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Club Zero

Club Zero is a Austrian film written and directed by . The story centers on Miss Novak, portrayed by , a teacher hired at an elite international to instruct a class in "conscious eating," which promotes reduced food intake for health benefits but spirals into students adopting total abstinence from food, forming a secretive group with cult-like devotion to the practice. Premiering in at the 76th on May 22, 2023, the film provoked discomfort among viewers, particularly during a graphic scene depicting induced , highlighting its unflinching examination of physical and psychological extremes. Hausner, known for prior works probing such as (2009), employs stark visuals and Wasikowska's restrained performance to depict the insidious spread of manipulative ideology among impressionable youth, drawing parallels to real-world dynamics of and bodily . Critically divisive upon wider release in , Club Zero garnered acclaim for its atmospheric tension and but faced critique for abstractly addressing anorexia and related harms without deeper causal insight into prevention or recovery, reflecting broader debates on cinematic portrayals of self-destructive behaviors.

Synopsis and Characters

Plot Summary

Miss Novak arrives at an elite international to teach a on conscious within the , advocating reduced as a means to achieve personal freedom, environmental , and detachment from . A select group of students joins her sessions, drawn by motivations including fitness goals, lowering their , and potential academic credits, initially responding positively to lessons on mindful . As instruction intensifies, Miss Novak introduces the of Club Zero, a clandestine commitment to total abstinence from , which the devoted students embrace, leading to secretive meetings, simulated during parental visits, and progressive physical weakening. The students' behaviors escalate, including induced to feign normalcy and outright rejection of family-provided meals, while parents express concern but face and the school's tepid administrative oversight. Health deteriorations mount among Club Zero members, fostering isolation from peers and authority figures, until a fatal incident among the group exposes the irreversible dangers of their unchecked adherence, prompting belated reckoning from the institution and families.

Cast and Performances

portrays Miss Novak, the nutrition teacher who introduces the concept of "conscious eating" to her students. Ksenia Devriendt plays Elsa, one of the key students drawn into the group's dynamics. Luke Barker appears as Fred, as Ragna, Samuel D. Anderson as Ben, and Gwen Currant as another student in the ensemble. Supporting roles include as Elsa's mother, as the school's headmistress Miss Dorset, and as teacher Mr. Dahl. Wasikowska's performance as Miss Novak has been described as enigmatic and precisely controlled, particularly in scenes requiring subtle manipulation, aligning with her established range in roles demanding restraint, such as in prior films like The Double. Reviewers noted her ability to convey an unsettling benevolence through minimal expressions and deliberate pacing, though some critiqued the role's limitations in depth, leading to a performance that felt somewhat restrained by the script's stylistic demands. The young ensemble, largely comprising debut or inexperienced actors selected to reflect the diversity of an international , contributed a raw authenticity to the students' portrayals of and ideological zeal. Their uniformity and awkward physicality were praised for believably capturing teen susceptibility, enhancing the film's through naturalistic stiffness rather than polished . However, the inexperience occasionally resulted in uneven delivery under the film's stylized, unnerving stillness, challenging the actors to maintain a detached, almost mannequin-like presence that not all executed with full consistency. Zylberstein's role as a concerned provided a grounded , her performance highlighting parental detachment through subtle frustration and denial, drawing on her experience in dramatic roles to add emotional weight to interactions. Overall, the casting emphasized non-professional teen actors for , which amplified the film's of institutional influences but exposed variability in ensemble cohesion during festival screenings at in May 2023.

Production

Development and Pre-production

Jessica Hausner conceived Club Zero as an extension of her longstanding exploration of fanaticism and belief systems, evident in earlier works such as Lourdes (2009), which examined faith and personal conviction within institutional settings. The film's script originated from Hausner's observations of her own teenager's generation, highlighting their vulnerability to radical ideologies amid societal anxieties like climate change and parental detachment. Co-written with Géraldine Bajard, the screenplay drew structural inspiration from the fairy tale The Pied Piper of Hamelin, employing motifs of seduction and collective abduction to depict group manipulation dynamics in a modern context. Real-world influences included ideological cults, eating disorder trends among youth, and the appeal of extreme wellness practices, with Hausner researching boarding school environments to underscore themes of isolation and conformity. Pre-production emphasized narrative ambiguity to foster viewer discomfort and , avoiding explicit judgments on the characters' actions or the ideology's validity, as Hausner prioritized provocation over moral resolution. The elite international setting was selected for its symbolic enclosure, evoking artificial detachment from broader society, with production scouting locations like a Scandinavian-designed college in to enhance this stylized isolation. An English-language script was chosen to reflect the school's global student body and broaden accessibility, despite the film's Austrian roots through producer coop99 filmproduktion. Visual and stylistic elements, including bright artificial colors alluding to fairy-tale unreality, were developed collaboratively post-script with Hausner's sister Tanja (costumes), cinematographer Gschlacht, and editor Karina Ressler. Funding was secured primarily from European sources, including 1,123,330 euros from the Austrian Film Institute and 588,838 euros in television investment, supplemented by co-productions: 23% from Club Zero Ltd. () and 11% from Essential Filmproduktion GmbH (). Casting preparations focused on actors' physical presence and to convey subtle , with Hausner prioritizing performers who could embody the eerie of cult figures without overt explanation. This phase avoided didactic clarity, aligning with Hausner's approach to irritate audiences into questioning ideological seduction rather than providing reassuring answers.

