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Colin Robinson

Colin Robinson is a and Emeritus Professor of Economics at the , renowned for his contributions to and critiques of government intervention in energy markets. Specializing in the analysis of , Robinson has authored numerous works examining the inefficiencies of state-controlled energy sectors, including historical assessments of markets and the pitfalls of . His research emphasizes market-driven approaches over centralized planning, arguing that government policies often distort resource allocation and hinder . Robinson received the International Association for Energy Economics award for distinguished contributions, reflecting his influence in the field. In recent publications, he has challenged prevailing climate change policies, contending that activist-driven agendas overlook cost-benefit analyses and on energy transitions. His testimony before the Economic Affairs Committee highlighted skepticism toward alarmist projections, prioritizing data on economic impacts over institutional consensus. These views position Robinson as a proponent of pragmatic, evidence-based policymaking amid debates dominated by regulatory expansion.

Overview and Role

Character Description

Colin Robinson is the resident energy vampire in the Staten Island household featured in the television series What We Do in the Shadows, cohabiting with ancient blood-drinking vampires Nandor, Laszlo, and Nadja. Unlike traditional vampires, he sustains himself by extracting vitality from others through prolonged exposure to his monotonous demeanor and incessant droning on mundane topics, such as office bureaucracy and trivial small talk. This feeding process induces boredom and irritation in victims, effectively siphoning their emotional energy rather than blood. As a , Colin operates freely during daylight hours, holding down a conventional job at a financial firm where environments rich in reply-all chains and casual chit-chat provide ample feeding opportunities. His physical appearance embodies suburban averageness: a middle-aged man with thinning hair, typically attired in khakis, shirts, and unremarkable wear that reinforces his unassuming, corporate-drone persona. During energy extraction, his eyes emit a subtle glow, signaling active feeding. Within the household dynamic, he is treated as a longstanding fixture—"came with the house," per Nandor—tolerated for his utility despite frequent exasperation from his housemates. Colin's personality oscillates between plodding analytical verbosity and superficial cheerfulness, often fixating on inconsequential details like quarterly reports or neighborhood gossip to sustain his vampiric needs. This trait renders him a comedic foil to the more flamboyant, archaic vampires, highlighting contrasts in supernatural sustenance and adaptation to modern life. His presence underscores the series' exploration of vampiric stagnation, as his rote existence mirrors the eternal tedium of immortality without the drama of .

Supernatural Nature as Energy Vampire

Colin Robinson functions as an energy vampire, a subtype of vampire in the What We Do in the Shadows universe that sustains itself by extracting psychic or emotional energy from victims rather than blood. This process typically involves engaging targets in protracted, monotonous monologues on trivial or irritating subjects—such as office bureaucracy, reply-all email chains, or banal small talk—which depletes the victim's enthusiasm, willpower, and lifeforce, often leaving them listless, depressed, or even unconscious. Unlike blood vampires, energy vampires like Robinson can feed on both humans and fellow vampires, rendering him a persistent nuisance to his housemates Nandor, Laszlo, and Nadja. Robinson exhibits several abilities tied to his energy-draining physiology. He possesses the capacity for daywalking, allowing exposure to without combustion, which enables him to operate in corporate environments during daylight hours. His resilience includes survival from physical trauma such as fire, vehicular accidents, and high falls, as well as occasional flight capabilities demonstrated in specific instances. Mirrors reveal his true form as a pallid, sickly figure, contrasting his outwardly appearance. Additionally, he maintains a functional digestive system permitting consumption of —such as bananas—and produces , traits absent in blood-dependent vampires. Energy vampires possess a finite lifespan of approximately 100 years, after which Robinson's body decays into a gooey amid , only for a newborn energy vampire to emerge from the remains, effectively reincarnating the species. A key limitation is the inability to from individuals who display genuine in his droning topics, as authentic neutralizes the feeding mechanism. This vulnerability underscores the parasitic reliance on disinterest or irritation, positioning energy vampires as opportunistic feeders within society rather than apex predators.

