Exclusive Audio Footage
Exclusive Audio Footage is the unreleased debut studio album by American hip hop duo Clipse, consisting of brothers Pusha T (Terrence Thornton) and No Malice (Gene Thornton, formerly Malice), recorded in Virginia Beach between 1997 and 1999.[1][2][3] Intended for official release on Elektra Records in 1999, the project was shelved due to the poor performance of the lead single and label priorities, though promotional CDs were distributed and it spawned the single "The Funeral," which received a music video.[4][5] The album was produced entirely by The Neptunes—Pharrell Williams and Chad Hugo—with whom Clipse had a long-term creative partnership, featuring 21 tracks including "Prayer," "Hear Me Out," "Power," and guest appearances from artists like Kelis, Kurupt, and N.O.R.E.[6][7][3] Despite its unreleased status, bootleg versions circulated widely in the early 2000s, and it was made available on streaming platforms in 2022 before being removed in 2025 for unauthorized distribution, cementing its reputation as a lost classic of Southern rap with raw, street-oriented lyrics over innovative Neptunes beats.[5][4][8]Recording and Production
Signing with Elektra Records
Clipse was formed in the mid-1990s in Virginia Beach, Virginia, by brothers Terrence "Pusha T" Thornton and Gene "No Malice" Thornton (then known as Malice), who began rapping together as a duo after initially pursuing individual paths in music.[9][10] The duo gained early local traction in the Virginia hip-hop scene through independent mixtapes and guest features on regional tracks, building a grassroots following that caught the attention of fellow Virginia Beach native Pharrell Williams of The Neptunes production team.[10] Williams, impressed by their demo tapes, provided them with beats and facilitated connections that would prove pivotal, including an introduction to his burgeoning Star Trak Entertainment network.[11][12] In 1997, Williams brokered Clipse's signing to Elektra Records, securing a major-label contract for the duo after executives responded positively to their raw demo submissions.[10][11] The label anticipated a swift debut album from the pair, viewing them as a fresh voice in East Coast rap with potential for commercial breakthrough under The Neptunes' production guidance.[13] During this initial phase with Elektra, the album received its working title, Exclusive Audio Footage, which encapsulated the duo's commitment to delivering unfiltered, street-level hip-hop narratives without compromise.[14][15]Sessions with The Neptunes
The recording sessions for Clipse's debut album Exclusive Audio Footage were led by the production duo The Neptunes—Pharrell Williams and Chad Hugo—who crafted all beats and instrumentation across the project's approximately 20 tracks.[16] Following their signing with Elektra Records in 1997, the duo began work on the album, drawing on their shared Virginia roots to foster a collaborative environment.[11] The sessions primarily took place in studios in Virginia Beach, Virginia, where both Clipse and The Neptunes were based, allowing for an organic creative flow amid the local hip-hop scene. Spanning from initial demos in 1997 through full album completion by late 1998 and final mixes in 1999, the process emphasized experimental sound design tailored to the duo's street-oriented lyricism.[10][17] Key contributors included guest vocalists who added layers to select tracks, such as Pharrell Williams providing hooks and ad-libs, notably on "You Don't Even Know," and Kelis delivering a featured verse on the same song. Other appearances, like those from N.O.R.E. and Kurupt, further enriched the album's interpersonal dynamics during recording. The Neptunes' approach involved close iteration with Clipse brothers Pusha T and No Malice (then Malice), refining raw demos into polished cuts that captured early iterations of their signature sound.[4]Intended Release and Shelving
Promotion of "The Funeral"
"The Funeral" served as the sole official single from Clipse's unreleased debut album Exclusive Audio Footage, released in May 1999 through Elektra Records.[18] Produced entirely by The Neptunes—Pharrell Williams and Chad Hugo—the track runs 3:31 and features dense, introspective lyrics centered on street life, personal loss, and the cycle of violence in urban environments.[19][20] Pusha T, one half of the duo with brother Malice, drew from real experiences, noting the song was inspired by attending multiple funerals for friends amid escalating dangers in their Virginia Beach surroundings.[21] To promote the single, Clipse shot a music video directed by Marc Klasfeld.