Fact-checked by Grok 2 weeks ago

Dan Jinks

Dan Jinks is an American film and television producer born in , Florida, best known for co-producing the Academy Award-winning drama American Beauty (1999). Alongside longtime collaborator , Jinks secured the for American Beauty, a satirical exploration of suburban disillusionment directed by that grossed over $336 million worldwide and received eight Oscar nominations. His subsequent credits include producing Tim Burton's fantastical (2003), a critically praised adaptation of Daniel Wallace's novel, and Gus Van Sant's biographical (2008), which earned an Oscar nomination for Best Picture and featured Sean Penn's Academy Award-winning performance as gay rights activist . In television, Jinks executive produced the whimsical series (2007–2009), created by , which garnered 16 Emmy nominations for its unique visual style and narrative innovation. In February 2010, Jinks established his independent production banner, the Dan Jinks Company, focusing on feature films, series, and theater projects, with recent developments including executive producing the scripted series Sub/liminal for . His career, spanning over two decades, emphasizes character-driven stories across genres, from comedies like (2003) to thrillers such as Nothing to Lose (1997), establishing him as a versatile figure in production.

Personal Background

Early Life and Education

Dan Jinks was born in , . His father, Larry Jinks, worked for 37 years at Knight Newspapers and Knight-Ridder, Inc., including as of newspapers. From a young age, Jinks expressed interest in , citing a lifelong fascination with theater, , and . Jinks attended University's Tisch School of , graduating in 1985. After completing his education, Jinks entered the professional field by working in theater productions in .

Personal Relationships and Identity

Dan Jinks is openly , a fact he has publicly acknowledged in the context of his work on films addressing LGBTQ+ themes. His primary documented personal relationship in is his long-term professional partnership with fellow openly producer , which lasted from 1998 until an amicable split in 2010, with no reported non-professional romantic or familial overlaps. Jinks has disclosed limited details about his personal experiences influencing his worldview, emphasizing in interviews the importance of authentic representation in media, such as casting actors in roles depicting LGBTQ+ characters, without elaborating on direct causal links to his career choices. Public records show no major personal scandals or controversies involving Jinks, reflecting his consistent maintenance of privacy regarding intimate aspects of his life beyond professional affiliations.

Professional Career

Entry into Film Industry

Jinks graduated from University's Tisch School of the Arts around 1989. Immediately after, he entered the professional sphere through brief involvement in New York theater productions, where he gained initial hands-on experience in creative collaboration, script handling, and fundamentals. This theatrical foundation facilitated his pivot to film, as Jinks soon took a position with a New York-based , representing his formal entry into the motion picture sector during the early . In this capacity, he contributed to development and oversight tasks, building practical knowledge of evaluation, budgeting preliminaries, and talent coordination essential for operations. The role also enabled early networking with East Coast film executives, laying groundwork for transitions amid the industry's consolidation of independent voices. By the mid-1990s, Jinks had relocated to , securing entry-level development positions that emphasized script acquisition and project packaging, further solidifying his expertise prior to independent producing endeavors. These experiences, rooted in verifiable production pipelines, underscored the causal progression from theater's improvisational rigor to film's structured fiscal and logistical demands.

Partnership with Bruce Cohen

Dan Jinks and formed their producing partnership in 1998, establishing the Jinks/Cohen Company as an independent banner focused on feature films. Their debut project under this entity was American Beauty (1999), directed by in his feature film directorial debut, which they developed in close consultation with screenwriter from script acquisition through and . The duo secured financing through a at SKG, leveraging Steven Spielberg's approval to greenlight the black comedy exploring suburban disillusionment. The partners' collaborative strategy emphasized script selection driven by personal passion rather than market trends, prioritizing quality over volume and avoiding projects solely for commercial gain. They pursued artistic risks by attaching visionary directors to material with unconventional narratives, such as pairing with Daniel Wallace's novel adaptation for (2003) at , and with Dustin Lance Black's screenplay for the biopic (2008) at . This approach involved hands-on development, including talent scouting and financing negotiations, often co-producing with established banners like for mid-budget thrillers such as The Forgotten (2004). By the mid-2000s, Jinks/Cohen expanded studio relationships, shifting their base from to in 2006 while maintaining television development pacts, such as a multi-year deal with Television renewed in 2007. The partnership evolved amid industry changes, culminating in its dissolution in February 2010 after 12 years, prompted by Jinks' decision to launch The Dan Jinks Company independently while Cohen formed Productions; the split centered on production, with limited ongoing television collaborations thereafter.

