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Curtain call

A curtain call is the final segment of a theatrical performance in which the actors and other performers re-enter the stage after the main show concludes to receive applause from the audience through a series of bows or other acknowledgments.^[1] This ritual serves as an opportunity for performers to acknowledge the audience's appreciation for the production.^[2] Typically occurring immediately after the curtain falls, it often follows a structured order, with supporting actors bowing first and leads last, though variations exist across genres like musicals and operas.^[3] Historically, curtain calls evolved from earlier traditions of audience applause in ancient Roman theaters, where gestures like finger-snapping or chanting signaled varying levels of approval, to more formalized rituals in the 19th century with the rise of proscenium-arch stages and drop curtains.^[4] By the 1800s, European theaters employed professional claqueurs to orchestrate applause, enhancing the performative nature of these moments, while the term "curtain call" itself emerged around 1880 in English usage to describe performers responding to encores.^[4] In the 20th century, especially during Broadway's golden age, curtain calls became increasingly elaborate, incorporating reprises of songs, costume changes, or comedic bits to prolong audience engagement—as seen in productions like the 1960s Oliver!, where a spotlighted character evoked emotional responses, or Arsenic and Old Lace (1941), featuring twelve "corpses" rising for bows.^[4] These evolutions reflect broader shifts in theater from courtly bows in 17th-century ballet origins to modern egalitarian gestures in ensemble-driven works.^[4] Beyond mere formality, curtain calls hold significant cultural and performative value, acting as an extension of the show that reinforces communal bonds and interprets audience reactions—clapping not only praises but signals comprehension of the narrative's themes.^[3] They provide a "decompression chamber" between the fictional world and reality, allowing performers to break character while acknowledging backstage crews.^[3] Notable variations include experimental forms, such as the nude curtain calls of 1960s avant-garde troupes or the unified kick-line in A Chorus Line (1975), which eschews hierarchy for collective celebration.^[3] In opera, calls may occur after acts rather than solely at the end, and standing ovations—once rare—now often amplify these moments, as exemplified by Yul Brynner's commanding bow in The King and I (1951), which routinely elicited them.^[4] Today, while standardized in many professional settings, curtain calls remain a vital tradition, adapting to diverse cultural contexts and underscoring theater's interactive essence.^[3]

Etymology and definition

Origins of the term

The term "curtain call" emerged in the late 19th century to describe the performers' reappearance on stage after the front curtain descends, allowing them to acknowledge audience applause. The earliest recorded use dates to 1884, as documented in major etymological sources.^[5]^[6] This nomenclature directly ties to the mechanics of the proscenium stage, where a curtain separates the performance area from the auditorium. The proscenium arch, which frames the stage and supports the curtain, was first permanently implemented in a theatre at the Farnese Theatre in Parma, Italy, between 1618 and 1619, evolving from temporary 16th-century Italian court designs.^[7] The front curtain's ability to rise and fall enabled efficient scene transitions and, by extension, the ritual of reopening it for encores or bows at a performance's conclusion. While the phrase itself is a product of Victorian-era theatre, the underlying custom of actors returning for recognition predates it, appearing in British and American stages from the Restoration period onward. Theatrical accounts from 1660 to 1820, as explored in the scholarly anthology Curtain Calls: British and American Women and the Theater, 1660–1820, demonstrate how such calls were a key element of audience interaction, often emphasizing star performers—particularly women—through repeated bows and orchestrated groupings. By the 19th century, with the expansion of gas-lit proscenium houses, the curtain call had evolved into a formalized convention, reflecting both artistic tradition and commercial spectacle in burgeoning urban theatres.

