Fact-checked by Grok 2 weeks ago

Cameron Stewart

Cameron Stewart (born 1975) is a Canadian comic book artist and writer based in Toronto, recognized for his illustrations on mainstream titles such as WildC.A.T.s, Catwoman, and Grant Morrison's Batman: The Return of Bruce Wayne, as well as co-creating the Batgirl of Burnside storyline and the independent series Seaguy. He has earned Eisner and Shuster Awards for his self-published webcomic Sin Titulo, along with nominations for Harvey and Eagle Awards across various projects. In June 2020, Stewart faced public allegations from multiple women, including cartoonist Kate Leth and model Aviva Maï, of sexual misconduct involving grooming underage fans, soliciting explicit images from teenagers, and exploitative relationships with aspiring artists, which prompted DC Comics to terminate their ongoing collaboration and shelve his planned series Brilliant Trash. These claims emerged amid a broader wave of misconduct revelations in the comics industry, primarily shared via social media, with no reported legal convictions but significant professional fallout including industry blacklisting.

Early life

Childhood and family background

Cameron Stewart was born in 1975 in , , , to British parents who later relocated parts of the family to , , during his childhood. This transatlantic upbringing exposed him to both North American and British cultural influences, including varying access to printed media. His immediate family lacked a professional comics background, though his grandfather worked as a during the Second World War, producing satirical wartime illustrations—such as depictions of accidentally shaving off his mustache—which hung in the family home and provided an early, indirect spark of artistic familiarity. From a young age, Stewart developed a passion for through self-directed efforts, immersing himself in American superhero from publishers like and , alongside British anthology titles such as 2000 AD. These materials, encountered amid his bifurcated childhood environments, cultivated his initial skills without formal instruction or emphasized parental guidance toward creative pursuits, as no such support is detailed in biographical accounts. Instead, environmental availability of in local outlets and libraries in and appears to have driven his formative habits, including filling early sketchbooks with tracings and imitations of admired artists like Brian Bolland's Judge Dredd work. This period laid the groundwork for his autodidactic approach to visual storytelling, unlinked to familial professional precedents beyond the grandfather's historical .

Education and initial artistic development

Cameron Stewart was born in , , in 1975 and attended local schools there during his early years, with no access to specialized art programs. His initial artistic pursuits were self-directed, beginning with personal sketching inspired by his grandfather, a II-era cartoonist who drew satirical images such as shaving his mustache. Stewart supplemented schoolwork by copying drawings from , focusing on black-and-white styles without formal instruction. Lacking institutional art training, Stewart developed his skills through intensive self-study, immersing himself in American titles from Marvel and DC, British publications like 2000 AD and Dandy, and Canadian comics encountered during childhood periods in Canada and Torquay, England. Early sketchbooks featured tracings and adaptations from artists such as Brian Bolland, whose work on Judge Dredd and Animal Man covers particularly captivated him as a teenager. By high school in the early 1990s, he prioritized creating sequential art over traditional assignments, producing short original stories like the 10-page Red Nose Blues about a fugitive clown, which served as experimental portfolio pieces. This hobbyist phase transitioned toward professional aspirations through self-built portfolios showcased at conventions, bypassing art degrees or academy paths common in . Stewart later reflected on his autodidactic approach as limiting broader techniques like , though it honed a comic-specific foundation rooted in obsessive replication and narrative experimentation.

Professional career

Entry into the comics industry

Stewart's entry into professional occurred in the late 1990s, facilitated by personal mentorship and convention networking. After apprenticing under Canadian artist , whom he met at a video store, Stewart gained initial experience as a on the / animated series in 1999. A pivotal breakthrough came via a portfolio review at in 1999, leading to his first credited comic book assignment: penciling an issue of DC Comics' . This entry-level gig with a major U.S. publisher marked his transition from animation support to , leveraging connections from Canadian fan events and Cooke's industry ties. Subsequent foundational roles focused on inking for DC's Vertigo imprint, including contributions to and other titles over approximately three years starting around 2000. He also provided inks for and early issues of Grant Morrison's , building technical proficiency in mainstream superhero and mature-reader genres without yet handling full penciling duties on high-profile books. These modest assignments, often fill-in or collaborative inking on established series, established Stewart's reliability with U.S. publishers like and , paving the way for expanded opportunities while he remained based in . Early exposure to Batman-related material, such as inking Darwyn Cooke's backup in #700 (1996, though Stewart's involvement postdated initial publication), further honed his style in Gotham-centric narratives.