Independent Production Ventures

In February 2010, shortly after concluding his producing partnership with , Dan Jinks founded the Dan Jinks Company as an independent entity focused on developing and financing film and television projects. The venture emphasized entrepreneurial autonomy, allowing Jinks to pursue selective scripts outside major studio constraints, with an initial emphasis on character-driven narratives and adaptations amenable to modest budgets or co-financing arrangements. Post- (2008), Jinks' efforts centered on development deals rather than completed productions, reflecting broader industry contraction in mid-budget features amid studio . One notable project was a live-action adaptation for , with creator attached to write the screenplay, targeting family-oriented fantasy with potential for visual effects partnerships. Another involved a remake of the musical at , announced in May 2020 with director helming and Jinks producing alongside Aaron Harnick; the script by aimed to update the 1964 stage classic's themes of tradition and upheaval for contemporary audiences, though progress stalled following MGM's acquisition by in 2022. These initiatives marked a pivot toward musical and literary adaptations, genres requiring specialized talent and distribution alliances rather than high-stakes blockbusters, as Jinks navigated financing challenges in a market favoring tentpoles over auteur-driven or ensemble stories. No feature films reached completion under the Dan Jinks Company banner by late 2023, underscoring the hurdles of production in an era of streaming dominance and reduced theatrical mid-tier .

Transition to Television

Jinks' entry into television production occurred through the executive production of , a fantasy-drama series that aired on from October 3, 2007, to June 8, 2009, spanning two seasons and 22 episodes. Developed under the Jinks/Cohen Company in collaboration with , the project represented a strategic pivot from feature films, leveraging their established production infrastructure to support creator Bryan Fuller's whimsical narrative style. In adapting film-honed skills to episodic television, Jinks and oversaw comprehensive involvement across creative and logistical elements, including selection, team assembly, and on-set oversight, which facilitated the show's distinctive visual and tonal execution despite the shift to serialized formats with tighter production cycles. Following , Jinks expanded his television portfolio with credits on series such as (ABC, 2007), Side Order of Life (Lifetime, 2007), and Emily Owens, M.D. (The CW, 2012-2013), applying oversight to network-driven projects that required navigating advertiser constraints and multi-episode budgeting distinct from one-off film financing. In a 2023 , Jinks reflected on as having untapped potential curtailed by external factors, underscoring the adaptive challenges of sustaining innovative TV content amid cancellation risks and audience metrics. Jinks continued this trajectory into streaming with his role as on 's inaugural scripted series Sub/liminal, a dark anthology announced on January 28, 2025, featuring six standalone episodes of from Nebula creators directed by industry veterans. Production commenced in mid-2025 in , with a cast including Joseph Cross, , and revealed on May 22, 2025, highlighting Jinks' facilitation of creator-driven content in the independent streaming model.

Notable Works

Key Film Productions

Nothing to Lose (1997) marked Dan Jinks' debut as a , a road buddy comedy directed and written by , starring as an advertising executive and as a carjacker, produced alongside and Michael Bregman with distribution. The film entered production following Oedekerk's script development, with completed prior to its July 1997 theatrical release. Jinks co-produced American Beauty (1999) through the newly formed Jinks/Cohen Company with partner , involving screenwriter Alan Ball in casting decisions and director ' selection for . The film featured as Lester Burnham and as Carolyn Burnham, with a reported development budget of $6–8 million allocated by the studio. It premiered at the on September 8, 1999, before wide release on September 17, 1999. In 2003, Jinks and Cohen produced , a directed by for Fox 2000 Pictures and New Regency Productions, starring as author Barbara Novak and as journalist Catcher Block. The screenplay by Eve Ahlert and Dennis Drake drew from 1960s Doris Day-Rock Hudson films, with production emphasizing period costumes and sets filmed primarily in locations mimicking . It released on May 9, 2003. That same year, represented a collaboration between Jinks, Cohen, and director for , adapting Daniel Wallace's 1998 novel with screenwriter , featuring as young Edward Bloom and as the elder version. Production incorporated practical effects and location shooting in and to capture the story's tall tales, distributed by Entertainment with a December 10, 2003, release. Jinks produced the Harvey Milk biopic Milk (2008) with Cohen and others for , directed by and starring as the titular supervisor, with starting in January 2008 on location in to recreate events. Financing came from , and producers consulted Milk's contemporaries—individuals in their 50s at the time who had been young activists in the —for firsthand accounts to inform character portrayals and historical details. The film released on October 28, 2008, following development that emphasized archival sourcing from Milk's associates.

