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Ed Yong

Ed Yong is a British-American science journalist and author who reports for The Atlantic.^[1]^[2] His coverage of the COVID-19 pandemic, which highlighted the virus's biological mechanisms, societal impacts, and the experiences of long COVID sufferers, earned him the 2021 Pulitzer Prize for Explanatory Reporting, the George Polk Award for science reporting, and the Victor Cohn Prize for medical science reporting.^[2]^[1] Yong's writing extends to books such as I Contain Multitudes (2016), which explores the role of microbiomes in human and animal biology, and An Immense World (2022), which examines how non-human animals perceive their environments through senses beyond human capabilities; both works achieved commercial success and critical acclaim.^[1] He has been praised for making complex scientific concepts accessible while emphasizing empirical observations of biological systems.^[3] In his pandemic reporting, Yong critiqued systemic failures in public health responses, attributing shortcomings to entrenched inequalities and institutional inertia rather than isolated policy errors, though such analyses have drawn scrutiny for potentially overlooking alternative causal factors like early uncertainties in viral origins.^[4]^[5]

Early Life and Education

Birth and Family Background

Edmund Soon-Weng Yong was born on 17 December 1981 in Malaysia.^[6] At the age of 13, he immigrated to the United Kingdom in 1994, where he spent his formative years.^[7] He acquired British citizenship in 2005.^[7] Public details regarding Yong's family background, including his parents or siblings, remain limited in available sources. His Malaysian birthplace and full name suggest roots in the country's ethnic Chinese community, which constitutes a significant portion of the population, though no direct confirmation of familial heritage or early childhood circumstances beyond the relocation has been documented in reputable biographical accounts.^[8]

Academic Training

Ed Yong pursued undergraduate studies in Natural Sciences at Pembroke College, University of Cambridge, from 1999 to 2002, earning a Master of Arts (MA) degree.^[9]^[10] His coursework encompassed a range of biological disciplines, including zoology in his later years.^[11] Following graduation, Yong completed postgraduate training at University College London, where he obtained a Master of Philosophy (MPhil) in biochemistry between 2002 and 2005.^[10] This program focused on advanced biochemical research, marking the extent of his formal academic credentials before transitioning to science journalism.^[12] No further doctoral or higher degrees are documented in his professional biography.^[13]

Professional Career

Initial Journalism Roles

Yong entered science communication through a role as an information officer at a cancer research charity, focusing on public outreach and educational materials about scientific advancements in oncology.^[14] In this position, he developed skills in translating complex research for non-expert audiences, which laid the groundwork for his journalistic pursuits. While employed there, he initiated part-time blogging to explore science writing independently. In August 2006, Yong launched Not Exactly Rocket Science, his personal blog dedicated to covering quirky and significant developments in biology, neuroscience, and other fields, often drawing from primary research papers.^[15] The blog began as a low-stakes experiment—"on little more than a whim," as Yong later described it—and quickly evolved, migrating to ScienceBlogs in 2008 and later to Discover Magazine and National Geographic's Phenomena network.^[16] ^[15] It earned accolades, including Research Blog of the Year in 2009, for its engaging style and rigorous sourcing, amassing a dedicated readership and establishing Yong's voice in science journalism.^[17] By 2007, the blog's momentum propelled Yong into full-time freelance journalism, where he pitched and published features for specialized outlets.^[10] Early contributions appeared in Nature, New Scientist, and Scientific American, covering topics from animal behavior to microbial ecology, often emphasizing narrative accessibility without sacrificing empirical detail.^[1] This freelance period, spanning roughly 2007 to 2015, involved self-directed reporting, deadline-driven assignments, and building relationships with editors, culminating in broader placements at Wired, Slate, and The New Yorker.^[18] Yong's approach prioritized primary interviews with researchers and on-site observations, distinguishing his work amid a freelance landscape reliant on press releases.^[19]

