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Daywalker

'''Daywalker''' is a term most commonly associated with (Eric Brooks), a in created by and , who debuted in #10 (July 1973). The term has other uses in fiction, music, slang, and folklore. For details, see the sections below.

Fictional characters and concepts

Blade in Marvel Comics

Eric Brooks, known as , is a in , born in 1929 in to a human mother who was bitten by the during childbirth, resulting in Blade inheriting vampiric strengths without the typical weaknesses such as vulnerability to sunlight or silver. This hybrid nature positions him as the "Daywalker," a term reflecting his ability to operate freely in daylight while possessing enhanced physical attributes derived from his partial vampiric heritage. Blade first appeared in Tomb of Dracula #10 in July 1973, created by writer Marv Wolfman and artist Gene Colan, where he was introduced as a relentless vampire hunter seeking vengeance against the undead for his mother's death. His key abilities include superhuman strength allowing him to lift up to 1,000 pounds, speed exceeding 50 miles per hour in short bursts, heightened agility and reflexes, an accelerated healing factor that regenerates wounds rapidly, and immunity to vampire bites and hypnotic influences. However, he experiences a chronic thirst for blood, which he manages through a specially formulated serum to avoid succumbing to vampiric urges. As a premier , Blade has formed alliances with figures, including the pseudo-vampire Michael Morbius, who once enhanced Blade's powers through a , and , who assembled him into the Midnight Sons team alongside and others to combat demonic threats. In this role, Blade employs expert , marksmanship, and prowess, often wielding custom titanium blades and stakes in his crusade against vampires like . Blade's comic evolution includes his integration into team dynamics, such as co-founding the Nightstalkers investigative group in 1992 with Frank Drake and Hannibal King to battle occult threats, and his central role in the 1990s Midnight Sons imprint, which expanded the supernatural corner of the Marvel Universe through crossovers involving Lilith and the vampire nation. He has starred in multiple solo series, including Blade: Vampire Hunter (1994–1996) and Blade (1998–2002), exploring his ongoing battles and personal struggles. In 2024, Blade featured prominently in the Blood Hunt event, a vampire apocalypse storyline tying into broader Marvel narratives, while a multiverse variant of the character appeared in the film Deadpool & Wolverine, signaling potential integration into the Marvel Cinematic Universe. Blade's cultural impact is amplified by ' portrayal in the 1998–2004 film trilogy, which grossed over $400 million worldwide and popularized the stylish, urban archetype, influencing subsequent media like the series and revitalizing Marvel's cinematic presence before the MCU era.

Dhampir and other supernatural beings

The term "daywalker" derives from the concept of a "day walker," referring to beings capable of enduring in contrast to the nocturnal nature of traditional . This notion traces its roots to Balkan , where dhampirs—hybrids born of a father and human mother—were first documented in written accounts during the 17th to 19th centuries, though oral traditions likely predate this. In , Serbian, and traditions, dhampirs are revered yet distrusted as natural slayers, possessing the unique ability to detect and combat invisible or hidden vampires that evade sight. These beings, often male and known variably as vampijerovic in Serbian lore or simply dhampire in Roma communities, inherit vampiric traits from fathers like a mullo vampire while remaining fully alive through their maternal lineage. They employ methods such as staking with hawthorn wood, ritual bottling combined with burning, or direct confrontation to destroy vampires, serving as protectors against threats in their communities. Modern fantasy adaptations have expanded the daywalker archetype beyond . In the role-playing game Vampire: The Masquerade (first edition, 1991), daywalkers are depicted as thin-blooded vampires of the 14th to 16th generation, whose diluted vitae grants partial tolerance to sunlight, allowing limited daylight activity without the severe burns afflicting elder kindred. Variations in lore sometimes portray daywalkers not as hybrids but as full vampires who have overcome their sunlight allergy through magical rituals or scientific interventions, such as experimental serums or exposure therapies that restore daytime mobility. Distinctions from full vampires include dhampirs' retention of a human appearance, emotional capacity, and complete daylight mobility, alongside inherited enhancements like superior senses and extended longevity, without the undead state or bloodlust that defines pure vampires. This hybrid nature positions them as adversaries to vampires rather than kin, embodying a balance between mortal frailty and supernatural prowess. Popularized in pop culture by characters like Blade, the daywalker remains a symbol of this liminal existence.

