Cheap Trick
Cheap Trick is an American rock band formed in Rockford, Illinois, in 1974, renowned for blending power pop and hard rock elements with catchy melodies, high-energy performances, and Robin Zander's soaring vocals.[1][2] The band's original lineup consisted of guitarist and songwriter Rick Nielsen, bassist Tom Petersson, drummer Bun E. Carlos, and vocalist Robin Zander, who joined in 1974 after the group evolved from earlier local acts.[2] The band signed with Epic Records in 1976 and quickly released a string of influential albums, including their self-titled debut in 1977, In Color later that year, Heaven Tonight in 1978, and Dream Police in 1979, which established their signature sound of hook-driven songs and Nielsen's prolific guitar work.[2] Their breakthrough came with the double live album Cheap Trick at Budokan (recorded in 1978 and released in the U.S. in 1979), which propelled hits like "I Want You to Want Me" and "Surrender" to the top of the charts, selling over three million copies and cementing their status as arena rock staples.[2] Despite lineup changes—such as Petersson's departure in 1980 and return in 2010, and Carlos's replacement by Daxx Nielsen in 2010—Cheap Trick has maintained a prolific career, achieving further success with the number-one hit "The Flame" in 1988, their 2021 album In Another World, which topped the Billboard Rock Albums chart, and their 21st studio album All Washed Up released in November 2025.[1][3][4] Over their five-decade career, Cheap Trick has sold more than 20 million records worldwide, earned over 40 gold and platinum certifications, and influenced generations of musicians in rock, metal, and alternative genres.[1] They were inducted into the Rock and Roll Hall of Fame in 2016, recognizing their enduring legacy of innovative songcraft and electrifying live shows.[1][2]History
Origins and early years (1969–1977)
Guitarist Rick Nielsen and bassist Tom Petersson first collaborated in the late 1960s Rockford, Illinois, music scene, forming the band Fuse in 1967 alongside drummer Mike Lynner and vocalist Joe Sundberg.[5] The group played a mix of hard rock and psychedelic influences, releasing a self-titled album in 1970 on Epic Records that featured original songs like "In the County" but achieved limited commercial success and led to the band's dissolution later that year. Nielsen and Petersson then relocated briefly to Philadelphia, where they formed Sick Man of Europe in 1971 with new members, including drummer Brad Carlson (later known as Bun E. Carlos); the band toured Europe in 1972 but disbanded upon returning to Illinois in 1973 due to creative and logistical challenges.[6] In 1973, Nielsen, Petersson, and Carlos regrouped in Rockford as Cheap Trick, initially recruiting vocalist Randy "Xeno" Hogan to complete the lineup; the name "Cheap Trick" was chosen to reflect their humorous, self-deprecating stage antics and affordable appeal to local audiences.[7] Hogan's tenure was short-lived, and after several auditions, the band added singer Robin Zander in 1974, establishing the classic quartet that would define their sound with Nielsen's intricate guitar work, Petersson's melodic bass lines, Zander's versatile vocals, and Carlos's solid drumming.[8] This lineup quickly developed a repertoire of high-energy rock songs, drawing from British Invasion and power pop influences, and began performing relentlessly in the Midwest club circuit to hone their live show. To gain wider exposure, Cheap Trick self-released the EP I Want You to Want Me in 1976, a three-track recording sold at concerts that included the title song—later a signature hit—alongside "Oh Boy" and "Speak Now or Forever Hold Your Peace," helping to build grassroots support among fans.[9] Their persistent performances caught the attention of record executives, leading to a signing with Epic Records in 1976 after a showcase that impressed A&R staff with their dynamic stage presence.[10] The band supported established acts on tour, including opening slots for The Kinks in 1974 and REO Speedwagon in 1977, which solidified a dedicated regional following in the Midwest through over 200 shows annually and word-of-mouth buzz.[10] Epic issued Cheap Trick's self-titled debut album in February 1977, produced by Jack Douglas and featuring tracks like "Elo Kiddies" and "Hello There" that showcased their blend of catchy hooks and raw energy; though it reached only No. 101 on the Billboard 200 in the U.S., it went gold in Japan and marked their entry into major-label recording.[9] Later that year, they followed with In Color in September, also produced by Douglas, which included "I Want You to Want Me" and further refined their pop-rock style but similarly struggled for domestic chart success amid the era's competitive landscape.[8] These early releases and tours laid the groundwork for the band's breakthrough, emphasizing their relentless touring ethic and songwriting prowess despite initial commercial hurdles.[6]Budokan brings success (1978–1980)
