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Dragon Con

Dragon Con is an annual multi-genre pop culture convention held over the weekend in , , focusing on , fantasy, gaming, comics, literature, art, music, and film. Founded in 1987 by Pat Henry, David Cody, , and Robert Dennis, the event began with approximately 1,200 attendees and has grown into one of the largest conventions of its kind in the United States. It spans multiple hotels in the area, offering thousands of hours of programming including guest panels, workshops, contests, and vendor halls that attract fans from all 50 states and numerous countries. The convention is renowned for its inclusive celebration of diverse fandoms, featuring guests, authors, artists, and industry professionals from , , , and . Attendance has steadily increased since its inception, reaching 4,800 by 1990 and surpassing 75,000 in 2025, with participants engaging in activities like cosplay parades, tournaments, and fundraisers that raised over $320,000 for initiatives that year. Dragon Con pioneered the multi-fandom format, combining elements from various genres to create a comprehensive immersive experience for attendees.

Background

Founding and Purpose

Dragon Con was founded in 1987 by the Dragon Alliance of Gamers and Role-Players, a group of Atlanta-based and enthusiasts seeking to create a dedicated event for their shared interests. The initiative stemmed from the founders' frustration with single-genre conventions that failed to accommodate their diverse fandoms, prompting them to envision a multigenre gathering that integrated , fantasy, , , and related pop culture elements. Key founders, including Pat Henry, David Cody, , Robert Dennis, and Ed Kramer, each contributed $300 to launch the event, collaborating with a small circle of friends to organize the inaugural convention. The core purpose of Dragon Con was to foster an inclusive space where fans could explore multiple genres under one roof, offering panels, gaming sessions, dealer rooms, and guest appearances to appeal to a broad audience beyond traditional regional conventions. This multigenre approach aimed to prevent the "boredom" of niche-focused events by providing varied programming that catered to overlapping interests in , art, music, , and more. The first event took place over the fall weekend of October 2–4, 1987, at the Pierremont Plaza Hotel in , drawing approximately 1,200 attendees and featuring prominent guests such as author , Robert Asprin, Lynn Abbey, , and . From its inception, Dragon Con operated as a under Dragon Con, Inc., while relying heavily on a volunteer-driven model to execute its operations, with founders and supporters handling initial logistics and programming. This structure allowed the convention to scale its volunteer staff—now exceeding 2,000 members annually—while maintaining its mission of community-focused pop culture celebration.

Organization and Leadership

Dragon Con is led by co-chairs and Mandy Collier, who oversee the convention's operations alongside a core staff responsible for programming, guest coordination, and logistical planning. , who joined the leadership in , and Collier manage high-level decisions, including track development and vendor relations, supported by department directors who handle day-to-day execution. This structure has evolved from earlier transitions, such as the 2013 departure of co-founder Ed Kramer amid legal issues, which consolidated ownership under a new entity. The convention relies heavily on a volunteer system, with over 2,000 participants annually filling critical roles in programming tracks, , and guest relations. Volunteers are recruited through an annual application process that opens on January 15, requiring applicants to be at least 18 years old and commit to a minimum of 20 during the event. Continuing volunteers receive complimentary memberships, while first-time participants may incur a small registration fee; roles range from panel moderation and registration support to safety patrols and art show assistance, fostering a collaborative community atmosphere. As a for-profit entity, Dragon Con is owned and operated by the private corporation Dragon Con, Inc., which generates revenue primarily through membership sales, vendor booths, and corporate sponsorships to fund event production and charitable initiatives. This model, established since the convention's inception as a profit-making venture, allows for professional management while supporting volunteer-driven activities and donations to selected nonprofits. Dragon Con's policies include tiered membership options; as of November 2025, advance 5-day passes for 2026 are priced at $125 (available until December 12, 2025), with prices increasing thereafter and single-day passes TBA starting August 1, 2026. The , which all members agree to upon registration, emphasizes inclusivity, respect, and -free interactions, prohibiting disruptive behavior and promoting a welcoming environment for diverse participants. Current health and safety protocols focus on general measures such as reporting , no weapons, and respect for venues, with no specific requirements in place as of 2025.

