic adaptations, which significantly affect their wearability and aesthetic appeal in jewelry settings. The choice of shape influences how light interacts with the stone's surface, enhancing its luster or creating visual depth, while styles allow for creative expressions that balance tradition and innovation.^[10] Standard shapes include the oval, round, and rectangular, each offering distinct advantages in form and presentation. The oval is the most common shape due to its balanced proportions, which provide symmetry and versatility for integration into various designs.^[37]^[38] Round cabochons emphasize a maximum dome effect, allowing for a uniform, pronounced curve that maximizes the stone's reflective qualities and visual impact. Rectangular shapes, often employed in step-like styles for cameos, offer a structured outline that supports intricate carving or layered profiles.^[10]^[37] Variations in cabochon forms extend to freeform and baroque designs, which embrace organic, irregular contours to highlight the natural characteristics of the material. Freeform cabochons feature abstract or asymmetrical outlines, creating unique, non-repetitive pieces that prioritize individuality over uniformity. Baroque variations introduce undulating, free-flowing shapes that evoke a sense of natural irregularity, enhancing the stone's organic appeal. Dome height also varies, with lentil cabochons presenting a low, biconvex profile for a subtle, even curvature, in contrast to high-dome cabochons that deliver dramatic, elevated profiles for bold visual emphasis.^[38] Rose cabochons feature a partially faceted crown over a flat base, blending the smooth dome of traditional cabochons with subtle faceting to diffuse light in a petal-like pattern. Cultural influences, such as Navajo inlay work, inspire adaptations involving channel or chip inlay techniques, where cabochons are precisely shaped and fitted into silver or mosaic patterns for integrated, harmonious compositions.^[39]^[40] Proportions and standards guide cabochon fabrication to ensure symmetry and compatibility with settings, with jewelers favoring specific length-to-width ratios for optimal balance. For oval cabochons, an ideal ratio of approximately 1.5:1 is commonly adopted to achieve elongated yet proportionate forms that align seamlessly with bezel or prong mounts, promoting aesthetic harmony and structural stability.^[41]^[42]

By Gemstone Material

Cabochons are particularly well-suited to opaque and translucent gem materials that showcase internal patterns or textures rather than transparency, allowing the dome shape to highlight surface luster and color variations. Turquoise, a hydrous phosphate of copper and aluminum, is a favored choice due to its vibrant blue-to-green hues often interspersed with matrix patterns formed by host rock inclusions, such as the distinctive "cobweb" veining that enhances visual appeal in cabochon cuts.^[43]^[44] This material's porosity, however, poses challenges, frequently requiring stabilization through resin impregnation to prevent cracking and improve durability for lapidary use.^[45] Jade, encompassing both nephrite and jadeite varieties, is prized for cabochons owing to its exceptional toughness and smooth polishability, making it ideal for intricate carving that accentuates subtle translucency and muted greens, yellows, or whites. Nephrite, a calcium-rich amphibole, exhibits a fibrous structure contributing to its resilience, while jadeite, a sodium-aluminum pyroxene, offers brighter colors and is similarly valued for its interlocking crystals that resist fracture during shaping. Agate, a banded variety of chalcedony, is frequently cut into cabochons to showcase its colorful layers and fortification patterns, enhancing the stone's depth and pattern visibility.^[46]^[47]^[14]^[48] Malachite, a copper carbonate hydroxide, stands out among translucent favorites for its striking banded green swirls and concentric patterns, which emerge vividly when polished into cabochons, emphasizing the mineral's botryoidal or fibrous growth habits.^[49] Its relative softness and opacity make it preferable for applications where bold, decorative color banding takes precedence over brilliance. Certain gem materials are selected for cabochons specifically to display optical effects like asterism and chatoyancy, which require a convex surface to concentrate light reflection. Star sapphires and rubies, varieties of corundum, exhibit a six-rayed asterism caused by oriented rutile needle inclusions that create a star-like pattern when light strikes the dome at the proper angle, rendering them highly sought after despite their opacity.^[50]^[51] Tiger's eye, a silicified crocidolite quartz, produces undulating chatoyancy bands in golden-brown tones, mimicking a cat's eye due to aligned asbestos fibers that reflect light in a silky wave across the cabochon surface.^[52] Moonstone, a potassium feldspar, displays a soft blue sheen known as adularescence from light scattering within layered structures, best viewed in cabochon form where the effect floats ethereally over the gem's milky body.^[53] Organic and synthetic materials expand cabochon options by offering unique phenomena or economic accessibility. Opal, an amorphous silica with water content, is renowned for its iridescent play-of-color arising from microscopic silica spheres diffracting light into spectral flashes, a trait amplified in cabochon cuts that allow broad viewing angles.^[54] Amber, fossilized tree resin, provides warm yellow-to-orange translucency with occasional inclusions of ancient flora or fauna, its organic origin lending a soft, natural glow suitable for smooth cabochons.^[55] Lab-created quartz cabochons, produced via hydrothermal synthesis, replicate natural varieties like rose or smoky quartz at a fraction of the cost, making high-quality, effect-free stones affordable for widespread use.^[56] Rarity and sourcing issues influence the availability of certain cabochon materials, particularly those from geopolitically unstable regions. Lapis lazuli, a metamorphic rock rich in lazurite, is primarily sourced from the Badakhshan mines in Afghanistan, where extraction challenges including export restrictions and conflict have led to supply fluctuations and variable prices, including reductions due to illegal mining, as of 2025.^[57]^[58]^[59] Similarly, turquoise's natural fragility often necessitates stabilization treatments, as untreated material from deposits like those in the American Southwest or Iran is prone to dehydration and crumbling over time.^[45]