Television Productions

Dan Jinks transitioned to television production in the mid-2000s through , focusing on scripted series for broadcast networks that demanded rapid iteration across multiple episodes—often 13 to 22 per season—contrasting the extended development and singular focus of feature films. This format necessitated adaptations like serialized arcs with standalone elements to retain weekly audiences, alongside compressed shooting schedules to meet fall premieres. His most prominent television project, (2007–2009), premiered on on October 3, 2007, as an executive-produced series created by . The show centered on a pie-maker who revives the dead via touch but causes permanent death upon a second contact, enabling whimsical murder mysteries within a stylized, Tim Burton-esque aesthetic. Jinks oversaw 22 episodes across two seasons, contributing to its Emmy wins including Outstanding Art Direction for a Multi-Camera Series (2008) and Outstanding Costumes for a Series (2008). Despite critical praise for its inventive premise and visual flair, the series ended after the 2007–2008 disrupted momentum, followed by insufficient ratings for renewal, leading to cancellation in December 2009. In the same year, Jinks executive produced (2007), an espionage thriller limited to 8 episodes that explored two friends framed as terrorists, which was pulled mid-season due to low viewership. He also handled Side Order of Life (2007), a Lifetime drama starring as a photojournalist confronting mortality after a colleague's death, running 13 episodes before non-renewal amid modest cable audiences. Later, Emily Owens, M.D. (2012), a romantic medical dramedy with , aired 13 episodes focusing on a surgeon navigating workplace crushes and rivalries, ending after one season owing to underwhelming ratings. Marking a pivot to streaming, Jinks joined Nebula's inaugural scripted original, the Sub/liminal, announced , 2025. As alongside Dave Wiskus, the series explores subconscious horrors in standalone episodes, with production commencing in by May 2025 and a cast including Joseph Cross, , and . This venture leverages Nebula's creator-driven model for experimental narratives unbound by traditional ad-supported constraints, allowing shorter seasons and niche distribution.

Awards and Accolades

Academy Awards and Nominations

Dan Jinks, in collaboration with producer , won the for American Beauty at the ceremony on March 26, 2000. The award recognized their production of the Sam Mendes-directed film, which competed against nominees including , , The Insider, and . Nine years later, Jinks and received a Best Picture for Milk at the on February 22, 2009. The biographical drama, directed by , garnered eight total nominations but did not secure the top honor, which went to . These achievements represent Jinks' sole direct Academy Award win and in the Best Picture , underscoring the prestige of his producing credits within the industry's highest honors for narrative feature films. No additional nominations or wins have been credited to Jinks individually or through other productions.

Emmy Awards and Other Television Honors

Jinks served as on the series (2007–2009), which earned 16 nominations and secured six wins across technical and creative categories, including Outstanding Art Direction for a Single-Camera Series for the episode "Bzzzzzzzzz!" (2009), Outstanding Costumes for a Series for "Circus Circus" (2009), and Outstanding Makeup for a Single-Camera Series (Non-Prosthetic) for "Bzzzzzzzzz!" (2009). Additional victories included Outstanding Hairstyling for a Single-Camera Series for "Dim Sum Lose Some" (2009) and Outstanding Supporting Actress in a Series for (2009). These honors highlighted the series' distinctive visual and production design under Jinks' oversight. The program also received three Golden Globe Award nominations from the : Best Television Series – Musical or (2008), Best Performance by an Actress in a Television Series – Musical or for (2008), and Best Performance by an Actor in a Television Series – Musical or for (2008). Despite the acclaim, it did not secure any Golden Globe wins. No Emmy or comparable television honors have been reported for Jinks' more recent television projects, such as the anthology series Sub/liminal, which entered in 2025.

Industry Recognition

Jinks, alongside producing partner , received the Producers Guild of America's Award in 2009 for , which recognizes that highlight provocative social issues such as the fight for gay rights. The honor, presented at the 20th Annual Awards on January 24, 2009, at the , underscored the film's portrayal of Milk's activism amid institutional bias in historical narratives of LGBTQ+ figures. Beyond major accolades, Jinks has earned esteem through guild nominations, including a Producers Guild nod for Outstanding Producer of Theatrical Motion Pictures for in 2009, reflecting peer validation of his oversight in tackling underrepresented stories. Jinks's influence persists in mentorship and educational roles, with invitations to speak on script development and insights, such as a November 2024 YouTube discussion on American Beauty's screenplay impact and a September 2025 conversation marking the film's 25th anniversary. These engagements, including podcast appearances on platforms like Movie Mentors, highlight his role in guiding emerging filmmakers on first-principles approaches to storytelling and industry navigation.