Tenure at The Atlantic

Ed Yong joined The Atlantic as a science writer in July 2015.^[20] In this role, he contributed over 750 articles during his eight-year tenure, focusing on topics in biology, evolution, animal behavior, and sensory perception.^[21] His reporting emphasized empirical observations and scientific advancements, such as studies on animal cognition and ecological phenomena, often drawing from peer-reviewed research to explain complex mechanisms.^[22] From early 2020, Yong shifted much of his coverage to the COVID-19 pandemic, producing in-depth explanatory pieces on viral transmission, immune responses, vaccine development, and long-term effects like long COVID.^[23] Notable articles included analyses of the virus's origins, public health policy failures, and global inequities in pandemic response, grounded in data from epidemiological studies and interviews with researchers.^[2] This work earned him the 2021 Pulitzer Prize for Explanatory Reporting, recognized for "masterfully blending cutting-edge research with the voices of individuals and communities hit hardest by the pandemic."^[2] Yong's tenure also overlapped with his book projects, including An Immense World (2022), which expanded on his Atlantic reporting about non-human senses, incorporating sensory biology experiments and neuroscientific findings.^[22] He departed The Atlantic on July 28, 2023, citing a desire for greater flexibility in independent writing after extensive institutional commitments.^[21]

Specialized Reporting on Pandemics

Ed Yong's reporting on pandemics centered on the COVID-19 outbreak, with extensive coverage starting in March 2020 for The Atlantic, where he dissected viral transmission mechanisms, epidemiological trends, and institutional failures using data from virologists, modelers, and frontline accounts. His articles emphasized aerosol spread as a dominant transmission route, citing lab studies and hospital observations that predated official endorsements by bodies like the World Health Organization, which initially prioritized droplet models.^[24] ^[25] By April 2020, Yong highlighted the futility of simplistic containment analogies, comparing the virus's dynamics to "whack-a-mole" due to its airborne persistence and asymptomatic spread, supported by early genomic sequencing data showing rapid mutations and superspreading events.^[25] ^[24] Yong's pre-2020 work laid groundwork for this focus; in 2018, he warned of inevitable pandemics from zoonotic spillovers, drawing on historical outbreaks like Ebola and SARS to argue for proactive surveillance investments, a stance vindicated by COVID-19's origins in wildlife markets.^[25] During the crisis, he produced over 19 articles by November 2020, analyzing U.S. response lapses such as testing delays and PPE shortages, quantified by federal data showing initial shortages affecting 80% of hospitals and excess deaths exceeding 200,000 by mid-2020 due to uncoordinated policies.^[26] ^[27] In September 2020's "How the Pandemic Defeated America," he attributed failures to pre-existing fragilities like privatized healthcare and eroded public health infrastructure, evidenced by comparisons to nations with universal systems that achieved lower per-capita mortality rates.^[27] A significant strand involved long COVID, where Yong reported on persistent symptoms in up to 10-30% of cases based on cohort studies from Wuhan and Italy by mid-2020, advocating for recognition of post-viral syndromes through patient narratives and emerging neurology research, which challenged initial dismissals as psychosomatic.^[3] ^[24] His explanatory pieces clarified vaccine efficacy data, noting mRNA platforms' 90-95% reduction in severe outcomes from phase 3 trials involving tens of thousands, while cautioning against overreliance amid variants like Delta, whose R0 exceeded 5 in unvaccinated populations per UK Health Security Agency metrics.^[24] This body of work earned the 2021 Pulitzer Prize for Explanatory Reporting, recognizing its synthesis of complex science for public comprehension, alongside the George Polk Award and Victor Cohn Prize for grounding policy critiques in verifiable metrics like seroprevalence surveys indicating widespread undetected infections.^[2] ^[1] Yong's approach prioritized causal chains—from lab evidence to societal outcomes—over narrative conformity, though his emphasis on systemic U.S. vulnerabilities reflected empirical disparities in outcomes versus peers like South Korea, where contact tracing scaled to millions yielded case fatality rates under 1%.^[27]