Venue and Attendance

Location and Facilities

Dragon Con takes place in the neighborhood of , , utilizing a complex of five interconnected hotels as its primary venues. These include the , , Hilton Atlanta, Courtland Grand Hotel (formerly Sheraton Atlanta Hotel), and Westin Peachtree Plaza Atlanta, all linked by elevated skybridges that facilitate movement between facilities without crossing streets. This multi-hotel setup allows for the distribution of programming across various spaces while keeping attendees within a compact, walkable area near . Additionally, AmericasMart Buildings 2 and 3 serve as dedicated spaces for vendor halls and exhibit areas, expanding the convention's footprint beyond the hotels. The facilities encompass a range of tailored to the event's diverse activities. Hotels provide numerous ballrooms, rooms, and meeting spaces for panels and presentations, with the Regency and Marquis featuring some of the largest venues for high-capacity sessions. AmericasMart hosts expansive exhibit halls for the art show, dealer rooms, and comic/pop artist alley, accommodating hundreds of vendors offering merchandise from , costumes, and collectibles to handmade crafts. Gaming areas are concentrated in AmericasMart Building 3, supporting , , video, and board games in dedicated halls. Accessibility is prioritized through on-site Disability Services, located at the Courtland Grand Hotel, which offers assistance such as priority seating, line-skipping for those with mobility issues, and coordination for wheelchair-accessible spaces. All host hotels are equipped with elevators and ramps, and the convention provides wheelchair rentals upon request. For sensory needs, while no dedicated quiet rooms exist within the main venues, quieter alcoves in ballrooms and nearby areas like the (served by shuttles) offer respite. Transportation options include the MARTA rail system, with the directly adjacent to the hotels, and courtesy shuttles to off-site attractions like the aquarium, including accessible vehicles arranged through Disability Services. The venue configuration has evolved significantly since the convention's inception. The inaugural 1987 event was held at the Pierremont Plaza Hotel (now the Crowne Plaza Midtown), a single-site affair. By 1989, it shifted to the Omni Hotel at , and in 1990, it began using multiple properties, including the and Atlanta Radisson. The 1997 relocation to the marked a pivotal expansion, establishing it as the headquarters, with subsequent growth in the 2000s incorporating the additional hotels and AmericasMart to accommodate increasing logistical demands.

Attendance Trends

Dragon Con's attendance has shown steady growth since its inception, beginning with approximately 1,200 participants in 1987 and doubling to 2,400 by 1989, driven by expansions into and high-profile guests. By 1990, the event doubled again to 4,800 attendees through hosting the and opening the Comics Expo, establishing a pattern of rapid expansion that continued into the . This trajectory culminated in a record peak of 85,000 in , reflecting the convention's broadening appeal across , , , and pop culture fandoms. The interrupted this growth, with the 2020 event shifting entirely to virtual programming and no in-person attendance. In , attendance rebounded modestly to 42,000 under capacity limits and enhanced protocols, marking a cautious return to hybrid formats. Subsequent years saw progressive recovery: 65,000 in 2022, approximately 70,000 in 2023 amid post-pandemic adjustments, and 72,000 in 2024. By 2025, attendance reached 75,000, approaching pre-pandemic levels. Attendees form a diverse demographic, primarily adults spanning a wide age range with heavy emphasis on , where thousands participate annually in elaborate costumes across the convention's hotels and streets. International visitors contribute notably, with fans traveling from around the globe alongside representatives from all 50 states, though exact percentages vary year to year. Overall trends indicate sustained upward momentum post-2021, supported by the event's multi-genre programming and community-driven recovery efforts.