Creation and Development

Origins in the Series

Colin Robinson was conceived as an original character for the American television adaptation of What We Do in the Shadows, distinguishing him from the core vampire housemates adapted from and Jemaine Clement's 2014 film. Unlike traditional blood-drinking , Robinson embodies the archetype of an energy vampire, a entity who feeds by inducing , , and emotional exhaustion in victims through protracted , redundant anecdotes, and passive-aggressive demeanor. This concept draws from observable human behaviors of interpersonal draining, reimagined in a framework to heighten comedic effect without relying on gothic tropes. Co-creator initially positioned Robinson as a peripheral housemate for episodic humor, leveraging his mundane office-worker persona to contrast the ancient vampires' flamboyance and provide day-walking utility in the format. The character's introduction in the on March 27, 2019, establishes him as a long-term resident of the mansion, predating the arrival of Nandor, Laszlo, and Nadja, though specifics of his supernatural genesis remain deliberately vague within the show's . This ambiguity, as noted by actor , afforded creative flexibility, enabling evolution from a static bore to a figure with adaptive powers like minor during periods of elevated confidence. Robinson's development reflects the beyond constraints, incorporating modern relatable annoyances such as corporate drudgery and chain to sustain his energy-draining mechanism. Early scripts emphasized his integration into dynamics, where his tolerance for and human society fills gaps left by nocturnal protagonists, while his 20th-century origins—hinted at through references to aesthetics—anchor him as a product of bureaucratic ennui rather than . This foundational setup allowed subsequent seasons to explore lifecycle transformations, underscoring the character's utility in probing themes of stagnation and renewal among immortals.

Casting and Portrayal by Mark Proksch

Mark Proksch was cast as Colin Robinson, the series' energy vampire, for the pilot of What We Do in the Shadows, which aired on FX on March 27, 2019. His prior comedic roles, including appearances in Better Call Saul and The Office, positioned him to capture the character's essence of monotonous interpersonal drain. During the audition process, Proksch focused on embodying the role's core demand for portraying energy depletion through tedium, drawing initial inspiration from real-life office colleagues who exhibited similar exhausting behaviors. Proksch's portrayal emphasizes Colin's monotony and improvised rants, often sourced from his personal reservoir of on subjects like or , which mimic the vampire's mechanism of sapping vitality via and unsolicited facts. He interprets the character as an "arrogant yet harmless moron," blending low-status vulnerability with presumptuous familiarity in the household, informed by centuries of coexistence that foster a peculiar familial . This approach incorporates heavy , guided by showrunners to deviate from scripts for authenticity, while early episodes referenced archetypes like Floyd the Barber from to establish Colin's affable dullness. Throughout the series' run, Proksch has evolved the performance to include physical elements, such as Colin's repeated rebirth cycles every century, allowing for comedic vulnerability and a "normal person that's just off a little" demeanor derived from observing everyday human quirks. In seasons involving de-aging effects, like Season 4's baby-to-adult arc, he adapted to green-screen constraints and audio cues from child performers to maintain rhythmic consistency, prioritizing unease over cuteness to underscore the character's inherent creepiness. This sustained technique has rendered Colin a standout for his relatable, if exaggerated, portrayal of social exhaustion amid absurdity.

Fictional Biography

Seasons 1–2: Establishment in the Household

Colin Robinson enters the series as an established energy residing in the [Staten Island](/page/Staten Island) household alongside the vampires Nandor, Laszlo, Nadja, and the . Unlike his immortal roommates, who avoid daylight and rely on blood for sustenance, Robinson maintains a daytime office job that enables him to pay rent and utilities, providing essential to the group. His presence is tolerated primarily for this practicality, though his draining tendencies often strain relations. In the first season, premiering March 27, 2019, Robinson's daily routine underscores his integration as the mundane counterpoint to vampiric eccentricity. He sustains himself by boring or enraging coworkers and strangers, such as during a city council meeting he attends for its "smorgasbord of banality and despair," where he feeds on the attendees' frustration. An ancestry test reveals his heritage as 100% European, yielding no insights but highlighting his unremarkable human-like traits. Interactions with Evie Russell, an emotional , lead to a brief romantic entanglement after a , but it ends due to mutual energy depletion, reinforcing his isolation within the household. During the vampires' trial before the Vampiric Council, Robinson remains at home—exempt from ancient summons—and aids their escape by shielding them from with umbrellas. Season 2, airing from April 15, 2020, escalates Robinson's role through workplace advancement and heightened draining prowess, testing household dynamics. A to a managerial position amplifies his abilities, allowing mass energy extraction from subordinates in meetings, akin to "steroids or " for his powers, and transforming him into a power-hungry figure oblivious to his company's purpose. This shift disrupts the home, as his aggressive draining exhausts the vampires, prompting Nandor, Laszlo, and Nadja to intervene and curb his dominance. The episode exposes underlying loneliness, with Robinson seeking camaraderie through gestures like purchasing a or attending social events, yet his nature precludes genuine bonds. Despite these conflicts, his economic contributions and comic utility solidify his position, portraying him as an indispensable, if exasperating, fixture in the group's dysfunctional equilibrium.