Core purpose and conventions

The curtain call serves as a ritualistic transition in theatre, marking the boundary between the fictional world of the performance and the audience's reality, while allowing performers to acknowledge applause and express collective gratitude. This practice functions as a semiotic threshold, where actors step out of character to reaffirm the communal bond formed during the show, validating the artistic endeavor and providing closure.^[8] It extends audience engagement, often building emotional resonance through shared appreciation, and underscores the live theatre's emphasis on immediacy and reciprocity.^[4] Conventions typically involve a choreographed sequence of bows, beginning with ensemble or minor roles and progressing to leads or stars to heighten dramatic buildup, ensuring an energetic and visually dynamic stage picture. Performers exit and re-enter in a rehearsed order, using groupings, levels (such as platforms), and quick movements to maintain momentum, often culminating in a unified company bow that reinforces troupe solidarity. In musicals, elements like song reprises or character-specific gestures may be incorporated to echo the production's themes, while etiquette demands actors bow as themselves—smiling to encourage applause—rather than in role, except in exceptional cases.^[9] These traditions, formalized by the early 19th century, prioritize brevity (typically a few minutes) to avoid diluting the applause's intensity.^[10] Variations in conventions reflect production intent, such as ensemble-focused calls in works like A Chorus Line that emphasize equality through synchronized movements, or star-centric ones that spotlight principals last. Directors rehearse calls meticulously to align with the show's tone, sometimes omitting them for somber narratives to prolong thematic ambiguity, though this challenges audience expectations of recognition. Overall, the curtain call embodies theatre's social contract, where etiquette—such as holding hands for group bows or deferring to seniors—fosters respect among cast and viewers alike.^[9]^[4]^[10]

In theatre

Historical development

The tradition of the curtain call in theatre traces its origins to ancient practices of audience acknowledgment. In ancient Greek theatre, applause emerged as a spontaneous response to performances, signifying approval and engagement, with actors occasionally returning to the stage for further recognition. This evolved in Roman theatre, where the chief actor would signal the play's end with phrases like "Valete et plaudite!" (Farewell and applaud!), prompting structured clapping and gestures of thanks, often accompanied by professional applauders known as laudiceni to amplify reactions.^[11]^[12] During the Renaissance, bowing formalized as a gesture of respect in European courtly and theatrical contexts, blending deference with performance closure, as illustrated in Thoinot Arbeau's 1589 Orchesographie, which described bows in dance and drama as hierarchical signs of esteem. By the 18th century, with the rise of proscenium stages and mechanical curtains in European theatres, actors began re-entering after the curtain fell to receive applause, though this was not yet standardized and often met resistance from performers wary of breaking the illusion.^[12] The modern curtain call solidified in the early 19th century, driven by growing audience demands for direct interaction, becoming widespread across Europe by the 1820s. In Paris, the practice was bolstered by hired claqueurs who orchestrated enthusiastic responses at premieres, ensuring actors' returns for bows and encores. By 1839, Charles Dickens captured its ubiquity in Nicholas Nickleby, depicting crowds "calling" actress Miss Snevellicci back onstage amid fervent applause.^[10]^[4]^[10] In the Victorian era, curtain calls grew more elaborate, with actors staging dramatic re-entries—sometimes feigning exhaustion before "reviving" under applause—to heighten sensationalism in popular melodramas. Playwright Dion Boucicault, in 1889, described the curtain call as a liminal space bridging fiction and reality, emphasizing its role in affirming artistic success. By the late 19th and early 20th centuries, the ritual standardized into sequential bows by cast members, influenced by realist theatre movements that favored restraint over excess, while standing ovations began emerging as a heightened form of acclaim.^[10]^[10]^[4]