Historical Development

Early Years (1987–1990s)

Dragon Con's inaugural event took place from October 2 to 4, 1987, at the Pierremont Plaza Hotel in Atlanta, drawing approximately 1,200 attendees focused on science fiction, fantasy, and gaming activities. The convention featured prominent guests such as author Michael Moorcock, who performed live with musician Eric Bloom, alongside Robert Asprin, Richard Garriott, and Gary Gygax, emphasizing panels on sci-fi literature and role-playing games. By 1988, held at the same venue, attendance grew modestly to around 1,700, maintaining a small-scale format with similar programming. In 1989, the event shifted to the Omni Hotel and Convention Center, where it attracted 2,400 participants, doubling the previous year's figures and incorporating fantasy literature tracks with guest Anne McCaffrey. Throughout these initial years, attendance remained under 5,000, reflecting a regional gathering centered on core fan interests in gaming and speculative fiction. The 1990s marked significant expansion, beginning with the 1990 convention at the Hilton and Towers, which drew 4,800 attendees and hosted the , a major international gaming exposition, alongside the launch of the Atlanta Comics Expo. This period introduced multi-track programming, blending , fantasy, and music into structured panels and events to accommodate diverse interests. A key milestone came in , when Dragon Con co-hosted the North American (NASFiC) from July 13 to 16 at multiple downtown venues including the Hilton and Towers, attracting over 14,000 participants and solidifying its status as a regional hub. The convention's growth prompted logistical challenges, such as managing increasing crowds across expanding hotel spaces and recruiting volunteers to handle operations, with co-founder Ed Kramer playing an increasingly prominent role in organizational efforts during this era. Milestones in the mid-1990s included the beginnings of the art show, featuring works from artists like Dave Dorman in 1991. These developments established the convention as a growing Southern tradition, overcoming early volunteer and space constraints through adaptive planning.

Growth and Milestones (2000s–Present)

In the , Dragon Con continued expanding its multi-hotel format, which began in the 1990s. In 2001, the convention shifted to weekend, added the Marriott Marquis as a host hotel, and held its inaugural . Attendance reached approximately 22,000 in 2005, reflecting the event's rapid growth and solidifying its status as one of the largest fan-run gatherings in . The 2010s brought further milestones, including organizational changes and record-breaking crowds. In 2013, the convention completed a buyout of co-founder Edward Kramer's ownership stake amid his ongoing legal issues related to child molestation charges, following his from operational roles in 2000. The decade also saw the introduction of the in 2016, a fan-voted honor recognizing achievements in science , fantasy, , gaming, and media, presented annually as part of the convention's 30th anniversary celebrations. That same year, a controversial depicting the burning Twin Towers sparked widespread backlash; organizers responded by reinforcing their harassment and appropriateness policies, emphasizing respect and sensitivity in costume guidelines. Attendance peaked at over 80,000 in 2017, shattering previous records and highlighting the event's global appeal. The profoundly impacted Dragon Con from to 2022, prompting adaptations to virtual and formats. In , the in-person event was canceled due to health risks, replaced by a fully virtual convention featuring online panels, screenings, and the . The 2021 edition operated in a model with reduced on-site capacity—limited to about half of pre-pandemic levels—mandatory masking indoors, proof of or negative testing, and no public spectators to minimize crowds. By 2022, the convention returned to full in-person scale, restoring traditional elements like the while incorporating enhanced health protocols. In recent years, Dragon Con has continued to evolve with a focus on safety and innovation. The 2024 event drew 72,000 attendees, featuring bolstered security measures such as increased staff presence and clearer emergency protocols to ensure attendee well-being amid large crowds. For 2025, attendance reached 75,000, with projections met through expanded programming, including the introduction of new tracks like Alternate & to explore themes of period pieces, , and speculative history.