Transition to Independent Work

In July 2023, after eight years and approximately 750 articles, Ed Yong announced his departure from The Atlantic, effective July 28, marking the end of his tenure as a staff writer.^[21]^[28] This transition followed intense burnout from his extensive COVID-19 reporting, which had dominated his work since early 2020 and earned him the 2021 Pulitzer Prize for Explanatory Reporting, but left him anxious and depleted by 2023.^[18]^[29] Post-departure, Yong relocated from Washington, D.C., to Oakland, California, in spring 2023, where he began pursuing independent projects unburdened by daily news cycles.^[29] He continued his newsletter, The Ed's Up, launched during his Atlantic years, to share science writing, personal reflections, and updates on topics like birdwatching, which emerged as a therapeutic outlet amid his exhaustion.^[21] This shift allowed greater flexibility, including public speaking engagements—such as a September 2025 appearance at the University of Cincinnati—and explorations of non-pandemic science, emphasizing recovery and renewed curiosity about animal behavior and ecology.^[30]^[18] Yong's independent phase has focused on long-form freelance opportunities and creative recharge, avoiding the relentless pace of institutional journalism while maintaining output through books and select outlets, though specific new commissions remain sporadic as of mid-2025.^[29]^[22] His move underscores a deliberate pivot toward sustainable, self-directed work, informed by the psychological toll of prolonged crisis coverage.^[18]

Major Works

Authored Books

Ed Yong has authored two nonfiction books, both of which became New York Times bestsellers and focus on underappreciated aspects of biology.^[1] His debut book, I Contain Multitudes: The Microbes Within Us and a Grander View of Life, was published on August 9, 2016, by Ecco, an imprint of HarperCollins Publishers.^[31] The 368-page volume draws on recent microbiological research to illustrate symbiotic relationships between microbes and multicellular hosts, portraying microbiomes as dynamic communities that influence health, immunity, digestion, and behavior rather than solely as sources of disease. Yong incorporates case studies, such as the role of gut bacteria in obesity and the vaginal microbiome's impact on childbirth, to argue for a paradigm shift in viewing microbes as essential partners in evolution. The book received praise for its accessible synthesis of scientific literature but was critiqued in some quarters for underemphasizing potential risks of microbial disruption, such as in antibiotic resistance. Yong's second book, An Immense World: How Animal Senses Reveal the Hidden Realms Around Us, appeared on June 21, 2022, from Random House, a division of Penguin Random House.^[32] Spanning 464 pages, it surveys non-human sensory modalities—including echolocation in bats, electroreception in sharks, and ultraviolet vision in birds—using empirical data from neurobiology and ethology to demonstrate how animals perceive environmental cues invisible to humans.^[33] The narrative integrates field observations and experiments, such as cuttlefish camouflage via light-manipulating skin cells, to underscore sensory diversity's evolutionary advantages and implications for conservation, like light pollution's disruption of nocturnal species.^[32] It won the 2023 Carnegie Medal for Excellence in Nonfiction and the Royal Society Trivedi Science Book Prize, while also ranking among top books of 2022 in outlets including The New York Times and The New Yorker.^[1] Critics noted its vivid prose but questioned occasional anthropomorphic framing of animal experience, though empirical grounding in peer-reviewed studies mitigated such concerns.

Key Articles and Blog Contributions

Ed Yong's blog "Not Exactly Rocket Science," launched in 2007 on the ScienceBlogs network and later migrated to National Geographic, ran until 2017 and focused on concise summaries of emerging scientific findings in biology, ecology, and animal behavior, often highlighting overlooked or whimsical research angles.^[15] ^[16] Posts included examinations of topics like the scarcity of research on animal reproductive anatomy ("Where's All The Animal Vagina Research?") and debunking urban myths about disease transmission ("There's No Plague on the NYC Subway").^[34] The blog's format emphasized accessibility, with Yong curating "Not Exactly Pocket Science" segments linking to broader journalistic coverage, and selections from it were compiled into a 2012 book of essays.^[35] ^[16] At The Atlantic, Yong's articles gained prominence through his detailed pandemic reporting, earning the 2021 Pulitzer Prize for Explanatory Reporting for a series that chronicled the scientific and societal dimensions of COVID-19, including viral evolution, vaccine development, and long-term health effects.^[2] ^[22] A prescient 2018 piece warned of U.S. vulnerabilities to emerging infectious diseases, questioning national preparedness amid fragile public health infrastructure.^[36] In December 2020, "How Science Beat the Virus" analyzed the accelerated global effort to produce vaccines and antivirals, crediting collaborative research networks while noting persistent distribution challenges.^[37] Other standout articles addressed ecological crises, such as the 2019 investigation into the entanglement and starvation deaths of North Atlantic right whales, which documented over a dozen fatalities in a single year and critiqued inadequate regulatory responses.^[38] Beyond The Atlantic, Yong contributed columns to The New York Times, including a 2016 piece arguing against the notion of a singular "healthy" human microbiome due to its vast interpersonal variability and contextual dependencies.^[34] For The New Yorker's Elements blog, he explored unconventional biology, such as the sensory capabilities of sponges in "Consider the Sponge" and the navigational feats of penguins.^[34] These works consistently prioritized empirical evidence from peer-reviewed studies, often challenging anthropocentric assumptions in science communication.^[39]