Reception and Influence

Critical Praise

American Beauty (1999), produced by Jinks and , earned widespread critical acclaim for its sharp satire on suburban disillusionment and middle-class malaise, achieving an 87% approval rating on based on 192 reviews. The film grossed $130.1 million domestically on a modest budget, demonstrating strong commercial viability alongside its artistic merit. Critics lauded its incisive screenplay by Alan Ball and Kevin Spacey's lead performance, with noting its exploration of through "a virtuoso series of supporting performances." Big Fish (2003), another Jinks production, received praise for its imaginative visual storytelling and blend of fantasy with familial reconciliation, securing a 76% score from 220 reviews. Directed by , the film was commended for its "Felliniesque" fantastical style and emotional depth, as highlighted by , who appreciated its "great-looking" aesthetic despite narrative quirks. Peter Travers of described it as brimming "with storytelling sorcery," emphasizing Burton's ability to make the tall tales glitter. Jinks' executive production on the television series (2007–2009) garnered high praise for its whimsical narrative innovation and stylized production design, attaining a 96% rating across 46 reviews. Critics celebrated creator Bryan Fuller's quirky premise—a pie-maker who revives the dead—as fresh and enchanting, with calling it "a visual delight" that balanced morbid humor with romance. Milk (2008), produced by Jinks, was acclaimed for its faithful depiction of Harvey Milk's life and the civil rights struggles of the 1970s, earning a 93% Rotten Tomatoes score. Reviewers praised director Gus Van Sant's biographical accuracy and Sean Penn's transformative portrayal, with The Guardian noting the film's "rigorous historical detail" in capturing San Francisco's political upheavals.

Criticisms and Controversies

The portrayal of Dan White in Milk (2008), co-produced by Jinks, drew criticism for emphasizing homophobic motives over evidence of personal betrayal as the primary driver of White's assassination of Harvey Milk on November 27, 1978. Critics, including contemporaries of White, argued that the film downplayed White's resentment toward Milk for blocking his favored projects and perceived political disloyalty, instead framing the killing as rooted in anti-gay animus, despite White's documented history of seeking Milk's support and no explicit evidence of homophobia in trial records. Jinks responded by defending the script's historical fidelity, noting screenwriter Dustin Lance Black's years of research and urging audiences to reserve judgment until viewing the film, while denying any intent to invent parallels to real events beyond documented facts. The depiction of White's "Twinkie defense"—a media shorthand for his successful diminished capacity argument at trial—has also faced scrutiny for simplifying complex psychiatric testimony into a caricature, though producers maintained it reflected public perceptions at the time without endorsing the defense's validity. American Beauty (1999), another Jinks production, has endured retrospective backlash linked to Kevin Spacey's 2017 allegations, which prompted reevaluations of Spacey's lead performance as Burnham despite the film's predating the scandals by nearly two decades. Commentators have argued the movie's themes of midlife rebellion and repressed desire now appear uncomfortably prescient or tainted in light of Spacey's accusers, contributing to its declining cultural standing, with outlets labeling it "out of fashion" and unfit for modern acclaim. The film's suburban has separately been critiqued as overly cynical and disconnected from empirical drivers of family dysfunction, such as economic pressures or relational breakdowns, opting instead for stylized that some reviewers deemed implausible and exaggerated even upon release. Jinks' collaborations, often with Bruce Cohen, have occasionally faced broader accusations of embedding left-leaning narratives, particularly in Milk's focus on identity-driven activism, which detractors claim prioritizes symbolic grievance over policy substance, though such critiques remain anecdotal amid the films' commercial success exceeding $100 million combined for American Beauty and Milk. No major personal controversies have implicated Jinks directly. The 2008 cancellation of Pushing Daisies, which Jinks executive-produced, stemmed from a 40% viewership drop in season 2 (averaging 5.8 million viewers versus 10.6 million in season 1), exacerbated by 2007-2008 writers' strike production delays, rather than creative disputes, though producer Bryan Fuller later attributed network hesitance to the show's "cute" stylistic risks over procedural reliability.