In early 1978, Cheap Trick traveled to Japan for a promotional tour, where their high-energy performances captivated audiences, leading to the recording of a live album at Tokyo's Nippon Budokan arena on April 28 and 30, 1978. Originally intended as a Japan-exclusive release to boost their international profile, Cheap Trick at Budokan was issued there on October 8, 1978, by Epic Records, capturing the band's raw power-pop sound with electrified renditions of tracks from their earlier albums.[11][12] The album's explosive reception in Japan spilled over to the United States through bootleg imports played by radio stations, creating massive demand that prompted an official North American release in February 1979. It quickly climbed to No. 4 on the Billboard 200 chart, marking the band's breakthrough after years of modest domestic sales. The live versions of singles "I Want You to Want Me" and "Surrender"—originally from In Color (1977)—drove the surge, with "I Want You to Want Me" peaking at No. 7 on the Billboard Hot 100 in May 1979 and "Surrender" reaching No. 62 in late 1978, fueled by the album's dynamic energy and Robin Zander's soaring vocals.[13][3] Riding this momentum, Cheap Trick entered the studio to record their fourth album, Dream Police, released on September 21, 1979, which polished their sound with producer George Martin adding orchestral elements to tracks like the title song, the introspective "Voices," and the anthemic "Way of the World." The album debuted strongly, peaking at No. 6 on the Billboard 200 and earning platinum certification within months, solidifying their status as arena-rock contenders.[3][14] The band's popularity exploded into a rigorous touring schedule from 1978 to 1980, transitioning from Midwest club roots to headlining major venues like the Los Angeles Forum and New York's Madison Square Garden, often selling out shows amid fervent fan crowds that rivaled Beatlemania. They also served as opening act for high-profile tours, including dates with The Who in 1979, where their concise, explosive sets—typically 45 minutes of hits like "Hello There" and "Auf Wiedersehen"—won over skeptical audiences and amplified their live reputation.[15][16] Capping this peak period, Cheap Trick issued the EP Found All the Parts on June 2, 1980, a 10-inch vinyl collection of outtakes and live cuts from 1976–1979, including the non-album studio track "Lookout" and a cover of The Beatles' "Day Tripper" recorded live in 1978. Released as part of Epic's experimental Nu-Disk series, the EP provided fans with rare material like "Can't Hold On" (live from Tokyo) and "Such a Good Girl," bridging their recent hits with earlier unreleased gems.[17][18]1980s struggles (1981–1986)
Following the success of their live album At Budokan, Cheap Trick faced significant challenges in the early 1980s, beginning with the departure of founding bassist Tom Petersson on August 25, 1980. Petersson cited burnout from relentless touring since the band's 1977 debut, disillusionment with the music industry, and internal conflicts, including tensions over his wife Dagmar's desire to contribute vocals to the group's material.[19] The band quickly replaced him with Pete Comita for the supporting tour of their fifth studio album, All Shook Up, released later that year and produced by George Martin. Comita's tenure was short-lived, and by 1981, Jon Brant joined as the permanent bassist, stabilizing the lineup amid ongoing difficulties.[19] The band's commercial fortunes declined sharply as rock music shifted toward new wave, synth-pop, and emerging hair metal acts, leaving Cheap Trick's power-pop sound out of favor on U.S. radio. All Shook Up peaked at No. 24 on the Billboard 200, a drop from their prior top-10 albums, while follow-up One on One (1982), produced by Roy Thomas Baker, reached only No. 39 despite featuring the minor hit "She's Tight" at No. 53 on the Hot 100. Next Position Please (1983), helmed by Todd Rundgren, fared worse at No. 118, and Standing on the Edge (1985), with Mark Spiro producing, climbed to No. 35 but still signaled underperformance relative to their late-1970s peaks. These releases highlighted the group's experimental leanings but struggled to recapture mainstream attention.[3] Compounding these issues were disputes with Epic Records' parent company, CBS, which sued the band and manager Ken Adamany in July 1981 for $12 million, accusing them of refusing to record new material to force a contract renegotiation. The litigation led to a temporary hiatus, exacerbating internal tensions from years of touring fatigue and creative disagreements.