Filming and Technical Aspects

Principal photography for Club Zero occurred from July to November 2022 over 39 shooting days, primarily in , , at St Catherine's College to represent the elite international setting, with additional filming in Vienna, Austria. The production chose these locations for logistical ease with the young cast, allowing proximity to the UK while incorporating Austrian elements to evoke a transnational institutional . Cinematographer Martin Gschlacht, in his eighth collaboration with director , utilized precise framing to capture group interactions among the students, contributing to the film's controlled visual rhythm through static compositions that underscore institutional rigidity. by Erik Mischijew employed a minimalistic approach with raw, unpolished timbres to heighten psychological unease, reflecting the students' distorted perceptions without relying on overt effects. The involvement of largely inexperienced young actors in scenes depicting behaviors, including simulated and , presented challenges in maintaining performance authenticity under Hausner's demanding style, which required sustained emotional restraint. In , editor Karina Ressler structured the through deliberate pacing to trace the incremental of the group, emphasizing sequential cause-and-effect in character actions over didactic commentary.

Themes and Interpretations

Fanaticism, Manipulation, and Ideological Extremism

In Club Zero, director Jessica Hausner portrays the teacher Miss Novak as a charismatic figure whose authority fosters fanaticism among students, drawing them into a voluntary group that escalates from mindful dietary practices to outright abstinence, mirroring mechanisms of cult formation through shared ideological commitment. Hausner explicitly models this dynamic on the Pied Piper tale, where a manipulative leader seduces followers by offering a compelling narrative of belonging and purpose, leading to their isolation and self-imposed harm. Miss Novak's rhetoric positions "conscious non-eating" as a form of empowerment and moral superiority, equating food refusal with environmental responsibility and personal purity, while dismissing established that underscores the biological of sustenance. This framing exploits students' desire for meaning amid societal pressures, gradually narrowing their to reject external , much as cults by validating vulnerabilities and constructing an insular "truth." Hausner notes that such gurus begin by affirming followers' perceived weaknesses before imposing radical doctrines, fostering blind loyalty over empirical verification. The film's depiction of radicalization emphasizes causal pathways rooted in group dynamics: students' identity crises and overwhelming youthful stress render them susceptible to an adult authority who enables escalation from idealism—such as anti-consumerist protests—to life-endangering extremism, countering dismissals of the behavior as simple adolescent rebellion by highlighting deliberate adult orchestration. Without checks against observable realities like physical deterioration, initial benign intentions devolve into fanatic self-destruction, as the group's cohesion reinforces deviation from rational norms. This process parallels historical instances of ideological fervor, where unchecked devotion to a leader's vision supplants evidence-based restraint, though Hausner grounds it in contemporary voluntary affiliations rather than overt coercion. Certain interpretations, particularly from observers attuned to cultural critiques, view the narrative as a caution against unchecked progressive doctrines—such as or absolutist body autonomy—where virtuous aims like zero-waste living or self-optimization morph into harmful absent pragmatic boundaries. The film's provocation across political lines underscores this, with its of insularity evoking how ideological purity tests can prioritize doctrinal adherence over human well-being, as evidenced by audience projections of onto its ambiguous . Hausner maintains the teacher's sincerity amplifies the peril, illustrating how genuine belief in a cause can catalyze without self-correcting mechanisms.