Legacy in Hollywood

Dan Jinks has left an indelible mark on Hollywood through his facilitation of producer collaborations that integrated independent creative visions with studio infrastructure, facilitating the transition of ambitious, character-driven narratives from niche appeal to broad prestige contention. His long-standing partnership with Bruce Cohen exemplified this approach, yielding films that balanced artistic risk with commercial viability and secured a Best Picture Oscar for American Beauty in 2000, alongside a nomination for Milk in 2009. This model influenced subsequent producer-driven initiatives by prioritizing director-writer synergies, as seen in deals like the Jinks/Cohen shift to Paramount Pictures in 2006, which prioritized high-caliber scripts for awards-season positioning. In advancing LGBTQ+ representation, Jinks' oversight of (2008) spotlighted Harvey Milk's political ascent and , portraying a pivotal moment in gay rights advocacy that resonated with audiences and earned widespread acclaim for humanizing struggles within a historical biopic framework. However, the film's emphasis on assimilative hope and electoral triumphs drew critiques from cinema scholars for selectively foregrounding mainstream-compatible elements while downplaying Milk's more confrontational ties to and New Cinema's subversive edges, potentially diluting the era's full ideological spectrum in favor of palatable drama. This tension underscores Jinks' broader contribution to visibility—elevating narratives to contention—tempered by debates over historical framing in studio-sanctioned biopics. Jinks' genre-blending productions, merging dramatic introspection with fantastical or satirical layers in works like American Beauty and Big Fish, encouraged hybrid storytelling that expanded audience tolerances for narrative experimentation, evidenced by their combined critical metrics including multiple Academy Award nods and enduring cult followings. Amid 2020s disruptions such as studio consolidations, Jinks demonstrated sustained relevance by executive producing Nebula's inaugural scripted series Sub/liminal in 2025, a dark anthology leveraging creator-driven content on an indie platform, signaling a strategic shift toward agile, non-traditional distribution models. His career arc, from 1990s breakthroughs to ongoing commentary on industry perils like Warner Bros.' potential dissolution, reflects a pragmatic longevity that prioritizes adaptive production over rigid studio allegiance.

