Delays
Delays are an English indie band formed in Southampton in 2001, consisting of brothers Greg Gilbert (lead vocals, guitar) and Aaron Gilbert (keyboards), Colin Fox (bass) and Rowly (drums) until Greg Gilbert's death in 2021. The band's sound combines guitars and synthesisers, featuring Greg Gilbert's distinctive falsetto lead vocals. They have released four studio albums to date, the first three of which reached the top 30 on the UK Albums Chart: Faded Seaside Glamour (2004, No. 17), You See Colours (2006, No. 24) and Everything's the Rush (2008, No. 26).[1] The band went on hiatus after their 2010 album Star Tiger Star Ariel, with no new releases as of 2025. Greg Gilbert died on 30 September 2021 from bowel cancer at age 44.[2]History
Formation and early releases (2001–2003)
Delays formed in Southampton, England, in 2001, consisting of brothers Greg Gilbert on vocals and guitar and Aaron Gilbert on keyboards, along with bassist Colin Fox and drummer Rowly.[3] The group initially went by the name Corky and played acoustic pop that briefly gained traction locally in Southampton before they changed their name to Delays later that year.[4] During this period, the band rehearsed extensively and performed gigs around Southampton, experimenting with post-Britpop elements to shape their dreamy, melodic sound.[5] In 2003, after submitting demos, the band caught the attention of Rough Trade Records founder Geoff Travis, who attended a private performance and signed them to the label.[4] Their debut release, the Delays Debut EP, came out that year on Rough Trade, featuring tracks "Nearer Than Heaven," "Hey Girl," "Way Smooth," "Over and Out," "Zero Zero One," and "Overlover."[6] The EP showcased their emerging indie pop style, blending airy melodies and falsetto vocals. The lead single "Nearer Than Heaven" was issued in April 2003 and debuted at number 91 on the UK Singles Chart, marking an initial foray that highlighted the band's potential despite modest commercial impact.[7] A follow-up single, "Hey Girl," followed later in 2003, entering the UK Top 40 and building momentum as one of their early breakthroughs.[4] Critics received these releases positively, positioning Delays as a promising indie act with "Nearer Than Heaven" hailed for its "giddy pop perfection" and echoes of 1960s harmony pop influences like the Hollies.[8] This early activity laid the groundwork for transitioning to full-length album recording.Faded Seaside Glamour era (2004–2005)
The debut album Faded Seaside Glamour was recorded during 2003 and 2004, capturing the band's evolving sound rooted in Southampton's coastal influences.[9] Released on 5 April 2004 by Rough Trade Records, the album marked Delays' breakthrough, peaking at number 17 on the UK Albums Chart and spending six weeks in the top 100.[10][11] Promotion centered on three key singles. "Long Time Coming," released in January 2004, reached number 16 on the UK Singles Chart, with its B-side "Chicago" showcasing the band's atmospheric pop leanings; the music video emphasized nostalgic, sunlit imagery.[1][12] A re-release of "Nearer Than Heaven" in April 2004 charted at number 21, accompanied by B-sides "Way Smooth" and "Over And Out," and a video depicting the band interacting with nature in the New Forest. "Bedroom Scene," issued in June 2004, did not enter the main UK Singles Chart but highlighted the album's intimate, melancholic tracks; originally conceived as a B-side, it was elevated to album status for its emotional depth.[1][13][9] Critics praised the album's dreamy, ethereal quality, with Greg Gilbert's falsetto evoking weightless pop and comparisons to 1980s shoegazing acts for its layered guitars and nostalgic haze. The Guardian noted its "ethereal flurry" and melodic guitar pop throne claim, while Pitchfork highlighted the ephemeral sound blending 1960s pop with 1980s-1990s alternative influences, and PopMatters lauded tracks approaching "pop perfection."[14][15][16][17][18] The era saw Delays' rising profile through extensive touring, including support slots on the 2004 NME Awards Tour and opening for Franz Ferdinand on their US dates, providing the band's first significant American exposure.[19][20]You See Colours era (2006)