Modern practices and variations

In contemporary theatre, curtain calls typically follow a structured sequence where performers enter the stage in reverse order of their roles' prominence, beginning with ensemble members or minor characters and progressing to leads, allowing each to receive applause before exiting or yielding to the next. This convention emphasizes ensemble cohesion while highlighting principal performers last, often culminating in a collective bow.^[13] Bowing styles vary widely, reflecting personal flair, cultural influences, and directorial choices. Common variations include the simple head bow, a modest nod of acknowledgment; the waist bow, where performers bend at a right angle with hands clasped or pressed to the chest; and the deep curtsy, which conveys elegance and requires sustained applause. For instance, in the 2016 Broadway production of She Loves Me, actress Laura Benanti executed a precise "tabletop" waist bow followed by a blown kiss, a technique she learned from mentor Chita Rivera to express gratitude succinctly. Similarly, Gabriel Byrne opted for a restrained head bow in Long Day's Journey Into Night that year, prioritizing subtlety over spectacle. These individualized gestures can extend to aerobic dashes across the stage or weary slumps to echo character exhaustion, as seen in various Tony-nominated performances.^[14] In musical theatre, curtain calls often incorporate choreographed bow music to underscore thematic elements or transition from narrative to reality. Productions like Fiddler on the Roof reprise "Tradition" during bows to reinforce cultural motifs, while Oklahoma! uses "Poor Jud Is Dead" to reframe a villainous character sympathetically. Exit music, played as audiences depart, typically features catchy tunes such as "Some Enchanted Evening" from South Pacific to boost commercial appeal and linger in viewers' minds. Unlike non-musical plays, which rely on unaccompanied applause for intimacy, musicals divide performative labor by having the orchestra continue while actors bow, with surveys of 34 scores from 1930 to 1984 showing only two exceptions without bow music.^[15] Variations in modern practices include ensemble-focused group bows that prioritize collective recognition, as in Hamilton, where the full cast assembles to underscore democratic themes. Some directors draw from Brechtian influences, having performers applaud the audience to blur performer-spectator boundaries, a tactic evident in post-1960s productions like Marat/Sade. Experimental works deviate further: A Chorus Line forgoes traditional bows for a vamped musical loop symbolizing perpetual audition cycles, and Pippin replaces music with announced cast names to heighten metatheatrical awareness. These adaptations allow curtain calls to serve as extensions of the drama, negotiating closure while adapting to diverse theatrical idioms.^[13]^[15]^[16]

In other performing arts

Opera and classical music

In opera, the curtain call serves as a ritual of communal acknowledgment following the performance, where principal singers, chorus members, and sometimes the conductor emerge to receive applause from the audience. Traditionally, these calls occurred after each act, allowing performers who had completed their roles—such as the baritone portraying Scarpia in Puccini's Tosca after Act II—to take individual bows before departing. This practice heightened audience engagement and provided immediate feedback on standout arias or scenes, fostering a lively atmosphere in historic venues like La Scala or the Liceu.^[17] Over time, many opera houses have shifted to consolidated curtain calls solely at the opera's conclusion, reflecting modern production demands and a desire to maintain narrative immersion. Performers typically bow in front of the proscenium curtain to bridge the distance to the audience.^[17] In classical music concerts, particularly orchestral performances, the equivalent of a curtain call manifests through repeated bows by the conductor and soloists in response to sustained applause, signaling appreciation without the theatrical curtain's literal involvement. Upon the final piece's conclusion, the conductor typically initiates the first bow, facing the audience before turning to acknowledge the orchestra, which stands in unison for collective recognition. If applause persists, the conductor exits stage left and re-enters for additional bows, a sequence that can repeat multiple times to match the audience's enthusiasm; soloists, as featured artists, often bow separately and may perform encores if ovations demand it. This tradition evolved from 19th-century concert etiquette, where figures like Felix Mendelssohn emphasized structured applause to balance performer focus and audience reflection, contrasting with earlier eras' more spontaneous reactions.^[18]^[19] These practices in both opera and orchestral settings emphasize humility and gratitude, with performers avoiding self-applause to direct focus toward the audience; deviations, such as Wagner's 1882 ban on curtain calls during Parsifal's premiere at Bayreuth to preserve solemnity, highlight ongoing debates about immersion versus celebration.^[19]^[20] Overall, curtain calls reinforce the performative bond, encouraging artists while allowing patrons to express discernment through the duration and intensity of their response.^[19]