Convention Activities

Programming Tracks

Dragon Con's programming tracks form the core of its panel-based content, encompassing more than 38 distinct thematic areas that deliver nearly 5,000 hours of discussions, workshops, and interactive sessions tailored to fans of , fantasy, , television, film, and related genres. These tracks emphasize conceptual explorations, such as the societal implications of speculative worlds or the craft of storytelling, with programming designed to engage attendees through moderated panels featuring experts, creators, and enthusiasts. Prominent tracks include the Literature Track, which delves into written sci-fi narratives from classic to contemporary authors; the Track, covering realms inspired by works like those of ; and the Track, examining elements in modern settings. The Comics and programming, integrated through the Comic and Pop Artist Alley, hosts panels on graphic storytelling, pop , and creator spotlights, often featuring illustrators and writers. The X-Track focuses on phenomena, theories, and unexplained mysteries, blending with speculative inquiry. Guest appearances drive much of the engagement, with annual panels in tracks like the Trek Track for discussions involving actors and producers, and sessions in the American Sci-Fi & Fantasy Media Track addressing themes through actor Q&As and production insights. Programming unfolds over a multi-day format, typically spanning to Monday during weekend, with hundreds of overlapping sessions held in hotel ballrooms such as the Regency's Centennial Ballroom and the Marriott's Atrium Ballroom. This structure allows attendees to navigate concurrent events, prioritizing interactive formats like audience Q&A segments, fan-moderated forums, and hands-on workshops—for instance, construction sessions in the Costuming Track. Unique to Dragon Con's tracks are their layered accessibility, offering beginner-friendly introductory panels alongside advanced deep-dive analyses; for example, the Science Track provides foundational overviews of before tackling cutting-edge research. In 2025, enhancements included expanded discussions on within sci-fi contexts, such as panels on AI assistants and high-tech narratives in the American Sci-Fi & Fantasy Media Track.

Music, Film, and Arts

Dragon Con's music programming emphasizes fan-created and genre-inspired performances, particularly through the Filk Singing track, which celebrates "the music of " with parody songs, original compositions, and sing-alongs drawing from , fantasy, and pop culture themes such as or versus Comics. Held nightly in dedicated spaces, the track features interactive sessions where attendees join performers in creating and recording nerdy songs collaboratively. Notable acts include filk artists like Tom Smith and the Brobdingnagian Bards, who have delivered live sets blending folk, humor, and references. The convention also hosts over 50 live music performances annually across main halls and venues, including rock and jam sessions with guests like Öyster Cult's , who has joined spontaneous onstage collaborations. The film offerings center on the Dragon Con Independent Short Film Festival, which showcases independent shorts in science fiction, fantasy, , and related genres, receiving numerous submissions yearly and selecting films for screening blocks that often sell out. These events include public screenings followed by filmmaker discussions and Q&A sessions, fostering direct interaction between creators and audiences in theater settings. Complementing the festival, midnight movie events provide late-night entertainment, such as shadowcast performances of cult classics like , enhancing the convention's immersive pop culture experience. Visual arts at Dragon Con are highlighted by the Art Show, a gallery featuring original works from established and emerging artists across , , and styles, where attendees can purchase pieces directly from creators without intermediaries like auctions or print shops. Adjacent to this, the and Pop hosts an eclectic mix of vendors specializing in , , pop , lowbrow art, and toy design, allowing visitors to engage with artists through sales and demonstrations. Costume contests, integrated with visual media inspirations, occur throughout the event, including Friday Night and Hallway competitions that celebrate elaborate designs tied to films, games, and , judged on craftsmanship and thematic accuracy. In 2025, art programming incorporated thematic explorations, such as panels on Edward Gorey's whimsical and macabre illustrations, complementing the convention's focus on visual storytelling.