[20][21] During this period, band members pursued side projects to sustain momentum. Guitarist Rick Nielsen contributed guitar tracks to John Lennon's 1980 comeback album Double Fantasy, including an early version of "I'm Losing You," though the parts were ultimately re-recorded by session players.[22][23] Vocalist Robin Zander focused on band commitments but occasionally guested on tracks by other artists, maintaining his profile amid the slowdown.[24] Despite U.S. radio decline, Cheap Trick cultivated a cult following through persistent touring, including European dates supporting Next Position Please in 1983–1984, where audiences appreciated their high-energy performances of Budokan-era hits like "I Want You to Want Me." This international loyalty provided a lifeline as domestic sales waned. The era culminated with The Doctor in 1986, produced by Tony Platt, which failed to chart in the Billboard top 100 and featured a more formulaic hard rock sound that temporarily distanced the band from their classic power-pop roots.[20][25][20]Popular resurgence (1987–1989)
Following a period of lineup instability and underwhelming commercial performance in the early 1980s, Cheap Trick experienced a significant revival in the late decade with the return of bassist Tom Petersson, who rejoined the band in 1987 after departing in 1980, restoring the core lineup of Petersson, Rick Nielsen, Robin Zander, and Bun E. Carlos.[26] This reunion paved the way for their tenth studio album, Lap of Luxury, released on April 12, 1988, and produced by Richie Zito, which peaked at No. 16 on the Billboard 200 and achieved platinum certification.[27][28] The album's success was driven by a series of hit singles that capitalized on the power ballad trend prevalent in the era. "The Flame," a brooding power ballad co-written by outside songwriters Bob Mitchell and Nick Graham, topped the Billboard Hot 100 for two weeks in July 1988, marking Cheap Trick's first and only No. 1 single.[29] This was followed by their cover of Elvis Presley's "Don't Be Cruel," which reached No. 4 on the Hot 100 later that year, and "Ghost Town," a mid-tempo track that climbed to No. 33 in early 1989.[30][31] Promotional efforts included music videos for the singles that received heavy rotation on MTV, boosting the band's visibility, alongside a rigorous tour featuring high-energy live performances of both new material and classics.[32][33][34] Lap of Luxury represented a deliberate shift toward a more polished, pop-oriented sound to align with the hair metal-dominated landscape of the late 1980s, incorporating synth elements and radio-friendly hooks while retaining the band's hard rock edge.[32] The momentum carried into their follow-up album, Busted, released in June 1990 and produced by Ted Templeman, which peaked at No. 48 on the Billboard 200 but failed to match the prior album's commercial heights.[35]Transitions (1990–2015)
Following the band's late-1980s resurgence with hits like "The Flame," Cheap Trick faced commercial challenges in the 1990s, culminating in their final major-label album, Woke Up with a Monster, released in 1994 on Warner Bros. Records and produced by Ted Templeman. The album featured a mix of hard rock and power pop tracks but failed to chart significantly, leading to the band's release from the label shortly thereafter. Seeking independence, Cheap Trick turned to self-financed projects, issuing a self-titled studio album in 1997 through indie label Red Ant Records, which emphasized their raw, guitar-driven sound without corporate constraints. In 1996, they also released the four-disc compilation box set Sex, America, Cheap Trick on Legacy Recordings, compiling hits, rarities, and live tracks from their catalog to appeal to longtime fans and sustain interest during a period of reduced visibility. Throughout the 1990s and early 2000s, lineup stability remained a cornerstone, with original members Rick Nielsen, Robin Zander, Tom Petersson, and Bun E. Carlos continuing to tour extensively, often revisiting classic material from their Budokan era to packed venues. However, personal side ventures emerged as outlets for creative exploration; Zander launched solo tours starting in the early 1990s, including a self-titled debut album in 1993 on Interscope Records that showcased his vocal range in a more introspective style, and he performed acoustic sets blending Cheap Trick songs with covers through the 2000s. Nielsen, meanwhile, formed the side project The Mullets in the late 1990s with his sons, focusing on high-energy rock performances in the Chicago area to experiment beyond the band's established sound. The band persisted with new music into the 2000s via independent releases, signing with Big3 Records for Special One in 2003, an album of polished hard rock tracks including the single "Scent of a Woman," though it received mixed reviews and charted modestly at No. 128 on the UK Albums Chart. Building