Applications and Uses

In Jewelry Design

Cabochons are integrated into jewelry designs primarily through secure setting techniques that accommodate their smooth, domed shape. Bezel settings, where a metal rim encircles the entire edge of the stone, are the most common method, providing robust protection for the cabochon's convex surface and making them ideal for high-wear pieces like rings and pendants.^[60] This technique enhances durability by fully enclosing the stone, preventing it from catching on fabrics or surfaces during daily activities. Prong settings, which use metal claws to hold the stone, are rarely employed for cabochons due to the fragility of their rounded form; the prongs may fail to grip securely, increasing the risk of dislodgement or damage.^[61] Instead, designers favor bezels crafted from gold, silver, or platinum to complement the stone's luster while ensuring stability.^[62] In jewelry design, cabochons serve as striking focal points, particularly in brooches and earrings, where their polished dome amplifies color depth and highlights internal inclusions or phenomena like chatoyancy. This allows designers to emphasize the gem's natural beauty without the sparkle of facets, creating a soft, organic aesthetic. For instance, in bohemian-inspired pieces, cabochons such as turquoise or moonstone are often paired with sterling silver settings to achieve a rustic contrast that enhances earthy tones and promotes a free-spirited vibe.^[63] Such pairings draw on the stone's matte-to-glossy finish for visual interest, making cabochons versatile accents in layered necklaces or statement cuffs.^[64] Historical influences continue to shape cabochon use, notably in Victorian-era mourning jewelry, where black onyx cabochons symbolized grief and were set in gold brooches or lockets as somber memorials.^[65] This tradition highlighted the stone's opaque depth for emotional resonance. In contemporary trends, minimalist designs feature cabochons in rose gold settings, as seen in sleek rings with emerald or garnet cabs that prioritize subtle elegance and modern simplicity.^[66] These pieces often incorporate clean lines to let the cabochon's form stand alone, reflecting a shift toward understated luxury.^[66] For care and everyday durability, cabochon jewelry is generally suitable for regular wear if the underlying gemstone rates high on the Mohs scale, such as quartz varieties at 7. However, the soft, high polish on the dome requires protection from impacts, which can cause chipping or dulling of the surface.^[67] Recommendations include avoiding knocks against hard surfaces, like during sports or manual labor, and cleaning gently with a soft cloth and mild soapy water rather than ultrasonic methods that might loosen settings.^[68] Storing pieces separately in lined boxes prevents scratches, ensuring the cabochon's luster endures over time.^[69]

