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Castell

A castell is a human tower formed by stacking participants known as castellers into a pyramid-like structure, typically reaching six to ten levels high, built by organized amateur groups called colles castelleres during public festivals in Catalonia.^[1]^[2] The tradition originated in the late 18th century in Valls, Tarragona, as a competitive display of strength, balance, and coordination, evolving from folk dances and religious processions into a symbol of Catalan cultural identity and communal effort.^[3] A castell is deemed successfully completed (cargat) when the topmost participant, the enxaneta—usually a child—climbs to the summit and raises all four limbs in the air, followed by the safe dismantling (descarrega) of the tower to the accompaniment of traditional gralla music and sardana dances.^[1]^[4] In 2010, the practice was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity, recognizing its role in fostering intergenerational participation, discipline, and social cohesion among participants ranging from children as young as five to adults over sixty.^[1]^[5] Competitions such as the Concurs de Castells de Tarragona evaluate colles on tower height, stability, and execution, with notable achievements including the first pillar de 10 (ten-person single column) in 2015, highlighting ongoing innovations in technique and training.^[2]

History

Origins in 18th-Century Catalonia

The tradition of castells emerged in 18th-century Catalonia, primarily in the Camp de Tarragona, Penedès, and Garraf regions, as an evolution of the ball de valencians, a folk dance originating in the Valencian Community. This dance, which arrived in Catalonia during the century, concluded with participants forming a basic human figure atop one another, performed to the accompaniment of traditional instruments like the dolçaina and tamboril during local festivals from June to October.^[6] Over time, competitive elements among performers in these rural areas transformed the dance's finale into freestanding human towers, emphasizing height, balance, and collective strength as displays of community prowess.^[7] The earliest documented instance of a castell appears in 1770 in L'Arboç, Baix Penedès, recorded as a castell de sis sostres (tower of six supports), built as part of festive entertainment.^[8] Valls, in Camp de Tarragona, served as the primary testing ground for further innovations between the 1770s and 1810s, where local groups refined techniques for taller, more proportionate structures independent of dance sequences.^[7] These early towers, constructed by amateur participants from agricultural and artisanal backgrounds, reflected the socio-economic fabric of the region, with rival partits (festive parties) driving escalation in complexity.^[6] By the late 18th and early 19th centuries, the practice had formalized in Valls through the establishment of organized colles (teams), including the Pagesos (farmers) and Menestrals (tradesmen), which prioritized constructing the tallest possible towers as the core objective.^[6] This development marked a shift from integrated dance elements to standalone acrobatic feats, rooted in the festive and religious context of Catalan towns but distinct from prior Valencian influences like muixeranga, which featured more scripted formations.^[7] Historical records, such as those compiled by researchers like Joan Bofarull, underscore Valls's role in pioneering these advancements, though precise attributions to individuals remain limited.^[7]

Evolution and Regional Spread

Following the initial emergence of castells in Valls during the late 18th century, the practice underwent significant technical evolution in the early 19th century, with local colles such as the Pagesos and Menestrals de Valls developing towers up to nine levels high.^[6] This period saw innovations like the introduction of the folre, an auxiliary base layer beneath the main structure, which first appeared in a nine-level tower (9 de folre) completed in 1851 at Tarragona's Santa Tecla festival, enhancing stability for taller constructions.^[6] These advancements shifted castells from simpler dance-derived formations to more engineered human pyramids, emphasizing precision in weight distribution and base reinforcement with elements like manilles (hand-links) to prevent collapses.^[6] The first golden age of castells, spanning roughly the early to late 19th century, marked a peak in both height and complexity, culminating in the last documented nine-level tower in El Vendrell in 1893 before a period of stagnation.^[6] During this era, performances became central to local festivals, fostering competition among colles to achieve pinos (successful summits) in increasingly demanding variants, such as tresques (three-person per level) over the more basic dobles (two-person).^[6] Regionally, castells spread beyond Valls to adjacent areas in the Camp de Tarragona, Penedès, and Garraf regions by the mid-19th century, with colles forming in towns like Vilafranca del Penedès and Tarragona, where the tradition integrated into annual religious and civic celebrations.^[6] This expansion was driven by agricultural workers' associations and folk dance groups adapting the Valls model, leading to inter-colla rivalries and shared techniques across a network of southern Catalan locales, though participation remained predominantly male and tied to rural communities.^[6] By the late 19th century, the practice had established a cultural footprint in these provinces, with dozens of amateur groups performing seasonally, but it had not yet extended significantly northward toward Barcelona or other parts of Catalonia.^[6]

Decline Under Franco and Revival

During Francisco Franco's dictatorship from 1939 to 1975, the practice of building castells declined sharply as part of the regime's broader suppression of Catalan cultural expressions, including language, festivals, and regional symbols, to enforce Spanish centralism.^[9]^[10] Although castells were not formally banned like the sardana dance or public use of Catalan, the two oldest and most prominent colles in Valls—Nens del Valls and Xiquets de Valls—were compelled to merge into a single group, Colla Joves de Valls, limiting competition and activity.^[11]^[12] This merger, combined with post-Civil War disruptions and cultural repression, resulted in no significant tower-building events for decades, reducing the number of active colles to near extinction outside isolated rural efforts.^[11]^[13] The revival of castells commenced in the late dictatorship period and accelerated after Franco's death on November 20, 1975, amid Spain's transition to democracy under King Juan Carlos I, which relaxed cultural prohibitions and fostered regional autonomy.^[14] An early milestone occurred in 1969 with the founding of Castellers de Barcelona, the first colla outside the traditional Camp de Tarragona area, signaling urban expansion and renewed interest despite ongoing regime oversight.^[6] By the late 1970s, the practice reemerged as a potent emblem of Catalan resilience and collective identity, with colles proliferating from fewer than a dozen to dozens, driven by grassroots enthusiasm and public festivals that integrated castells into democratic expressions of regional pride.^[15]^[16] This postwar resurgence transformed castells from a marginalized rural tradition into a widespread cultural phenomenon, emphasizing community cooperation over political confrontation.^[17]

Modern Expansion and Globalization

The inscription of castells on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity in 2010 catalyzed further growth in the practice.^[1] By 2020, the number of colles castelleres had doubled from 56 to 102, reflecting increased participation and institutional support within Catalonia and adjacent regions.^[18] This expansion paralleled advancements in tower height and complexity, with successful constructions reaching up to ten levels by the 2010s, though the core emphasis remained on communal achievement over competition.^[17] Beyond Catalonia, castells have proliferated internationally through the formation of colles exteriors, adapting the tradition to diverse cultural contexts.^[19] Groups such as Castellers de Berlin in Germany, Castellers of London in the United Kingdom, Castellers de Sydney in Australia, and Mannekes de Brussel·les in Belgium exemplify this diffusion, often comprising expatriates and locals trained in Catalan techniques.^[19] These international colles participate in local festivals and collaborative events, fostering cross-cultural exchange while preserving structural integrity.^[20] A notable instance of globalization occurred in China with the establishment of Xiquets de Hangzhou in 2010 by factory owner Qian Anhua, inspired by Catalan demonstrations.^[21] Composed initially of textile workers from Deqing near Hangzhou, the group achieved a 3de9 (three-person base, nine-level tower) and represented non-European expansion by competing in the 2016 Concurs de Castells de Tarragona, the first such participation from Asia.^[22] Performances by Catalan colles in cities like New York, Montreal, and Shanghai have further promoted the practice abroad, inspiring nascent groups and underscoring castells' adaptability amid global migration and cultural diplomacy.^[23]