Appearances in other media

The Daywalker concept, particularly through the character of Blade, gained prominence in live-action adaptations beginning with the 1998 film Blade, directed by Stephen Norrington and starring Wesley Snipes as the half-vampire hunter battling vampire overlords in a gritty urban setting. The trilogy continued with Blade II (2002), directed by Guillermo del Toro, and Blade: Trinity (2004), directed by David S. Goyer, where Blade confronts escalating threats from vampire alliances and ancient evils while relying on human allies and serum to suppress his thirst. Collectively, the films grossed approximately $415 million worldwide, marking a commercial success that revitalized Marvel's film prospects during a period of financial instability for the company. This success influenced the superhero genre by demonstrating the viability of darker, R-rated comic book adaptations with stylized action and horror elements, paving the way for more mature tones in subsequent films like those in the Marvel Cinematic Universe. In television and animation, Blade appeared as a guest character in the 1994 episode "Blade, the Vampire Hunter" of Spider-Man: The Animated Series, where he aids Spider-Man against the Michael Morbius, showcasing his enhanced strength and anti-vampire weaponry in a crossover narrative. A live-action series, Blade: The Series, aired on in 2006, starring Kirk "Sticky Fingaz" Jones as Blade continuing his crusade post-Blade: Trinity, focusing on his partnership with a turned ally against a vampire crime syndicate; the show ran for one season of 13 episodes before cancellation due to low ratings. Dhampir-like figures also emerged in the Buffy the Vampire Slayer universe, notably Connor in the spin-off (2003–2004), the son of vampires Angel and Darla, who possesses superhuman abilities, daytime tolerance, and a tragic without full vampiric weaknesses, embodying hybrid struggles in supernatural battles. Beyond Marvel, Daywalkers feature in Disney's Zombies franchise, where the 2025 film Zombies 4: Dawn of the Vampires introduces Daywalkers as a faction of sunlight-tolerant vampires with unique quirks, integrating into the musical's teen drama alongside zombies, werewolves, and aliens to explore themes of coexistence. In video games, the BloodRayne series (debuting 2002) stars Rayne, a dhampir assassin who wields vampiric powers like blood absorption and agility while enduring reduced sunlight vulnerability, hunting Nazis and supernatural foes across historical settings. The Legacy of Kain series incorporates Daywalker mechanics, such as the Sunlight Glyph in Legacy of Kain: Soul Reaver (1999), allowing the wraith Raziel temporary protection from light-based hazards in Nosgoth's vampire-dominated world, highlighting hybrid resilience against environmental threats. Recent media continues to expand the Daywalker archetype, with announcing in 2019 that would star as in a film, integrating the character into the shared superhero saga amid production delays. As of November 2025, the film remains in development without a confirmed release date following its removal from the November 7, 2025, schedule and multiple directorial changes. In Deadpool & Wolverine (2024), a multiverse variant of played by appears during the film's Void sequence, hinting at multiversal crossovers involving Blade variants. In the The Vampire Diaries universe, hybrid characters with traits appear in spin-offs like Legacies (2018–2022), where figures like Hope Mikaelson exhibit partial vampiric regeneration and daytime activity alongside other supernatural abilities, blending into ensemble stories of magical academies and monster hunts. Thematically, Daywalkers in these media are frequently depicted as tragic heroes, torn between their empathy and monstrous heritage, using their dual nature to combat greater evils while grappling with and the constant risk of succumbing to .

Music

"DAYWALKER!" by

"DAYWALKER!" is a by American musician , featuring vocals from and musician , released on March 12, 2021, as his first non-album track of the year. The song runs for 2:17 and was produced by , BazeXX, and SlimXX. It was written by (Colson Baker), , Stephen Basil, and Brandon Allen. The track was first teased in December 2020 through snippets and livestreams, with its cover art and official announcement shared on March 9, 2021. Blending trap metal and techno-punk elements, "DAYWALKER!" features lyrics centered on themes of revenge, violence, and inner demons, delivered over an eerie, beat-heavy production that highlights Corpse Husband's deep, modulated vocals alongside Machine Gun Kelly's aggressive rap style. The song's title draws inspiration from the character , a known as the Daywalker, reflected in its dark, motifs. Upon release, "DAYWALKER!" debuted and peaked at number 88 on the chart. It also reached number 8 on the chart. In the , the single entered the at number 53 and spent three weeks on the listing. By November 2025, the track had amassed over 142 million streams on . The official music video, directed by and Sam Cahill, premiered on March 18, 2021, and depicts intense, blood-soaked scenes of combat and supernatural horror, with YouTuber portraying to maintain his anonymity. The visuals emphasize vampiric and violent imagery, aligning with the song's thematic roots in vampire lore and revenge narratives. Critics praised "DAYWALKER!" for its successful fusion of energy with metal influences, noting the track's mosh-pit appeal and Corpse Husband's rumbling, ominous delivery as standout elements that enhanced its -infused intensity. The collaboration marked a hit, bridging Kelly's evolution with Corpse Husband's online persona.