Gaming and Interactive Events

Dragon Con's Gaming and Interactive Events encompass a wide array of hands-on experiences, including board and games, game () sessions, tournaments, and live-action (LARP) events, primarily hosted in dedicated halls across the AmericasMart Building 3 and the Westin Hotel. Board and games feature over 450 titles available for play, such as classics and modern releases, with open access in the AmericasMart's first floor. sessions are divided into campaign-style multi-session adventures and non-campaign one-shots on the second floor, catering to both novice and experienced players. occurs on the Westin’s seventh floor, offering console setups and parties, while LARP events, including the interactive Spaceship Bridge Simulator suitable for ages 10 and up, take place on the Westin’s 12th floor. The operations run nearly around the clock, with 24/7 available at the Westin’s sixth-floor overlook from 10 PM to 8 AM daily, allowing attendees to engage in casual play without structured schedules. The main hub in AmericasMart Building 3 operates from 4 PM to 5 PM Monday for board games, closing at 2 AM and reopening at 7 AM, providing extensive space for demonstrations and free play for all badge holders. Family-friendly zones emphasize inclusive participation, such as the simulator, ensuring accessible fun for younger attendees alongside adult-oriented RPGs and LARPs. Tournaments form a core component, with championships in popular titles like organized through partnerships with Sunmesa Events, featuring formats such as , Sealed Deck, and Draft events throughout the weekend. Other competitions include Chess, Settlers of Catan, and Ticket to Ride on the side, while brackets cover esports titles like , Marvel Rivals, and Marvel vs. Capcom 2, held in AmericasMart with console setups and prize distributions. Publishers like support MTG demos and events, enhancing the interactive showcase of new releases. In 2025, the track has integrated expanded and (VR) experiences, with dedicated VR open play and demos on the AmericasMart first floor from evenings through afternoons, building on the gaming momentum from the convention's fully virtual 2020 edition that included 24-hour online sessions. LAN gaming and eTournaments further emphasize competitive play, reflecting a post-pandemic surge in hybrid interactive formats.

Awards and Recognitions

Dragon Con presents several awards and recognitions that celebrate achievements in , fantasy, and related , with the serving as the convention's flagship honors since their inception in 2016 to mark the event's 30th anniversary. These fan-voted awards cover categories such as Best Novel, Best Fantasy Novel (Including ), Best Novel, Best Novel, Best or Fantasy Novel, Best Apocalyptic Novel, Best , Best , Best or Fantasy TV Series, Best or Fantasy Movie, Best or Fantasy , Best Fantasy Game, Best Novel, and Best Short Fiction. Nominations are open to the public with one entry per category, followed by online voting via , which closes on the Saturday of Dragon Con weekend. The 2025 recipients included This Inevitable Ruin by Matt Dinniman for Best Novel, The Devils by for Best Fantasy Novel, and for Best or Fantasy TV Series. Past winners highlight fan favorites, such as Neil Gaiman's The Sandman: Overture for Best in 2016 and Star Wars: The Rise of Skywalker for Best or Fantasy Movie in 2020. Complementing the Dragon Awards, Dragon Con honors lifetime achievements through the Julie Award, established in 1998 to tribute legendary comics editor Julius "Julie" Schwartz for contributions to science fiction and fantasy. This annual recognition goes to industry professionals, with inaugural recipient Ray Bradbury and recent honorees including Marty Krofft in 2023, John Cleese in 2024, and Dave Goelz in 2025 for his work as a Muppet performer. Additional accolades include the Mike Resnick Memorial Award for innovative short fiction, named after the late author and presented since 2016, with 2024 winner Rachael K. Jones and 2025 winner Anaïs Godard for “Elsewhere,” and the Hank Reinhardt Fandom Award for dedicated fans, awarded to Mike Henigan in 2025. The convention's Independent Short Film Festival offers prizes for emerging filmmakers, featuring categories determined by entries such as , fantasy, , and , with first-place awards in each genre and a Best in Show for non-master entrants. Cash prizes accompany select honors, as seen in past festivals where winners received monetary recognition alongside screenings and panels. For gaming, the ' dedicated categories recognize excellence in video and tabletop games, with 2025 winners including for Best Fantasy Game; inductees into broader gaming halls of fame, such as those from the Academy of Adventure Gaming Arts & Design, occasionally align with Dragon Con guests and programming. These awards culminate in ceremonies held in main ballrooms like the Regency's I during the convention weekend, typically on afternoon, fostering through live announcements and tools. By spotlighting community-voted and merit-based honors, they enhance attendee involvement and elevate creators in the genre space, drawing thousands to celebrate shared passions.