Ballet and dance

In ballet, the curtain call, often referred to as a reverence, originated in the 17th-century French court during the reign of Louis XIV, where dancers performed bows or curtsies as a gesture of respect to the monarch at the end of performances in ballets de cour.^[21] This ritual evolved from courtly reverences, formal courtesies that signified social hierarchy and deference to royalty, and became standardized in professional ballet by the 19th century, as documented in Carlo Blasis's The Code of Terpsichore (1830), which outlined bowing conventions in theatrical dance.^[12] These early practices emphasized grace and poise, with dancers maintaining their performance costumes and personas during the bows to preserve the illusion of the artwork.^[21] In classical ballet companies, curtain calls follow a hierarchical structure, where ensemble dancers bow first, followed by soloists and principals, often in response to the intensity and duration of audience applause.^[22] Women typically perform a curtsy on demi-pointe, with arms extended in positions such as a high fifth or forward to acknowledge the audience, while men execute a bow with feet together, a slight forward lean, and arms raised above the shoulders; partnered bows may include chivalrous gestures like offering an arm to female dancers.^[22] At the New York City Ballet, for instance, the stage manager coordinates these calls, culminating in a collective bow before the golden curtain partially reveals principals for individual recognition, a tradition influenced by George Balanchine's preference for understated rituals that minimize interruption to the performance's flow.^[22] Iconic examples include the final bows in The Nutcracker, where the Sugar Plum Fairy and her cavalier appear last to highlight their starring roles.^[21] In modern dance, curtain calls retain the core function of signaling the performance's end and facilitating disengagement between artists and audience but exhibit greater variability and less rigid hierarchy compared to ballet.^[12] Dancers often form democratic lines across the stage, with bows improvised or choreographed to echo motifs from the piece, and some productions incorporate acknowledgments to technical crew or extend into encores, such as repeated pas de deux in silence, as seen in Richard Cragun's 1970s performances of Eugene Onegin.^[21] This flexibility reflects modern dance's emphasis on experimentation, though traditional reverences persist in hybrid forms, negotiating power dynamics and communal closure in Eurocentric theatrical contexts.^[12] Overall, these rituals serve as liminal spaces, bridging the heightened engagement of the dance with the dispersal of participants.^[12]

In film and television

Adaptations from theatre

In film and television, the theatrical tradition of the curtain call—where performers bow to acknowledge audience applause—is adapted to suit the recorded medium, often through end credits sequences that list cast and crew while providing visual or narrative closure, or via literal depictions in stories involving stage performances. This adaptation maintains the purpose of recognizing contributors while bridging live theatre's immediacy with cinema's post-production structure, evolving from early Hollywood practices influenced by Broadway. For instance, end credits in classic films frequently mimic a curtain call by pairing actor names with images or brief clips, fostering a sense of communal appreciation absent in silent-era title cards.^[23]^[24] Films adapted directly from stage plays often incorporate explicit curtain call scenes to evoke their theatrical roots and offer ironic or humorous relief. A prominent example is the 1956 psychological thriller The Bad Seed, directed by Mervyn LeRoy and based on Maxwell Anderson's 1954 Broadway play. Following the narrative's grim conclusion, the film features a meta curtain call during the credits: the cast emerges on a stage-like set to bow individually, with lead actress Nancy Kelly playfully spanking child star Patty McCormack (as the murderous Rhoda) across the backside, subverting the story's tension and reminding viewers of its fictionality. This device, common in mid-20th-century adaptations, honored stage conventions while complying with the Hays Code by softening dark themes for audiences.^[24] In musical films derived from Broadway, curtain calls appear in credits as choreographed sequences blending performance and acknowledgment. The 2005 adaptation The Producers, directed by Susan Stroman from Mel Brooks' stage musical (itself based on the 1967 film), includes showgirls from an earlier dream sequence who reappear during credits to introduce cast members with dances and bows, creating a lively, theatre-inspired finale that extends the show's energy. Similarly, post-credit scenes in contemporary franchises like the Marvel Cinematic Universe serve a modern curtain call function, rewarding viewers with bonus content that teases continuations and encourages "applause" through fan engagement, though this diverges from traditional theatrical bows.^[25]^[23] Television adaptations handle curtain calls through depictions in serialized narratives or live broadcasts. In anthology series with performance themes, such as the fourth season of American Horror Story: Freak Show (2014), the finale episode "Curtain Call" culminates in a literal circus curtain call where characters bow amid applause, mirroring theatre's communal ritual while heightening dramatic irony. For live theatre transmissions to cinemas, like National Theatre Live productions, curtain calls are broadcast in real-time but adapted for remote audiences: performers bow to the on-site crowd, with cinema viewers often clapping separately, leading to a hybrid experience where theatrical immediacy clashes with cinematic detachment, sometimes transitioning abruptly to credits. This format preserves the bow's essence but highlights medium-specific challenges, such as invisible remote applause diminishing reciprocity.^[26]^[27]