Major collaborations and projects

Stewart collaborated with writer on the Catwoman series, providing pencils for issues from 2002 to 2003, including the "Relentless" storyline that spanned Catwoman #10-15. This partnership marked one of his early major Comics assignments, focusing on Kyle's criminal exploits in . In the late , Stewart partnered with on , delivering artwork for key issues between 2009 and 2011, such as #7-9 and the "" arc in #8-11. He also contributed to Morrison's series, illustrating select sequences during its 2011-2013 run. Stewart provided cover artwork for numerous issues of Gail Simone's (2011-2016), including #36, supporting the series' era narratives centered on . Later, from 2014 onward, he co-wrote and helped design the "Batgirl of Burnside" arc with Brenden , contributing to issues #35-49 and emphasizing Barbara's relocation to Gotham's Burnside neighborhood. Earlier in his career, Stewart penciled short stories for in 2000, including contributions to animated tie-in tales featuring the Man of Steel.

Independent and later works

Stewart's independent endeavors include the webcomic Sin Titulo, a series depicting Alex Mackay's encounters, which he self-published online starting in 2007 and which garnered Eisner and Shuster Awards for its illustrative quality. The project demonstrated his capacity for serialized, creator-controlled narrative unbound by editorial oversight typical of major publishers. Post-2010, he extended this autonomy through graphic novels tied to the universe, writing and illustrating in 2012 and The Brahman in 2013 for , crafting original stories within the established lore that emphasized historical intrigue and visual research. These standalone works afforded him narrative latitude distinct from collaborative superhero runs. Additionally, issued a 2017 deluxe of The Other Side—originally a 2006 Vertigo he illustrated—with Stewart contributing unpublished drawings and Vietnam research photos to enhance the visceral depiction of war's dual perspectives. He also supplied cover art for Image's Zero #6 in 2014, supporting creator-owned . Later attempts at expansion included a planned 2020 DC digital project, which was ultimately shelved amid external controversies, curtailing further publisher-backed originals. Since then, Stewart has sustained independent output via , offering prints and original artwork to patrons, reflecting a shift toward direct audience engagement over institutional commissions.

Artistic style and contributions

Techniques and influences

Stewart employs a approach to , adapting his to the demands of each project rather than adhering to a fixed aesthetic. He has described varying techniques across works, beginning with preparatory to internalize forms and compositions before production, ensuring fluid execution during inking and shading phases. This method allows for dynamic linework that conveys motion and , as evidenced in sequential breakdowns where lines emphasize without relying on static poses. His influences stem from a blend of American superhero comics and British publications, including action-heavy titles like 2000 AD and humorous strips such as The Dandy, fostering an integration of high-energy pacing with grounded, expressive figure work. In panel layouts, particularly for Batman titles, Stewart prioritizes environmental integration, positioning figures to interact causally with surroundings—such as architecture casting shadows or props dictating poses—to heighten realism and spatial depth, verifiable in page analyses where such compositions steady narrative flow and amplify atmospheric effects like Gotham's urban grit. Stewart's style has evolved from more photorealistic renderings in earlier projects, emphasizing detailed for believable weight and proportion, toward stylized distortions in contexts. This shift reflects preparatory anatomical studies that ground exaggerated forms in observable human mechanics—musculature supporting dynamic poses, skeletal structure informing balance—enabling causal distortions for heightened expressiveness without sacrificing structural integrity. Such techniques derive from first-principles observation, where accurate base proportions allow scalable ideals that maintain visual coherence under stress or action.