[22] Filmed in Virginia Beach in 1999, the video captured gritty urban visuals with a raw, atmospheric edge, including dimly lit streets and evocative imagery that evoked Southern hardship, leading some viewers to mistakenly associate the duo with New Orleans.[18] Described as high-concept, it highlighted the duo's intense chemistry and The Neptunes' minimalist production, blending somber tones with hard-hitting beats to underscore the track's themes. Elektra mounted a targeted promotional campaign for East Coast hip-hop audiences, emphasizing radio play and club spins to build momentum for the album.[23] The single received airplay primarily on regional stations, particularly in Virginia, but struggled to break nationally, achieving only modest chart performance with limited mainstream sales.[24] Despite these challenges, it generated initial buzz among fans and industry insiders, with early coverage in outlets like Vibe praising Clipse's sharp lyricism and seamless rapport with The Neptunes, positioning them as a fresh voice in East Coast rap.[18] This underwhelming commercial reception ultimately contributed to the shelving of Exclusive Audio Footage.[23]Label Decision to Cancel
Elektra Records expressed dissatisfaction with the commercial underperformance of Clipse's lead single "The Funeral," released in 1999, which failed to achieve significant chart success or broader appeal beyond regional audiences in Virginia.[25][26][27] This underwhelming response to the single's promotion served as the primary trigger for the label's subsequent actions regarding the album.[3] In mid-1999, Elektra executives decided to shelve Exclusive Audio Footage entirely, informing Clipse of the cancellation during internal meetings, as the project did not align with the label's expectations for crossover potential in the evolving hip-hop landscape.[25][26] As a result of the shelving, Clipse was released from their contract with Elektra shortly thereafter, allowing the duo to seek new opportunities.[25][26] In early 2001, Pharrell Williams signed them to Arista Records through his Star Trak Entertainment imprint, where they recorded and released their official debut Lord Willin' in 2002.[10][26] From 1999 onward, Exclusive Audio Footage remained officially shelved, with the masters archived by Elektra and no additional promotion or release pursued by the label.[3][25]Leaks and Circulation
2004 Internet Leak
In early 2004, unauthorized bootleg versions of Exclusive Audio Footage emerged as unofficial vinyl and CD releases, following its shelving by Elektra Records. These bootlegs, produced without label involvement, were distributed through underground channels and file-sharing networks popular at the time, allowing fans access to the previously promo-only material sourced from studio copies or industry leaks. The online leak of the full album had occurred earlier, with the 2004 releases marking a notable physical bootleg wave.[5][28] The dissemination gained traction in hip-hop communities, where the album was discussed as a "lost classic" on forums and mixtape circuits, fostering a cult following despite its unofficial status. Early digital copies varied in audio fidelity, with some tracks featuring incomplete mixes or unauthorized remixes due to the bootleg nature of the sources. This grassroots spread contributed to the album's enduring cult status following Clipse's official debut Lord Willin' in 2002.[29]2022 Streaming Release and 2025 Removal
On May 2, 2022, Exclusive Audio Footage was uploaded to major streaming platforms including Spotify and Apple Music by the independent label "On the Low," providing the first widespread digital access to the project in a format resembling official availability.[30] The release featured the complete 20-track listing accompanied by the original artwork designed for the shelved Elektra project.[5] The sudden appearance generated considerable excitement in hip-hop circles, with outlets like HipHopDX publishing articles that framed it as a historic moment for the duo's early career, produced entirely by The Neptunes.[30] Fan communities, including discussions on Reddit's r/hiphopheads, erupted in celebration, crediting the move to years of demand sparked by the album's earlier leaks. In June 2025, however, the album was removed from all streaming services after Elektra Records—now part of Warner Music Group—deemed the "On the Low" upload unauthorized and issued takedown notices backed by lawsuit threats to enforce copyright control. As of November 2025, Exclusive Audio Footage is no longer accessible via official digital channels.Musical Content
Production Style