Following the success of their debut album, which enabled a larger production budget, Delays recorded their second album You See Colours during 2005 and 2006 in collaboration with producer Ben Hillier, who had helmed their previous effort. The sessions introduced more psychedelic elements, blending the band's signature dreamy indie pop with electronic pulses, prog house rhythms, and swirling harmonies to create a bolder, more experimental sound.[21][22] Released on March 6, 2006, via Rough Trade Records, You See Colours marked the band's commercial peak, entering the UK Albums Chart at number 24—its highest position to date—and spending two weeks in the top 40.[23] The lead singles drove its promotion: "Hideaway," released on February 13 with a music video emphasizing the track's ethereal escape theme, peaked at number 35 on the UK Singles Chart; "Valentine," issued on May 15 alongside a video capturing romantic introspection, reached number 23 and benefited from radio play and live sessions on platforms like BBC Radio 1. The album's opening track "Love Made Visible" served as a promotional anchor, highlighting the record's vibrant emotional core in press campaigns and early previews.[1][24] To support the release, Delays embarked on extensive UK and Irish headline tours, including dates at venues like London's Scala and Manchester's Roadhouse, as well as European shows in Germany and the Netherlands. They also performed at major summer festivals, such as V Festival in August 2006, where sets showcased tracks from the new album alongside debut favorites, solidifying their live reputation amid growing crowds.[25][26] Critically, You See Colours received mixed reviews, with some outlets critiquing the amplified electronic production as initially jarring against the band's melodic roots, though it was often credited with enhancing their atmospheric depth. Greg Gilbert's soaring falsetto drew consistent praise for its emotive, ethereal quality, elevating tracks like "Valentine" and positioning the band as indie darlings in media outlets like NME and The Guardian. The album's coverage in broadsheets and music weeklies underscored their rising status in the mid-2000s UK indie scene.[22][24][27]Everything's the Rush era (2007–2008)
In 2007, Delays recorded their third studio album, Everything's the Rush, at Space Mountain in Sierra Nevada, Spain, and Mayfair Studios in London, England.[28] The sessions marked a shift from the psychedelic experimentation of their previous release, You See Colours, toward a more orchestral and bombastic sound, incorporating real strings and Youth's (Martin Glover) production style, which emphasized expansive arrangements over synthetic elements.[28][29] Glover, known for his work with artists like the Verve and Primal Scream, brought a polished sheen to the tracks, blending indie rock with euphoric, stadium-ready hooks while highlighting Greg Gilbert's falsetto vocals.[28] The album was released on May 5, 2008, through Fiction Records (a Polydor imprint), following the band's departure from Rough Trade.[28] It debuted and peaked at number 26 on the UK Albums Chart, spending two weeks in the top 100, a decline from the commercial highs of prior releases amid shifting indie market dynamics favoring digital singles over full albums.[1] Lead single "Hooray" preceded the album on April 28, 2008, reaching number 21 on the UK Singles Chart with limited airplay success; its B-sides included remixes and acoustic versions that showcased the band's evolving electronic-tinged pop leanings.[1] Follow-up single "This Time" also received modest promotion but failed to chart significantly, reflecting broader industry challenges for guitar-based indie acts.[1] To support the album, Delays embarked on a UK tour in spring 2008, though several dates, including a Brighton show, were cancelled due to frontman Greg Gilbert developing laryngitis, straining the band's momentum during a period of label transition and internal maturation.[30] Later that year, they expanded to US dates, opening for The Killers on select arena shows, which tested the brothers'—Greg and Aaron Gilbert—dynamic as core songwriters amid the pressures of international exposure and creative evolution.[31] The tour highlighted the band's live energy but also underscored tensions from Gilbert's vocal recovery and the group's push toward a more ambitious, less introspective sound. Critics praised the album's euphoric production and melodic hooks, with The Guardian noting its return to the "melodic pop" of their debut while incorporating darker lyrical themes of fractured relationships and personal turmoil.[29] However, reviews often highlighted Youth's overbearing polish as a flaw, with The Independent critiquing the "inflated self-regard" and bombastic excess that overwhelmed subtler elements, and Pitchfork assigning a 5.7/10 for its "charming but forgettable" inanity despite standout tracks like "Girl's on Fire."[28] Overall, the reception underscored Delays' maturation into a more commercial outfit, though the era's challenges foreshadowed future hiatuses.[32]Star Tiger Star Ariel era (2009–2010)