Impact on character portrayals and storytelling

Stewart's illustrations in Grant Morrison's and (2009–2012) integrated artist-driven visual elements into the scripting process, enabling compositions that amplified the mythological scope of the Batman narrative through expressive character dynamics and environmental details reflecting internal conflicts. This approach causally supported deeper psychological portrayals by prioritizing visual rhythm over static depiction, as Stewart adjusted layouts to convey tension via panel flow rather than isolated images. In (2014–2016), co-written and laid out by Stewart with Brenden Fletcher and illustrated by Babs Tarr, character portrayals shifted toward empowerment by depicting with in her actions, such as engaging in behaviors on her own terms without judgment, conveyed through dynamic poses and expressions that avoided in favor of relatable . Stewart emphasized that effective characters, irrespective of , possess the capacity to act independently, influencing narrative choices that portrayed female leads as multifaceted agents rather than adhering to conventional tropes of restraint. Stewart's broader contributions to included innovative transitions and pacing in sequences, as in Batman and Robin #16 (2011), where dense, tiny accommodated elaborate crowd scenes and fights within 22-page constraints, creating a rhythmic progression that heightened immersion by mimicking filmic beats and preventing narrative stagnation. This technique, refined from redrawing static into dynamic ones in earlier works like Catwoman, causally improved reader engagement by aligning visual causality—such as sequential motion cues—with comic theory on sequential art's inherent language of movement between . In experimental pieces like Sin Titulo (2004–2007), Stewart further pushed boundaries by challenging linear flow, fostering non-traditional that influenced ' narrative flexibility.

Reception and recognition

Awards and nominations

Stewart received the 2010 Comic Industry Award for Best for his self-published Sin Titulo. He also won the 2009 Award for Outstanding Web Comic Creator for the same series. His collaboration with writer on the Vertigo miniseries The Other Side earned a 2007 Eisner Award nomination for Best . Sin Titulo was nominated for a 2010 Harvey Award in the Best Online Comics Work category. Stewart has additionally received nominations for , though specific years and categories for these honors remain undocumented in primary award records.

Critical assessments and industry influence

Stewart's artwork on Batman and Robin, particularly issues #7-9, has been lauded for its exceptional quality, with critics describing it as "superb" and highlighting issue #7 as potentially "the greatest single issue of a ever published" due to its masterful integration of , , and visual dynamism. This run succeeded Frank Quitely's earlier contributions, revitalizing the series' visual storytelling through precise framing, timing, and atmospheric depth that maintained narrative momentum amid Grant Morrison's complex plotting. Aggregate critic scores reflect this acclaim, averaging 8.0 or higher across platforms for his Batman-related works, underscoring empirical recognition over subjective hype. However, assessments of his longer-form contributions reveal inconsistencies, particularly in pacing; reviews of his co-writing on Batgirl (2014-2016) frequently noted stories feeling "all over the place," with uneven tonal shifts disrupting sustained engagement despite strong visual elements. While his artistic techniques—drawing from influences like 2000 AD for gritty, sequential layouts—advanced character-driven visuals, some elements appear derivative of contemporaries like Quitely, prioritizing stylistic emulation over pure innovation, as evidenced by shared compositional motifs in Batman arcs rather than groundbreaking sales spikes or widespread citation in peer analyses. In industry terms, Stewart's roots and collaborations have exerted influence on emerging artists in Canadian and mainstream scenes, fostering emulation of his urban-realist style in character portrayals and page layouts, though quantifiable impact leans more on high-profile via shared projects than direct apprenticeships. His work's balance of praised in short bursts against pacing critiques in extended narratives highlights a career where visual strengths drive reception, tempered by execution variability in collaborative formats.

Allegations of misconduct

Details of accusations

In June 2020, artist and model Aviva Maï publicly accused creator Cameron Stewart of grooming her beginning in , when she was 16 years old and he was approximately 32. Maï detailed in a thread that they met and flirted via text messages, leading to one date, after which Stewart maintained contact as "friends" while periodically texting about regretting not pursuing a romantic relationship with her, which she later described as grooming behavior. Following Maï's thread on June 16, 2020, additional women came forward with similar allegations, including cartoonist , who claimed Stewart groomed her around age 19 when he was 32, drawing her into prolonged interactions that exploited power imbalances in the industry. Artist Evelyn Hollow accused Stewart of initiating flirtatious messages when she was 17 in 2011, progressing to a sexual relationship once she turned 18, and described his later communications as passive-aggressive. Maï reported that up to 14 other women contacted her privately with corroborating accounts of predatory solicitation. The accusations centered on Stewart allegedly targeting aspiring female artists and fans, primarily in their late teens to early 20s, while he was in his 30s and 40s, using direct messages and texting for initial contact. Claimants described him leveraging his professional status to offer mentorship, career advice, and industry connections as a means of building trust and soliciting personal interactions, with patterns spanning the 2000s and 2010s. Screenshots of conversations were shared by some accusers to substantiate the claims of inappropriate escalation from professional or friendly exchanges to sexual overtures.