The production style of Exclusive Audio Footage exemplifies the early signature sound of The Neptunes, characterized by minimalist beats featuring heavy basslines, sparse synth arrangements, and unconventional samples that create a raw, experimental edge distinct from their later, more polished work. Tracks like "Power" incorporate soul loops to build an atmospheric foundation, while "Interlude 1" employs funk breaks to provide brief, rhythmic transitions that underscore the duo's street-oriented aesthetic. This approach, developed during sessions with Pharrell Williams and Chad Hugo, emphasized space and tension in the arrangements, allowing Clipse's verses to cut through with intensity. Individual tracks showcase variations in structure, often contrasting hard-hitting gangsta rap drums during verses—replete with shifting snares and clanging synths—with melodic, uplifting hooks that introduce airy guitars or eerie sound-stretching effects for contrast. The average track length hovers around 3:20, promoting brevity and punchy delivery that keeps the momentum taut without unnecessary filler. Examples include the stuttering drum patterns on "Got Caught Dealin' Part 2," which energize the beat while foreshadowing the duo's evolution toward more refined trap influences.[31] For its 1999 recording era, the album introduced technical innovations such as early applications of pitched-down vocals and spatial effects, which added depth and a sense of disorientation to the mixes, prefiguring Clipse's signature polished yet gritty style on subsequent releases like Lord Willin'. These elements, including extraterrestrial synths and jagged string accents, contributed to a rawer, less calculated sonic palette compared to later Neptunes productions.[31] The album's overall cohesion emerges through its 21 tracks, which form a narrative arc progressing from introspective openers like "Prayer" to increasingly aggressive closers, unified by The Neptunes' consistent use of powerful, impactful beats that amplify the duo's hungry, ferocious deliveries. This structure creates a sense of progression, blending experimental flair with street authenticity to establish a blueprint for Virginia rap's sound.[32]Lyrical Themes
The lyrical themes of Exclusive Audio Footage center on street hustling, family loyalty, and the pervasive cocaine trade culture of Virginia Beach, reflecting the duo's roots in a coastal environment where drug dealing intertwined with everyday life.[33] Tracks like "Hear Me Out" illustrate personal struggles through vivid depictions of the high-stakes "game," including warnings about drug weights separating lives and love-hate family dynamics amid suburban hustling.[34] These narratives emphasize the allure and peril of the trade, portraying it as a monopoly where ice (jewelry or drugs) and life hang in the balance.[34] The duo's dynamic contrasts Pusha T's raw, dealer-focused storytelling with No Malice's (then Malice) more introspective and spiritual reflections, a pattern evident from their early sessions.[35] Pusha T delivers experiential flows on hustling mechanics, such as flipping bricks while critiquing fake "hardcore" rivals, while No Malice infuses religious undertones, as in the album's opening "Prayer," where he acknowledges life's chaos and seeks blessing before rapping, invoking forgiveness if their words cause harm.[36][37] This interplay, with separate writing processes fostering authenticity, highlights themes of morality amid vice.[35] Social commentary emerges through critiques of fame's illusions and violence's toll, often less refined than in later releases, tying into recurring motifs of funerals and loss that underscore mortality in the streets.[21] The lead single "The Funeral," for instance, mourns friends lost to unnatural deaths, capturing an era of frequent services amid the cocaine economy.[21] These elements convey a raw cautionary tone, rooted in Virginia's drug-fueled underbelly without the commercial polish of subsequent works.[33] The language employs dense slang, double entendres, and unfiltered authenticity, amplifying the production's sparse beats to deliver punchy, street-coded authenticity—exemplified by Pusha T's layered coke raps that blend luxury with peril.[38] This style prioritizes internal rhymes and felt craftsmanship over broad accessibility, maintaining a gritty edge true to their origins.[35]Reception and Legacy
Critical Reviews