In 2009 and 2010, Delays recorded their fourth studio album, Star Tiger Star Ariel, at Rockfield Studios in Monmouth, Wales, and NAM Studios in Holt, Wiltshire, embracing a back-to-basics approach that emphasized raw, introspective songwriting over the electronic elements of prior works.[33] The band self-produced the record alongside engineer Duncan Lewis, focusing on personal themes of loss and rediscovery, with frontman Greg Gilbert describing it as a "soundscape for our home" that captured a sense of being "lost and found."[34] This stripped-back production marked a deliberate shift, allowing the group's dream-pop roots to resurface amid Gilbert's falsetto-driven melodies and chiming guitars.[35] The album was released on 21 June 2010 via the independent Lookout Mountain Records, signaling the end of the band's major-label association with Rough Trade.[36] It debuted at number 107 on the UK Albums Chart, the lowest peak for any Delays release and reflecting diminished commercial momentum after previous top-30 entries.[37] The lead single, "Unsung," preceded the album on 14 June, earning modest digital streams and radio play within indie circles but failing to chart.[38] Tracks like "Real Missing Thing" highlighted the album's emotional core, though it received limited standalone promotion. To support the release, Delays undertook an intimate UK headline tour in May and June 2010, playing smaller venues such as Southampton's Joiners Arms on 17 May, York's Duchess on 18 May, and London's Water Rats on 3–4 June, where they debuted new material to dedicated audiences.[38] The band also offered a free download of "Find a Home (New Forest Shaker)" via their website to build anticipation, alongside select festival appearances that underscored their grassroots return.[38] These efforts evoked reflections on creative fatigue after years of touring and label pressures, with Gilbert noting the album's creation as a therapeutic outlet amid personal challenges.[34] Critically, Star Tiger Star Ariel received mixed reception, praised for its raw emotional depth and return to the band's early indie-pop intimacy but critiqued as underwhelming in ambition compared to predecessors.[39] Outlets like Pitchfork highlighted its rockier edge and Gilbert's soaring vocals on tracks like "The Lost Estate," yet noted an over-polished feel in places (6.3/10), while NME called it "thoroughly pleasant" but lacking innovation (6/10).[39][40] musicOMH appreciated the heartfelt lyricism—briefly echoing Gilbert's prior explorations of obsessive-compulsive disorder—but lamented a shortfall in punch (3/5).[36] Overall, the record solidified Delays' cult status while foreshadowing their hiatus, as the independent shift and subdued response closed a prolific chapter.[41]Hiatus, later activity, and Greg Gilbert's death (2011–present)
Following the release of their fourth studio album, Star Tiger Star Ariel, in 2010, Delays entered a period of reduced activity as members pursued individual interests. The band reunited briefly in 2014 for a tour celebrating the 10th anniversary of their debut album Faded Seaside Glamour, performing select shows across the UK despite growing personal challenges for frontman Greg Gilbert.[42] In November 2016, Gilbert was diagnosed with stage 4 bowel cancer, which had spread to his lungs; initially given a terminal prognosis, he underwent chemotherapy and treatment with the drug Avastin, funded in part by a £213,000 crowdfunding campaign organized by his wife, Stacey Heale.[42][43] This allowed him a period of remission and stability, during which he channeled his energy into visual art, producing hospital-inspired paintings, poetry, and miniature Biro drawings that reflected his experiences with illness; these works were later exhibited at Southampton City Art Gallery in 2019 alongside pieces by Leonardo da Vinci.[42] The cancer recurred in subsequent years, leading to further treatments, but by August 2021, Gilbert was taken off active therapy and moved to end-of-life care at home in Southampton.[43] He died on 30 September 2021 at the age of 44, surrounded by family, including his brother and bandmate Aaron Gilbert, who was at his side as per Greg's final wish.[44][2] Tributes from fellow musicians, including members of bands like the Beta Band and the Thrills, emphasized Gilbert's ethereal voice, optimistic spirit, and ability to forge deep connections with fans through Delays' music, while local Southampton artists and venues mourned the loss of a key figure in the city's indie scene.[45][3] In the years following Gilbert's death, Delays have remained inactive, with no new tours or original recordings issued as of 2025.[44] Keyboardist Aaron Gilbert has focused on solo endeavors, releasing music independently and reflecting on the band's legacy in interviews, noting how Greg's passing has shifted his creative process toward honoring their shared history rather than new group material.[44] Archival efforts include a 2023 vinyl reissue of Faded Seaside Glamour on Rough Trade Records, featuring previously unseen artwork by Greg Gilbert and liner notes from Aaron recounting their final moments together.[44] Additionally, pre-2021 recording sessions for a prospective fifth album—completed to about three-quarters by the original lineup—have been compiled by the producer but remain unreleased amid the band's indefinite pause.[44]Musical style and influences