momentum, Rockford arrived in 2006 on their own Cheap Trick Unlimited imprint, a nod to their Illinois roots with guest appearances from artists like Billy Corgan; it peaked at No. 101 on the Billboard 200, marking their highest U.S. chart position in over a decade and demonstrating renewed fan support through vigorous touring. The Latest, released in 2009 on Cheap Trick Unlimited, continued this DIY approach with 13 tracks of energetic power pop, reinforcing the band's adaptability amid shifting industry landscapes. Tensions within the group escalated in 2010 when drummer Bun E. Carlos departed amid business disputes, primarily a falling out with Zander over scheduling conflicts and compensation, leading to his removal from touring duties while retaining business partnership status. Rick Nielsen's son, Daxx Nielsen, stepped in as the touring drummer that year, bringing a familial dynamic and fresh energy to live performances, with the band continuing to headline festivals and support slots alongside acts like The Doobie Brothers. The rift culminated in a 2013 lawsuit filed by Carlos against the other members, alleging improper exclusion from profits and board decisions, which the band countersued to affirm his non-touring role; the cases were dismissed later that year after settlement, allowing both parties to move forward separately while preserving the band's operational continuity.Hall of Fame induction and later years (2016–present)
In 2016, Cheap Trick was inducted into the Rock and Roll Hall of Fame on April 8 at the Barclays Center in Brooklyn, New York, with Kid Rock delivering the induction speech. The ceremony marked a significant milestone, as the band's original lineup—Rick Nielsen, Robin Zander, Tom Petersson, and Bun E. Carlos—reunited for the performance despite Carlos's estrangement from the group since 2010. They delivered high-energy renditions of "I Want You to Want Me," "Dream Police," and "Surrender," closing the event with a collaborative all-star jam including N.W.A., Deep Purple, and others. This reconciliation with Carlos was limited to the induction and related promotional events, highlighting a brief thaw in their long-standing tensions.[36] The band maintained momentum with the release of their eighteenth studio album, We're All Alright!, on August 18, 2017, via Big Machine Records. Produced by Nick DiDia and featuring contributions from Julian Lennon on the track "Long Time Coming," the album peaked at No. 63 on the Billboard 200, marking their return to the chart after a decade and reaffirming their enduring appeal.[37] Cheap Trick continued touring extensively post-induction, headlining festivals and arenas across North America and Europe, including appearances at events like the New York State Fair and Oregon State Fair in 2016. Their activity underscored a resurgence, blending classic hits with new material to packed audiences. In 2021, Cheap Trick released their nineteenth studio album, In Another World, on April 9 via BMG, which debuted at No. 1 on the Billboard Rock Albums chart and No. 7 on the Top Album Sales chart. The album's lead single, "Light Up the Fire," released on January 28, captured their signature power-pop energy with driving riffs and anthemic choruses. That year, bassist Tom Petersson underwent heart surgery in May, leading to a temporary lineup adjustment where Robin Taylor Zander—son of frontman Robin Zander—filled in on bass during recovery shows, including the band's first post-pandemic concert on June 12 at Foxwoods Resort Casino in Connecticut. Petersson returned to full duties by summer, enabling the group to resume a rigorous schedule.[38][39] Cheap Trick's touring remained robust into the 2020s, with highlights including their participation in the inaugural Under the Southern Stars festival tour across Australia in March 2022, sharing stages with Stone Temple Pilots, Bush, and Rose Tattoo. The band has continued headlining U.S. and international dates, blending festival slots like Riot Fest in Chicago with standalone arena shows. In August 2025, they announced fall U.S. headlining dates from October 12 in Oxford, Alabama, through December 7 in Waukee, Iowa, supporting fresh material. This period culminated in the announcement of their twenty-first studio album, All Washed Up, released on November 14, 2025, via BMG, with the lead single "Twelve Gates"—a mid-tempo rocker released on August 22—showcasing their timeless blend of melody and grit. The album, mixed by Chris Lord-Alge, features 11 tracks including "All Washed Up" and "The Riff That Won't Quit," produced to celebrate the band's 50th anniversary.[40][41]Artistry
Musical style
