Civilized Man
Civilized Man is the ninth studio album by English singer-songwriter Joe Cocker, released in May 1984.[1] It represents his debut release on Capitol Records after leaving Island Records, marking a new phase in his career during the mid-1980s.[1] The album consists of ten tracks spanning pop rock and soul influences, with a total runtime of approximately 37 minutes.[2] Produced by Gary Katz for the first five tracks and Stewart Levine for the latter five, with additional production by Daniel Lazerus on the initial half, Civilized Man was recorded at studios including Village Recorders in Los Angeles, Soundworks in New York, and House of David in Nashville.[3] The record features Cocker's signature gravelly vocals over polished arrangements, incorporating covers such as Squeeze's "Tempted" and The Drifters' "There Goes My Baby," alongside originals like the title track co-written by Richard Feldman and Pat Robinson.[4] Notable session musicians include Toto drummer Jeff Porcaro, bassist Nathan East, guitarist Steve Lukather, and horn player Randy Brecker, contributing to its smooth, radio-friendly sound.[5] The album received moderate commercial success, peaking at number 170 on the US Billboard 200 chart and achieving greater popularity in Europe, where it reached number 32 on the German year-end albums chart in 1984. The title track was released as a single and charted at number 69 on the US Adult Contemporary chart, highlighting Cocker's enduring appeal in that format.[6]Background and Development
Label Transition
Following the release of Sheffield Steel in 1982 on Island Records, Joe Cocker departed the label amid creative tensions stemming from the album's experimental reggae-infused style, which featured a more subdued vocal delivery and polite arrangements that disappointed fans accustomed to his raw blues-rock roots.[7] While Sheffield Steel marked a personal and professional resurgence after years of uncertainty, it achieved only moderate commercial success and was largely overlooked shortly after its release.[8] In late 1983, Cocker signed with Capitol Records, representing his first major label switch since the 1970s and opening the door for a refreshed artistic direction.[7] Initial discussions with Capitol executives focused on crafting a more polished, radio-friendly sound to capitalize on Cocker's recent chart-topping duet "Up Where We Belong" from 1982, shifting away from his gritty early career aesthetic toward broader pop accessibility.[9] This transition occurred during a pivotal personal period for Cocker, as he recovered from longstanding substance abuse issues that had plagued his 1970s career and sought a definitive comeback album following his 1982 world tour promoting Sheffield Steel.[10] The move to Capitol aligned with his desire to reinvent his image as a mature crooner, leveraging the momentum from his tour and the duet's success to reestablish commercial viability.[7]Song Selection and Writing
The album Civilized Man comprises 10 tracks, carefully selected to blend original compositions with covers, reflecting Joe Cocker's interpretive strengths in rock, pop, and soul genres. The title track, "Civilized Man," stands as a key original, penned by songwriters Richard Feldman and Pat Robinson, whose lyrics explore themes of betrayal and resilience tailored to Cocker's raspy, emotive delivery.[3] Similarly, other originals such as "Come On In" by Bob Telson, "Long Drag Off a Cigarette" by L.J. McNally, "Crazy in Love" by Edie Stevens and Rick McCormick, "I Love the Night" by Michael Reid and Troy Seals, and "A Girl Like You" by Troy Seals and Will Jennings were incorporated to provide fresh material aligned with Cocker's vocal style.[3] Covers formed a significant portion of the selection, including the soul classic "There Goes My Baby" (originally by the Drifters in 1959, written by Jerry Leiber, Mike Stoller, George Treadwell, Lover Patterson, and Benjamin Nelson), the new wave hit "Tempted" by Squeeze in 1981 (Chris Difford and Glenn Tilbrook), "Hold On (I Feel Our Love Is Changing)" originally by B.B. King in 1978 (Joe Sample and Will Jennings), and "Even a Fool Would Let Go" first recorded by Gayle McCormick in 1974 (Kerry Chater and Tom Snow).[3][11][12] These choices drew from established hits to leverage Cocker's reputation for transformative reinterpretations, while originals ensured a contemporary edge. Cocker collaborated closely with Feldman, Robinson, and producers to adapt and refine material, ensuring lyrical content resonated with motifs of relationships, temptation, and urban struggles.[3] Artistic decisions emphasized balance, with five tracks produced by Gary Katz (the A-side, featuring Toto members for a rock-oriented sound) and five by Stewart Levine (the B-side, incorporating pop and soul elements), creating a cohesive yet varied album structure.[1] Certain demoed songs were ultimately excluded to maintain thematic unity around personal and relational narratives, prioritizing tracks that fit the album's urban, introspective vibe. This approach followed Cocker's transition to Capitol Records, which opened doors to a broader pool of songwriters and production talent.[1]Recording and Production