Awards and Recognition

Pulitzer Prize and Equivalents

In 2021, Ed Yong received the Pulitzer Prize for Explanatory Reporting for a series of articles on the COVID-19 pandemic published in The Atlantic, which detailed the virus's biological mechanisms, transmission dynamics, and the systemic failures in public health responses across multiple countries.^[2] The award citation praised the work for "illuminating a significant and complex subject" through rigorous, evidence-based analysis that clarified scientific uncertainties without sensationalism.^[2] This marked Yong's first Pulitzer, conferred on June 11, 2021, amid widespread recognition of his contributions to pandemic journalism.^[40] Yong's pandemic coverage also earned the George Polk Award for Science Reporting in 2021, a honor often regarded as comparable in prestige to the Pulitzer for its emphasis on investigative depth in public interest topics.^[41] The Polk citation highlighted his articles' role in dissecting the pandemic's scientific and policy dimensions, including viral evolution and global inequities in response strategies.^[2] Additionally, he received the Victor Cohn Prize for Excellence in Medical Science Reporting from the National Library of Medicine in 2021, recognizing outstanding explanatory work on health crises with verifiable scientific grounding.^[41] Other awards equivalent in scope for science journalism include the 2020 AAAS Kavli Science Journalism Award in the In-Depth Reporting category, awarded for long-form pieces that advanced public understanding of emerging infectious diseases.^[41] These accolades collectively underscore Yong's focus on empirical evidence and causal explanations in high-stakes reporting, with selections drawn from peer-reviewed nominations and panels prioritizing factual accuracy over narrative appeal.^[42] No equivalent prizes were reported for non-pandemic work prior to 2021.^[41]

Additional Accolades

Yong received the George Polk Award for Science Reporting in 2021 for his coverage of the COVID-19 pandemic.^[2] He also won the Victor Cohn Prize for Excellence in Medical Science Reporting in 2020, recognizing a body of work demonstrating clarity, accuracy, and insight into medical science issues.^[43] In the same year, Yong earned the AAAS Kavli Science Journalism Award in the In-Depth Reporting category for articles including "How the Pandemic Will End" and examinations of the U.S. response to the virus.^[44] For his book An Immense World: How Animal Senses Reveal the Hidden Realms Around Us, Yong was awarded the 2023 Royal Society Trivedi Science Book Prize, which honors outstanding science writing accessible to non-specialists.^[45] In 2022, he received the University of Chicago's Benton Award for Distinguished Public Service, acknowledging his contributions to public understanding of policy-relevant issues through journalism.^[46] Yong was granted a Guggenheim Fellowship in 2024 to support his independent research and writing on science topics.^[41] Earlier in his career, Yong won the National Academies Keck Award for Excellence in Science Communication in 2010 for his online journalism on scientific topics.^[41] He received the Byron H. Waksman Award for Excellence in the Public Communication of Life Sciences in 2016 from the National Library of Medicine.^[41] In 2025, Yong was named the recipient of the National Book Foundation's Science + Literature Award.^[47]