Parade and Community Engagement

The Dragon Con Parade, an annual highlight of the convention, began in 2001 as a public spectacle inspired by a local event observed by co-founder Pat Henry. Held every Saturday morning at 10:00 a.m. along in , it features over 3,000 costumed participants marching in elaborate attire representing , fantasy, and pop culture characters, accompanied by themed floats and marching bands. The 2024 edition introduced route modifications, starting at the intersection of and Linden Avenue and proceeding south to the area between the and Hyatt Regency hotels, to enhance participant safety and crowd flow amid growing attendance. Public viewing of the parade is free and open to all, drawing thousands of spectators who line the sidewalks and secure spots hours in advance, fostering a vibrant street festival atmosphere accessible to local residents and visitors alike. Community engagement extends through organized meetups for regional fans, such as informal gatherings and pre-con kick-off parties that build excitement and connections before the main event. Dragon Con amplifies its community outreach via initiatives tied to the and broader , including the Superheroes for project where volunteers in costume contribute service hours to Atlanta-area nonprofits, raising funds through auctions and donations that supported over 4,300 hours of community aid in recent years. Post-con includes shared recaps on official channels and fan discussions that recap highlights, while social media platforms like use hashtags such as #DragonCon to showcase participant photos and extend the event's reach year-round. Logistically, the parade requires city-issued special event permits from Atlanta's Office of Special Events, coordinating with local authorities to manage the procession on public streets. These arrangements include road closures along Peachtree Street and intersecting avenues starting at 9:15 a.m. and lasting until noon, significantly impacting downtown traffic and prompting advisories for drivers to avoid the area. Volunteer teams, coordinated through Dragon Con's staff, handle crowd control, participant registration—which opens in February—and safety measures like peace-bonding costumes to ensure compliance with public decency laws.

Impact and Legacy

Economic Contributions

Dragon Con generates substantial economic benefits for , primarily through visitor spending on accommodations, dining, retail, and related services. In 2015, the convention produced a direct economic impact of $67 million, as estimated by the Atlanta Convention & Visitors Bureau and reported in local business analyses. By the mid-2020s, this figure had increased to approximately $80 million annually, reflecting growth in attendance and tourism activity across the city's downtown hotels, restaurants, and vendors. The event draws over 75,000 attendees each weekend, with a significant portion traveling from out of state, filling nearly all rooms and stimulating commerce. Participants contribute through expenditures on lodging—often at premium rates during the convention—meals, transportation, and merchandise from on-site vendors and artists. This influx supports a wide range of and service sector jobs, enhancing opportunities in the area during the event period. In 2025, the economic footprint remained consistent at around $80 million, underscoring the convention's role as a key driver of seasonal revenue. Beyond direct economic stimulus, Dragon Con fosters community support via charitable initiatives. Since selecting a single official charity in 2012, the convention has raised more than $2 million for Atlanta-based nonprofits through auctions, merchandise sales, special events, and a dollar-for-dollar corporate match up to $150,000. Notable examples include $98,000 donated in 2016 to the Atlanta Center for Self Sufficiency, aiding homeless individuals and families, and over $300,000 in 2024 to the Georgia chapter of the Arthritis Foundation. The 2025 effort set a record with more than $320,000 directed to NAMI Georgia for advocacy and support services.