References

  1. [1]
    Dan Jinks — The Movie Database (TMDB)
    Dan Jinks is an American film and television producer. In February 2010, Jinks launched his own film and television production company, the Dan Jinks Company.Missing: challenges | Show results with:challenges
  2. [2]
    American Beauty (1999) - Awards - IMDb
    Academy Awards, USA · Bruce Cohen. 2000 Winner Oscar. Best Picture. Bruce Cohen · Dan Jinks · Kevin Spacey · 2000 Winner Oscar. Best Actor in a Leading Role.
  3. [3]
    American Beauty Wins Best Picture: 2000 Oscars - YouTube
    Oct 26, 2010 · Clint Eastwood presents producers Bruce Cohen and Dan Jinks with the Oscar for Best Picture for American Beauty at the 72nd Academy Awards.
  4. [4]
    Dan Jinks - IMDb
    Dan Jinks. Producer: American Beauty. Dan Jinks is known for American Beauty (1999), Milk (2008) and Big Fish (2003).
  5. [5]
    Dan Jinks - Awards - IMDb
    2009 Nominee Oscar. Best Motion Picture of the Year. Milk. Shared with: Bruce Cohen. Kevin Spacey, Thora Birch, and Mena Suvari in American Beauty (1999).
  6. [6]
    Film Producer at The Dan Jinks Company | LinkedIn
    Dan Jinks is an Academy Award-winning producer known for his diverse and impactful work in film, television, and theater. He won the Oscar for Best Picture ...Missing: biography | Show results with:biography
  7. [7]
    Nebula Orders 'Sub/liminal' Original Scripted Series; Dan Jinks To EP
    Jan 28, 2025 · Creator hub Nebula has ordered its first scripted original series, Sub/liminal, with Oscar-winning producer Dan Jinks on board to executive ...
  8. [8]
    Dan Jinks Biography | Fandango
    Producer Dan Jinks is best known for his work on such critically acclaimed films as "American Beauty," "Big Fish," and "Milk." He got his start during the late ...Missing: notable | Show results with:notable
  9. [9]
    English Producer Dan Jinks Biography, News, Photos, Videos
    Dan Jinks is an American TV and film producer. He was born in Miami, Florida in the United States. Dan completed his graduation from the New York University ...
  10. [10]
    Spotlight On AMERICAN BEAUTY, BIG FISH, and MILK Producer ...
    May 11, 2023 · Producer Dan Jinks is best known for his work on such critically acclaimed films as “American Beauty,” “Big Fish,” and “Milk.” He got his start ...Missing: biography | Show results with:biography
  11. [11]
    N.Y.U. alumni and students shine at Oscars and Indie Spirit Awards ...
    ... Arts alumnus, class of 1985, won an Academy Award ... Dan Jinks ... Institute's graduate film division and an alumnus of the Tisch drama department.
  12. [12]
    From Book to Screen to Broadway: A Talk with the 'Big Fish' Team
    To be producing his first Broadway show alongside this creative team is a dream come true. Dan Jinks (producer) began his career working in the theater in New ...
  13. [13]
    'Rustin' Producer Bruce Cohen on His Years of Making LGBTQ ...
    Oct 26, 2023 · In 1998, my new producing partner, fellow openly gay Dan Jinks and I were sent the script to “American Beauty” and Steven Spielberg said yes to ...
  14. [14]
    Producers Dan Jinks & Bruce Cohen Split Up - Deadline
    Feb 16, 2010 · Instead, they lasted 12 years, but Jinks and Cohen tell me they have decided to amicably break up their Jinks/Cohen Company. “We've had a great ...Missing: relationship | Show results with:relationship
  15. [15]
    Behind the Scenes of Hollywood's 'Gay-For-Pay' Pipeline
    Apr 22, 2021 · "It was very important to us that we cast a lot of gay people in the movie – and we did," Jinks recalls. ... "My fear is that if I were trying to ...
  16. [16]
    Oscar Roundtable: The producers - The Hollywood Reporter
    Nov 19, 2008 · Jinks: The first movie that my partner, Bruce Cohen, and I made for our own company was (1999's) “American Beauty.” Because it was our first ...Missing: formation | Show results with:formation
  17. [17]
    First Time's a "Beauty" - Writer Alan Ball's experience with his first ...
    Mar 25, 2013 · I told [American Beauty's producers] Dan Jinks and Bruce Cohen this and I told DreamWorks this, and they said, "We promise you we'll let you do ...Missing: joint | Show results with:joint
  18. [18]
    BRUCE COHEN - Twelve Soldiers
    At the age of 38, Cohen and his producing partner, Dan Jinks (who was 37), were two of the youngest producers to ever win an Academy Award for Best Picture ...
  19. [19]
    Tim Burton lands <i>Big Fish</i> for Dan Jinks and Bruce Cohen ...
    Tim Burton will direct Columbia Pictures' adventure feature Big Fish for Oscar-winning gay producers Dan Jinks and Bruce Cohen (American Beauty), ...Missing: joint | Show results with:joint
  20. [20]
    'Beauty' pair making move - Variety
    Jinks/Cohen moves to Par following six years at DreamWorks, home to their best-picture Oscar winner “American Beauty.” At their newly renovated ...
  21. [21]
    WBTV renews Jinks/Cohen banner - The Hollywood Reporter
    Mar 28, 2007 · Oscar-winning producers Dan Jinks and Bruce Cohen have inked a new two-year overall deal with Warner Bros. Television.Missing: date | Show results with:date<|separator|>
  22. [22]
    Dan Jinks Launches Solo TV Producing Career With Overall Deal At ...