Reception and Critiques

Positive Assessments

Ed Yong's reporting on the COVID-19 pandemic garnered widespread acclaim for its prescience, clarity, and ability to anticipate public health challenges, earning him the 2021 Pulitzer Prize for Explanatory Reporting from The Atlantic's coverage in 2020.^[2] Poynter Institute named him the most important and impactful journalist of 2020 for this work, highlighting his role in elucidating the virus's trajectory and societal responses.^[48] Mother Jones designated him a "Hero of 2020" for producing prescient, terrifying, yet inspiring articles that warned of the pandemic's persistence akin to seasonal flu patterns.^[49] His explanatory style was lauded for emotional depth and empathy in interviews, establishing him as one of the foremost chroniclers of the pandemic, according to the Nieman Storyboard.^[50] The George Polk Award for science reporting and the Victor Cohn Prize for medical science reporting further recognized his 2020 contributions for accurately conveying complex epidemiological dynamics.^[2] Yong's 2022 book An Immense World: How Animal Senses Reveal the Hidden Realms Around Us received strong praise for expanding readers' understanding of nonhuman perception, with The New York Times calling it a "thrilling tour" that urges breaking free from anthropocentric "sensory bubbles."^[51] The Guardian described it as a "magnificent" exploration of creatures' sensory worlds, pushing perceptual boundaries.^[52] Kirkus Reviews commended its entertaining accounts of diverse animal senses and organs, while the book won the 2023 Royal Society Science Book Prize.^[53]^[54]

Criticisms of Reporting Approach

Critics have argued that Ed Yong's pandemic reporting emphasized alarmist scenarios and institutional failures at the expense of balanced assessment, potentially fueling public anxiety. For example, his September 2020 Atlantic cover story "How the Pandemic Defeated America" portrayed the U.S. response as a comprehensive collapse due to factors like delayed testing, fragmented leadership, and cultural denialism, with over 100,000 words detailing cascading breakdowns in hospitals, schools, and governance.^[27] A detailed critique contended that the piece omitted key successes, such as the rapid development of vaccines through Operation Warp Speed—which delivered effective shots by December 2020—and downplayed comparative global challenges, including China's initial cover-up and Europe's higher per-capita death rates in early waves, thereby presenting a selectively pessimistic view unmoored from empirical trade-offs in policy choices.^[5] In coverage of long COVID, Yong's approach has drawn rebukes for amplifying patient anecdotes and preliminary surveys without sufficient emphasis on evidentiary gaps. His August 2020 article "Long-Haulers Are Still Fighting for Their Future" highlighted self-reported symptoms from online groups, including cases with negative SARS-CoV-2 antibody tests in up to two-thirds of respondents, framing it as a widespread, underrecognized crisis demanding urgent systemic response. Critics, including physicians writing in STAT News, faulted such reporting for insufficient caution, arguing it risked overstating persistence or causality—given waning antibodies and confounding factors like preexisting conditions—potentially diverting resources from verifiable acute care needs and echoing past overhyping of post-viral syndromes without longitudinal data.^[55] Broader methodological critiques portray Yong's style as overly deferential to technocratic expertise, prioritizing narratives of elite institutional deficits over causal analysis of public agency or behavioral incentives. An analysis of post-truth era journalism accused reporters like Yong of shifting blame from informational "deficits" to inherent "defects" in public comprehension, thereby insulating public health authorities from scrutiny of overreach, such as prolonged school closures despite emerging evidence of low child risk, and reinforcing divides between credentialed sources and lay realities.^[56] These approaches, detractors claim, reflect a bias toward consensus-driven storytelling that privileges precautionary alarm over probabilistic reasoning, though Yong has defended his work as grounded in sourced expert insights and evolving evidence.^[57]

Personal Life

Family and Relationships

Ed Yong is married to Liz Neeley, a science communicator and founder of Liminal Creations, a consulting firm focused on science storytelling and audience engagement.^[1]^[58] The couple resides in Oakland, California, having relocated there from Washington, D.C., in 2023.^[18] They share their home with a corgi named Typo.^[1] Yong has stated that he and Neeley do not have children, which allowed him relative flexibility during periods of intense remote work, such as the early COVID-19 pandemic.^[23] Neeley has influenced Yong's professional interests, including suggesting the concept for his book An Immense World, which explores animal perception.^[59] The pair have occasionally collaborated or appeared together in public forums on science communication topics.^[60] Little public information exists on other family background or prior relationships, as Yong maintains a focus on his professional output rather than personal disclosures.^[61]