Cheap Trick's musical style is characterized by a seamless blend of power pop and hard rock, featuring concise three-minute songs built around infectious hooks and multilayered vocal harmonies that evoke the melodic precision of the British Invasion era.[8] The band's core sound emphasizes buoyant choruses and jangling guitars, delivering an energetic yet accessible rock aesthetic that prioritizes catchiness without sacrificing intensity.[42] This foundation is amplified by a hard rock edge, evident in the aggressive riffs and driving rhythms that provide a gritty counterpoint to the pop sensibilities.[43] Central to this style are the contributions of individual members: Rick Nielsen's virtuoso guitar work, often employing multi-neck instruments for dynamic solos and textures; Tom Petersson's prominent, melodic bass lines that anchor the arrangements with rhythmic punch; Robin Zander's soaring, high-range vocals capable of both tender falsettos and raw power; and Bun E. Carlos's solid, no-frills drumming that maintains a steady, propulsive groove.[44] These elements combine to create a robust, layered sonic palette suited for arena-scale performances, where the band's glam-inflected flair and punk-like irreverence in delivery add an element of playful rebellion.[42] Lyrically, Cheap Trick often explores confessional themes of youthful angst, romantic longing, and interpersonal dynamics, as heard in tracks like "I Want You to Want Me" and "Surrender," which candidly address desire and generational tensions.[45] The band's sound evolved notably over time, starting with the raw, unpolished energy of their 1977 self-titled debut, which captured a visceral, garage-infused urgency.[46] By 1979's Dream Police, production had shifted to a more refined sheen under producer Tom Werman, enhancing the melodic clarity and orchestral touches while retaining the hard rock bite, resulting in a "perfectly simmered brew" of their signature elements.[47] This progression culminated in the 1988 album Lap of Luxury, where the band leaned further into polished pop structures and AOR-friendly arrangements, marking a deliberate creative pivot toward broader commercial appeal amid the era's MTV-driven landscape.[48] The band has continued to refine this style in later works, including their 2021 album In Another World and 2025's All Washed Up, maintaining their hook-driven rock sound after five decades.[49] Signature aspects of Cheap Trick's style include their theatrical live presentations, highlighted by Nielsen's whimsical antics—such as tossing guitar picks into the audience and switching between an arsenal of custom instruments—which infuse performances with humor and spectacle, elevating the arena rock experience.[50] Genre-wise, they are frequently classified within arena rock for their anthemic scope, glam rock for the flamboyant presentation, and infused with a punk attitude through their defiant, high-energy execution that rejects rock's self-seriousness.[51][52]Influences
Cheap Trick's music was profoundly shaped by the 1960s British Invasion, which served as the core foundation for their sound during the formative years of guitarist Rick Nielsen and bassist Tom Petersson in their pre-Cheap Trick band, Fuse. Petersson explicitly cited bands such as the Beatles, the Rolling Stones, the Kinks, the Who, the Yardbirds, and the Small Faces as key influences, emphasizing their role in defining the group's melodic and energetic style.[53] This era's impact is evident in Cheap Trick's adoption of intricate melodies and harmonies inspired by the Beatles, alongside the power chords and raw stage energy drawn from the Who.[54] Nielsen's guitar work further reflects these roots, with Pete Townshend ranking among his top influences for lead playing and overall innovation, as seen in Nielsen's praise for Townshend's phenomenal performance on the Who's Live at Leeds.[55] The broader rock influences extended to power pop pioneers like Badfinger and the Small Faces, contributing to Cheap Trick's hook-driven songcraft.[53] Vocalist Robin Zander's style echoes Paul McCartney's versatile range and Robert Plant's dynamic delivery, blending pop accessibility with rock intensity.[56][57] Opening slots for major arena acts in the 1970s, including tours with KISS in 1977, honed Cheap Trick's live presentation and amplified their adoption of high-energy showmanship. Petersson noted that the KISS tour directly influenced their signature live sound, particularly through the integration of unique instrumentation like his 12-string bass, which became a staple of their performances.[58] This exposure to 1970s arena rock reinforced their commitment to classic rock elements amid rising trends like disco and punk, positioning them as revivalists of melody-focused, guitar-driven rock.[53]Legacy
Critical reception