Studios and Sessions
The recording sessions for Civilized Man occurred across multiple studios in the United States, reflecting a split production approach for the album's two sides.[13] The sessions were divided into two primary phases, with side A (tracks 1–5) captured at the Village Recorders in Los Angeles, California.[13][3] Additional work on these tracks, including overdubs, took place at Soundworks Digital Audio/Video Studios in New York.[3] Side B (tracks 6–10) was recorded at the House of David in Nashville, Tennessee, emphasizing a distinct regional sound for those selections.[3] Final overdubs and mixing were completed at Soundworks Studios in New York and Ocean Way Recording in Hollywood, California, to unify the album's elements.[3] This multi-studio workflow involved logistical coordination across coasts and regions, contributing to the album's cohesive yet varied production.[13] The total runtime of the album stands at 36:43.[14]Producers and Engineering
The production of Civilized Man featured dual producers, with Gary Katz overseeing tracks 1–5 and Stewart Levine handling tracks 6–10, a deliberate split that allowed for contrasting sonic approaches within the album.[1] Katz, renowned for his work with Steely Dan, brought a meticulous style emphasizing precision and clarity, often achieved through layered overdubs and minimal processing to capture a polished rock sound.[15] This approach contributed to the album's front-half tracks having a crisp, studio-perfected edge that highlighted Cocker's vocal delivery against intricate arrangements. In contrast, Stewart Levine, experienced in soul and R&B from collaborations with artists like The Crusaders and Hugh Masekela, focused on tracks 6–10 with an emphasis on warm, groove-oriented textures that infused R&B energy into the material.[1] Levine's production incorporated live room recordings to foster a natural, organic feel, drawing on Nashville's session musicians for rhythmic depth and emotional resonance in the performances.[3] Key decisions under his guidance included prominent horn arrangements by David Briggs, which added soulful accents to songs like "Crazy in Love," and layered backing vocals from artists such as Cissy Houston to enhance the tracks' communal, heartfelt quality.[3] The division between Katz and Levine enabled a hybrid album sound, merging rock's structural precision with R&B's expressive grooves, as evidenced by the seamless transition between the two sides despite their distinct workflows.[1] Daniel Lazerus served as additional producer and primary engineer for tracks 1–5, handling mixing duties that refined Katz's overdub-heavy sessions into cohesive units.[16] Post-production involved mixing at facilities like Ocean Way Recording for tracks 6–10, with final mastering at Masterdisk in New York to optimize the album for vinyl and early digital formats ahead of its May 1984 release.[3] This mastering process ensured balanced dynamics across the split production styles, preserving the warmth of Levine's contributions alongside Katz's clarity.[17]Musical Content
Track Listing
Civilized Man is structured as a ten-track album, with the vinyl edition dividing the songs into Side A (tracks 1–5) and Side B (tracks 6–10).[3] All tracks were written by external songwriters, with no co-writing credits attributed to Joe Cocker.[17]| No. | Title | Writers | Length |
|---|---|---|---|
| 1. | "Civilized Man" | Pat Robinson, Richard Feldman | 3:53 |
| 2. | "There Goes My Baby" | Benjamin Nelson, George Treadwell, Lover Patterson | 3:44 |
| 3. | "Come On In" | Bob Telson | 3:46 |
| 4. | "Tempted" | Chris Difford, Glenn Tilbrook | 4:14 |
| 5. | "Long Drag Off a Cigarette" | Larry John McNally | 2:33 |
| Side B | |||
| 6. | "I Love the Night" | Mike Reid, Troy Seals | 3:43 |
| 7. | "Crazy in Love" | Even Stevens, Randy McCormick | 3:51 |
| 8. | "A Girl Like You" | Troy Seals, Will Jennings | 3:09 |
| 9. | "Hold On (I Feel Our Love Is Changing)" | Joe Sample, Will Jennings | 3:39 |
| 10. | "Even a Fool Would Let Go" | Kerry Chater, Tom Snow | 3:52 |
Style and Themes