In Decorative and Collectible Items

Cabochons find extensive application in inlay and mosaic work, where their smooth, polished surfaces enhance intricate designs on furniture and architectural elements. In the Italian technique of pietra dura, semi-precious stones such as agate are cut into thin, flat, polished sections and inlaid into marble or wood to create floral motifs, landscapes, and geometric patterns on tabletops, cabinet panels, and wall decorations.^[70]^[71] This method, originating in Renaissance Florence, emphasizes the stones' natural colors and translucency without facets, allowing for seamless integration into larger compositions. Similarly, Russian Fabergé eggs incorporated cabochons of moonstone, garnet, and other semi-precious gems as decorative accents, often set atop enameled surfaces or integrated into the egg's intricate mechanisms to evoke opulence and surprise.^[72]^[73] As standalone collectibles, high-quality cabochons are prized for their aesthetic and rarity, frequently appearing as art pieces at auctions where exceptional specimens command significant prices. For instance, Australian black opal cabochons, valued for their vivid play-of-color, have sold for over $10,000, with larger or rarer examples reaching up to $8,000 per carat depending on size, pattern, and body tone.^[74] These gems are often displayed in custom mounts or cases, appealing to collectors who appreciate their sculptural form and the lapidary skill involved in revealing internal phenomena like lightning ridge patterns. In functional objects, cabochons add decorative flair through inlays that balance utility and artistry. Knife handles frequently feature cabochon inlays of turquoise, lapis lazuli, or agate, embedded into wood, bone, or metal scales to provide ergonomic grips with visual appeal, as seen in custom blades where the stones' domes create focal points.^[75]^[76] Eyeglass frames incorporate cabochon accents along the arms, such as stone-set designs in metal channels, enhancing everyday wear with subtle luxury.^[77] Modern watches utilize cabochon elements in components like crowns and bezels, while champlevé enamel techniques on dials create textured, glossy effects that complement minimalist or ornate aesthetics.^[78] Cultural artifacts highlight cabochons' role in indigenous traditions, where soapstone and shell are carved into totemic forms symbolizing spiritual narratives and community heritage. Inuit artists from Arctic regions craft soapstone figures—often with polished, cabochon-like surfaces on key elements like eyes or torsos—depicting animals, hunters, or spirits as larger-scale totems that convey stories of survival and cosmology, distinct from smaller adornments.^[79] Similarly, Native American shell cabochons, derived from abalone or mother-of-pearl, are inlaid into totemic carvings to represent water spirits or clan emblems, preserving oral histories through enduring, tactile art.^[80] These pieces underscore the material's versatility in non-wearable contexts, prioritizing symbolic depth over ornamentation.