Specific examples and tropes

In film, the curtain call is often adapted as a climactic or metaphorical sequence to honor performers or provide narrative closure, particularly in stories centered on theater or show business. A seminal example is Bob Fosse's All That Jazz (1979), where the protagonist Joe Gideon (Roy Scheider), a workaholic director facing heart failure, engages in an elaborate, dreamlike musical number with the cast during the film's finale, symbolizing his ultimate performance and "final curtain call" as he dies on stage. This sequence blends autobiography with spectacle, reflecting Fosse's own health struggles and earning the film four Academy Awards, including Best Director. Another notable instance appears in Alejandro González Iñárritu's Birdman or (The Unexpected Virtue of Ignorance) (2014), a single-take-style satire on Broadway. The story follows washed-up actor Riggan Thomson (Michael Keaton) directing and starring in a Raymond Carver adaptation; the film's ambiguous ending features Riggan's successful curtain call after a dramatic onstage improvisation, where he appears to fly off like his superhero alter ego, blurring reality and fantasy while critiquing fame.^[28] The sequence underscores the film's themes of artistic validation, with Keaton's performance earning an Oscar nomination. In television, adaptations of the curtain call frequently occur in sitcoms filmed before live studio audiences, where the cast bows to viewers at the episode's end, though these moments are rarely broadcast. However, series finales often incorporate or reveal them for emotional impact. The Friends finale, "The Last One" (2004), concluded taping with an extended curtain call before the live audience, capturing the cast's tearful bows after ten seasons and over 236 episodes, symbolizing the end of a cultural phenomenon that drew 52.5 million viewers.^[29] Similarly, the 30 Rock series finale, "Hogcock! and Last Lunch" (2013), features a meta curtain call through a live performance of the in-show sketch "The Rural Juror," with the cast breaking the fourth wall to reprise roles one last time, nodding to the series' self-referential style over seven seasons.^[30] Common tropes in film and television curtain calls include the finale reunion, where past characters or cast return for bows, evoking nostalgia and closure, as seen in Doctor Who's "Journey's End" (2008), where multiple companions reunite to aid the Doctor, functioning as an on-screen "curtain call" amid the season's climax. Another trope is the meta acknowledgment, leaning on the fourth wall to thank the audience or comment on the medium, prevalent in comedies like Full House's finale (1995), where the Tanner family waves goodbye directly to viewers during a staged living-room bow, reinforcing the show's wholesome, family-oriented appeal over eight seasons. These tropes prioritize emotional resonance over literal theater conventions, adapting the curtain call to suit screen pacing while emphasizing performer-audience connection.

In sports

Baseball traditions

In baseball, a curtain call refers to the tradition where a player emerges from the dugout to acknowledge sustained applause from the crowd following an exceptional achievement, such as a home run or milestone performance, by tipping their cap, waving, or bowing.^[31] This practice, borrowed from theatrical performances where actors return to the stage for recognition, serves as a spontaneous interaction that honors the player's contribution and fosters a connection between athletes and fans.^[31] It is typically initiated by fans chanting the player's name persistently, with teammates often encouraging the honoree to respond if they hesitate.^[32] The origins of the curtain call trace back to at least May 1881, when Detroit Wolverines catcher Charlie Bennett hit a home run against the Buffalo Bisons and received such loud ovation from the crowd that he returned to the field to bow in appreciation, marking the first recorded instance of this gesture in professional baseball.^[33] According to baseball historian Peter Morris, this event on Opening Day highlighted the emerging fan-player dynamic in the sport's early professional era. Over time, the tradition evolved alongside baseball's growth in popularity, becoming more formalized in the 20th century as stadium crowds grew larger and media coverage amplified standout moments.^[33] Notable curtain calls have marked pivotal historical moments, underscoring their role in baseball lore. On October 3, 1951, New York Giants outfielder Bobby Thomson took multiple curtain calls after his iconic "Shot Heard 'Round the World" home run in the ninth inning against the Brooklyn Dodgers, clinching the National League pennant and electrifying the Polo Grounds crowd.^[34] Similarly, on October 1, 1961, New York Yankees right fielder Roger Maris, reluctant to bask in attention, was pushed by teammates from the dugout for a curtain call after his 61st home run of the season broke Babe Ruth's single-season record, despite a modest attendance of 23,154 at Yankee Stadium.^[35] In 1998, St. Louis Cardinals first baseman Mark McGwire received a standing ovation and curtain call on the road at Three Rivers Stadium after hitting his record-breaking 62nd home run against the Pittsburgh Pirates, a rare occurrence that even prompted applause from opposing fans. Today, curtain calls remain a cherished element of baseball's pageantry, often occurring after walk-off home runs, cycles, or career milestones, though they are less common for pitchers unless for complete games or no-hitters.^[31] The gesture emphasizes humility and gratitude, with players like Aaron Judge in 2022 echoing Maris by acknowledging fans after tying the American League home run record.^[36] While not every great play prompts one—the crowd's enthusiasm ultimately decides—the tradition endures as a testament to baseball's theatrical roots and communal spirit.^[32]