Stewart's response and aftermath

In June 2020, following public allegations of , Cameron Stewart issued private apologies to at least one accuser via email, acknowledging encouragement of but denying grooming or initiating a sexual relationship with a minor. No comprehensive public statement from Stewart appears in contemporaneous , though he maintained a low profile thereafter, with his social media presence reduced or inactive on major platforms. DC Comics promptly severed ties with Stewart, withdrawing an unannounced project he had been developing, which reports described as a Batman-related one-shot. Additionally, removed him from cover artwork for the ongoing series Ice Cream Man. Stewart voluntarily withdrew from scheduled appearances at comic conventions, including self-removal from programming at events like , amid industry pressure to distance from accused individuals. As of October 2025, no criminal charges or civil lawsuits have been filed against Stewart related to the allegations, with investigations yielding no public record of prosecution despite the claims' visibility in comics media. His professional output in mainstream publishing ceased after a 2020 contribution to Catwoman's 80th anniversary anthology, reflecting effective industry blacklisting without formal adjudication of the unproven accusations. Independent personal projects, such as revisions to his webcomic Otto & Olya, continue via his personal channels, but no new collaborations with major publishers like DC, Marvel, or Image have materialized. This outcome underscores a pattern in the comics sector where social media-driven claims can precipitate career termination absent legal findings, prioritizing reputational risk over evidentiary thresholds.

Bibliography

Interior artwork

Stewart illustrated the five-issue Vertigo miniseries The Other Side (issues #1–5, published June 2006 to April 2007), providing pencils and inks for all interiors under writer Jason Aaron. In DC Comics' Batman and Robin volume 1 (2009 series), Stewart served as penciler and inker for issues #7–10 (cover dates July–October 2009), contributing 88 pages of sequential art across these installments. Stewart penciled, inked, colored, and lettered a titled "The Art of Picking a Lock" in the Catwoman 80th Anniversary 100-Page Super Spectacular one-shot (DC Comics, February 2021), spanning multiple interior pages. Additional interior contributions include a one-page penciled story in 1000 (Marvel, October 2019), scripted by .

Cover artwork

Stewart illustrated variant covers for the Batman Incorporated series (2011–2013), emphasizing dramatic, iconic poses of Batman and associated characters amid global threats. A prominent example is the variant cover for issue #2 ( 2012), depicting Batman confronting in a high-contrast, shadowy composition that highlighted the storyline's familial and ideological conflicts. During the 2010s, Stewart provided primary covers for Batgirl volume 4, particularly issues launching and sustaining the "Batgirl of Burnside" arc, noted for their energetic lines, bright palettes, and modern urban aesthetics that appealed to broader audiences. Key examples encompass issue #35 (July 2014), featuring in a stylized, forward-leaning pose against a skyline; #36 (September 2014); #37 (October 2014); #38 (January 2015); and #41 (April 2015), each integrating fashionable elements with dynamism to support the series' relaunch narrative. His variant covers extended to interconnected titles like -adjacent miniseries, such as & the (2000), where his noir-influenced styling contributed to ensemble depictions emphasizing team tension and action. These works often served as commercial variants, prioritizing visually striking designs for retail appeal and collector interest without overlapping interior sequences.