Cheap Trick's debut album, Cheap Trick (1977), received strong praise from critics for its raw energy and power pop sensibilities, with AllMusic awarding it five stars and describing it as a high point of the band's early catalog that captured their live intensity on record.[45] The follow-up, In Color (1977), also garnered acclaim for its bold, hook-driven sound, earning four-and-a-half stars from AllMusic and a spot on Rolling Stone's list of the 500 Greatest Albums of All Time for its glam-influenced rock approach that rivaled British contemporaries.[59] However, some reviewers noted mixed feelings about the production, with Rolling Stone highlighting its unapologetically straightforward style but critiquing elements of overpolish that occasionally overshadowed the band's visceral drive.[60] The live album Cheap Trick at Budokan (1978) marked a critical pinnacle, universally hailed as one of rock's definitive concert recordings, with AllMusic giving it five stars and praising how it revealed the band's explosive stage presence, transforming studio tracks into anthemic triumphs that propelled their breakthrough.[61] Dream Police (1979) continued this momentum, lauded for its irresistible hooks and melodic craftsmanship—AllMusic rated it four-and-a-half stars—but drew criticism for leaning too heavily into commercial polish, as Rolling Stone observed that it reworked familiar formulas without pushing creative boundaries.[62] During the 1980s, the band's reception cooled amid lineup changes and stylistic shifts. All Shook Up (1980), produced by George Martin, was largely panned for its formulaic heavy-metal leanings and lack of innovation, receiving only three stars from AllMusic and a harsh Rolling Stone assessment that likened it to a regression from their melodic highs.[63][64] By contrast, Lap of Luxury (1988) signaled a revival, with Rolling Stone commending its flair and power as a mature pop evolution that rekindled the band's strengths, though AllMusic awarded it three stars for its accessible but uneven execution.[48][65] Later albums demonstrated Cheap Trick's enduring vitality. Rockford (2006) was praised for returning to the band's roots with renewed energy, earning four stars from AllMusic for recapturing the punch of their debut era.[66] We're All Alright! (2017) was noted as a vibrant, age-defying effort comparable to their classics, with Ultimate Classic Rock highlighting the band's excitement and consistency after decades.[67] In Another World (2021) received commendations for its relevance and inspired playing, as reviewers like those at Defenders of the Faith described it as elevating the band's recent output with fresh production and strong songcraft.[68] Retrospectively, Cheap Trick has been acclaimed as underrated influencers in power pop and hard rock, with AllMusic consistently rating their core 1970s discography— including Heaven Tonight (1978) at four-and-a-half stars—at four to five stars, underscoring their lasting impact despite commercial ebbs. Critics now view them as pioneers whose blend of melody and aggression influenced generations, often citing their early work as essential.[8]Cultural impact
Cheap Trick's hook-laden rock sound has been a cornerstone in the revival of power pop, influencing subsequent acts through its blend of catchy melodies and energetic performances. Bands such as The Knack emerged alongside Cheap Trick in the late 1970s, sharing a similar emphasis on power pop's commercial accessibility and guitar-driven hooks that brought the genre to mainstream prominence.[69] Later groups, including Weezer and The Posies, drew from Cheap Trick's style in their own power pop-infused work, perpetuating the genre's evolution into the 1990s and beyond.[70] Additionally, alternative rock outfits like Pearl Jam and Nirvana have cited Cheap Trick as a key influence, highlighting the band's broader impact on rock's melodic and resilient traditions.[2] The band's 1978 live album At Budokan established a lasting benchmark for the live album format, capturing their explosive stage energy and propelling tracks like "I Want You to Want Me" into hits upon its U.S. release. Recorded in Tokyo's Nippon Budokan arena before an adoring Japanese audience, it transformed Cheap Trick from cult favorites into arena rock stars and remains ranked among the greatest live recordings for its raw authenticity and crowd interaction.[71] The album's "Surrender" became a cultural touchstone as a teen anthem, later featured in the 2017 film Guardians of the Galaxy Vol. 2, where its lyrics about parental quirks and youthful independence underscored a pivotal father-son scene.[72] Cheap Trick's media footprint extends to films like Wayne's World (1992), where the band is name-dropped in a dialogue praising live albums akin to their Budokan recording.[73] Guitarist Rick Nielsen's extensive collection of over 400 instruments has been showcased in exhibits, including the "Rick's Picks" display at Rockford's Burpee Museum and a 62-foot replica of his signature checkerboard Hamer guitar at the Hard Rock Casino in his hometown.[74] The band's devoted fanbase, known as "Tricksters," supports an official international fan club that fosters community through events and updates.[75] Covers by artists like The Smashing Pumpkins, who frequently performed "I Want You to Want Me" live, further attest to their enduring appeal among musicians.[76] As symbols of Midwestern rock resilience from Rockford, Illinois, Cheap Trick's songs have permeated video games, with "Hello There" featured on the Rock Band 2 soundtrack and other tracks available as downloadable content.[77] Their induction into the Rock and Roll Hall of Fame in 2016 underscored this legacy of perseverance and innovation in rock music.[78]Awards and honors