Other songs and musical works

Beyond the mainstream track "DAYWALKER!" by Machine Gun Kelly, several other musical works have incorporated "Daywalker" or variants in their titles, often drawing on themes of duality, conflict, or otherworldliness across genres like electronic, nu-metal, and hip-hop. "Daywalker" appears as the seventh track on Delta-S's 2005 electronic album Chasm, a 2:50 instrumental piece characterized by atmospheric synths and pulsing rhythms that evoke a sense of detached introspection. The song fits within the album's broader exploration of isolation and digital alienation, with subtle lyrical overlays in live versions hinting at personal redemption. In the nu-metal realm, 40 Below Summer's "Daywalker" serves as the ninth on their 2013 album Fire at Zero Gravity, a high-energy composition running 4:59 that grapples with themes of self-doubt and societal abnormality through aggressive riffs and screamed vocals. depict a descent into "the depths of abnormality" and loss of self-worth, underscoring inner turmoil amid the band's raw, post-grunge-infused sound. Propaganda's "Daywalkers," featuring , is the third track on the 2014 Christian hip-hop album Crimson Cord, a 3:04 cut that addresses and cultural duality with introspective bars over booming production. The song blends personal heritage and faith-based resilience, positioning listeners as "daywalkers" navigating worldly and divine tensions in a genre marked by lyrical depth. The Blade: Trinity soundtrack includes "Daywalkers," a 2:34 techno-infused instrumental co-composed by Ramin Djawadi and RZA, released in 2004 as part of the film's score to underscore the Daywalker's hybrid vampire-hunter identity. Djawadi's orchestral elements merge with RZA's hip-hop beats, creating a tense, cinematic atmosphere tied directly to the movie's action sequences. Lesser-known works include underground releases like the EPs from the punk-hardcore band Daywalker, such as Tormented, Vol. 1 (2025), which features aggressive tracks exploring chaos and emotional rawness in the vein. These variants extend the term into DIY scenes, emphasizing themes of inner struggle through fast-paced breakdowns and socially charged lyrics.

Artists using the name

Gary D., whose real name was Gerald Malke (born December 5, 1963; died September 1, 2016), was a prominent DJ and in the scene who adopted the pseudonym Daywalker for select releases during the early . Active primarily in the and genres from the through the , he contributed to the club scene through aliases including this one, with notable works such as the 2006 single "Rhythmatic" on the D-Traxx label, which exemplified his high-energy, rhythmic style. Daywalker is an punk-hardcore band hailing from the Ohio area, particularly active in the and Dayton scenes, formed in the late amid the region's vibrant metal and community. Drawing influences from , the group explores intense themes of anger, chaos, and personal turmoil in their music, as evident in their 2025 EP Tormented Vol. 1, which includes tracks like "You Create" and "Animal Instinct" and marks a recent escalation in their output following earlier releases such as the 2019 album . In the 2020s, the name Daywalker has also appeared as an alias among underground rappers on platforms like , where artists incorporate horror-inspired themes into their trap and horrorcore-influenced tracks, contributing to niche online rap communities.

Slang and nicknames

Origin in popular culture for redheads

The slang term "daywalker" for redheads who can tolerate sunlight without burning originated in the animated television series , specifically in the episode "" from season 9, which aired on November 9, 2005. In the episode, the character uses the term to describe redheaded individuals like , who lack the stereotypical pale skin and freckles associated with "gingers" and thus do not suffer severe sunburns, positioning them as a hybrid or superior variant in his satirical rant against redheads. This usage parodies vampire mythology, particularly the "daywalker" concept from the character , a half-vampire who can endure daylight, thereby inverting traditional to mock stereotypes about redheads' sensitivity to the sun. Following its introduction, "daywalker" rapidly evolved into an internet meme during the late 2000s and 2010s, gaining traction on online platforms where users shared humorous images, videos, and discussions applying the term to redheads with varying skin tones. The meme often portrayed "daywalkers" as a rare or elite subgroup within redhead communities, blending self-deprecating humor with references to the South Park episode, and it spread through fan recreations and viral content that highlighted the absurdity of ginger-related tropes. While frequently employed affectionately among redheads to reclaim and poke fun at sun-avoidance clichés, the term has also been used derogatorily, reinforcing broader stereotypes about red hair as a marker of otherness or inferiority. Debates surrounding the term's appropriateness emerged prominently in online redhead communities, where it is generally viewed as lighthearted satire but occasionally criticized for perpetuating harmful ginger discrimination amplified by the South Park episode. These discussions tie "daywalker" to the episode's portrayal of redheads as soulless or vampiric, a trope that some argue contributes to real-world bullying despite its comedic intent, though many redheads embrace it as an inside joke. The term has echoed in various media and forums beyond South Park, appearing in comedic sketches and user-generated content that reference its origins, sustaining its niche popularity in pop culture humor about red hair.