Description and Mechanics

Core Components of a Human Tower

The core components of a castell human tower comprise the pinya, the tronc, and the pom de dalt, forming a hierarchical structure where each element supports the one above to achieve vertical stability. The pinya serves as the foundational base, consisting of castellers arranged in concentric circles on the ground to distribute weight, absorb shocks from potential collapses, and provide counterbalance against lateral forces. This base typically involves dozens to hundreds of participants, depending on the tower's height, ensuring the structure's initial stability through collective mass and interlocking arms and bodies.^[24]^[25] The tronc forms the central trunk, built as successive levels of castellers standing on each other's shoulders, progressing from adults in the lower tiers—known as baixos and mitjans—to lighter children in the upper petits levels. These levels, numbering six to ten in standard towers, require precise alignment and grip strength, with each participant linking hands or arms to maintain cohesion under compressive loads exceeding body weight multiples from above. In more complex variants, auxiliary structures like the folre (a secondary base) and manilles (reinforcing rings) augment the tronc, but the primary vertical stack relies on the tronc's graduated sizing for equilibrium.^[1]^[17] Crowning the tower, the pom de dalt includes the enxaneta, a young child who ascends the interior or exterior to reach the summit, raise their hands in a V-shape, and descend, signaling completion. This agile climber, often aged five to seven and weighing under 30 kilograms, embodies the tower's success, as their unencumbered mobility tests the underlying structure's rigidity without adding significant mass. The interplay of these components demands synchronized effort, where biomechanical leverage and group coordination prevent buckling under gravitational and dynamic stresses.^[6]^[4]

Types and Variations of Castells

Castells are classified primarily by the number of participants per level and the total height in levels, using notation such as "XdeY," where X denotes the number of castellers per level (typically 2, 3, or 4) and Y indicates the number of levels (ranging from 6 to 10).^[2] This system reflects the tower's width and height, with narrower bases (fewer per level) and greater heights increasing difficulty due to reduced stability and higher demands on balance and strength.^[6] For instance, a 3de8 consists of three castellers per level across eight levels, while a 4de9 features four per level over nine levels; the former is generally more challenging owing to its slimmer profile.^[2] Variations incorporate structural reinforcements or modifications to enable taller or more complex formations. The folre, an inner auxiliary base built concurrently with the pinya (ground-level base), provides additional support for towers exceeding eight levels, as seen in designations like 3de9f (tres de nou amb folre).^[6] Manilles add further stabilizing arms or supports around the lower levels, often combined as "amb folre i manilles" in advanced castells such as the 4de9fm.^[2] Towers without these aids, denoted "sense folre" (e.g., 3de9sf), demand exceptional precision and are rarer, heightening risk and technical requirements.^[6] Specialized types include pillars, which are single-casteller columns of 4 to 8 levels, frequently used as introductory or concluding elements due to their simplicity relative to full towers; examples include the pilar de 8 amb folre i manilles.^[2] The agulla, or needle, extends a thin pillar atop a completed tower, as in the 4de9 amb folre i l'agulla, amplifying height and instability.^[6] Completion requires the enxaneta—a lightweight child—to ascend to the pinnacle, raise their hands, and often descend, with success graded as carregat (base stable), descarregat (full disassembly), or trencat (collapsed).^[2] Approximately 40 distinct types exist, with difficulty hierarchies assessed in competitions based on these parameters.^[26]

Building and Dismantling Process

The construction of a castell begins with the formation of the pinya, a dense, multi-tiered base comprising hundreds of participants who interlock arms and bodies to create a stable foundation that distributes the weight of the upper levels across a wide area and serves as a safety net in case of collapse.^[27]^[3] This base exerts an inward and upward force to counteract gravitational load, ensuring the center of mass remains aligned over the structure to prevent tipping.^[27] The process is synchronized to the rhythm of the toc de castells, a traditional melody played on gralla (shawm) and timbals (drums), which guides the progression of levels.^[6]^[1] Following the pinya, optional auxiliary structures such as folre (inner base) or manilles (additional rings of strong participants) are assembled directly atop it to reinforce stability for more complex towers, with heavier individuals positioned at the lowest points.^[6]^[3] The tronc (trunk) then rises in successive levels—typically six to ten in total—where castellers climb onto the shoulders of those below, forming rings of two to nine people per level depending on the castell type; lower levels consist of robust adults sharing the load, while higher ones feature progressively lighter and more agile participants to minimize stress on the structure.^[1]^[27] The pom de dalt (crown) completes the tower: two enxanetes (young children) and an acotxador (supporter) ascend the exterior, with the final enxaneta raising one hand to signal completion, marking the coronament.^[6]^[3] The entire montada (assembly) demands precise coordination, often rehearsed over months, as misalignment of weight or timing can lead to failure.^[6] Dismantling, known as the baixada, commences immediately after crowning and is frequently the most precarious phase, requiring a controlled, level-by-level descent to avoid collapse while the pinya maintains support below.^[3]^[6] The enxaneta descends first, followed by reversal of the building sequence, with music shifting to descending tones (from G to F to E) to cue the pace and ensure synchronization.^[6] Modern safety enhancements, such as foam helmets for children, mitigate risks during this stage, though the process still relies on the collective strength and trust of the colla (team).^[3] A successful baixada confirms the castell as fully achieved, distinguishing it from partial completions.^[6]

Participants and Roles

Structure of Casteller Teams

Casteller teams, known as colles castelleres, are nonprofit volunteer organizations that form the core units for constructing human towers in Catalonia.^[28] Each colla typically comprises hundreds of members, with larger groups exceeding 1,000 participants, though not all actively build towers in every performance.^[29] Colles operate democratically, often electing leaders for fixed terms, and are coordinated at a regional level by the Coordinadora de Colles Castelleres de Catalunya (CCCC), founded in 1989 to represent shared interests among over 60 teams.^[30] Internally, colles maintain a dual organizational structure separating administrative and technical functions to manage operations and tower construction efficiently.^[31] The administrative board, akin to a board of directors, oversees finances, logistics, public relations, and cultural events; key roles include the president, treasurer, secretary, and vice president, who handle budgeting and institutional matters.^[31] This layer ensures the colla's sustainability as a community entity, funding activities through membership fees, sponsorships, and events. The technical commission focuses on training, rehearsals, and performance execution, coordinating practice schedules and role assignments within towers.^[30] At its head is the cap de colla, the elected technical leader responsible for directing tower builds, positioning castellers, and ensuring structural integrity during events; this role demands expertise in mechanics and leadership, with mandates varying by colla but often determined democratically.^[32] Assistants include the cap de pinyes (head of the base ring), cap de troncs (head of the trunk levels), and cap de canalla (head of child climbers), who specialize in substructures and youth training to maintain progression from basic six-level towers to advanced forms.^[28] This hierarchy fosters specialization, with members grouped by age, strength, and skill for rehearsals that emphasize collective discipline over individual prowess.^[31]