Civilized Man blends rock and pop elements with soul and R&B influences, embodying blue-eyed soul through its emotive delivery and rhythmic grooves, while incorporating a polished 1980s production style marked by electric guitars, horn sections, and synthesizers.[18][5] The album's sound draws on session contributions from Toto members, enhancing its accessible, radio-friendly appeal suited to the MTV era, as evidenced by the official music video for the title track.[5][19] Instrumentation plays a central role in the album's texture, with prominent keyboards—such as David Paich's Hammond organ work—and synthesizers from Greg Phillinganes and Rob Mounsey providing lush, layered foundations, complemented by Jeff Porcaro's dynamic drum performances and horn arrangements featuring players like Randy Brecker on trumpet.[5] Joe Cocker's signature raspy vocals, known for their gritty bluesy timbre, are layered with backing harmonies on select tracks, adding depth to the soul-infused rock arrangements.[20][5] Lyrically, the album explores themes of relationships and temptation, often portraying emotional vulnerability and betrayal, as in the title track's depiction of a manipulative lover and the cover of Squeeze's "Tempted," which delves into irresistible desires.[21] The title track uses sarcasm around "civilization" to convey personal deceit and emotional restraint in the face of betrayal.[21] Recurring motifs of resilience emerge through narratives of overcoming heartbreak and inner strength. This album represents a departure from Cocker's prior work on Sheffield Steel, which incorporated reggae influences via production with Chris Blackwell and the Compass Point All Stars, shifting toward a more straightforward, pop-oriented accessibility in Civilized Man.[8][1] The song selection process reinforced this thematic unity by prioritizing material centered on interpersonal dynamics and emotional recovery.[1]Release and Promotion
Album Release Details
Civilized Man was released in May 1984 by Capitol Records, marking Joe Cocker's first album with the label following his departure from Island Records. The release occurred simultaneously in the United States and Europe, with the vinyl LP bearing the catalog number ST-12335 in the US market.[14][16] The album was made available in multiple formats, including vinyl LP, cassette, and early compact disc editions, catering to the dominant consumer preferences of the mid-1980s. Some international markets featured slight variations in packaging or regional catalog numbers, though the core track listing remained consistent across editions.[16] The cover artwork consists of a black-and-white photograph of Cocker dressed in a suit, posed against an urban cityscape backdrop, intended to convey a sense of refined sophistication juxtaposed with raw, street-level grit to align with the album's titular theme. Photography by Richard Avedon, design by John O'Brien, with art direction by Roy Kohara.[16][17] Distribution efforts emphasized North America and Europe, where Capitol Records coordinated widespread availability through major retail channels and record stores, supporting the album's positioning as a comeback effort for Cocker. Promotion strategies were closely linked to the rollout of lead singles to build anticipation ahead of the full album launch.[16]Singles and Marketing
The lead single from Civilized Man, titled "Civilized Man", was released in April 1984 as a 7" vinyl, backed with "A Girl Like You" in major markets including the US and UK.[22][23] The track served as the album's launch point, with a low-budget music video depicting Cocker navigating urban city settings that aired on early MTV rotations in June 1984. Subsequent singles included "Tempted", released in June 1984 and backed with "Even A Fool Would Let Go" on its European 7" vinyl edition.[24] "There Goes My Baby" followed in August 1984 as a single, with a focus on adult contemporary radio promotion in select markets. Marketing efforts for the album emphasized Cocker's comeback following the success of Sheffield Steel (1982), featuring print advertisements in Rolling Stone magazine that highlighted his return to Capitol Records. Promotional TV appearances included performances on European programs like TopPop and video airplay on MTV to build international buzz. The release was supported by a tour commencing in June 1984, beginning with European dates to coincide with the album's rollout.Commercial Performance
Chart Positions
Civilized Man achieved moderate commercial success internationally upon its release in May 1984, with stronger performance in European markets compared to the United States. In the US, the album peaked at number 133 on the Billboard 200 chart in June 1984 and spent a total of 9 weeks on the chart.[25] The album performed better across various European countries, reflecting Joe Cocker's established fanbase there. It reached number 5 on the Swiss Albums Chart and the Norwegian Albums Chart.[26][27] In Sweden, it peaked at number 20, while in Germany it attained position of number 7 and in the Netherlands number 8.[28][29][30] The UK Albums Chart saw a peak of number 100, and it charted at number 19 in Austria.[31][32] Outside Europe, the album reached number 17 on the Australian Albums Chart, but it did not achieve significant positions on major Asian charts.| Country | Peak Position | Weeks on Chart |
|---|---|---|
| United States (Billboard 200) | 133 | 9 |
| Switzerland | 5 | 13 |
| Norway | 5 | 7 |
| Sweden | 20 | 11 |
| Germany | 7 | 29 |
| Netherlands | 8 | 12 |
| United Kingdom | 100 | 1 |
| Austria | 19 | 4 |
| Australia | 17 | 3 |