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Turquoise - GemRocks
Dec 12, 2014 · Cobweb turquoise matrix - turquoise matrix in which the matrix has a cobweblike pattern. Edisonite - mottled blue turquoise. Egg-shell ...
[43]
Technical Evolution and Identification of Resin-Filled Turquoise - GIA
Provides criteria for detecting the resin filling of turquoise, an advanced treatment that reduces porosity and can dramatically improve appearance and ...Missing: stabilization | Show results with:stabilization
[44]
Jade Description - GIA
Nephrite ranges from translucent to opaque and can be light to dark green, yellow, brown, black, gray, or white. Its colors tend to be more muted than jadeite.
[45]
JADE main - University of Texas at Austin
Jadeite is a sodium-rich aluminous pyroxene; nephrite is a fine-grained, calcium-rich, magnesium, iron, aluminous amphibole. All jade is composed of fine- ...
[46]
[PDF] Gemstones of New Mexico
Jul 8, 2016 · Turquoise, malachite, jasper, and other colored rocks and minerals represent gem materials, which are usually carved or “cabbed”, worked into a ...
[47]
(PDF) Diving into the Enchanting World of Doublet, Variscite ...
Its distinctive banded patterns and vivid green hue make it a popular choice for jewelry, sculptures, and decorative items. Malachite Gemstone is a copper ...
[48]
Large Laboratory-Grown Star Ruby and Sapphire | Gems & Gemology
Asterism and Plato striations seen on the synthetic ruby's surface. ... The blue cabochon displayed a faint blue sapphire spectrum with the handheld spectroscope.
[49]
Roland Scal Corundum
Other: Asterism; star rubies and sapphire are highly prized. Varieties: ruby, sapphire (many colors), Padparadscha(orange) Occurrence: Well-formed crystals ...
[50]
Tiger's-Eye Quartz - GIA
Tiger's-eye quartz is a multicolored rock formed from ancient sediments, with crocidolite and quartz, and has a chatoyancy effect due to light reflection.
[51]
Moonstone Quality Factors - GIA
Adularescence should, ideally, be blue. The sheen should be centered on the top of a cabochon, and it should be easily seen from a wide range of viewing angles.
[52]
Opal Quality Factors | Types of Opal - GIA
If it's a cabochon, the dome should be well rounded. Domed surfaces give the best play-of-color, and make the stone appear vivid from most viewing angles.Missing: luster | Show results with:luster
[53]
Amber Gemstone | Amber Stone - GIA
Amber is nature's time capsule. This fossilized tree resin contains remnants of life on earth millions of years ago.Amber Quality Factors · Buyer's Guide · Photos & Videos · Research
[54]
An Introduction to Synthetic Gem Materials - GIA
It wasn't until World War II that synthetic quartz was widely available commercially. ... Less rare are imitations of alexandrite, including color-change ...Missing: glass | Show results with:glass
[55]
Namak Mandi: A Pioneering Gemstone Market in Pakistan - GIA
Figure 5. Lapis lazuli from Afghanistan. Sellers usually wet the surface with water to better reveal color and texture. The lapis sellers usually polish a side ...Missing: sourcing | Show results with:sourcing
[56]
[PDF] Afghanistan, Lapis Lazuli and the battle for mineral wealth - Loc
Apr 18, 2016 · over-supply of lapis in 2014.573 The banning of exports from Afghanistan may also have affected internal prices, while the closure of the ...
[57]
https://www.gia.edu/gems-gemology/summer-2021-namak-mandi-a-pioneering-gemstone-market-in-pakistan
[58]
https://tile.loc.gov/storage-services/service/gdc/gdcovop/2018306220/2018306220.pdf
[59]
Stone-Setting Techniques: 8 Free Bezel Setting Projects and Expert ...
Nov 30, 2016 · The techniques include bezels, prongs, tubes, bead, pavé, gypsy, channel, and crown settings, and setting stones without bezels.
[60]
Cabochon Jewellery: The Most Delicious Jewels - Katerina Perez
Nov 9, 2017 · The curved surface also enables a better view into the gemstone, which is especially fascinating with sapphires, rubies and emeralds. Their ...Cutting Edge: How Signature... · Latest Stories · Jeweller Horror Stories...
[61]
https://www.halsteadbead.com/articles/jewelers-guide-ready-made-settings
[62]
16 Stunning Black Gemstones: A Guide to Rare Black Gems
Apr 14, 2025 · During the Victorian Era, melanite garnets were popular choices for mourning jewelry. ... "Arabic onyx" specifically refers to onyx with black ...<|control11|><|separator|>
[63]
Minimalistic 18KT Rose Gold Ring with Cabochon Garnet and ...
In stockThis sleek, minimalistic rose gold ring showcases a 0.50-carat cabochon garnet at its center, exuding a rich, deep red glow. The simple yet elegant design ...Missing: minimalist | Show results with:minimalist
[64]
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[65]
https://www.gemsociety.org/article/black-gemstones/
[66]
https://jeansaade.com/modern/1801-minimalistic-18kt-rose-gold-ring-with-cabochon-garnet-and-diamond-accents.html
[67]
https://www.gia.edu/gem-care
[68]
Stone and Gemstone Engraving - Pietra Dura - Inlay Slab
Gemstone Engraving inlay slabs are made with a variety of gemstones, such as agate, amethyst, jasper, lapis lazuli, malachite, onyx, quartz, and tiger's eye.Missing: cabochon | Show results with:cabochon
[69]
House of Faberge: The story behind the world's most luxurious eggs
Aug 15, 2018 · The Winter Egg is made from more than 1,600 diamonds, as well as platinum, rock crystal and a cabochon moonstone. The Swan Egg contained a ...<|separator|>
[70]
Faberge Eggs: the Mystery Behind Them - Pravmir.com
Apr 14, 2007 · Semi-precious stones including moonstones, garnets, olivines, and Mecca stones were used more often en cabochon. Fifty six Imperial eggs ...
[71]
https://www.siastones.com/inlay-slab/
[72]
Fine Gemstone Knife Handles by Jay Fisher
You can see over 800 photographs of just the gemstone handle samples on the links at the top and bottom of this page. Just by exposure and experience, I ...
[73]
4mm Inlay Stone - Lapis - (Cabochon/Natural) | KnifeKits.com
Natural 4mm Lapis cabochon stone for knife and firearm inlays, offering a bold, luxurious touch to your custom creations.Missing: eyeglass frames
[74]
COCO SONG - Poets Eyewear
A graceful companion for any ensemble. A STATEMENT PIECE AND A SALUTE. Stone set cabochons adorn the arms within a channel of metal accents, a statement piece ...
[75]
Enamel Watch Dials by Vanessa Lecci Rarely Exceed 2 Inches
Mar 31, 2025 · Lecci prefers two: cloisonné, which deposits enamel in pockets outlined with thin wire, and cabochon champlevé, which deposits enamel in ...
[76]
Soapstone Carvings - Quintana Galleries
Soapstone Carvings ; Dancing Bear, 1990 by Nalenik Temela (1939-2003), Inuit · $16,000.00 ; Reclining Walrus by Pudlalik Shaa, Inuit · $2,400.00.
[77]
https://poetseyewear.com/portfolio-item/cocosong-eyewear/