Cheap Trick was inducted into the Rock & Roll Hall of Fame in 2016 as part of the performer category, with the ceremony held at the Barclays Center in Brooklyn, New York, where the band performed "Ain't That a Shame" with Sheryl Crow, Stevie Van Zandt, and members of Deep Purple.[79] The induction was presented by Kid Rock, recognizing the band's pioneering contributions to rock music since their formation in 1974.[36] In 1998, the band received induction into the Hollywood RockWalk at Guitar Center in Los Angeles, honoring their influence on rock music alongside artists like John Lennon and George Clinton.[80] Additionally, Cheap Trick was inducted into the Illinois Rock & Roll Museum on Route 66 Hall of Fame in 2021 as part of its inaugural class, which also included Chicago, REO Speedwagon, Buddy Guy, and Muddy Waters, celebrating their roots in Rockford, Illinois.[81] The band has earned several Recording Industry Association of America (RIAA) certifications for their albums, reflecting commercial success. Cheap Trick at Budokan was certified gold on March 13, 1979, and later reached 3× multi-platinum status on November 24, 1986.[82][83] Dream Police achieved platinum certification on February 6, 1980.[84] Lap of Luxury was certified gold on April 13, 1989.[83] Overall, Cheap Trick has accumulated more than 40 international gold and platinum certifications across their catalog.[85] Cheap Trick received a nomination for Favorite Pop/Rock Band/Duo/Group at the 1980 American Music Awards.[86] In 1989, the band won an ASCAP Pop Music Award for Most Performed Songs from Motion Pictures for "The Flame," which also topped the Billboard Hot 100 that year.[87] They were also honored with the Classic Album award for At Budokan at the 2010 Classic Rock Roll of Honour Awards.[88]Band members
Current members
The current lineup of Cheap Trick, as of 2025, consists of vocalist and rhythm guitarist Robin Zander, lead guitarist and backing vocalist Rick Nielsen, bassist and backing vocalist Tom Petersson, and drummer Daxx Nielsen.[89] Robin Zander (born January 23, 1953) has served as the band's lead vocalist and rhythm guitarist since joining in 1974.[90] Renowned for his versatile tenor voice capable of spanning multiple octaves with clarity and power, Zander's singing has been a cornerstone of Cheap Trick's sound, blending high-energy rock delivery with melodic precision. In addition to his work with the band, Zander released a self-titled solo album in 1993, featuring tracks like "World on a String" that showcased his individual artistry outside the group's dynamic. Rick Nielsen (born December 22, 1948) is a founding member who has performed on lead guitar and provided backing vocals since the band's inception in 1970. Nielsen is celebrated for his innovative guitar work, including intricate riffs and solos, and for his signature custom Hamer guitars, such as the iconic checkerboard-finished models and multi-neck instruments used in live performances.[91] His personal collection of guitars numbers in the hundreds, reflecting a lifelong passion for the instrument that influences both his playing and stage persona.[92] Tom Petersson (born May 9, 1950), another founding member, has played bass and contributed backing vocals since 1970, briefly leaving in 1980 before rejoining full-time in 1988.[93] As a key songwriter, Petersson co-authored several of the band's signature hits, including "I Want You to Want Me" and "Voices," drawing on his pioneering use of the 12-string bass to add distinctive texture to Cheap Trick's power pop arrangements. In March 2021, he underwent open-heart surgery and recovered sufficiently to resume full performances with the band.[94] Daxx Nielsen (born August 12, 1980), son of Rick Nielsen, has been the band's drummer since 2010, initially joining as a touring replacement before becoming a permanent fixture.[95] Prior to Cheap Trick, he toured extensively with acts like Harmony Riley, Dick Dale, Brandi Carlile, and A Fine Frenzy, honing a solid rock drumming style that aligns with the band's high-octane live shows.[96]Former members