    Jul 26, 2011 · At WBTV, Jinks and Cohen spent six years executive producing such series as ABC's Pushing Daisies and Traveler and Lifetime's Side Order of Life ...Missing: roles | Show results with:roles
  23. [23]
    How TV Replaced Movies As the Medium For Adult-Driven Drama
    Nov 25, 2018 · “It's true at every studio,” Dan Jinks, producer of “American Beauty” and “Big Fish,” told GQ in 2010. “Everyone has cut back on not just ...
  24. [24]
    The Dan Jinks Company News Updates - Movie Insider
    "Pushing Daisies" creator Bryan Fuller has been hired to write a live-action "Pinocchio" movie for Warner Bros. and producer Dan Jinks. added The Dan Jinks ...
  25. [25]
    MGM Sets 'Fiddler on the Roof' With 'Hamilton' Director Thomas Kail
    May 28, 2020 · MGM is developing a “Fiddler On The Roof” movie with “Hamilton” director Thomas Kail, who will direct and produce with Dan Jinks and Aaron Harnick.
  26. [26]
    'Milk' 15 Years Later: An Interview with Dan Jinks | InSession Film
    May 25, 2023 · ... Dan Jinks is so damn chill and a lot of fun to talk to. What I ... Born Prodigal Disappointment- these are the many ways that I've been ...
  27. [27]
    https://www.vanityfair.com/culture/2008/10/qa-dan-jinks-executive-producer-of-pushing-daisies
  28. [28]
    Dan Jinks | Pushing Daisies Wiki - Fandom
    His major works include: Nothing to Lose (1997); The Bone Collector (1999); American Beauty (1999); Big Fish (2003); Down With Love (2003) ...Missing: notable | Show results with:notable
  29. [29]
    Nebula Sets Dark Anthology Series 'Sub/liminal' From Dan Jinks
    Jan 28, 2025 · The six-episode first season of “Sub/liminal” will feature stories from Nebula creators made in partnership with seasoned directors and ...
  30. [30]
    Nebula Series 'Sub/liminal' Stars: Joseph Cross, Lena Hall, Caissie ...
    May 22, 2025 · The series was created by Nebula founder Dave Wiskus who will executive produce alongside Oscar-winning producer Dan Jinks ... © 2025 Variety ...
  31. [31]
    Nebula Announces Broadway-Studded Cast As Dark Anthology ...
    Nebula Announces Broadway-Studded Cast As Dark Anthology Series “Sub/liminal” starts production. May 22, 2025. New York, NY — ...
  32. [32]
    Nothing to Lose - Variety
    Jul 20, 1997 · Produced by Martin Bregman, Dan Jinks, Michael Bregman. Executive producer, Louis A. Stroller. Directed, written by Steve Oedekerk; Crew ...
  33. [33]
    Producers Dan Jinks and Bruce Cohen involved screenwriter Alan ...
    Aug 1, 2025 · Producers Dan Jinks and Bruce Cohen involved screenwriter Alan Ball throughout the development of "American beauty" (1999), ...
  34. [34]
    Down with Love : Production Notes - Cinema.com
    Bruce Cohen and Dan Jinks (Oscar winners for "American Beauty") produce DOWN WITH LOVE, and Peyton Reed ("Bring It On") directs the original screenplay written ...
  35. [35]
    Down With Love - Variety
    May 6, 2003 · Production: A 20th Century Fox release of a Fox 2000 Pictures, Regency Enterprises presentation in association with Mediastream III of a Jinks/ ...
  36. [36]
    Big Fish (2003) - IMDb
    Rating 7.9/10 (473,792) Big Fish: Directed by Tim Burton. With Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange. A frustrated son tries to determine the fact from fiction ...Full cast & crew · Big Fish · Plot · Parents guide
  37. [37]
    The making of Van Sant's Harvey Milk biopic - SFGATE
    Nov 23, 2008 · Principal photography on "Milk" began in San Francisco in January. For once, the director didn't have to strong-arm his producers to get the ...
  38. [38]
    The 72nd Academy Awards | 2000 - Oscars.org
    American Beauty. Nominees. Russell Crowe. The Insider. Nominees. Richard ... Best Picture. Winner. American Beauty. Bruce Cohen and Dan Jinks, Producers.
  39. [39]
    Pushing Daisies - Television Academy
    16 Nominations, 6 Emmys, 2009, 2008, All Nominee, Outstanding Hairstyling For A Single-Camera Series - 2009, Pushing Daisies Dim Sum Lose Some.
  40. [40]
    'Pushing Daisies' sees life after death - The Hollywood Reporter
    Sep 20, 2009 · Touched by the Emmys, the canceled series came to life to collect four Emmys, including one for Kristin Chenoweth as best supporting actress in ...<|separator|>
  41. [41]
    Pushing Daisies - Golden Globes
    Golden Globe Awards · 2008 Nominee. Best Performance by an Actress in a Television Series - Musical or Comedy. Pushing Daisies · Anna Friel · 2008 Nominee. Best ...
  42. [42]
    Pushing Daisies (TV Series 2007–2009) - Awards - IMDb
    Pushing Daisies won 35 awards and 81 nominations, including a 2009 Emmy for art direction and costumes, and a 2007 Satellite Award for Best Television Series.
  43. [43]
    Dan Jinks-Produce 'Sub/Liminal' Anthology Series Lands at Nebula
    Jan 28, 2025 · Indie streamer Nebula has unveiled its first original scripted series, dark anthology Sub/liminal with Oscar winner Dan Jinks on board to executive produce.
  44. [44]
    Milk to receive Stanley Kramer Award from Producers Guild | News ...
    Producers Dan Jinks and Bruce Cohen will accept the award at the 20th Annual PGA Awards on January 24 at the Hollywood Palladium. Topics. Americas · Other ...
  45. [45]
    Milk garners Kramer award | CBC News
    The award will be presented to producers Dan Jinks and Bruce Cohen at the 20th annual PGA Awards at the Hollywood Palladium on Jan. 24. With files from the ...