Prior to its official shelving in 1999, the lead single "The Funeral" from Exclusive Audio Footage received limited critical attention, with reviewers praising its dynamic production and energetic delivery while noting potential commercial risks due to its niche Southern rap style.[39] Following the album's 2004 internet leak, reception among hip-hop enthusiasts was generally positive, emphasizing the duo's raw talent and the innovative beats from The Neptunes; fan-voted scores on Rate Your Music averaged 3.3 out of 5 based on over 300 ratings, with users frequently lauding the minimalist production and early authenticity of Pusha T and Malice's chemistry.[40] The brief 2022 streaming release—unofficial and later removed—prompted renewed user reviews on aggregate sites, where Album of the Year recorded an average score of 72 out of 100 from 147 ratings, positioning the project as a "lost gem" of unreleased hip-hop despite critiques of its dated late-1990s production style; reviewers highlighted the enduring strength of the duo's lyricism and street-focused narratives as standout elements.[41] Across these periods, Exclusive Audio Footage has been consistently acclaimed for its unpolished authenticity and pioneering role in Southern rap experimentation, though often critiqued for lacking radio-friendly hits that might have ensured wider appeal; its unreleased status has precluded a formal Metacritic aggregate.[40][41]Cultural Impact
The shelving of Exclusive Audio Footage marked a pivotal moment in Clipse's career trajectory, serving as a raw prototype that informed the polished blueprint of their breakthrough album Lord Willin' (2002). Recorded entirely by the Neptunes between 1997 and 1999, the project captured the duo's unrefined street narratives and minimalist beats, which were later honed into the spacey, hit-driven sound that propelled tracks like "Grindin'" to commercial success. This evolution from the album's gritty foundations helped Clipse transition from label castoffs to hip-hop staples, demonstrating resilience amid industry setbacks.[10] The album's thematic focus on drug trade and Virginia hustling laid essential groundwork for Pusha T's enduring coke-rap persona, evident in his solo output like Daytona (2018) and It's Almost Dry (2022), where vivid, unapologetic depictions of the cocaine economy echo the project's early intensity. By prioritizing stark lyricism over mainstream polish, Exclusive Audio Footage influenced Pusha T's solo identity as a relentless narrator of street life, distinguishing him in a genre often diluted by broader appeal.[10] In broader hip-hop circles, Exclusive Audio Footage contributed to the underground fascination with shelved projects, fostering appreciation for "lost" works that reveal artists in nascent stages, much like Big L's unreleased material from the late 1990s. Its full leak in 2004 transformed it into a bootleg staple, amplifying the Neptunes' reputation for innovative, edgy production that blended futuristic synths with raw aggression, paving the way for their dominance in early 2000s rap. This legacy elevated the production duo's status as architects of a distinctive Southern sound, influencing subsequent acts with its sparse, atmospheric approach.[29][10] The project's mythical aura among fans stemmed from its prolonged inaccessibility, with bootlegs circulating for over two decades before its unofficial streaming appearance on May 2, 2022, which was removed due to unauthorized distribution. An official streaming release followed on November 11, 2025, garnering renewed streams and further spotlighting Clipse's early chemistry. This cult following not only sustained interest in the duo but also contributed to the release of their reunion album Let God Sort Em Out on July 11, 2025. In Virginia's rap scene, the album helped pioneer a regional identity, spotlighting the Neptunes' Virginia Beach roots and opening doors for local talents like Fam-Lay, whose bootleg mixtapes gained traction in the wake of Clipse's rising profile.[14][25][28][42]Track Listing and Credits
Track Listing
The original 1999 track listing for Exclusive Audio Footage comprises 21 tracks, including five untitled interludes serving as transitions between songs, with a total runtime of 68:12. The sequence reflects the shelved EastWest Records configuration, featuring production primarily by The Neptunes. "The Funeral," positioned as the closing track, was released as a promotional single in 1999 and accompanied by an official music video directed by Marc Klasfeld.[5][43][44]| No. | Title | Duration |
|---|---|---|
| 1 | Prayer | 1:03 |
| 2 | Hear Me Out | 2:56 |
| 3 | Power | 3:57 |
| 4 | Interlude | 1:18 |
| 5 | You Don't Even Know (featuring Kelis and Pharrell Williams) | 4:05 |
| 6 | Breakfast in Cairo (featuring Kurupt and N.O.R.E.) | 4:10 |
| 7 | Interlude | 1:39 |
| 8 | Hostage | 4:24 |
| 9 | Wild Cowboy | 4:16 |
| 10 | Got Caught Dealin' | 4:16 |
| 11 | Interlude | 0:13 |
| 12 | Taiwan to Texas | 4:07 |
| 13 | Interlude | 0:14 |
| 14 | Stick Girl | 3:59 |
| 15 | You Can't Touch Me | 4:54 |
| 16 | Feel Like Me | 3:42 |
| 17 | Bodysnatchers | 4:49 |
| 18 | Diana Ross | 4:22 |
| 19 | Watch Over Me | 4:01 |
| 20 | Interlude | 2:16 |
| 21 | The Funeral | 3:31 |