Specific Positions and Requirements

In castells, positions are meticulously assigned based on participants' physical attributes, including strength, weight, balance, and agility, to ensure structural integrity and minimize risks during construction. Lower positions demand robust, heavier individuals capable of bearing substantial loads, while upper roles require lighter, more nimble participants, often children, to reduce overall tower weight and facilitate climbing. Teams, or colles, conduct regular assessments and rehearsals to match members to roles, prioritizing collective stability over individual prowess.^[6]^[33]^[34] The pinya, or base, comprises the largest group and is subdivided into inner and outer rings for optimal support. Inner pinya roles include baixos (first-floor supporters), who form the initial core and must possess exceptional leg and core strength to withstand the full weight of the tower above, often requiring stocky builds and the ability to interlock arms and shoulders firmly. Supporting sub-roles like cresses (positioned under the armpits of baixos to prevent sinking) and contraforts (behind baixos, pushing forward with their chests on command) demand similar physical resilience and precise timing to absorb impacts during potential collapses, acting as a human cushion. Outer pinya members, including agulles (knee supporters for the second level), primeres mans (buttock holders), laterals (lateral stabilizers), and daus (side neutralizers), focus on reinforcement and require coordinated pushing strength without specific weight limits, allowing broader participation from adults of varying ages. All pinya participants must demonstrate endurance, as they remain grounded throughout, and remove accessories like jewelry to avoid injuries.^[33]^[6]^[4] The tronc, or trunk, consists of progressive levels—segons (second), terços (third), quarts (fourth), and higher up to setens (seventh)—forming the vertical skeleton. Baixos and lower tronc castellers need heavy, muscular physiques for load-bearing, with baixos specifically selected for their ability to support multiple people per shoulder while maintaining balance under pressure. As levels ascend, requirements shift to lighter body weights (typically under 60-70 kg for mid-to-upper tronc) and enhanced agility to grip sashes (faixes) and climb steadily, ensuring minimal sway; participants here must also exhibit saviesa (wisdom or tactical awareness) to adjust positioning dynamically. In towers with reinforcements like folre (inner auxiliary base) or manilles (outer supports), these roles mirror tronc demands but emphasize additional coordination to bolster stability without adding excess height.^[6]^[33]^[35] The pom de dalt, or top dome, encompasses the final three levels and is reserved for the lightest, most agile members, predominantly children aged 5-10 due to their low weight (often under 30 kg) and flexibility, which enable swift ascents and reduce tipping risks. The dosos (two castellers on the antepenultimate level) provide a stable platform with shoulder strength suited to juveniles; the acotxador or aixecador (bending or lifting child on the penultimate level) must bend forward reliably to allow passage while supporting the enxaneta's climb, requiring precise balance and fearlessness. The enxaneta, the crowning figure, is typically a child aged 5-8 who scales the tower's exterior using sashes, reaches the summit, raises one hand (fer el vermell), and descends safely—demanding exceptional climbing skill, courage, and spatial awareness, often honed from years of practice, with helmets mandatory for head protection. These roles underscore bravery and dexterity over raw power, as any hesitation can destabilize the entire structure.^[6]^[33]^[23]

Training and Physical Demands

Castellers undergo rigorous training to meet the diverse physical demands of their roles, which vary significantly by position in the human tower. Base-level participants, known as the pinya and lower tronc, require substantial lower-body strength and stability to bear the cumulative weight of those above, often exceeding several hundred kilograms in taller structures; these individuals typically exhibit stocky builds optimized for load-bearing endurance. In contrast, mid- and upper-level castellers demand agility, core strength, and precise technique for climbing and maintaining balance, with enxanetes (the crowning figures) needing exceptional fearlessness, lightweight frames, and proprioceptive control to stand atop swaying towers up to 10 levels high.^[36] These requirements stem from biomechanical necessities: lower positions prioritize compressive force resistance, while higher ones emphasize dynamic equilibrium against gravitational and inertial forces.^[37] Training occurs primarily through colla-specific rehearsals, typically held two to three times weekly from February to November, focusing on progressive tower construction—from basic pinya formations to full castells—to build both technical proficiency and muscular adaptation.^[38] Sessions incorporate warm-ups, stretching, and cool-downs to mitigate injury risks, alongside drills simulating load-bearing (e.g., weighted squats for bases) and climbing maneuvers (e.g., foot-locking techniques for ascent).^[30] Physical preparation extends to supplementary gym work emphasizing hypertrophy in key muscle groups—such as quadriceps, glutes, and spinal erectors for stability—often tailored by age and role to enhance force output and fatigue resistance.^[39] Evidence from colla programs indicates that consistent conditioning reduces lesion incidence by improving load tolerance and recovery, with protocols adapting for seasonal intensity.^[40] The intergenerational transmission of skills underscores practice as the core learning mechanism, supplemented by targeted fitness to address physiological variances; for instance, adolescent females often fill agile upper roles due to favorable strength-to-weight ratios.^[1] Comprehensive programs, as outlined by federations like the Coordinadora de Colles Castelleres de Catalunya, include general conditioning circuits for diverse age groups, integrating aerobic endurance for prolonged diades (events) and anaerobic bursts for rapid assembly.^[41] Such regimens not only amplify technical execution but also foster resilience against the cumulative stresses of repetitive high-impact efforts, verified through empirical observations of performance correlations with preparation adherence.^[42]

Attire and Equipment

Traditional Clothing Standards

Castellers adhere to standardized traditional attire designed for functionality, safety, and team identification during tower construction. The core uniform includes high-waisted white trousers made from stretchy, resistant fabric, which provide grip points for climbers and allow freedom of movement.^[30] These trousers are tucked into the waistband and paired with a long-sleeved, collared shirt in a color specific to the colla (team), often featuring the group's emblem on the back.^[30] ^[1] Central to the attire is the faixa, a wide black sash wrapped tightly multiple times around the waist and extending down the back. This element offers lumbar support to bear the weight of upper levels and serves as essential handholds for ascending castellers, with the wrapping technique standardized to ensure durability and grip.^[30] ^[1] A cloth bandana (mocador), typically matching the shirt color, is worn on the head to absorb sweat and prevent slips.^[30] ^[28] Footwear standards vary by position: base-level pinya members traditionally wear espardenyes (Catalan espadrilles) for ground stability, while those in higher roles use sneakers or shoes with enhanced grip to navigate shoulders and hands.^[30] This attire has evolved minimally since the 18th-century origins of castells, prioritizing practical reinforcement over ornamental changes, as evidenced by consistent depictions in historical and contemporary festivals.^[6] No additional accessories like jewelry are permitted, maintaining uniformity and reducing injury risks.^[30]

Supportive Gear and Modifications

The faixa, a broad sash of black fabric wrapped multiple times around the waist and lower torso, constitutes the principal supportive element in casteller attire. It reinforces the lower back by distributing weight and stabilizing the spine under the compressive forces of supporting superincumbent layers, thereby reducing strain on lumbar muscles during tower construction and maintenance.^[28] ^[30] Beyond structural support, the faixa doubles as a climbing aid, offering secure handholds and footholds for participants ascending or descending the tower's exterior.^[43] ^[44] To enhance safety without compromising tradition, helmets fabricated from expanded polystyrene—a lightweight, energy-absorbing foam comprising 98% air—were introduced as a modification in the summer of 2006. These helmets integrate seamlessly with standard uniforms, avoiding interference with balance or grip. Mandatory adoption for the dome (the uppermost tiers, including the twos, lifter, and crowner) commenced in 2012, following evidence from a 2004 analysis of 750 tower collapses that identified head trauma in 54% of 24 recorded injuries. Post-implementation, no instances of traumatic brain injury have occurred in documented falls, underscoring the efficacy of this chemical-engineered protective gear.^[45] Footwear consists of espardenyes, canvas-upper shoes with pliable esparto grass or jute soles that promote flexibility and traction on shoulders and sashes. These maintain cultural fidelity, with no widespread structural alterations for added support, as the emphasis remains on human interlock and collective stability over individual augmentation.^[46] The pinya, or foundational crowd, functions as de facto protective apparatus by cushioning descents, though it relies on participant density rather than equipment.^[47] Overall, gear evolution prioritizes minimal intervention, balancing risk mitigation with the performative essence of castells.