Critique of Elite Institutions and Parental Neglect

In Club Zero, the elite is depicted as an insulated enclave that detaches affluent students from practical realities, enabling the unchecked spread of Ms. Novak's extreme "conscious eating" doctrine under administrative tolerance. The institution's sterile uniformity and emphasis on progressive wellness initiatives create a bubble where radical proliferates without immediate repercussions, mirroring how privileged environments can amplify ideological chambers. This portrayal underscores institutional failures in safeguarding vulnerable youth, as the school's leadership prioritizes ideological experimentation over empirical oversight, allowing a small group of students to form a cult-like adherence to . Such dynamics in the film resonate with evidence from , where have been documented as breeding grounds for radical ideologies due to ideological skews—often exceeding 10:1 left-to-right ratios in social sciences—and curricula that de-emphasize viewpoint , fostering over critical . Analyses indicate these settings incubate fringe positions by shielding participants from dissenting data or real-world testing, akin to the school's permissive that permits Novak's to escalate. While some leftist critiques frame this as a byproduct of capitalist of , causal patterns more strongly implicate administrative and affluence-driven detachment than broad economic structures. The film further critiques parental among the wealthy , portraying guardians as absentee figures who delegate upbringing to the , viewing as extensions of personal success rather than individuals requiring vigilant guidance. This permissiveness—manifest in delayed interventions despite visible deterioration—causally heightens student , as unsupervised teens latch onto Novak's promises of moral superiority through . Reviews highlight how such in high-status families insulates from familial pushback, contrasting with narratives romanticizing over-involvement by illustrating the tangible harms of disengagement in resource-rich contexts. Eating disorders, as dramatized through the students' voluntary starvation, emerge in this vacuum, though epidemiological data reveal lifetime U.S. prevalence at approximately 9%, spanning demographics without exclusive ties to affluence, underscoring the film's focus on environmental enablers over inherent class predispositions.

Satirical Elements on Modern Ideologies

In Club Zero, the concept of "conscious eating"—promoted by teacher Miss Novak as a path to environmental salvation and personal —serves as a pointed of contemporary movements and extreme dietary ideologies, such as militant and anti-consumerist , by illustrating their progression from abstract moral imperatives to tangible physical destruction. Students initially adopt the practice through rituals like scrutinizing cafeteria trays for ethical purity, echoing real-world trends where dietary abstention is framed as virtuous planetary , yet the film causally traces this to self-starvation, with adherents subsisting on "" alone amid visible and collapse. This exaggeration underscores the empirical folly of prioritizing ideological purity over biological necessity, as clinical data on —characterized by refusal of despite wasting—reveals mortality rates up to 10% from starvation-related complications, a harm the narrative refuses to aestheticize. The film's satire extends to polite society's accommodation of identity-driven abstinences, often masked as performative ethical commitments, by depicting parental and institutional complicity in the cult's formation until irreversible damage manifests, thereby critiquing the cultural normalization of such behaviors without regard for verifiable health sequelae. For instance, students regurgitate meals only to reconsume them in ritualistic displays of superiority, parodying the performative in modern where symbolic gestures supplant material reality, leading to documented outcomes like imbalances and organ failure in prolonged adherents. This approach favors causal observation over narrative sanitization, highlighting how elite youth culture's collectivist pressures—evident in the group's uniform attire and synchronized rejections of parental feasts—foster akin to ideological echo chambers, detached from first-order establishing caloric intake's primacy for survival. Jessica Hausner's deadpan aesthetic, employing detached framing and amplified mundane sounds like mastication, amplifies the satire's ambiguity, permitting interpretations ranging from a cautionary exposé of idea-driven overriding empirical to inadvertent of anorexic , as noted in polarized responses where viewers decry its unflinching harm depiction while others discern an indictment of fashionable nostrums like taken to nihilistic ends. Motifs such as the students' identical garb and the climactic subversion of a feast into ascetic mockery further symbolize enforced uniformity in settings, tying collectivist trends to broader critiques of subordinating individual to group-sanctioned abstractions, without resolution in feel-good .

Release and Distribution

Premiere and Festival Screenings

Club Zero had its world premiere at the on May 22, 2023, screening in the section. The screening elicited audible gasps from the audience during a graphic sequence, yet concluded with a five-minute . Following , the film appeared at additional international festivals in 2023, including the on June 17 and the Munich International Film Festival on June 24. It screened at the Etrange Festival in on September 13, with director in attendance, and continued at events such as the Göteborg Film Festival. These appearances highlighted the film's provocative examination of ideological influence, generating discussion amid its festival circuit. In October 2023, U.S. distributor Film Movement acquired rights, facilitating further limited festival and arthouse screenings into 2024, though the primary debut phase remained anchored in 2023.