Cultural Significance

Dragon Con serves as a central hub for fan culture, where attendees engage deeply with , , and genre crossovers that shape broader pop culture trends. The convention's extensive events and parades encourage innovative interpretations of characters across sci-fi, fantasy, and media franchises, often inspiring viral trends and community-driven creativity that extend beyond the event. Panels on and participatory highlight how these activities foster collaborative storytelling, blending elements from diverse genres to create new narratives that influence amateur and professional media alike. The convention promotes diversity and inclusion through dedicated programming tracks, such as the Diversity in & track, which addresses LGBTQ+ and women's roles in sci-fi via panels on themes, inclusive world-building, and historical contributions by marginalized creators. These initiatives create spaces for discussions on underrepresented voices in media, enhancing the convention's appeal as a welcoming for varied identities. In 2025, the Alternate & track featured panels exploring narratives that amplify stories from underrepresented perspectives, blending factual events with speculative elements to challenge traditional boundaries. As the largest multigenre , Dragon Con has left a lasting legacy by pioneering a model of inclusive, fan-driven events that blend , fantasy, , and pop culture, influencing the format of subsequent gatherings and elevating the convention's status in media coverage. Its emphasis on cross-genre programming and celebrity guest appearances has helped normalize multigenre cons, drawing parallels to and inspiring expansions in events like by prioritizing community over commercialism. Coverage in outlets such as Atlanta Magazine underscores its role in transforming into a pop culture destination while highlighting its evolution into a diverse celebration of . Attendees often describe Dragon Con as fostering a profound of belonging, where the immersive environment of panels, workshops, and interactions builds lasting networks among fans, creators, and professionals in industries. This communal atmosphere supports and creative , with many participants crediting the event for lifelong connections and career opportunities in writing, , and . Following the 2020 virtual edition necessitated by the , the convention has emphasized hybrid accessibility features, such as expanded digital resources and inclusive policies, to broaden participation for those unable to attend in person.

Controversies and Challenges

In 2016, a pair of attendees at Dragon Con sparked significant controversy by wearing costumes that depicted the burning Twin Towers from the September 11 attacks, complete with dolls positioned as if jumping from the buildings. The outfits, constructed from cardboard and tissue paper simulating flames, drew immediate backlash from other convention-goers and online observers for their insensitivity toward a national tragedy. Dragon Con organizers condemned the display as inappropriate but did not issue formal policy changes in direct response, though the incident highlighted ongoing challenges in moderating cosplay content at large-scale events. Leadership controversies came to a head in 2013 when co-founder Edward Kramer, facing longstanding child molestation charges dating back to 2008, was formally ousted from the organization. Kramer pleaded guilty to molesting three teenage boys between 1999 and 2001, receiving a sentence that included and registration but no prison time due to health issues. The charges, which alleged he used his position at Dragon Con to lure victims with convention memorabilia, led to widespread calls for his removal and damaged the event's reputation among fans and participants. In response, Dragon Con's board severed all ties with Kramer, emphasizing a commitment to ethical standards in its operations. The presented operational hurdles, particularly in and 2021, when Dragon Con shifted to a fully format for after a late cancellation announcement, drawing criticism for inadequate early planning amid rising cases. In 2021, the return to in-person attendance required proof of or a negative test, along with mandatory indoor masking, but some attendees and observers questioned the timing and stringency, citing concerns over health risks in crowded spaces. The faced additional restrictions, limited to badge-holding participants and spectators only, with no public viewing along the route to reduce gatherings—a move that disappointed local fans accustomed to free access but was praised by others for prioritizing safety. Enforcement of the convention's harassment policy, which prohibits unwelcome advances, , or , was intensified during this period through increased staff training and reporting channels, though specific incidents tied to COVID protocols remain limited in . More recent challenges include overcrowding complaints during the 2024 event, where peak-hour congestion on skybridges between host hotels like the and led to near-standstills, exacerbating navigation difficulties for attendees. Diversity critiques in programming have surfaced sporadically, with some participants noting uneven representation in panels despite the dedicated in track, though organizers have responded by expanding inclusive content. For 2025, safety enhancements include a dedicated to Dragon Con's operations center, staffed with personnel, aimed at streamlining incident reporting and response amid growing attendance.

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