  46. [46]
    Producers guild unveils nominations - The Hollywood Reporter
    Dan Jinks and Bruce Cohen
  47. [47]
    American Beauty producer Dan Jinks on what makes a compelling ...
    Nov 21, 2024 · ... First Movie, Alan Ball's First Screenplay 10:19 - Steven Spielberg to the rescue! 12:12 - American Beauty screenplay took on a life of its ...Missing: entry | Show results with:entry
  48. [48]
    A conversation with Dan Jinks - YouTube
    Sep 13, 2025 · I have had the pleasure of doing an interview with Oscar-winning film producer Dan Jinks on the occasion of American Beauty's 25th ...Missing: education internships
  49. [49]
    Dan Jinks - Producer - Movie Mentors - Apple Podcasts
    Jun 22, 2020 · Dan Jinks is the Oscar-winning producer of American Beauty, Milk, Big Fish, Pushing Daisies, The Bone Collector, Nothing to Lose & more.
  50. [50]
    American Beauty | Rotten Tomatoes
    Discover reviews, ratings, and trailers for American Beauty on Rotten Tomatoes. Stay updated with critic and audience scores today!250000+ RatingsAmerican Beauty ReviewsCast and Crew
  51. [51]
    American Beauty (1999) - Box Office Mojo
    Opening, Gross. Domestic, Sep 15, 1999, $861,531, $130,096,601. Europe, Middle East, and Africa. Area, Release Date, Opening, Gross. United Kingdom, Jan 28, ...
  52. [52]
    Big Fish | Rotten Tomatoes
    Rating 76% (220) Discover reviews, ratings, and trailers for Big Fish on Rotten Tomatoes. Stay updated with critic and audience scores today!220 Reviews · Cast and Crew · Video
  53. [53]
    Big Fish movie review & film summary (2003) - Roger Ebert
    Rating 2.5/4 · Review by Roger EbertDec 24, 2003 · Because Burton is the director, “Big Fish” of course is a great-looking film, with a fantastical visual style that could be called Felliniesque ...
  54. [54]
    Big Fish - Rolling Stone
    Nov 20, 2003 · Big Fish, skillfully adapted by John August (Go) from the 1998 novel by Daniel Wallace, brims with storytelling sorcery, and Burton makes it glitter.
  55. [55]
    Pushing Daisies | Rotten Tomatoes
    Rating 96% (46) Discover reviews, ratings, and trailers for Pushing Daisies on Rotten Tomatoes. Stay updated with critic and audience scores today!
  56. [56]
    Pushing Daisies: Season 1 | Reviews - Rotten Tomatoes
    Rotten score. This is a show to love or hate, depending on your threshold for whimsy. Some might find the script, packed with quirks, cute and charming ...
  57. [57]
    Milk - Rotten Tomatoes
    Rating 93% (241) Anchored by Sean Penn's powerhouse performance, Milk is a triumphant account of America's first openly gay man elected to public office.
  58. [58]
    Dan White's Motive More About Betrayal Than Homophobia | Archives
    Jan 30, 2008 · Film producer Dan Jinks says that Black has worked for years on the script to ensure its accuracy, and the public should withhold judgment ...
  59. [59]
    American Beauty's midlife crisis: 'The Kevin Spacey scandal doesn't ...
    Jul 7, 2023 · Geoffrey Macnab looks back at the Oscar-winning film, and says, it should be judged on its own merits, not dismissed due to a string of sexual misconduct ...
  60. [60]
    American Beauty Was Bad 20 Years Ago and It's Bad Now | TIME
    Sep 18, 2019 · American Beauty was a bad movie then, and it's bad now: Kevin Spacey plays middle-aged suburban husband Lester Burnham, with a good but boring job.
  61. [61]
    "American Beauty" - Salon.com
    Sep 15, 1999 · A strident suburban satire plagued by an exaggerated tone and multiple layers of implausibility, American Beauty accomplishes more in its incoherence than most ...<|separator|>
  62. [62]
    American Beauty at 20: is the Oscar-winning hit worth a closer look?
    Sep 13, 2019 · In the years since its release, critics have turned against 1999's Oscar-winning suburban satire but it remains a telling snapshot of the time.
  63. [63]
    Why Pushing Daisies Was Canceled? - CBR
    May 9, 2025 · ABC stated Pushing Daisies was canceled because Season 2 had a much lower viewership than Season 1. Delays in production because of the 2007-08 Hollywood ...Missing: disputes | Show results with:disputes
  64. [64]
    Pushing Daisies' Producer Blames 'Cute' Scripts For Getting The ...
    Dec 17, 2022 · Pushing Daisies' Producer Blames 'Cute' Scripts For Getting The Series Canceled · Fear of losing the quirkiness · Procedurals in disguise.Missing: disputes | Show results with:disputes
  65. [65]
    Out at the Oscars - Washington Blade
    Feb 23, 2011 · Jinks added that he has never felt any homophobia from the Academy personally, but he has heard anecdotes from the “Brokeback” era that suggest ...
  66. [66]
    How Milk captured a watershed LGBT moment in history
    Dustin Lance Black and Gus Van Sant, creators of Milk, discuss the importance of portraying a watershed LGBT moment on screen.
  67. [67]
    https://mcc.sllf.qmul.ac.uk/?p=1396/
  68. [68]
    John August Has BIG FISH - Screenwriter's Utopia
    Mar 11, 2004 · What genre is this movie? Basically, it's a drama. It's a pretty funny drama, so if you want to call it like a family dramedy, that would be ...
  69. [69]
    https://www.dtnext.in/amp/news/business/sound-of-silence-death-knell-of-warner-bros-leaves-hollywood-in-tears-850944