Theatrical and Streaming Release

Club Zero received a in the United States on March 15, 2024, distributed by Film Movement in select arthouse theaters, beginning with screenings at City's IFC Center followed by Los Angeles' Laemmle Royal on March 22. International theatrical rollouts varied, with releases in markets such as on March 22, 2024, and the on December 6, 2024, often handled through regional distributors under the film's Austrian-British production auspices, including English-language versions with subtitles for non-English territories. The film's box office performance was modest, reflecting its arthouse positioning, with a domestic opening weekend gross of $5,640 and total U.S. earnings of approximately $11,400, contributing to worldwide receipts under $200,000. Following its limited theatrical run, Club Zero expanded to video-on-demand and streaming platforms in May 2024, becoming available for rent or purchase on services including Fandango at Home, Apple TV, and Amazon Prime Video, as well as subscription streaming via Film Movement Plus. Regional availability included HBO Max in select European markets, ensuring broader digital access without reliance on physical theaters. As of 2025, the film remains accessible on these platforms, prioritizing digital distribution for its niche audience over wide commercial theatrical expansion.

Reception and Impact

Critical Responses

Club Zero received mixed reviews from critics, with a 65% approval rating on based on 68 reviews, indicating a generally favorable but divided response. On , the film holds a score of 55 out of 100 from 15 critics, reflecting mixed or average reception. Reviewers praised director Jessica Hausner's precise, austere visual style and her unflinching portrayal of ideological manipulation, often likening the narrative to a cult formation under the guise of "conscious eating." However, detractors frequently criticized the film's ambiguity, underdeveloped characters, and perceived failure as , with some outlets decrying its handling of eating disorders as insensitive or exploitative. Sheila O'Malley of awarded the film three out of four stars, commending Hausner's exploration of "ideas run amok" and the ambiguity that mirrors the characters' descent into , though noting its monotonous quality akin to Brutalist . highlighted Mia Wasikowska's enigmatic performance as the teacher Miss Novak, describing the film as an "audaciously disturbing" depiction of students transforming into a through mindful , emphasizing its potential as a provocative on consumption. Supporters appreciated the film's cold, clinical detachment as a strength in critiquing elite institutions and parental detachment, viewing it as a bold statement against unchecked ideological . In contrast, The Guardian's two-out-of-five-star review labeled it a "baffling non-" that offers "not much to chew on," faulting its failure to address or disorders substantively while straining for relevance to parental . deemed the "badly miscalculated," arguing it mishandles the premise of students stopping , resulting in a flat tone that undermines its ambitions. Little White Lies called it a "poorly-judged slog," criticizing the sluggish pacing and lack of nuance in portraying teen to . Some critiques, particularly from outlets sensitive to representation, questioned the film's ethics in depicting anorexia-like behaviors without deeper , potentially glamorizing or trivializing disorders amid its satirical intent. While mainstream reviews often emphasized stylistic precision over emotional depth, potentially influenced by institutional preferences for ambiguous arthouse fare, the film's polarizing underscores a divide: acclaim for its causal examination of versus condemnation for insufficient character investment and tonal inconsistencies. Hausner has maintained the work targets manipulation and faith-like adherence rather than eating disorders directly, a framing that resonated more with reviewers prioritizing thematic over sensitivity.

Audience Reactions and Box Office

Club Zero received mixed responses from audiences, as evidenced by user ratings on platforms such as , where it scores 5.8 out of 10 based on 3,553 votes, and , averaging 2.9 out of 5 from 19,252 ratings. These scores reflect appreciation for the film's unsettling atmosphere and strong performances, particularly Mia Wasikowska's portrayal of the manipulative teacher, alongside frequent criticisms of its deliberate pacing and slow-burn structure lacking urgency. In user reviews and forum discussions, viewers often describe the film as psychologically disturbing rather than entertaining, with some interpreting its depiction of ideological indoctrination as evoking cult horror elements over outright satire. Praise centers on the realism of discomforting scenes, including graphic portrayals of eating behaviors, though many note the narrative's gradual intrigue fails to build sufficient momentum, leading to perceptions of tedium. Individuals with personal experiences of eating disorders have highlighted its triggering potential, viewing it more as a niche cult exploration than broad commentary. The film's box office performance underscored its limited mainstream draw, grossing $11,436 domestically upon its March 2024 release and $182,240 worldwide, constrained by its arthouse sensibilities and absence of hooks beyond festival buzz. This modest financial outcome aligns with audience feedback emphasizing its polarizing, non-commercial design, which prioritizes provocation over accessibility and resulted in sparse theatrical attendance outside specialized circuits.