Use as a personal or athletic nickname

Peggy Morgan, an American fighter born on December 16, 1979, adopted the nickname "The Daywalker" due to her and for endurance in training, a reference stemming from slang for redheads. She made her professional debut in June 2012, competing primarily in the featherweight division with a career record of 4-4, including appearances on Season 18 and in promotions like Invicta FC. Morgan retired from professional fighting in January 2017 after a loss to Megan Anderson. Rashad Coulter, born November 27, 1981, earned the nickname "Daywalker" from his friend and fellow fighter Muhammed Lawal, playfully alluding to his light skin tone, and carried it into his athletic career. Prior to his MMA tenure, Coulter played American football, including time on the San Diego Chargers' practice squad in 2005, where his speed as a defensive end was noted during college at the University of Memphis. He transitioned to professional MMA in 2012, competing as a heavyweight with an MMA record of 10-6 as of 2020, highlighted by knockout victories, before expanding into bare-knuckle boxing in the 2020s. Beyond sports, "Daywalker" appears as part of personal names or identifiers unrelated to slang origins, such as Marie-Anne Day Walker-Pelletier, born April 15, 1954, who served as chief of the Okanese First Nation in from 1981 to 2020, becoming Canada's longest-serving elected chief. Her hyphenated surname reflects her family heritage rather than any cultural moniker. In the 2020s, "Daywalker" has been adopted as a handle by influencers in and communities, often evoking themes of or supernatural endurance; for instance, TikTok user @daywalker9000 shares gameplay content, while fitness creators like @joshtaylorcoaching use it to highlight motivational routines tied to redhead .

Other uses

Comedy and entertainment

In comedy, South African comedian adopted the term "Daywalker" for his debut stand-up special in 2009, drawing inspiration from the vampire hunter character in the Blade film series to humorously reflect on his mixed-race identity during apartheid-era , where he could navigate both social spaces without immediate detection. The special, filmed at Johannesburg's Lyric Theatre, features Noah exploring themes of racial ambiguity and cultural through satirical routines, positioning the "Daywalker" moniker as a for his ability to "walk in the day" amid societal divisions. Vampire tropes associated with daywalkers have appeared in broader comedic sketches on American television, blending parody with everyday absurdity. For instance, has featured multiple vampire-themed skits in the 2000s and beyond, such as a 1998 parody of reimagining the slayer narrative as a mundane among characters, highlighting the comedic potential of immortal beings grappling with modern life. Similarly, Treehouse of Horror episodes have incorporated vampire elements, notably in the 1993 "Bart Simpson's Dracula" segment where is revealed as a lord, satirizing classic while poking fun at authority figures' predatory nature. Beyond sketches, "Daywalker" has been used as a thematic element in immersive entertainment experiences, particularly haunted attractions from the onward. The 13th Floor in , launched a "Daywalker" attraction in 2022, depicting a prophetic emerging under a blood moon to dominate humanity, complete with dark sets and live actors portraying hunters. These attractions often use "Daywalker" props like serum vials and hybrid weaponry to engage audiences in as slayers.

General term in fantasy and folklore

In fantasy genres, the term "daywalker" refers to a being, often or , capable of enduring sunlight without the fatal weaknesses typical of vampires, thereby blurring the boundaries between nocturnal predators and diurnal existence. This concept distinguishes daywalkers from traditional vampires, who are confined to darkness, and positions them as symbols of hybrid identity that negotiate tensions between human and monstrous natures. The notion draws from updated interpretations of Balkan folklore, where dhampirs—offspring of and humans—function as daywalkers who can operate in daylight and serve as protectors against full by detecting and combating them. In 21st-century Balkan literature, such as retellings in works exploring myths, these figures are reimagined as guardians emphasizing and cultural amid modern societal fears. Within novels like Laurell K. Hamilton's series from the 1990s onward, daywalkers appear as -immune undead variants, such as empowered through blood bonds to withstand daylight, albeit with psychological costs like induced fear or insanity. Similarly, in role-playing games, fan-created supplements for 5th edition (released 2014) introduce daywalkers as customizable variants that mitigate vulnerability, allowing players to explore themes of partial monstrosity. Academic analyses in highlight the term's in pop , tracing how daywalkers represent adaptive hybridity in response to changing vampire lore, from protectors to modern symbols of marginalized identities resisting oppositions like night versus day. Unlike full vampires, who embody and predation, daywalkers often symbolize and duality, echoing broader concepts in . Rare non-supernatural extensions in literature employ "daywalker" metaphorically for individuals like night-shift workers enduring inverted schedules, though such uses remain peripheral to the fantasy core.

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