Safety and Risks

Protocols and Preventive Measures

Preventive measures in castells prioritize systematic training, technical oversight, and on-site medical support to minimize risks during tower construction and dismantling. Colles castelleres conduct regular rehearsals, typically twice weekly, allowing participants to refine techniques and build confidence in progressively complex structures without exceeding group capabilities.^[48] These sessions emphasize strength, balance, and coordination, with each colla maintaining a dedicated technical team to assess structural integrity and decide on attempt feasibility.^[48] Mandatory safety equipment includes helmets for enxanetes—the children forming the tower's summit—introduced as a compulsory measure to protect against falls from heights exceeding 10 meters in taller castells.^[49] Ongoing research by the Coordinadora de Colles Castelleres de Catalunya (CCCC) explores additional protections, such as neck collars, to further reduce injury severity in collapses, which occur in under 3% of attempts as of 2024.^[50] ^[49] Event protocols incorporate environmental controls, including suspension of activities during rain or high winds, with specific limits like 20-minute waits between attempts in Valls festivals to avoid slippery conditions. Safety nets with specialized mesh permitting tower passage are used in training trials to cushion potential falls, while surrounding crowds provide passive stabilization by absorbing vibrations.^[51] Medical teams, including ambulances, are stationed at performances, enabling rapid response to strains or contusions, which predominate over fractures due to these layered precautions.^[48] Comprehensive manuals outline best practices, such as participant health screenings and role-specific conditioning, fostering a culture where "seny" (prudence) governs ambition.^[52]

Historical Incidents and Injury Data

Over the more than two centuries of documented castells practice, fatal accidents have been exceedingly rare, with only three confirmed deaths recorded: one in the 19th century, another in the late 20th century prior to widespread safety reforms, and the most recent in 2006 involving 12-year-old Mariona Galindo, who suffered fatal head injuries after falling from a nine-storey tower (castell de 9) during a practice in Mataró.^[53]^[54] No fatalities have occurred since the mandatory introduction of helmets for child participants (enxanetes and lighter roles) following the 2006 incident, which has also eliminated traumatic brain injuries among minors.^[17] Serious non-fatal injuries, particularly traumatic spinal cord injuries (SCI), have been documented in at least five cases since 1988, all resulting from falls during tower collapses or incomplete structures, with mechanisms including axial loading from heights of 4-9 storeys and direct impacts.^[55] These incidents highlight vulnerabilities in higher towers, where incomplete disassembly or loss of balance leads to multi-level falls, though overall SCI incidence from castells remains a small fraction of Catalonia's annual rate of 12.3 cases per million inhabitants.^[55] Injury data indicate low but increasing rates tied to expanded participation. In 2012, approximately 3% of 9,300 attempted castells involved accidents, primarily collapses affecting multiple participants, dropping to 2.5% in 2013 amid stricter protocols.^[49] Among child members of casteller groups, a study recorded 24 injuries over the observation period, yielding an incidence of 19.2 per 100 child-years, with over half (54%) occurring during training rather than performances and most involving minor musculoskeletal strains rather than fractures.^[56] Reported traumatisms rose from 259 cases in 2010 to significantly higher numbers by 2016, attributed to intensified competition and larger team sizes rather than diminished safety.^[57]

Criticisms of Risk Levels

Despite improvements in safety protocols, such as mandatory helmets for child participants and safety nets during rehearsals implemented following the 2006 death of 12-year-old enxaneta Mariona Galindo, critics have questioned the inherent risks of castells, particularly the potential for catastrophic falls from heights exceeding 10 meters.^[17]^[10] Galindo's fatal injuries after falling from a nine-story torre prompted heightened scrutiny, though organizers described the incident as exceptional within a self-regulated tradition spanning over 200 years, with only three recorded fatalities in its history.^[53]^[10] A 2023 survey by the Center for Opinion Studies revealed divided public sentiment, with 47% of Catalans viewing the practice as dangerous compared to 52% who consider it safe, reflecting ongoing concerns about collapse risks despite low annual failure rates of around 2.5-3% of attempted towers.^[58] Empirical data underscores vulnerabilities at the base level, where participants bear immense structural loads and impact forces during falls; a review of spinal cord injury cases from 1988 to 2017 identified five instances linked to castells, all affecting base members and resulting in tetraplegia.^[55] Ethical criticisms focus on the participation of children, often as lightweight enxanetes climbing to the summit or in lower roles, exposing them to physical strain, heat exhaustion during midday performances, and fall hazards without proportional safeguards relative to adults.^[15]^[59] Detractors argue that while the pinya provides a human cushion, the biomechanical realities— including compressive forces on lower extremities and sudden dynamic loading during failures—elevate injury probabilities beyond acceptable levels for minors, even as overall accident rates remain low compared to contact sports.^[55] These views persist amid assertions from practitioners that rigorous training and progressive difficulty mitigate dangers, yet highlight tensions between cultural preservation and risk minimization.^[49]

Terminology

Nomenclature for Towers and Actions

Castells are classified by the number of castellers per level in the trunk and the total number of levels, excluding the base structures known as folre and manilles when present. The prefix indicates the castellers per level: pilar for one, torre for two, tres for three, and quatre for four. For instance, a quatre de nou (4 de 9) features four castellers per level across nine levels atop the pinya base.^[6]^[2] Suffixes denote auxiliary supports: f for folre (a secondary base), m for manilles (a tertiary base), and fm for both. Complex variants, such as 3 de 10 amb folre i manilles (3d10fm), incorporate multiple supports for stability in taller structures. Pillars, lacking a full pom de dalt in some cases, are simpler and often performed as finales, ranging from pilar de 4 to pilar de 8.^[6] The primary actions in constructing a castell are termed carregar, alçar, and descarregar. Carregar refers to building the tower to the point of crowning or a specified height, involving the sequential addition of levels from the pinya upward. Alçar signifies successful completion, achieved when the enxaneta ascends to the summit and raises one arm overhead, symbolizing the pom de dalt.^[6] Descarregar denotes the safe dismantling, where levels are lowered methodically, often with the agulla maintaining position until outer supports are removed to ensure stability.^[2] These terms reflect the sequential process evaluated in competitions, where partial success (carregat) yields fewer points than full alçat i descarregat.^[6]

Examples of Classified Castells

Castells are denoted by their structure, specifying the number of castellers per level (typically 1 to 5 or more in combinations) and total levels, excluding the pom de dalt, with added difficulty from auxiliary bases like folre (secondary pinya) or manilles (tertiary support).^[6]^[2] Pillars (pilars), the simplest form, consist of one casteller per level for 4 to 8 levels and serve as protocol elements in performances.^[2] Basic towers without auxiliary bases include the quatre de vuit (4 de 8), with four castellers per level across eight levels, a standard construction documented since the 19th century.^[2] Intermediate examples add a folre for stability in taller builds, such as the quatre de nou amb folre (4 de 9f), first successfully completed on October 10, 1981, by Colla Vella dels Xiquets de Valls during the Diada de Santa Úrsula.^[6] Similarly, the tres de nou amb folre (3 de 9f), with three per level and nine levels plus folre, was achieved on August 17, 1986, by Colla Joves Xiquets de Valls.^[6] Superior classifications incorporate multiple auxiliaries, exemplified by the tres de deu amb folre i manilles (3 de 10fm), featuring three per level over ten levels with both folre and manilles, first loaded (desc carregat) in 1995 and completed (tot enxaneta) on October 3, 1998, by Castellers de Vilafranca.^[6] Combination castells exceed five per level by merging simpler structures, often with internal pillars, increasing technical demands.^[2] These examples illustrate progression from basic to elite feats, evaluated in competitions by completion status: carregat (loaded), descarregat (unloaded), or tot enxaneta (child crowns the top).^[2]