Seasons 3–4: Crisis and Rebirth

In season 3, Colin Robinson's arc builds toward a biological crisis tied to his energy physiology, as he nears his 100th birthday on October 31, 1921 (in the show's timeline). Throughout the season, he maintains his routine of draining emotional energy from office colleagues via mundane conversations and inefficiencies, but subtle signs of decline emerge, including fatigue and reflection on his unchanging existence. On the eve of his centennial, Colin retires to his mattress feeling unwell, only to die overnight, marking the natural endpoint of an energy vampire's lifespan, which is strictly limited to 100 years unlike the of blood-drinking vampires. The housemates initially grieve Colin's passing, with Nandor interrupting his own hibernation to bid farewell, but Laszlo discovers an infant version of Colin in the coffin during the burial preparations, signaling a rebirth cycle unique to energy vampires. This revelation occurs in the season 3 finale, aired October 28, 2021, establishing that Colin's death triggers a regenerative process rather than permanent cessation. Season 4, premiering July 12, 2022, centers on the household's adaptation to baby Colin, who retains his energy-draining instincts, sapping vitality from caregivers through incessant crying and demands. Laszlo assumes primary responsibility, experimenting with nurture over nature by exposing the infant to varied stimuli—like music lessons and social interactions—to avert a recurrence of Colin's prior draining tendencies, though innate proves resilient. The child undergoes accelerated aging, progressing from infancy to within months, exhibiting volatile emotions and early signs of energy vampirism, such as boring peers at and inducing in adults. As teenager Colin, physical changes accelerate—hair loss, slouched posture, and a balding —culminating in rapid maturation to adulthood by the season's midpoint, though without prior memories, rendering him a blank slate initially cooperative but prone to existential drift. The vampires intervene by reading Laszlo's archived diaries of the original Colin's life, restoring fragmented recollections and behaviors, including his affinity for corporate drudgery and energy siphoning. By the finale, aired September 6, 2022, Colin fully reverts to his pre-death form—bespectacled, sweater-clad, and mundanely vampiric—resuming residence and draining the household's enthusiasm, affirming the cyclical inevitability of his species' traits.

Seasons 5–6: Maturity and Resolution

Following his rebirth as an infant energy vampire in the season 4 finale on September 6, 2022, Colin Robinson undergoes accelerated maturation, reaching physical and cognitive adulthood within months through a combination of innate supernatural growth and exposure to Laszlo's ancient diaries, which restore his memories and fully activate his draining abilities. By the season 5 premiere on July 13, 2023, he resumes his mundane existence, returning to office work but exhibiting enhanced energy-draining efficiency, allowing him to siphon vitality from larger groups via prolonged, monotonous interactions. In season 5, Robinson leverages his abilities for political ambition, hijacking a local for comptroller in episode 4 ("The Campaign," aired July 27, 2023), where he deploys filibuster-style speeches and recruits his ex-girlfriend Evie (portrayed by ) as a faux to feign normalcy and amplify voter exhaustion for feeding. This arc culminates in a debate on September 6, 2023, episode, featuring a five-hour that induces mass , underscoring his maturation into a more strategic predator who scales his draining from individuals to crowds. The satirizes electoral tedium while demonstrating Robinson's adaptation to post-rebirth potency, though it ends without formal victory, reinforcing his reliance on the vampire household for stability. Season 6, premiering October 21, 2024, explores Robinson's evolving independence amid the group's existential shifts, including collaborative ventures like aiding in social experiments and workplace hypnosis schemes that highlight his growing emotional nuance beyond mere boredom induction. His bond with deepens through mentorship-like dynamics, such as joint monster-rearing and reflection sessions, signaling interpersonal maturity absent in prior iterations. The series resolves Robinson's arc in the finale on December 16, 2024, where he narrates the household's chronicle via faux style, affirming the vampires and as his "" before dispersing with them to new pursuits—Nandor and to , Nadja to business, Laszlo to energy pursuits—leaving his future open-ended yet self-aware. This closure frames his post-rebirth journey as one of resolved integration, balancing vampiric isolation with communal ties, without altering his core draining mechanism.