Written works

Stewart's writing output is sparse relative to his illustration portfolio, primarily consisting of collaborative scripts for superhero and independent titles. He co-authored the Batgirl series (DC Comics, 2014–2016) with Brenden Fletcher, launching with Batgirl #35 in July 2014 as part of the New 52 initiative's later phase. This arc relocated Barbara Gordon to Gotham City's fictional Burnside district, portraying her as a post-college vigilante balancing crime-fighting against villains like the masked killer Knightfall with social engagements, digital media savvy, and interpersonal dynamics among a youthful cast. Illustrated by Babs Tarr, the run spanned 26 issues plus specials, emphasizing vibrant urban aesthetics and character-driven narratives over traditional brooding tones; it was collected in trade paperbacks such as Batgirl Vol. 1: Batgirl of Burnside (November 2015, collecting #35–39 and Batgirl: Futures End #1) and Batgirl Vol. 2: Family Business (October 2016, collecting #40–52 and Batgirl Annual #3). In independent comics, Stewart co-wrote Motor Crush (Image Comics, 2016–2018) alongside Fletcher, with Babs Tarr providing art and colors. Premiering with issue #1 in December 2016, the series depicts underground fueled by "," an addictive that enhances performance but risks combustion; protagonist Domino Swift, a skilled rider, grapples with dependency, rival teams, and a shadowy pharmaceutical syndicate in a cyberpunk-inspired future. The book issued five main numbers and a #0 preview before entering hiatus in 2018 amid scheduling shifts, with volumes collecting #1–5 as Motor Crush Vol. 1 (2017). No solo-written projects or extensive contributions by Stewart have been documented in publisher catalogs, underscoring his focus on visual .