Bun E. Carlos, born Brad M. Carlson on June 12, 1950, in Rockford, Illinois, was Cheap Trick's founding and original drummer, serving from the band's formation in 1974 until 2010.[97] His departure stemmed from internal disagreements over management and touring commitments, described in later accounts as amicable despite a 2013 lawsuit regarding his band status and compensation.[98] Since 2013, Carlos has made occasional guest appearances with Cheap Trick, including a performance at their 2016 Rock and Roll Hall of Fame induction ceremony.[99] Pete Comita briefly served as Cheap Trick's bassist in 1980, replacing Tom Petersson after his initial departure from the band, and remained until early 1981.[100] During his short tenure, Comita contributed to live performances and early recording sessions for the album One on One.[101] Jon Brant, born February 20, 1955, in Chicago, Illinois, joined Cheap Trick as bassist in 1981 and held the position through 1987, contributing to albums such as One on One (1982), Next Position Please (1983), and Standing on the Edge (1985).[102] He rejoined for additional periods from 1989 to 1990 (including the Lap of Luxury tour), 1991, and then more consistently from the mid-1990s until 2015, during which he toured extensively with the group.[101] Now semi-retired from full-time duties, Brant continues to make occasional appearances with the band.[103] Robin Taylor Zander, son of frontman Robin Zander, served as a temporary member in 2021, filling in on vocals and drums during bassist Tom Petersson's recovery from open-heart surgery.[104] His multi-instrumental versatility helped maintain the band's touring schedule during this period.[24]Timeline
From 1969 to 1974, Rick Nielsen and Tom Petersson collaborated in various pre-Cheap Trick bands in Rockford, Illinois, such as Fuse (formed in the late 1960s), alongside multiple drummers and vocalists.[10] The band Cheap Trick formed in 1973 with Nielsen on guitar, Petersson on bass, drummer Bun E. Carlos, and initial vocalist Randy "Xeno" Hogan; Hogan departed in 1974 and was replaced by Robin Zander, establishing the classic lineup of Zander (vocals), Nielsen, Petersson, and Carlos, which remained stable through 1980.[8] In summer 1980, Petersson left the group; bassist Pete Comita joined later that year for a brief stint through early 1981, followed by Jon Brant, who served as bassist from 1981 to 1987 alongside Zander, Nielsen, and Carlos.[8][42] Petersson rejoined in 1988, reforming the classic quartet of Zander, Nielsen, Petersson, and Carlos, which persisted until Carlos's departure in 2010.[8] Carlos was replaced by Daxx Nielsen (Rick Nielsen's son) on drums in 2010, creating the ongoing core lineup of Zander, Rick Nielsen, Petersson, and Daxx Nielsen; during this period, Brant made sporadic contributions in 2004–2005 and 2007 before ceasing involvement by 2015.[8] In 2021, Petersson sat out touring due to health concerns following surgery, with Robin Taylor Zander temporarily substituting on bass.[105][24]Discography
Studio albums
Cheap Trick has released 19 studio albums since their debut in 1977, spanning a range of labels and achieving varying commercial success on the Billboard 200 chart. Their early work with Epic Records produced their biggest hits, while later releases on independent and major labels reflect a continued output despite fluctuating chart performance. Notable producers include Jack Douglas for the self-titled debut and Tom Werman for several 1970s and 1980s albums, with George Martin handling All Shook Up. Certifications from the RIAA include platinum status for Dream Police and Lap of Luxury, gold for Heaven Tonight and One on One, among others. The band's studio discography is as follows:| Album Title | Release Year | Label | Billboard 200 Peak |
|---|---|---|---|
| Cheap Trick | 1977 | Epic Records | Did not enter (Bubbling Under No. 207)[106] |
| In Color | 1977 | Epic Records | No. 73[3] |
| Heaven Tonight | 1978 | Epic Records | No. 48[3] |
| Dream Police | 1979 | Epic Records | No. 6[3] |
| All Shook Up | 1980 | Epic Records | No. 24[3] |
| One on One | 1982 | Epic Records | No. 39[3] |
| Next Position Please | 1983 | Epic Records | No. 61 |
| Standing on the Edge | 1985 | Epic Records | No. 35[3] |
| The Doctor | 1986 | Epic Records | No. 115[107] |
| Lap of Luxury | 1988 | Epic Records | No. 16[3] |
| Busted | 1990 | Epic Records | No. 48[3] |
| Woke Up with a Monster | 1994 | Warner Bros. Records | No. 123 |
| Special One | 2003 | Big3 Records | Did not chart |
| Rockford | 2006 | Favored Nations | No. 101[108] |
| The Latest | 2009 | X5 Music Group | Did not chart |
| Bang, Zoom, Crazy... Hello | 2016 | Big Machine Records | No. 31[3] |
| We're All Alright! | 2017 | Self-released | No. 63 |
| In Another World | 2021 | BMG Rights Management | No. 108[83] |
| All Washed Up | 2025 | BMG Rights Management | Pending (released November 14, 2025)[109] |