Organizations and Competitions

Colles Castelleres in Catalonia

Colles castelleres are nonprofit, volunteer-based teams dedicated to constructing human towers known as castells, primarily operating in Catalonia.^[29] These groups emerged in the 18th century in the Camp de Tarragona region, with the earliest documented performances in Valls during local festivals.^[6] By the late 20th century, colles had proliferated across Catalonia, fostering a competitive yet collaborative culture centered on technical proficiency and tower completion.^[2] As of 2024, approximately 80 active colles exist in Catalonia, coordinated under the Coordinadora de Colles Castelleres de Catalunya (CCCC), established in 1989 to represent shared interests, promote the tradition, and safeguard its integrity.^[60]^[61] The CCCC, accredited by UNESCO, oversees standards for participation in major events and supports training for members, who range from children to adults and include both men and women following integrations starting in the 1970s.^[62]^[6] Prominent colles include Colla Vella dels Xiquets de Valls and Colla Joves de Xiquets de Valls, each boasting over 1,000 members and rooted in the tradition's birthplace, alongside Castellers de Vilafranca, pioneers in advanced structures like the first completed 3x10 tower in 1998.^[4]^[29]^[11] Colles emphasize internal hierarchies based on roles—such as bases (pinya), supports (folre), and climbers (enxaneta)—with leadership by a cap de colla who directs rehearsals and performances.^[3] Rehearsals occur weekly, building physical strength and trust essential for safe tower erection, often in town squares during festivals like the Concurs de Castells in Tarragona.^[2] While rooted in local identity, colles maintain amateur status, funding through memberships and sponsorships without professional incentives.^[29] This structure has sustained the practice's growth, with teams adapting techniques to achieve higher, more complex castells amid evolving safety norms.^[6]

University and Youth Teams

University colles castelleres consist exclusively of university students, faculty, and staff, serving to embed the castells tradition within academic environments and promote values like discipline and collaboration among young adults. These groups typically lack child members, focusing instead on participants aged 18 and older, and often perform at campus events to enhance cultural engagement. As of December 2024, 14 such colles operate regularly across ten Catalan counties, reflecting growth in academic adoption of the practice.^[63] Prominent examples include the Ganàpies of the Universitat Autònoma de Barcelona, established around 1995 and noted for their longevity and role in introducing newcomers to castells through university workshops on techniques and safety.^[64] Other active teams encompass the Arreplegats de la Zona Universitària in Barcelona and the Bergants del Campus de Terrassa, which emphasize technical proficiency and community outreach.^[65] University colles contribute to broader dissemination by attracting diverse recruits and projecting a positive cultural image for institutions, though their achievements generally lag behind traditional colles due to shorter member tenures and seasonal participation.^[66] Youth teams, encompassing infantil (children aged roughly 6-12) and juvenil (adolescents aged 13-17) sections, form the foundational base of most colles castelleres, training participants in basic roles like pinya (base) and tronc (trunk) to ensure long-term viability. These sections conduct age-appropriate rehearsals and build simplified towers, such as 4-de-8 or 5-de-7, prioritizing skill development over height to minimize injury risks in younger builders.^[28] Participation in youth categories fosters early commitment, with colles like the Colla Jove Xiquets de Tarragona—founded in 1980—exemplifying dedicated youth groups that evolve into full colles.^[2] Many colles maintain structured youth programs, including pre-benjamí for under-6s focused on coordination, to cultivate a pipeline of skilled castellers; for instance, teams such as the Colla Jove de Castellers de Sitges, established in 1993, integrate youth training with adult performances.^[67] Youth involvement is critical for sustaining the tradition, as evidenced by their role in competitions with scaled-down structures, though data on exact numbers of youth members remains aggregated within overall colla figures exceeding 40,000 active participants across Catalonia.^[68] These teams emphasize progressive advancement, with juvenils often transitioning to adult roles by age 18, supporting colles' ability to attempt advanced castells like the 10-level human towers.^[6]

International and Non-Catalan Groups

Castells have proliferated beyond Catalonia through expatriate Catalans, cultural enthusiasts, and international collaborations, with groups forming in over a dozen countries as of 2024. These colles exteriors (external teams) typically start with basic towers and progress to more complex structures, often participating in events like the annual International Diada Castellera in Berlin. The Coordinadora de Colles Castelleres Internacionals supports these teams, promoting exchanges and standardization.^[19]^[69] In Europe, Castellers of London, founded in 2015, builds towers with a diverse membership and performs publicly in the city.^[20] Castellers de Berlin, established in 2018, draws from local and Catalan-inspired participants to replicate the tradition in Germany.^[70] Xiquets Copenhagen in Denmark holds weekly trainings and emphasizes inclusivity for newcomers.^[71] Mannekes de Brussel·les operates in Belgium, contributing to the growing European network.^[19] Outside Europe, Castellers de Sydney in Australia rehearses in [Hyde Park](/page/Hyde Park) and adapts castells to local conditions, with most members linked to Catalan heritage.^[72] In Asia, Xiquets de Hangzhou, based in Deqing near Hangzhou, China, achieved a 3 de 9 amb folre (three-person base nine-story tower with reinforcement) during the 2016 Concurs de Castells de Tarragona, marking a milestone for non-European teams; the group formed in the early 2010s and has competed in Catalonia.^[22]^[73] Non-Catalan groups within Spain remain limited, as the tradition is deeply rooted in Catalan identity, though some university or cultural associations in Valencia and other regions experiment with simplified versions without formal colla status. International expansion reflects globalization of Catalan culture, aided by UNESCO recognition in 2010, but these teams face challenges like smaller memberships and climatic adaptations compared to Catalan originals.^[1]^[20]

Major Competitions and Judging Criteria

The principal competitive event for castells is the Concurs de Castells de Tarragona, held biennially since 1980 on the first Sunday of October in even-numbered years at Tarragona's Tàrraco Arena Plaça.^[74] This three-day competition features approximately 42 colles divided into categories such as Primera, Segona, and Tercera, with participating teams selected based on their prior performances in the Ranking Estrella classification system.^[75] ^[6] Each colla performs multiple attempts to erect specified towers within time limits, adhering to protocols that compile traditional unwritten conventions into explicit regulations unique to this event.^[6] Unlike most castells festivals, which emphasize communal demonstrations, the Concurs introduces formal winners and losers through a structured points-based evaluation.^[76] Judging is conducted by a panel of seven expert arbiters who validate tower completions, enforce arena protocols, and resolve disputes over technical execution.^[77] A tower is deemed complete only when the enxaneta (child climber) ascends to the summit and raises one arm overhead, signaling success amid the pinya (base crowd).^[34] Scores derive from a predefined table ranking castells by objective difficulty, where higher points are assigned to taller structures with narrower profiles—such as a tres de vuit (three per floor, eight levels) over a quatre de vuit (four per floor, eight levels)—and augmented by complexities like folre (inner support rings), manilles (reinforcing handles), or aixecats per sota (elements lifted from below the pinya).^[2] For instance, a successfully erected pilar de set amb folre i manilles (seven-level pillar with supports) garners more points than a basic quatre de sis (four per floor, six levels) due to its elevated technical demands.^[78] Each colla's final tally sums the points from its three highest-scoring valid attempts, determining category victors and an overall champion.^[75] The scoring hierarchy prioritizes empirical measures of structural challenge over subjective aesthetics, though safe disassembly may influence discretionary judgments in borderline cases.^[26] Recent reforms, effective for the 2026 edition, adjust point values while preserving the established order of difficulty to reflect evolving performance standards without disrupting competitive equity.^[79] This system, codified in the competition's taula de puntuacions (points table), ensures transparency and adherence to causal principles of balance and load distribution inherent to castells engineering.^[76] While the Concurs dominates formal competition, ancillary events like inter-colla festivals occasionally incorporate informal assessments, but lack the standardized judging that defines Tarragona's benchmark.^[6]