References

  1. [1]
    Cameron Stewart - Lambiek Comiclopedia
    Toronto based illustrator Cameron Stewart had been inking several Vertigo titles for about three years, before beginning a regular run as penciller on ...Missing: biography | Show results with:biography
  2. [2]
    Cameron Stewart: books, biography, latest update - Amazon.com
    He is known for illustrating Catwoman and co-writing and designing the Batgirl of Burnside, and illustrating several collaborations with writer Grant Morrison.
  3. [3]
    The Art and Times of Cameron Stewart | Bookreporter.com
    Oct 19, 2025 · A Shuster and Eisner Award-winning illustrator for his web comic Sin Titulo and recognized with multiple nominations for other Harvey, ...
  4. [4]
    Multiple women accuse Cameron Stewart of sexual misconduct
    Jun 16, 2020 · Multiple women accuse Cameron Stewart of sexual misconduct. ... And why nobody believes claims of sexual assault anymore? I hope he ...
  5. [5]
    Cameron Stewart and Warren Ellis Accused of Sexual Misconduct
    Jun 16, 2020 · Grooming is when an older person builds a relationship with a younger individual (often minors) with the goal of sexual activity/abuse. The age ...<|control11|><|separator|>
  6. [6]
    Former Batgirl Co-Writer Cameron Stewart Accused of Grooming ...
    Jun 21, 2020 · ... Cameron Stewart has been working on, from their schedules.” If you are a U.S.-based victim of sexual assault or misconduct in need of help ...
  7. [7]
    Warren Ellis, Cameron Stewart, and the Storm of Sexual Misconduct ...
    Jul 12, 2020 · Inside the Comic Book Industry's Sexual Misconduct Crisis—and the Ugly, Exploitative History That Got It Here. NO HEROES. 200712-comic- ...
  8. [8]
    Cameron Stewart - Toronto, Canada - About.me page
    Born in Toronto, Canada in 1975, comic book artist Cameron Stewart spent parts of his childhood in Canada and Torquay, England, and today holds dual ...Missing: biography | Show results with:biography
  9. [9]
    Cameron Stewart's Biography - Muck Rack
    Cameron Stewart is an artist and illustrator who lives in Toronto Cameron is an Eisner and Shuster Award winner, illustrator of the sequels to Chuck Palahniuk' ...Missing: 1968 family
  10. [10]
    Cameron Stewart - Artist - Key Collector Comics
    Cameron Stewart ; Detective Comics. DC ⋅ 1937 ; Hellblazer. DC Vertigo ⋅ 1988 ; Judge Dredd: The Megazine. Fleetway Quality ⋅ 1990 ; Superman Adventures. DC ⋅ 1996.
  11. [11]
    CATWOMAN: RELENTLESS - DC Comics
    Talent. Written by: Ed Brubaker. Art by: Mike Manley · Cameron Stewart · J.G. Jones · Javier Pulido. SPECS. Series: CATWOMAN 2002. U.S. Price: 19.95. On Sale ...
  12. [12]
    Catwoman Vol. 2: No Easy Way Down - Amazon.com
    Cameron Stewart's first major comics work was a celebrated run drawing DC's ongoing CATWOMAN series with writer Ed Brubaker from 2002 to 2003. He then joined ...
  13. [13]
    Batman and Robin: Blackest Knight | DC Database - Fandom
    Blackest Knight is a Batman and Robin storyline written by Grant Morrison and illustrated by Cameron Stewart. It's the third arc on their Batman and Robin ...
  14. [14]
    I am Cameron Stewart, artist of Batman & Robin/Batman Inc ... - Reddit
    Jan 18, 2012 · I'm Cameron Stewart, comic illustrator/writer. Some of you may know me from my work on Catwoman with Ed Brubaker; The Other Side with Jason Aaron; and Batman & ...Cameron Stewart accused of grooming 16 year old girl[crosspost from r/comicbooks] Cameron Stewart accused of ...More results from www.reddit.comMissing: education | Show results with:education<|separator|>
  15. [15]
    Batgirl Vol 4 #36 Cover A Regular Cameron Stewart Cover 2014 DC ...
    Featuring the talented artists and writers Carmine Di Giandomenico, Gail Simone, and John Cassaday, this comic book is a true gem. The issue number is 36, and ...
  16. [16]
    Batgirl Vol. 1: Batgirl of Burnside - Amazon.com
    Red-hot creative team Cameron Stewart, Brenden Fletcher and Babs Tarr reinvent Barbara Gordon from the boots up in BATGIRL: THE BATGIRL OF BURNSIDE (collects ...
  17. [17]
    Sin titulo: an interview with Cameron Stewart - Lo Spazio Bianco
    Dec 3, 2014 · Cameron Stewart is a Canadian cartoonist who started his career in DC Comics with Superman Adventures in 2000 and that who worked for Marvel ...
  18. [18]
    The Other Side Special Edition HC | Image Comics
    In stockAug 30, 2017 · With amazingly visceral artwork from CAMERON STEWART (MOTOR CRUSH, Fight Club 2) and vivid colors from DAVE McCAIG (American Vampire), THE  ...
  19. [19]
    Cameron Stewart | Image Comics