Musical style
Delays' music is primarily classified as indie pop, incorporating elements of dream pop and shoegaze.[46][28] The band's sound is defined by Greg Gilbert's ethereal falsetto vocals, which lend an otherworldly quality to their tracks, often soaring over shimmering guitars and atmospheric keyboards.[16][8] This combination creates a dreamy, immersive texture, with production emphasizing reverb-heavy layers to evoke a sense of hazy introspection.[16] Central to their sonic palette are rhythmic delays and layered melodies that build propulsive momentum, driven by Aaron Gilbert's synth contributions and Rowly's dynamic drumming.[47] Early works, such as their debut album Faded Seaside Glamour, capture a coastal nostalgia through warm, post-Britpop arrangements infused with subtle electronic flourishes.[5] Themes of love, loss, and escapism permeate their lyrics, often delivered with earnest vulnerability that contrasts the uplifting instrumentation.[44][28] Over their career, Delays evolved from this initial warmth toward greater experimentation, incorporating psychedelic and electronic influences in mid-period releases like You See Colours and Everything's the Rush.[47][28] Their final full-length, Star Tiger Star Ariel, shifts to a rawer intimacy, blending ethereal elements with punkish energy and reduced falsetto, reflecting a more eclectic and personal edge.[47]Influences
The music of Delays was profoundly shaped by the ethereal dream pop of 1980s indie acts, particularly Cocteau Twins, whose innovative vocal layering and atmospheric textures directly influenced frontman Greg Gilbert's soaring falsetto style.[48] This connection is evident in Gilbert's high-register delivery, often compared to Elizabeth Fraser's otherworldly phrasing, which added a haunting, immersive quality to the band's sound.[49] Similarly, the melodic jangle and introspective songcraft of The La's provided a foundational Britpop-rooted influence, blending Liverpool-scene psychedelia with accessible hooks that resonated in Delays' early compositions.[48] Drawing from 1990s shoegaze pioneers, Delays incorporated the genre's swirling guitar walls and introspective haze, echoing bands like Ride and Slowdive, whose reverb-drenched aesthetics contrasted sharply with the laddish bravado of dominant Britpop acts such as Oasis and Blur.[50] This shift toward dreamy, alternative sonics represented a deliberate reaction against the era's mainstream guitar-rock hegemony, favoring instead layered, escapist arrangements inspired by shoegaze's emphasis on texture over aggression.[51] The Welsh rock urgency of Manic Street Preachers also left a mark, infusing Delays' work with anthemic drive and lyrical intensity, particularly in their more expansive tracks. Roots in 1960s psychedelia and easy-going pop further colored the band's aesthetic, with nods to The Byrds' harmonious jangle and The Hollies' buoyant melodies informing the seaside nostalgia of their debut era.[48] Greg Gilbert himself described Delays' style as balancing "one foot in psychedelia, one in shoegazing and third foot in pop," highlighting a fusion that prioritized fabulist escapism over contemporary urban post-punk trends.[51] Emerging from Southampton's modest indie scene—where few rock acts had previously gained prominence—the band drew limited local inspiration but channeled broader UK alternative currents into a uniquely luminous sound.[52]Band members
Current members
As of 2025, following the death of lead singer Greg Gilbert in 2021, the remaining members of Delays are Aaron Gilbert on keyboards, programming, and backing vocals; Colin Fox on bass guitar and backing vocals; and Rowly on drums and percussion.[44][53] The band has remained on hiatus since 2011, with no official performances or new original material released under the Delays name since Star Tiger, Star Ariel in 2009. However, the surviving members retain a loose affiliation, primarily through archival efforts such as the 2023 vinyl reissue of their debut album Faded Seaside Glamour and the ongoing compilation of a fifth album from pre-2021 recordings.[44] Aaron Gilbert serves as the primary songwriter and creative steward for any posthumous Delays projects, having taken a leading role in curating unreleased tracks and demos following his brother's passing; he has expressed commitment to honoring Greg's vision by completing and releasing this material as part of a comprehensive box set.[44] Beyond the band, Gilbert pursues independent endeavors in music composition and filmmaking.[44] Colin Fox has been a core collaborator since the band's formation, contributing to their signature melodic bass lines across all studio albums; he remains part of the group's enduring lineup amid the hiatus.[53][44] Rowly provides the rhythmic foundation on drums and percussion, a role he has held consistently since joining in the early 2000s; like his bandmates, he maintains association with Delays without recent high-profile individual pursuits.[53][44]Former members