Personal Interests and Health Experiences

Ed Yong experienced significant burnout following three years of intensive COVID-19 reporting, which culminated in symptoms of anxiety and depression despite receiving the Pulitzer Prize in 2021.^[18] This professional exhaustion prompted a shift toward restorative activities, as the demands of pandemic journalism left him mentally depleted.^[62] To address his mental health struggles, Yong took up birdwatching as a hobby after relocating to Oakland, California, where the local environment facilitated immersion in nature.^[48] Birding provided a therapeutic outlet, fostering a "renewed ethos of attention" and aiding recovery from burnout by encouraging mindful observation of wildlife.^[62] He has described this pursuit as transformative, sharing it through public talks and contributing to community efforts like the Spoonbill Club, which promotes birding for mental well-being.^[63] Yong maintains an early-developed interest in wildlife, tracing back to childhood explorations that evolved into his broader scientific curiosity, though birding represents a more recent, personally healing focus.^[64] He shares his home with a corgi named Typo, reflecting an affinity for companion animals amid his nature-oriented interests.^[1] Yong has not reported personal experiences with long COVID, emphasizing instead his appreciation for avoiding infection and its debilitating effects based on his reporting.^[29]

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Sep 29, 2021 · Science journalist Ed Yong of The Atlantic has earned the reputation as one of, if not the, top chroniclers of the COVID-19 pandemic.
[51]
Review: Ed Yong's 'An Immense World' Is a Thrilling Tour of ...
Jun 22, 2022 · 'An Immense World' Is a Thrilling Tour of Nonhuman Perception. Ed Yong's book urges readers to break outside their “sensory bubble” to consider ...Missing: positive | Show results with:positive
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An Immense World by Ed Yong review – the astonishing ways in ...
Jun 20, 2022 · This magnificent book reveals the strange and mysterious ways that creatures sense their surroundings – pushing our understanding of them to the limit.Missing: positive | Show results with:positive
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An Immense World - Kirkus Reviews
7-day returnsIn a dozen chapters, Yong delivers entertaining accounts of how animals both common and exotic sense the world as well as the often bizarre organs that enable ...
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'They give us better options for preserving nature': Ed Yong on ...
Nov 24, 2023 · The Pulitzer-winning writer, who has just won the Royal Society science book prize for An Immense World, tells us how radical empathy uncovers the forces that ...
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We need to start thinking more critically about long Covid - STAT News
Mar 22, 2021 · In Yong's influential article, he cites a survey of Covid long-haulers in which some two-thirds of them had negative coronavirus antibody tests ...Missing: criticism | Show results with:criticism<|control11|><|separator|>
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From public deficits to public defects: How journalists embraced ...
The work of Atlantic science journalist Ed Yong produces similar effects. Yong is undoubtedly one of the most accomplished science journalists in the English- ...
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Reporting on Long Covid Taught Me to Be a Better Journalist
Dec 11, 2023 · Yong is a science writer who covered the Covid-19 pandemic. In the early months of the Covid-19 pandemic, when many people who are now still ...Missing: specialized timeline<|control11|><|separator|>
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Ed Yong | Penguin Random House
His first book, I Contain Multitudes, was a New York Times bestseller and won numerous awards. His work has appeared in The New Yorker, National Geographic, ...
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https://www.vanityfair.com/style/2022/05/zoo-day-with-ed-yong-resident-animals-and-pandemic-sense-maker
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Breaking Bias in Storytelling with Ed Yong and Liz Neeley
Jan 27, 2022 · In that 2018 story about gender imbalance in his reporting, Ed found that only 24 percent of his last 23 articles quoted sources that were women ...
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Q&A: How The Atlantic's Ed Yong navigated a year of deep ... - Poynter
Apr 6, 2021 · The prolific science writer talks about covering the pandemic he knew was coming, the challenge misinformation and 2020's impact on his mental health.
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https://www.tanner.utah.edu/news/ed-yong/
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Ed Yong and The Spoonbill Club - Outside/In
Jun 20, 2024 · Nate Hegyi: Ed came back to the Atlantic after that six month break. Did a few more stories and then… he quit. He moved across the country ...Missing: left | Show results with:left
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Ed Yong - Scientific23
I write about science. I tell interesting stories about scientists and the work they do, and I do that at the Atlantic, which is a US magazine.