    Currently, he is best known as co-writer and co-artist of the popular, New York Times bestselling revamp of DC Comics' Batgirl, and as the illustrator of ChuckMissing: career | Show results with:career<|separator|>
  20. [20]
    Cameron Stewart Removed From DC Project After Sexual ... - CBR
    Jun 18, 2020 · Artist/writer Cameron Stewart will no longer be involved in a planned DC project following several allegations of sexual misconduct.
  21. [21]
    Cameron Stewart (@cameronmstewart) • Instagram photos and videos
    Award-winning artist/writer in Berlin. Not Kristen's brother. PATREON (ONLY $1!) PRINTS, ORIGINAL ART LINK BELOW ⬇️ patreon.com/cameronMstewart
  22. [22]
    Interview With Artist Cameron Stewart: Part One - Comic Vine
    Mar 18, 2010 · If you looked at all my work you would see it is all really different; I've drawn in a variety of different styles. The first thing that I do is ...
  23. [23]
    Batman Family Review & Spoilers: Batgirl #39 By Cameron Stewart ...
    Feb 20, 2015 · Cameron Stewart's breakdowns steady the pace. Batgirl looks menacing and like a crimefighter characteristic of Gotham on page 3, panel 5 ...
  24. [24]
    Grant Morrison Talks Method - Oz and Ends
    May 5, 2011 · On looking at Stewart's panels, Morrison felt the dialogue would flow best if one panel was flopped, moving the Caped Crusader from left to ...Missing: techniques | Show results with:techniques
  25. [25]
    Batgirl Creative Team Talks Isue #36 - The Mary Sue
    Nov 11, 2014 · Stewart went on to add that any good character, regardless of gender, has agency, and the ability to do what they want. “In that scene, she's ...Missing: empowerment | Show results with:empowerment
  26. [26]
    Comics and Human Rights: A Change is Gonna Come. Women in ...
    Feb 2, 2015 · The changing depiction of women in superhero comics has gone hand-in-hand with a shift, however small, in the male/female ratio within the industry itself.Missing: impact | Show results with:impact
  27. [27]
    Cameron Stewart on storytelling - Comic Book Syndicate
    Nov 19, 2014 · The writer and layout artist for DC's smash hit BATGIRL discusses what makes good comic book art. In an age when comic books have devolved ...
  28. [28]
    Sin Titulo by Cameron Stewart | Goodreads
    Rating 3.6 (591) Jun 11, 2013 · The story is peppered with flashbacks from Alex's childhood (many of which Stewart says are autobiographical) as he recalls his parents ...
  29. [29]
    SDCC'10: 2010 Eisner Award Winners - Major Spoilers
    Jul 24, 2010 · Best Digital Comic Sin Titulo, by Cameron Stewart, www.sintitulocomic.com; Best Reality-Based Work A Drifting Life, by Yoshihiro Tatsumi ...
  30. [30]
    2010 Eisner Awards - ICv2
    Jul 24, 2010 · Here is a complete list of the 2010 Eisner Award winners: Best ... Sin Titulo, by Cameron Stewart,. Best Reality-Based Work A Drifting ...
  31. [31]
    Sin Titulo | Webcomics | Comic Art: 120 Years of Panels and Pages
    Cameron Stewart. Sin Titulo. “I've been having a dream,” archived July 29, 2014 (Winner of 2009 Shuster Award in 2009 and 2010 Eisner Award)
  32. [32]
    2007 Will Eisner Comic Industry Awards - The Hahn Library
    The Other Side, by Jason Aaron and Cameron Stewart (Vertigo/DC); Scarlet Traces: The Great Game, by Ian Edginton and D'Israeli (Dark Horse); Sock Monkey: The ...
  33. [33]
    2010 Harvey Awards
    “SIN TITULO“, by Cameron Stewart, http://www.sintitulocomic.com. SPECIAL AWARD FOR HUMOR IN COMICS. Evan Dorkin and Jill Thompson, “BEASTS OF BURDEN”, Dark ...
  34. [34]
    2010 Harvey Award Nominees Announced - Anime News Network
    Jul 12, 2010 · "SIN TITULO", by Cameron Stewart, http://www.sintitulocomic.com. SPECIAL AWARD FOR HUMOR IN COMICS Evan Dorkin and Jill Thompson, "BEASTS OF ...
  35. [35]
    Batman Vs. Robin - The Comics Journal
    Feb 13, 2012 · Morrison in his paranoia: Batman vs. Robin is the kind of comic book that makes me wish I'd never heard of superheroes. The book collects Batman ...Missing: storytelling | Show results with:storytelling
  36. [36]
    Cameron Stewart Comic Reviews at ComicBookRoundUp.com
    Cameron Stewart Comic Reviews · All Comic Book Series · 80th Anniversary 100-Page Super Spectacular: Catwoman #1 · Amazing X-Men (2013) #6 · Assassin's Creed: The ...
  37. [37]
    Batgirl #43 review - Batman News
    Aug 26, 2015 · Tonally, the book is quite lovely. Storywise, however, this is a bit all over the place–which is about what I have come to expect from Cameron ...
  38. [38]
    A Correction - The Daily Planet - Forbidden Planet NYC
    Sep 24, 2013 · Cameron Stewart is incredible, a sensational artist of such dramatic ... His framing, pacing and timing, along with his work ethic and ...Missing: criticisms | Show results with:criticisms