Greg Gilbert served as the lead vocalist and guitarist for the English indie band Delays, as well as a co-founding member alongside his brother Aaron Gilbert, bassist Colin Fox, and drummer Rowly, with the group forming in Southampton in 2001.[54] As the band's primary creative force, he contributed songwriting, distinctive falsetto vocals, and a poetic, dreamy sensibility that defined their sound across all albums.[45] Gilbert also pursued visual arts and poetry, exhibiting his Biro sketches and oil pastels at Southampton City Art Gallery in 2018 and publishing the poetry collection Love Makes a Mess of Dying that same year.[3][45] Diagnosed with stage four bowel cancer in 2016, Gilbert battled the illness for five years before passing away on September 30, 2021, at age 44.[2] His death occurred during the band's extended hiatus, profoundly impacting its future and leaving an irreplaceable void in its creative direction.[44] No other official departures occurred, with the original lineup remaining stable from 2001 until Gilbert's passing.[3]Discography
Studio albums
Delays have released four studio albums, with their discography reflecting an evolution from dreamy indie pop to more introspective rock elements. The band's debut album, Faded Seaside Glamour, was released on 5 April 2004 by Rough Trade Records.[55] It peaked at number 17 on the UK Albums Chart.[1] The album consists of 11 tracks, including "Nearer Than Heaven" and "Wanderlust".[56] Their second studio album, You See Colours, followed on 6 March 2006, also through Rough Trade Records.[57] It reached number 24 on the UK Albums Chart.[58] Featuring 11 tracks such as "Hideaway" and "Valentine", the record was produced by Graham Sutton at Real World and Rockfield Studios.[59] Everything's the Rush, the third album, appeared on 5 May 2008 via Fiction Records.[60] It charted at number 26 in the UK.[1] Comprising 12 tracks like "Love Made Visible" and "Hooray", it was recorded over 20 days in Spain.[61] The fourth and most recent studio album, Star Tiger Star Ariel, was issued on 21 June 2010 by Lookout Mountain Records.[62] It peaked at number 10 on the UK Independent Albums Chart but did not enter the main UK Albums Chart.[1][63] The 11-track release includes "Find a Home (New Forest Shaker)" and "The Lost Estate", recorded at Rockfield Studios and NAM Studios.[64] As of November 2025, Delays have not released a fifth studio album.[5]Extended plays
Delays released their debut extended play, Delays Debut EP, in 2003 through Rough Trade Records. This five-track EP introduced the band's dreamy indie pop sound and included early singles that helped secure their label deal, paving the way for their full-length debut album. The EP was issued in CD format with an enhanced video component.[6] Track listing:- "Nearer Than Heaven" – 3:33
- "Hey Girl" – 2:43
- "Way Smooth" – 3:33
- "Over and Out" – 3:12
- "Zero Zero One" – 2:58
- "Overlover" – 3:32 (bonus track)
- Video: "Hey Girl" (directed by Scott Lyon) – 2:56[6]
- "Love Made Visible" – 4:00
- "Panic Attacks" – 3:44
- "Slow Burn" – 5:14
- "You See Colours" – 4:34
- "We Together Make a City (Love Made Visible Torchteam Remix)" – 5:01[65]
Singles
Delays released a series of singles beginning in 2003, initially through Rough Trade Records, with several achieving moderate success on the UK Singles Chart. These releases were available in physical formats such as CD and 7" vinyl, often featuring b-sides and enhanced content like videos on DVD editions, and later transitioned to digital downloads. The band's early singles promoted their debut album Faded Seaside Glamour, while subsequent ones supported You See Colours. Standalone and promotional singles continued into the late 2000s and 2010s as digital releases. The following table lists the band's key singles, including peak positions on the UK Singles Chart where applicable:| Single | Release Year | Peak UK Position | Formats | Album Promotion / Notes |
|---|---|---|---|---|
| Hey Girl | 2003 | 40 | CD, 7" vinyl | Pre-debut single; b-side "This Time".[67] |
| Nearer Than Heaven | 2003 | 21 | CD | Pre-debut single; re-released in 2004 with b-side "Lost in a Melody".[68] |
| Wanderlust / Lost in a Melody | 2004 | 28 | CD, digital | From Faded Seaside Glamour; double A-side.[69] |
| Long Time Coming | 2004 | 16 | CD, 7" vinyl, DVD | From Faded Seaside Glamour; b-side "This Must Be Fiction"; featured video on DVD version.[1] |
| Bedroom Scene | 2004 | - | CD, digital | From Faded Seaside Glamour; promotional release.[53] |
| Hideaway | 2006 | 35 | CD, digital | From You See Colours; b-sides "Broken Pylons" and "Aglow Like Honey".[1] |
| Valentine | 2006 | 23 | CD, digital | From You See Colours; subject of a 2021 chart campaign in tribute to Greg Gilbert.[70] |