Traits and Abilities

Energy-Draining Mechanism

Colin Robinson sustains himself as an energy by extracting lifeforce from humans through the induction of profound and mental exhaustion, rather than consuming like traditional vampires. This involves engaging victims in protracted, monotonous conversations or interactions filled with trivial details, , or repetitive anecdotes that deplete their willpower and vitality, leaving them visibly drained and lethargic. Victims often exhibit symptoms such as slouched posture, glazed expressions, and a sudden loss of enthusiasm, mirroring real-world from unrelenting tedium, though amplified to levels in the series. The mechanism operates passively yet deliberately: Robinson identifies targets in everyday settings like offices or social encounters, initiating dialogue on unremarkable topics—such as expense reports or weather patterns—to erode their energy reserves over time. In professional environments, this manifests as endless meetings or unsolicited advice that saps productivity, as depicted in episodes where colleagues collapse from exhaustion after prolonged exposure. Unlike physical predation, the draining is psychological and cumulative, allowing Robinson to feed without immediate detection, though overuse can lead to overt fatigue in victims, prompting them to seek escape. Robinson has demonstrated adaptability in this ability, extending it to digital platforms by provoking futile arguments online, where anonymous exchanges generate outrage that he converts into sustenance, highlighting the mechanism's versatility beyond face-to-face interactions. This non-corporeal method exploits human tendencies toward unproductive debate, yielding energy from frustration without physical presence. However, the process requires sustained engagement; brief encounters yield minimal results, underscoring its reliance on persistence rather than instantaneous effect. Energy vampires like Robinson remain unaffected by sunlight, enabling daytime hunting, which contrasts with the nocturnal constraints of his housemates.

Behavioral Patterns and Weaknesses

Colin Robinson exhibits behavioral patterns centered on inducing tedium and to facilitate drainage, often through protracted discussions of mundane or trivial topics such as office inefficiencies, public transit delays, or personal digestive habits like "" and "stinky pickles." He deploys passive-aggressive questioning and analytical monologues that sap the willpower of both humans and s, as seen in his workplace interactions where he traps colleagues with accounts of unremarkable weekends or bureaucratic minutiae. Outside professional settings, he aggravates housemates with incessant nagging or online trolling, while displaying sporadic upbeat chattiness that masks his underlying resourcefulness in identifying new sources, such as oversharing with restaurant patrons about menu options in Season 5. Despite these draining tendencies, Robinson shows genuine emotional attachment to his companions, reacting with visible hurt to their rebukes, which occasionally tempers his irritative impulses. As an energy vampire, Robinson's primary weakness lies in the 100-year biological cycle that culminates in , physical decay into a larval state, and death, followed by as an infant emerging from his liquefied remains—a process distinct from the of blood-drinking vampires. His energy-draining mechanism fails against individuals who exhibit authentic interest in his , as genuine neutralizes the tedium required for , according to showrunner . Additionally, he demonstrates emotional susceptibility to interpersonal rejection, such as distress from unreciprocated friendships, which disrupts his relational dynamics without directly impairing his vampiric functions. Speculation exists regarding mutual nullification with another energy vampire, potentially through reciprocal boredom leading to stagnation, though this remains unverified in the series.

Reception and Cultural Impact

Critical Acclaim and Analysis

Critics have acclaimed Mark Proksch's performance as Colin Robinson for infusing the energy with a subdued that renders his draining antics both exasperating and oddly endearing, elevating him from a peripheral figure to a breakout ensemble favorite over the series' run. Proksch draws from real-life encounters with tedious individuals encountered during temping and pursuits, crafting rants rooted in niche such as 1960s or classic actors to authentically capture Colin's parasitic blandness. This approach has been noted for subverting traditional menace, positioning Colin as an "arrogant yet harmless moron" whose daylight tolerance and non-blood sustenance distinguish him as the household's most human-like member. The character's conceptual innovation as an energy vampire—who sustains himself by boring victims into exhaustion rather than bloodshed—serves as pointed satire on mundane social parasites, mirroring the soul-sapping dynamics of office colleagues or obligatory family gatherings. This mechanism underscores the series' broader thematic exploration of immortality's tedium, with Colin's unchanging dullness contrasting the vampires' dramatic pretensions and highlighting the horror embedded in everyday banality. Critics interpret his retention of core traits through rebirth cycles—such as the Season 3 finale's demise at age 100, followed by rapid aging from infant to adolescent in Season 4—as a metaphor for stalled personal evolution amid eternal life, injecting unpredictability into the mockumentary format via Laszlo's reluctant paternal role. In later seasons, Colin's maturation arc amplifies themes of existential drift and relational interdependence, as his post-rebirth hyperactivity and emerging powers challenge the household's stasis, forcing confrontations with neglect and autonomy. This development has been analyzed as resonant with human vulnerabilities, blending humor from his disruptions—like incessant obsessions or impromptu tap-dancing—with poignant undercurrents of isolation, making him a vehicle for the show's critique of unchanging habits in ostensibly endless existences. Proksch's in embodying these phases has been singled out for deepening the character's appeal, transforming initial irritation into sympathetic complexity without diluting the comedic core.