  39. [39]
    Batgirl #37 Reviews (2014) at ComicBookRoundUp.com
    Rating 7.7/10 (26) Cameron Stewart and Brendan Fletcher provide another great story, focusing on Batgirl taking down a doppelganger trying to make more money using her name and ...
  40. [40]
    Former Batgirl Co-Writer Accused of Grooming Teenage Girls - CBR
    Jun 16, 2020 · Artist and model Aviva Maï has accused comics writer and artist Cameron Stewart, best known for his run as co-writer on Batgirl, of grooming her as a teenager.
  41. [41]
    The 2020 Report - The Comics Journal
    Aug 3, 2020 · Cameron Stewart is a 44-year old Eisner-winning Canadian cartoonist ... He was in his late 20s and his dates were usually in their early 20s.Missing: illustrator biography
  42. [42]
    DC Drops Cameron Stewart Comic After Social Media Allegations
    Jun 17, 2020 · Bleeding Cool has learned that DC Comics has withdrawn an unannounced project that Cameron Stewart has been working on, from their schedules.
  43. [43]
    A Timeline of Recent Allegations in the Comic Book Industry
    Jun 25, 2020 · Since June 2020, various prominent figures in the comics industry have been accused of harassment, sexual assault, grooming, or otherwise ...
  44. [44]
    https://www.instagram.com/cameronmstewart/
  45. [45]
    THE OTHER SIDE #1 - DC Comics
    Written by rookie sensation Jason Aaron with astoundingly visceral art by Cameron Stewart (SEAGUY, SEVEN SOLDIERS: GUARDIAN), THE OTHER SIDE is a 5-issue ...
  46. [46]
    The Other Side by artist Cameron Stewart - Splash Page Comic Art
    This is the original art for the Eisner nominated story, The Other Side, which tells an unforgettable Vietnam war story from the point-of-view of two young ...
  47. [47]
    Issue :: Catwoman 80th Anniversary 100-Page Super Spectacular ...
    Cameron Stewart (credited). Inks: Cameron Stewart (credited). Colors: Cameron Stewart (credited). Letters: Cameron Stewart (credited). Genre:superhero. First ...
  48. [48]
    Catwoman interior page - Cameron Stewart Comics & Art
    An interior page from the short story The Art Of Picking A Lock, from the Catwoman 80th Anniversary Special, written by Ed Brubaker and illustrated by comic ...
  49. [49]
    Marvel Comics 1000 (Marvel, 2019 series) - GCD :: Issue
    Tessie the Typist / comic story / 1 page. Script: Kurt Busiek (credited). Pencils: Cameron Stewart (credited) ... Art credit has After Moebius. Eternity.
  50. [50]
    BATMAN, INCORPORATED #2 - DC Comics
    Talent. Writer: Grant Morrison. Art by: Chris Burnham. Cover: Chris Burnham. Variant Cover: Cameron Stewart · Chris Burnham. SPECS. Series: BATMAN INCORPORATED ...
  51. [51]
    Exclusive First Look at the Variant Cover for BATMAN ... - DC Comics
    May 29, 2012 · Take an exclusive first look at the variant cover for BATMAN, INCORPORATED #2 by Cameron Stewart!
  52. [52]
    Cameron Stewart - DC Comics
    Cameron Stewart. ARTIST. BATMAN & ROBIN: BATMAN VS. ROBIN DELUXE EDITION · ABSOLUTE BATMAN, INCORPORATED · SEVEN SOLDIERS OF VICTORY VOL. 2 · THE MULTIVERSITY.Missing: debut first credit<|separator|>
  53. [53]
    Batgirl of Burnside cover - Cameron Stewart Comics & Art
    The iconic cover art for DC Comics' Batgirl #35, beginning the Batgirl of Burnside era, conceived, co-written and co-illustrated by comic artist Cameron Stewart
  54. [54]
    Batgirl Vol 4 #38 Cover A Regular Cameron Stewart Cover
    Out of stockBatgirl Vol 4 #38 Cover A Regular Cameron Stewart Cover. By: DC; Written by: Cameron Stewart · Brenden Fletcher; Art by: Babs Tarr; Release Date: 1/14/2015.Missing: interior | Show results with:interior
  55. [55]
    Harley Quinn & the Birds of Prey (DC, 2020 series) - GCD :: Issue
    Birds of Prey; Harley Quinn / cover / 1 page ... Catwoman / comic story / 22 pages. Script: Ed Brubaker (credited). Pencils: Cameron Stewart (credited).<|separator|>
  56. [56]
    Harley Quinn and the Birds of Prey | Slings & Arrows
    Cameron Stewart's art has a similar noir style to Lark, although is coloured more brightly, and Brubaker's clever plot twists effectively. If you're hooked by ...
  57. [57]
    The Art of Batgirl With Babs Tarr And Cameron Stewart
    Nov 12, 2014 · The Bat Signal illuminates the iconic hero Batgirl more brightly than ever before in a retooled title written by Cameron Stewart and Brenden Fletcher.Missing: early | Show results with:early
  58. [58]
    Your New Crush: Fletcher, Stewart, And Tarr Talk 'Motor Crush'
    Dec 5, 2016 · Motor Crush creators Brenden Fletcher, Cameron Stewart and Babs Tarr talk about their influences, their collaboration, and their lead hero's ...