Extensions to other sports

In sports beyond baseball, the term "curtain call" has been adopted metaphorically to describe moments when athletes acknowledge cheering crowds after significant achievements, milestones, or farewells, echoing the theatrical tradition but adapted to the immediacy of live athletic events. This usage often occurs in high-stakes situations, such as final games or record-breaking performances, where fans spontaneously applaud and the player pauses to wave or salute, fostering a shared emotional connection. Unlike baseball's more routine home run acknowledgments, these instances in other sports tend to be rarer and tied to career-defining moments, emphasizing the performer's role in entertaining spectators.^[37] In ice hockey, curtain calls are particularly prominent during farewells for veteran players, especially goaltenders, who receive ovations after shutouts or season finales. For example, Minnesota Wild goaltender Marc-André Fleury was given a curtain call by the home crowd following a playoff-clinching overtime win in April 2025, marking a poignant end to his tenure with the team.^[38] Similarly, Washington Capitals forward Alex Ovechkin acknowledged fans with a curtain call after a game in Long Island in April 2025, celebrating his ongoing pursuit of the NHL's all-time goals record. These moments highlight hockey's emphasis on individual contributions within team success, with broadcasters and official NHL highlights often framing them as "curtain calls" to capture the dramatic flair.^[39]^[40] American football employs the term less frequently but applies it to quarterbacks or key players after championship victories or standout performances, as part of a noted but diminishing etiquette in the NFL. Georgia Bulldogs quarterback Stetson Bennett received a curtain call from the crowd during the 2023 College Football Playoff National Championship, celebrating his two touchdown passes in the title game win.^[41] In the professional ranks, Pittsburgh Steelers quarterback Ben Roethlisberger had a curtain call opportunity created by a teammate's interception during his final 2021 season divisional matchup against the Cleveland Browns on January 3, 2022.^[42] Such instances underscore the sport's narrative of heroic individual efforts amid physical intensity, though they are critiqued as a "lost art" in modern NFL culture where celebrations are more restrained.^[37] Basketball uses "curtain call" primarily for senior nights or retirements in college and professional leagues, where graduating or departing players are honored with crowd ovations. Wisconsin Badgers forward Tyler Wahl was given a curtain call at the Kohl Center in his final home game of the 2023-24 season on March 7, 2024, waving to fans after a senior day tribute. In the WNBA, forward Swin Cash titled her 2016 retirement announcement "Curtain Call," reflecting on her career's multiple chapters and the league's evolution, a piece published in The Players' Tribune. These examples illustrate basketball's focus on personal milestones, with curtain calls serving as communal farewells that blend athletic achievement with biographical reflection.^[43]^[44] Soccer, or football internationally, extends the concept to captains' farewells or national team swan songs, often in club or international competitions. Croatia midfielder Luka Modrić's potential "curtain call" was speculated during the 2024 UEFA European Championship, where his semifinal performance against France drew widespread acclaim as a fitting end to his international career, as analyzed by ESPN. In women's soccer, [Angel City FC](/page/Angel City FC) captain Ali Riley's 2025 curtain call emphasized perseverance and legacy, shared via official club channels. These usages highlight soccer's global storytelling, where curtain calls amplify emotional narratives around loyalty and transition.^[40]^[45] Softball, closely related to baseball, mirrors the tradition most directly, with curtain calls for home runs or retirements in college and professional play. Oklahoma Sooners outfielder Jocelyn Alo was celebrated with a curtain call after her final at-bat in the 2022 Women's College World Series, acknowledging her program records amid a championship run. In Athletes Unlimited Softball, pitcher Anissa Urtez received a curtain call upon her 2025 retirement, captured in league highlights as a tribute to her contributions. This adaptation reinforces softball's shared fan culture with baseball, where such gestures reward power hitting and career culminations.^[46]