Cultural and Political Dimensions

Role in Catalan Heritage and Identity

Castells originated in the town of Valls during the 18th century as part of local festivals, evolving into a structured tradition by the early 19th century that emphasized communal effort in constructing human towers up to ten levels high.^[3] This practice, performed by colles castelleres—amateur groups comprising participants from all ages and backgrounds—serves as a cornerstone of Catalan folk culture, fostering intergenerational transmission of skills and values such as strength, balance, courage, and rationality, encapsulated in the traditional motto força, equilibri, seny i coratge.^[6] Built during annual festes majors in towns across Catalonia, castells reinforce social cohesion by requiring precise coordination among hundreds of individuals, symbolizing the collective resilience inherent to Catalan societal structures.^[1] In terms of cultural heritage, castells represent a unique expression of Catalan ingenuity and physical discipline, distinct from broader Spanish traditions despite shared Iberian roots, with their development tied to rural and religious festivities in Tarragona province documented as early as 1801.^[11] The activity promotes values of teamwork, solidarity, and self-improvement, which participants and observers attribute to the democratic and inclusive nature of colles, where leadership rotates and success depends on mutual trust rather than hierarchy.^[80] UNESCO's 2010 inscription of castells as Intangible Cultural Heritage underscores their role in preserving Catalonia's intangible patrimony, highlighting how the practice sustains linguistic and customary elements amid modernization, with over 100 active colles engaging thousands annually in performances that blend physical prowess with rhythmic accompaniment by traditional grallers.^[1]^[2] Castells contribute to Catalan identity by embodying regional pride and cultural autonomy, often performed in contexts that affirm Catalonia's historical distinctiveness from central Spanish governance, such as during local patron saint celebrations that predate 19th-century nationalist movements.^[26] The human towers symbolize equilibrium between individual effort and communal support, mirroring aspirations for balanced social progress in Catalan communities, where participation rates have surged since the 1980s revival, drawing in diverse demographics including women and children who crown the structures.^[17] This resurgence, with documented increases in tower heights and complexity—such as the first pilar de 10 achieved in 2023—demonstrates castells' adaptability while anchoring identity in verifiable feats of human capability rooted in empirical training and historical continuity.^[81]

Symbolism in Nationalism and Independence Movements

Castells have emerged as potent symbols within Catalan nationalism, representing collective strength, perseverance, and communal harmony essential to the nationalist narrative of self-determination. The construction of these human towers, requiring precise coordination among participants from all ages and backgrounds, mirrors the ideals of unity and mutual support that proponents of Catalan independence invoke to underscore the feasibility of regional autonomy. This symbolism gained prominence during the post-Franco democratic transition in the late 1970s, when castells experienced a revival alongside broader efforts to reclaim and assert Catalan cultural distinctiveness against historical suppression under the dictatorship.^[16]^[46] In the context of independence movements, castellers have actively participated in political demonstrations, erecting towers at rallies to visually embody resilience and solidarity. For instance, on September 27, 2014, groups of castellers formed a chain of human towers stretching over 400 kilometers from Barcelona to Brussels, protesting the Spanish government's suspension of Catalonia's planned self-determination referendum and advocating for the right to decide on independence.^[82] Similarly, during the October 1, 2017, referendum amid police crackdowns, castells were performed at pro-independence gatherings, with participants like Aureli Bisbe describing the towers as emblematic of collective achievement possible through cooperation, drawing parallels to the independence cause.^[83]^[9] Scholars and cultural observers have noted a semiotic evolution linking castells to pro-independence sentiment, transforming the practice from a folk tradition into a marker of political identity since the 1970s recovery of democratic freedoms. This association is rooted in the towers' embodiment of "strength, balance, courage, and common sense," virtues aligned with nationalist rhetoric emphasizing Catalonia's capacity for self-governance.^[46]^[84] However, while celebrated by nationalists as a metaphor for Catalonian identity, the practice's integration into political activism reflects a deliberate cultural mobilization rather than an inherent ideological stance, with participation varying across colles.^[17]^[26]

Controversies Over Politicization

Castells, traditionally a communal and apolitical expression of Catalan associational culture originating in the 18th century, have been increasingly deployed as symbols in pro-independence rallies since the early 2010s, particularly during the procés—Catalonia's independence drive culminating in the 2017 referendum.^[9] Groups known as colles castelleres have erected towers at events like the annual Diada Nacional de Catalunya on September 11, often alongside estelada flags representing aspirational Catalan sovereignty, framing the human towers as metaphors for collective strength and resilience against perceived Spanish centralism.^[85] This performative integration, while boosting participation—colles membership surged from around 5,000 in 2000 to over 10,000 by 2017—has transformed castells from regional festivals into emblems of political contention.^[46] Critics from Spanish unionist perspectives, including parties like Ciudadanos, have accused pro-independence entities of co-opting public subsidies for colles—which totaled approximately €2 million annually from Catalan regional funds by 2015—to advance separatist agendas, fracturing societal unity under the guise of cultural heritage.^[46] Such claims highlight tensions over fiscal transfers, with unionists arguing that taxpayer money from Spain-wide resources indirectly supports events that challenge national integrity, as evidenced by parliamentary debates in Madrid following high-profile castell displays at 2012–2017 Diada gatherings attended by over a million participants.^[86] Within Catalonia, internal debates among practitioners question whether this symbolic linkage risks excluding non-independentist members, who comprise an estimated 20–30% of colles affiliates based on surveys of urban teams, thereby undermining the tradition's emphasis on inclusive teamwork over ideological conformity. Scholars analyzing this shift describe it as a "semiotic evolution" driven by the procés, where castells' physical precariousness mirrors narratives of national vulnerability, yet warn of dilemmatic outcomes: channeling political demands through cultural forms may reinforce identity for supporters but alienate broader participation, as seen in reduced engagement in mixed-ideology colles post-2017.^[87] Empirical studies of Barcelona-area groups during the 2010–2015 economic crisis and sovereignty debates reveal performative values—strength, base stability, and pinnacle achievement—being reinterpreted through nationalist lenses, prompting calls from some anthropologists for depoliticization to preserve universality, especially after UNESCO's 2010 intangible heritage designation emphasized non-partisan communal bonds.^[88] No formal bans have occurred, but localized controversies, such as municipal restrictions on estelada displays at public castell events in unionist-leaning towns like Vic in 2018, underscore ongoing friction between cultural expression and state unity imperatives.^[16]

Achievements and Records

Notable Milestones and Firsts

The earliest documented human tower was constructed in l'Arboç in 1770, marking the initial recorded instance of this practice in Catalonia.^[89] In 1851, during the Santa Tecla festival in Tarragona, the first nine-story human tower with a folre (reinforcement level) was successfully completed, ushering in the First Golden Age of castells (1851-1889), a period of rapid innovation in tower height and complexity.^[89]^[6] A significant technical advancement occurred in 1881 with the first completion of a quatre de nou sense folre (4de9sf), a nine-story tower with four castellers per level excluding the reinforcement base, demonstrating improved stability and skill without auxiliary supports.^[89]^[2] The late 20th century saw a revival, with the return of nine-story towers in 1981, initiating the Second Golden Age characterized by broader participation, including women, and heightened competition.^[89] In 1993, the first tower of extreme difficulty, the dos de nou amb folre i manilles (2de9fm), was achieved, incorporating grilles for added structural challenge.^[89] The first ten-story human tower, a tres de deu amb folre i manilles (3de10fm), was completed in 1998, pushing the limits of height and precision in castells construction.^[89]

World Records and Competition Wins

The tallest and most complex castells represent pinnacle achievements in the tradition, with records defined by the first successful carregades (loadings) and descarregades (unloadings) of specific tower types. The first 10-level castell, a 3 de 10 amb folre i manilles (three people per level for 10 levels, with auxiliary base and climbing aids), was carregat by Castellers de Vilafranca on November 15, 1998, in Vilafranca del Penedès, marking the highest structure ever built in the discipline.^[6] ^[90] Minyons de Terrassa achieved the first full descarregada of this type one week later, solidifying the milestone.^[6] Earlier, after a decline following the 19th century, Colla Vella dels Xiquets de Valls carregat and descarregat the first post-revival 9-level tower—a 4 de 9 amb folre—on October 4, 1981, during the Santa Úrsula festival in Valls.^[6] Subsequent records include the first 3 de 9 sense folre (9 levels without auxiliary base) by both Valls teams in 2019 at the Santa Úrsula festival, and the first 4 de 9 sense folre by Minyons de Terrassa in 1998.^[6] These feats, requiring precise synchronization among hundreds of participants, pushed structural limits while adhering to traditional techniques without modern equipment.^[6] In formal competitions, the biennial Concurs de Castells de Tarragona, established in 1932, evaluates colles on speed, stability, and success in building multiple towers, awarding points for carregades, descarregades, and difficulty.^[91] Castellers de Vilafranca holds the record with 13 wins, including consecutive victories in the 28th edition (2022) and 29th (October 6, 2024), where they successfully built two 10-level towers (3 de 10 and 4 de 10 variants).^[92] ^[93] Colla Vella dels Xiquets de Valls secured the 27th edition in 2018 with superior execution of high-difficulty structures.^[94] The event, held every two years since 1980, draws top colles and serves as a benchmark for overall prowess.^[91]