Fan Perspectives and Popularity

Fans regard Colin Robinson as one of the most relatable characters in What We Do in the Shadows, frequently identifying with his energy-draining tendencies that mirror mundane social annoyances like incessant or tedious monologues. This self-identification contributes to his appeal, with viewers describing him as a "top-tier TV character" whose realism—simultaneously entertaining and believable—sets him apart from the more flamboyant . In fan discussions, his ability to exhaust others through boredom is praised for looping into unexpected charm, making him a standout despite lacking traditional vampire flair. Popularity metrics from fan-voted rankings underscore this affection: in a compilation of viewer preferences, Colin ranks second among the show's characters, lauded for his anti-charismatic draining of life force via prolonged, dull interactions. Similarly, Ranker's user-driven list of funniest characters places him at number two, behind only Laszlo Cravensworth, highlighting his comedic reliability. A analysis declares him the series' best character outright, emphasizing how his exhaustion-based feeding evolves into profound narrative arcs, such as his season 3 "death" and rebirth, which deepened fan investment. polls reflect divided but strong support, with Colin receiving hundreds of votes in "favorite main character" threads, though trailing Laszlo's lead; some users critique him as a "one-joke character," yet concede the joke's enduring effectiveness. His youthful "baby" form in seasons 4–5 amplified popularity, earning acclaim as "the best child on TV" for blending innocence with vampiric mischief, prompting fans to celebrate episodes like his destructive energy bursts as peak comedy. Social media compilations, including FX's official YouTube clips of his relatable moments, have garnered millions of views, reinforcing his status as a meme-worthy figure symbolizing workplace or familial drains. While not universally the top pick—Laszlo and Nandor often edge him in likability rankings—Colin's niche as the show's everyman antagonist ensures sustained fan engagement, with discussions peaking around key plot twists like his 500th birthday crisis on May 7, 2020.

Satirical Elements and Real-World Parallels

Colin Robinson's depiction as an satirizes the draining tedium of corporate and suburban existence, portraying him as an unremarkable worker whose monologues on spreadsheets, funds, and bureaucratic minutiae exhaust listeners' willpower. This mechanism inverts traditional lore by substituting with banal conversation, highlighting how mundane interactions can erode vitality more insidiously than overt predation. His passive-aggressive delivery—marked by trite jokes, irrelevant tangents, and feigned enthusiasm—exaggerates the subtle hostilities of everyday American life, such as evading direct conflict through indirect annoyance. The character's design draws from mockumentary traditions, evoking the soul-sapping presence of workplace drones in shows like , where dullness manifests as a form of interpersonal . Colin embodies casual entitlement and selfishness, critiquing societal norms that prioritize superficial harmony over confrontation, thereby allowing low-level disruptions—like endless memos or watercooler chats—to accumulate into profound fatigue. Actor Mark Proksch's portrayal amplifies this through physical awkwardness, such as inept dancing or unathletic pursuits, underscoring the humor in human unremarkability elevated to inefficiency. In real-world terms, Colin parallels "emotional" or "psychic" vampires, individuals who sustain themselves by provoking and feeding on others' negative emotional states, including boredom and irritation, as outlined in psychological analyses. Albert J. Bernstein's Emotional Vampires describes such figures as coworkers or neighbors who deplete energy through relentless demands or trivial grievances, mirroring Colin's tactics of monologue-induced exhaustion. Similarly, Raven Kaldera's work on ethical psychic vampirism posits innate or learned energy drains via evoked emotions like annoyance, akin to Colin's preference for tedious interactions over violence. These parallels resonate with observers who identify Colin as a stand-in for ubiquitous annoyances, such as the automated drudgery of professional meetings or familial small talk that stifles productivity and joy.

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