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A miraculous home run wins the pennant for NY Giants - History.com
Thomson took curtain call after curtain call. People in Manhattan and Brooklyn made so many phone calls in the half-hour after Thomson's homer that New York ...<|control11|><|separator|>
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ESPN Classic - 61st homer in game 162
Maris didn't like to take curtain calls, but his teammates wouldn't let ... " A second line said: "162 games, Roger Maris, 61, 1961." It would not be ...
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Judge ties Maris with 61st home run | 09/28/2022 | New York Yankees
Sep 28, 2022 · Aaron Judge hits his 61st home run of the season, tying Roger Maris for the most in American League history #CurtainCall.Missing: 1961 | Show results with:1961
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Lost NFL Etiquette: Player Curtain Calls | Taylor Blitz Times
Oct 10, 2015 · Another lost art is the curtain call for a quarterback who has just become league champion or a player after a great performance.
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All-Access: Curtain Call | Anaheim Ducks - NHL.com
Jun 14, 2021 · ... Curtain Call presented by Bud Light ... Hockey Club, LLC and the National Hockey League. All Rights Reserved. If you are using a screen ...
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If this was Modric's Croatia curtain call, what a show it was - ESPN
Jun 24, 2024 · If this was Modric's Croatia curtain call, what a show it was. Gabriele MarcottiJun 24, 2024, 07:27 PM ET. Close. Gabriele Marcotti is a senior ...
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Stetson Bennett gets curtain call during National Championship
Jan 9, 2023 · Stetson Bennett gets curtain call during National Championship ... ESPN College Football•3.6M views · 25:25. Go to channel · Entitled Military ...Missing: American | Show results with:American
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Tre Norwood's INT creates curtain call opportunity for Big Ben
Jan 3, 2022 · Tre Norwood's INT creates curtain call opportunity for Big Ben. Pittsburgh Steelers cornerback Tre Norwood intercepts a pass from Cleveland ...Missing: American | Show results with:American<|separator|>
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Tyler Wahl's curtain call at the Kohl Center | Wisconsin Men's ...
Tyler Wahl's curtain call at the Kohl Center .
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Curtain Call | By Swin Cash - The Players' Tribune
Curtain Call. Swin Cash. Retired WNBA. Jun 7, 2016. We live many different lives throughout the course of the one we're given. I've had my own: a young girl ...
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Our Captain's Curtain Call | Columbus Crew - Facebook
Oct 18, 2025 · Columbus Crew 󱢏. 21h󰞋󱟠. 󰟝. Our Captain's Curtain Call. Our Captain's Curtain Call. Wendy Franck and 1.1K others · 󰍸. 1.1K · 󰤦 10. Last ...
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Angel City FC | Captain's Curtain Call - Instagram
Oct 19, 2025 · Ali Riley, captain of the Angel City team, shares her inspiring story of women's soccer, perseverance, and legacy. From ... Captain's Curtain Call ...
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Anissa Urtez Curtain Call as she Retires from Softball - Facebook
Aug 31, 2025 · Athletes Unlimited Softball League - AUSL. Aug 31󰞋󱟠. 󰟝. Anissa Urtez Curtain Call as she Retires from Softball. leaving it all on the field ...