Preservation Efforts

Institutions and Museums

The Human Tower Museum of Catalonia (Món Casteller), located in Valls—the birthplace of the castells tradition—serves as the primary dedicated institution for preserving and interpreting the cultural phenomenon of human towers. Opened on September 4, 2023, by the Catalan government, the museum transcends traditional exhibition spaces through immersive and sensory experiences that recreate the emotions of building and completing a castell, including large-format displays, videodance presentations on inter-colla rivalries, and installations emphasizing the tradition's heritage as UNESCO Intangible Cultural Heritage.^[95]^[96] It focuses on universal accessibility, highlighting core elements such as strength, balance, courage, and sanity required in castells construction, while documenting historical evolution from 18th-century origins in the Camp de Tarragona region.^[97] Complementing the museum, the Coordinadora de Colles Castelleres de Catalunya (CCCC), established in 1989 and headquartered in Valls, functions as the central coordinating institution for over 70 casteller groups (colles) across Catalonia. This federation safeguards shared values and interests, including training standards, safety protocols, and promotion of the tradition, while representing colles in competitions and cultural advocacy; it holds UNESCO accreditation as a non-governmental organization for intangible heritage preservation.^[98]^[62] Through assemblies and direct support, the CCCC fosters cohesion among amateur teams, ensuring the continuity of castells as a participatory practice involving participants from ages 6 to over 60, built during local festivals.^[28]

UNESCO Recognition and Global Promotion

On November 16, 2010, UNESCO inscribed human towers, or castells, on its Representative List of the Intangible Cultural Heritage of Humanity during a session in Nairobi, Kenya.^[1] ^[5] This designation recognizes castells as a traditional Catalan practice involving the collaborative construction of human pyramids up to ten levels high, typically during local festivals, which fosters intergenerational knowledge transmission, physical discipline, and communal solidarity.^[1] The inscription underscores the cultural significance of castells in promoting values such as perseverance, mutual support, and aesthetic expression through synchronized movements and chants.^[1] The UNESCO recognition has significantly enhanced the international visibility of castells, prompting a surge in global interest and the proliferation of colles—amateur casteller groups—beyond Catalonia.^[18] Within a decade following the inscription, the number of active colles doubled, with formations emerging in regions outside traditional Catalan areas, including Valencia, the Balearic Islands, and abroad in countries such as France, the United Kingdom, Australia, and China.^[18] ^[17] This expansion has been supported by demonstrations at international events and cultural exchanges organized by entities like the Coordinadora de Colles Castelleres de Catalunya (CCCC), which coordinates over 100 groups and facilitates training and performances worldwide.^[5] ^[62] Global promotion efforts have included workshops, festivals, and media coverage that highlight castells as a symbol of human achievement and cultural diversity, leading to adaptations by non-Catalan groups while preserving core techniques like the pinya (base) and enxaneta (child summit climber).^[17] The practice's UNESCO status has also inspired auxiliary activities, such as associated music, dance, and educational programs, further embedding castells in broader intercultural dialogues.^[99] These developments have not only sustained participation—estimated at over 12,000 active castellers in Catalonia alone—but have also mitigated risks through standardized safety protocols disseminated internationally.^[18]