Accolades and Recognitions

Club Zero competed in the main section of the , receiving a nomination for the , though it did not win the top prize. The film's selection highlighted director Jessica Hausner's thematic exploration of ideological manipulation, marking her second entry in ' primary competition following Little Joe in 2019. At the in 2023, Club Zero secured a win for Best European Composer for Markus Binder's original score, recognizing its minimalist and tension-building musical elements that underscored the film's satirical tone. The film received additional nominations at the awards, reflecting institutional acknowledgment of its arthouse craftsmanship amid limited broader acclaim. In national and genre-specific festivals, Club Zero earned nominations at the Austrian Film Awards for Best production and Best Casting, aligning with Hausner's domestic recognition for precise technical execution. It also garnered a for Golden Camera 300 at the International Cinematographers' Manaki Brothers for Martin Gschlacht's , which employed stark framing to evoke institutional unease. Further nods included wins and nominations at the Palic , emphasizing its provocative handling of extremism in smaller indie circuits, though major acting accolades for remained absent. These recognitions underscore the film's niche validation for innovative and visuals over popularity.

Controversies

Portrayal of Eating Disorders and Ethical Concerns

The film Club Zero portrays eating disorders, particularly , through the escalation of students' adoption of "conscious eating," a promoted by the that progresses from mindful to total food refusal, resulting in physical deterioration and without depicted recovery or intervention. This depiction serves as a for ideological , framing the disorder not as isolated but as a consequence of manipulative in an elite environment. Director has stated that the film critiques manipulation and the spread of extreme ideas, drawing parallels to and dynamics rather than intending to endorse or glamorize . Ethical concerns have centered on the potential for the film's unflinching visuals—including scenes of and a bulimic character's —to vulnerable viewers, prompting pre-screening disclaimers about content. Critics from outlets have argued that the absence of explicit narratives risks irresponsibly normalizing or aestheticizing anorexia, aligning with broader demands for " warnings" and affirmative portrayals in depictions of . However, Hausner defends the approach as necessary to expose causal mechanisms of harm, emphasizing that the film's ambiguous —where a directly addresses the audience with cult-like proselytizing—underscores the and futility of the , refuting claims of glorification by highlighting irreversible consequences. Empirical evidence supports the film's setting, as incidence is elevated among higher socioeconomic groups and adolescents, such as athletes, where environmental pressures like perfectionism and amplify risks beyond individual . Psychological research indicates that while eating disorders involve genetic and neurobiological factors, sociocultural influences—including peer reinforcement and ideological messaging akin to pro-anorexia online communities—can precipitate onset and maintenance, particularly through mechanisms like interpersonal distrust and maturity fears. Club Zero's satire aligns with this causal realism by illustrating how a charismatic authority figure exploits adolescent alienation to foster disordered eating as a shared identity, mirroring documented patterns where group ideologies exacerbate vulnerabilities rather than innate traits alone. Conservative-leaning responses have praised the unvarnished portrayal for confronting cult-like disorders without softening for sensitivity, contrasting with mainstream critiques that prioritize emotional safeguards over dissecting ideological propagation. Hausner has reiterated that artistic provocation, including discomfort, is essential to reveal how such manipulations evade scrutiny in privileged institutions, prioritizing truth over mandated redemptive arcs unsupported by disorder recovery statistics, where full remission rates remain low without multifaceted intervention.

Festival Incidents and Public Backlash

During the premiere of Club Zero on May 22, 2023, a scene depicting a regurgitating her meal and consuming the vomit elicited audible gasps and visible discomfort from the audience, with some attendees averting their eyes and murmuring questions like "Is it over yet?" Despite the visceral reaction, the screening concluded with a five-minute , highlighting the film's polarizing immediacy. Post-premiere responses amplified the unease, with coverage noting widespread queasiness and division among viewers and critics, including calls for warnings due to the scene's potential to unsettle those sensitive to depictions of . Reviews reflected bemusement and outright hostility toward the 's unflinching approach, framing it as more disturbing than satirical in initial circuit discussions. Public discourse extended to debates over the film's intent, with detractors accusing it of irresponsibility in portraying extreme behaviors without adequate distancing, while supporters, including director , defended the provocation as a deliberate challenge to conventional narratives and blind . No formal lawsuits, bans, or organized protests emerged, but conversations in communities persisted into 2024, centering on the balance between and audience safeguards.

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