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Building castells (human towers) is a lot of fun and very rewarding. It's ... A good pinya is the most effective protective equipment available to us.Missing: supportive gear modifications attire
[49]
[PDF] El risc dels castells - CASTELLERS de TORTOSA
i protocols de seguretat activa: - Els castells s'assagen sistemàticament (normalment dos cops a la setmana). - Cada colla disposa d'un equip tècnic que ...
[50]
Catalan Castells are safer than ever with only 2.5% of the towers ...
Aug 28, 2013 · Catalan Castells are safer than ever with only 2.5% of the towers collapsing in 2013. The medical director of the Coordinadora de Colles ...
[51]
Seguretat al món dels castells: accidents per sota del 3%, però ...
Sep 16, 2024 · El compromís amb la seguretat és un pilar fonamental del món dels castells, des d'on es treballa sense descans i en molts àmbits per millorar ...
[52]
Safety nets for castellers trials - RMG- Redes
Sep 7, 2018 · Its main characteristic is that in the central part the mesh must have holes that allow the passage of the human tower.
[53]
[PDF] MANUAL DE BONES PRÀCTIQUES EN PREVENCIÓ I ...
L'objectiu d'aquest Manual és facilitar a les colles castelleres ja consolidades i a aquelles que estan en fase de formació una eina on poder trobar la ...
[54]
Young girl dies after fall from nine-storey human tower - The Guardian
Aug 6, 2006 · Mariona Galindo died of head injuries after falling from a nine-storey human tower at her home town of Mataró, north-east Spain.Missing: historical | Show results with:historical
[55]
Los Castells: the human "towers", Intangible Heritage of Humanity
Human pyramids more than 6 floors high rise to the sound of music in Catalonia: it is the cultural phenomenon of Castells.
[56]
Traumatic spinal cord injury due to human tower accident in Catalonia
Dec 19, 2018 · In this paper, we report five cases with SCI since 1988 following accidents of human towers and discuss how each accident occurred and what ...
[57]
Incidence of injuries among children members of human tower ...
The total number of injuries during the human tower activities was 24 (incidence of 19.2 injuries per 100 children-year). Fifty-four percent (13/24) of the ...
[58]
Las lesiones de castellers se multiplican - El Periódico
Jul 22, 2016 · Las lesiones en los 'castells' se han multiplicado en los últimos seis años. De los 259 partes de traumatismos comunicados en el 2010 a la ...
[59]
Half of Catalans believe 'castellers' human towers are dangerous
Nov 17, 2023 · 47% of Catalans consider the 'castellers' human tower tradition to be dangerous, while 52% find it safe, according to a survey by the Center for Opinion ...
[60]
Rising Temperatures, Wavering Human Towers ... - MDPI
This study analyzes temperature trends and thermal comfort during the key hours (i.e., from noon to 3:00 p.m.) of human tower (castells) performances in ...
[61]
Catalunya's Castellers: Pile 'Em High - (barcelona-metropolitan.com)
Sep 14, 2024 · There are a total of 80 active teams in Catalunya, according to the Coordinadora de Colles Castelleres de Catalunya (an entity dedicated to ...
[62]
CCCC: Coordinator of the Colles Castelleres de Catalunya
The Coordinadora de Colles Castelleres de Catalunya was born in 1989 with the following goals: look after the colles' shared interests; promote human towers ...Missing: estructura organitzativa colla
[63]
Coordinatora de Colles Castelleres de Catalunya
The first one is dedicated to safety and technical issues regarding human towers. The second one deals with legal, financial and organizational matters.Missing: rules | Show results with:rules
[64]
El nou mapa casteller universitari | RevistaCastells.cat
Dec 11, 2024 · Les colles universitàries, ara mateix tenen implantació a deu comarques catalanes i hi ha un total de catorze colles que actuen regularment. A ...Missing: universitaris | Show results with:universitaris
[65]
El món casteller - Universitat Autònoma de Barcelona - UAB
The UAB castellers, the Ganàpies, have almost 30 years of experience. How a castle works, basic safety rules and the casteller imaginary are some of the ...Missing: universitaris | Show results with:universitaris
[66]
Colles - PortalCasteller
Colles · Al·lots de Llevant · Angelets de Vallespir · Arreplegats de la Zona Universitària · Associació de Joves del Pla · Bergants del Campus de Terrassa ...
[67]
Les colles castelleres universitàries i la difusió dels valors | Xarxanet
Nov 23, 2011 · Elsmateixos apunten el que pot reportar a les universitats tenir una colla castellera: “Donem una imatge positiva culturalment”. ... Guillem ...
[68]
Colles List - CCCC
Colla Jove de Castellers de Sitges. +. Foundation year: 1993. Color: pantone #7421C D´en Bosch, 10. Palau Rei Moro 08870 Sitges 679940351 secretarijovedesitges ...
[69]
What do we do - CCCC
Treballs universitaris. +. Treballs de fi de grau universitaris de diverses temàtiques i aproximacions al fet casteller. Arxius per descarregar. Regulació ...
[70]
A Human Tower Will Be Built at the MEK on 3 May 2025
May 3, 2025 · International castellers meet annually for a competition. The International Diada Castellera Takes Place on 3 May 2025 from 1 pm at the MEK.
[71]
About Us - Castellers de Berlin
Castellers de Berlin is a group founded in 2018 by people who wanted to bring a piece of this century-long Catalan tradition to the German capital.
[72]
https://www.instagram.com/castellerssyd/
[73]
https://www.fcbarcelona.com/en/news/829861/the-human-towers-of-the-xiquets-de-hangzhou-come-to-camp-nou
[74]
The human towers of the Xiquets de Hangzhou come to Camp Nou
Oct 4, 2016 · The 'colla castellera' (human tower club) Xiquets de Hangzhou from China paid a visit to FC Barcelona on Tuesday, taking in the Camp Nou Experience.
[75]
https://eng.concursdecastells.cat/faq-s-cdc
[76]
FAQ´S - Concurs de Castells
The Concurs de Castells takes place every 2 years and is traditionally held on the first weekend of October on even years. Currently, it consists of 3 events: ...Missing: criteria | Show results with:criteria
[77]
THE RULES - Concurs de Castells
The basic rules, which establish the number of participating “colles”, their position on the arena, the performance order and the development of the “Concurs”.Missing: criteria | Show results with:criteria
[78]
Catalonia's biggest human towers contest returns this weekend
Oct 4, 2024 · The competition follows a written set of rules that assigns points to each castell, and a jury validates the scores and decides in cases of ...
[79]
Concurs de Castells | Luxury Apartments Barcelona
Oct 8, 2024 · This festival of competitions of human towers, known as “castells,” brings together teams from all over Catalonia to demonstrate their strength, balance and ...Missing: criteria | Show results with:criteria
[80]
The 2026 Concurs de Castells will change the points for the ...
Aug 29, 2025 · The 2026 Concurs de Castells will change the points for the constructions but will maintain the order of the scoring table. The pilar de set ...
[81]
Castellers - Catalonia's human towers | Europeana
Aug 16, 2022 · Castells are human constructions, six to ten people high, that can occasionally be spotted in cities and town squares in Catalonia.Unwritten Rules · Dream Teams · Castells In Catalonia<|separator|>
[82]
Discover the tradition of the Castellers in Catalonia - Naturaki.com
Feb 7, 2025 · ... dance. The first documented casteller groups appeared in Valls, considered one of the cradles of this tradition, from where it spread to ...
[83]
What Does a 36-Foot-Tall Human Tower Have to Do With Catalan ...
Jun 13, 2014 · The towers are traditionally called by the number of stages and people per stage—it can have between one and five people per stage. So a castell ...Missing: classification | Show results with:classification<|separator|>
[84]
With Human Pyramids, Catalans Reach For Independence - NPR
a symbol of what citizens can achieve when they work together, says participant Aureli Bisbe. "It ...
[85]
Catalonia's Human Towers: A History of the Castells - Fernwayer
While castells likely developed from a dance tradition dating back around two hundred years, the ritual was also partially inspired by Muixeranga, a cultural ...
[86]
Catalonia's Human Towers as a Metaphor for Independence
Nov 7, 2014 · The castells have taken on new significance and popularity as Catalonia presses to break away from Spain, reinvigorating a sense of pride and identity.<|separator|>
[87]
Catalonia and Spain: Political and Fiscal conflict - ResearchGate
Aug 10, 2025 · The relationship between Catalonia and Spain is currently nearing the end of the cycle that started with the democratic Constitution of 1978 ...
[88]
Everyday Discourses About the Catalan Secessionist Movement
The possibility that castells channel political demands is dilemmatic because it creates a divide within independentism: must Catalan cultural cornerstones ...
[89]
Catalonia`s Human Towers: Nationalism, Associational Culture, and ...
This paper examines the cultural performance of human towers (castells) in Catalonia as a reflection of nationalism and associational culture.<|separator|>
[90]
Chronology - CCCC
1770. Oldest documented human tower (l'Arboç) · First golden age (1851-1889) · 1851. First completed 9 story high human tower · 1881. First completed 4d9 without ...Missing: milestones | Show results with:milestones
[91]
Castellers de Vilafranca - Primer 3 de 10 amb folre i manilles
Aug 1, 2008 · Primer castell de deu carregat en la història dels castells. Vilafranca del Penedès. 15 de Novembre de 1998. Tallest human tower.Missing: mundials | Show results with:mundials
[92]
BRIEF HISTORY OF THE CONCURS DE CASTELLS DE ...
The Concurs de Castells de Tarragona was born in 1932. Although there was some precedents ─in 1902, one had been held in Barcelona─, the appearance of the ...
[93]
Castellers de Vilafranca, winners of a memorable 29th Concurs of ...
Oct 6, 2024 · The 29th Concurs de Castells is now history with another win by Castellers de Vilafranca, the second in a row and the 13th overall.Missing: records | Show results with:records
[94]
Concurs de Castells 2024 - The world´s largest human tower show
Castellers de Vilafranca, winners of a memorable 29th Concurs of Castells. Colla Vella dels Xiquets de Valls went neck and neck with the Verds, thanks to a ...
[95]
Vella de Valls, winner of Tarragona human tower competition
Oct 7, 2018 · The Colla Vella dels Xiquets de Valls won first place in the 27th edition of the Tarragona Castells Competition.Missing: Concurs history
[96]
Catalonia opens Món Casteller, a u... - Catalangovernment.eu
Sep 4, 2023 · Catalonia opens Món Casteller, a unique and innovative museum showcasing castells (human towers), declared Intangible Cultural Heritage by ...Missing: institutions | Show results with:institutions
[97]
welcome to the human towers museum of catalonia - Museu Casteller
The Human Tower Museum of Catalonia (MCC) is a museum experience that will capture the hearts and minds of visitors, providing a first-hand look at this ...
[98]
Last works on the human towers museum of Catalonia - Catalan News
May 17, 2017 · “Strength, balance, courage, and sanity” are the four key elements that guide the new Human Tower Museum of Catalonia in Valls, ...
[99]
CCCC: Coordinadora de les Colles Castelleres de Catalunya
La Coordinadora de Colles Castelleres de Catalunya és una entitat que va néixer l'any 1989 amb l'objectiu de vetllar pels interessos comuns de les colles ...
[100]
Catalonia's mind-blowing Concurs de Castells | Pura Aventura
The biennial Tarragona Human Tower Competition gathers together the best 'colles castelleres' (teams of castle-makers) of Spain - mostly from Catalonia - ...