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Feature story

A feature story is a genre of journalistic writing that uses narrative techniques to delve deeply into a subject, emphasizing human interest, emotions, and vivid storytelling over the straightforward reporting of facts.^[1] It focuses on people, scenes, and broader themes to illuminate the significance behind events, often employing descriptive language, anecdotes, and character development to engage readers on an emotional level.^[2] Unlike hard news, which relies on an inverted pyramid structure for timeliness and brevity, feature stories adopt a more fluid, rollercoaster-like narrative arc with a delayed lead and extended exploration.^[3] Feature stories encompass various types, including profiles of individuals, investigative pieces, historical retrospectives, and lifestyle explorations, all grounded in thorough research and factual accuracy without embellishment.^[2] Key characteristics include a strong lead that hooks the reader through scenes or anecdotes, a nut graph to provide context and theme, and a body that builds tension through complications, decisions, and resolutions, culminating in a resonant conclusion.^[3] They prioritize "showing" over "telling" via dialogue, sensory details, and character portraits that reveal motivations and conflicts, fostering intimacy and insight.^[4] The evolution of feature stories traces back to the early 20th century, when they emerged alongside human-interest reporting to expand newspaper readership by blending news with emotional depth.^[5] Over time, features blurred with news as publications integrated narrative elements into daily reporting, though traditional print long-form pieces have faced challenges from the rise of specialized sections and the shift to digital formats, they have experienced a resurgence in online multimedia and long-form storytelling. In the digital age, feature stories have evolved to incorporate multimedia elements such as video, audio, and interactive graphics to enhance engagement.^[5]^[6] Today, they remain vital for engaging audiences in an era of short attention spans, often recognized by awards like the Pulitzer Prize for Feature Writing, which honors exemplary work in this style.^[5]

Definition and Characteristics

Core Definition

A feature story is a form of journalistic writing that delves into subjects through narrative techniques, personal perspectives, and vivid descriptions, prioritizing depth over the immediacy of factual reporting. Unlike hard news, which focuses on the who, what, when, where, and why in a concise manner, feature stories aim to engage readers by weaving in broader context and sensory details to illuminate the human or cultural significance of a topic.^[7]^[6] At its core, a feature story emphasizes human interest, contextual background, atmospheric details, and emotional resonance to foster reader connection, while maintaining journalistic standards of verification and accuracy. These elements allow writers to explore the nuances of people, events, or issues, often evoking empathy or insight rather than urgency. Feature stories typically range from 1,000 to 5,000 words, providing ample space for such elaboration without the constraints of brevity found in daily news.^[8]^[5]^[9] The term "feature story" emerged in early 20th-century U.S. newspapers, with one of its earliest documented uses appearing in a 1912 journalism textbook, where it was described as a distinct category to differentiate expansive, illustrative articles from routine hard news coverage. This coinage reflected the growing demand for content that went beyond breaking events to offer more reflective, engaging material. In magazines and newspapers, feature stories serve as non-time-sensitive pieces, enabling publication on schedules that allow for thorough research and editing, thus filling sections dedicated to lifestyle, culture, or analysis rather than front-page immediacy.^[6]^[9]

Key Distinctions from News Reporting

Feature stories diverge from traditional news reporting primarily in their structural approach. While news articles employ the inverted pyramid format, which prioritizes the most critical information—who, what, when, where, why, and how—at the outset to allow quick reader comprehension and editing for space, feature stories utilize a narrative arc that builds suspense, develops characters, and unfolds details gradually to immerse the audience.^[2] This structure in features often begins with an anecdotal or descriptive lead, followed by contextual depth and a reflective conclusion, contrasting the concise, fact-frontloaded style of news that facilitates rapid dissemination of timely events.^[3] Another key distinction lies in timeliness and purpose. News reporting is inherently event-driven and urgent, focusing on breaking developments to inform the public immediately about current affairs, whereas feature stories are often evergreen, emphasizing broader trends, personalities, or enduring issues rather than fleeting incidents.^[2] For instance, a news piece might cover a recent policy announcement, while a feature could explore the human impact of similar policies over time, allowing for more reflective and less deadline-constrained exploration.^[10] In terms of objectivity and voice, news strives for strict neutrality, presenting facts in a dispassionate tone with paraphrased sources to maintain impartiality, but features permit a more interpretive author's voice, including scene-setting, emotional cues, and direct dialogue to convey nuance and engagement.^[2] This allows features to "show" rather than merely "tell," fostering deeper reader connection without compromising factual accuracy.^[3] Hybrid forms, such as news features, bridge these approaches by combining the timeliness and newsworthiness of hard news with the depth and narrative elements of features, often starting with a summary lead before delving into backstory or implications to balance urgency with insight.^[11] For example, a news feature on a public health crisis might report recent statistics upfront like a news story, then transition to personal anecdotes and analysis to humanize the issue, ensuring the piece remains relevant to current events while providing contextual richness.^[10]

Historical Development

Origins in Print Journalism

Feature stories began to emerge in 19th-century newspapers in the United States and the United Kingdom as a means to supplement hard news reporting with more engaging, narrative-driven content that appealed to a broadening readership amid rising literacy and mass circulation. Influenced by literary sketches—short, observational pieces blending personal anecdote and social commentary—these early features emphasized human interest and emotional resonance over factual brevity, drawing from traditions in periodicals that prioritized storytelling to captivate audiences. In the U.S., the penny press of the 1830s onward facilitated this shift by prioritizing accessible, entertaining content, while in the UK, publications like Punch (founded 1841) incorporated satirical sketches that foreshadowed journalistic features. The 1890s marked a pivotal advancement through yellow journalism, a sensationalist style pioneered by publishers Joseph Pulitzer and William Randolph Hearst, which integrated immersive, subjective reporting into features to boost sales and public engagement. This era elevated feature writing by encouraging reporters to embed themselves in stories for vivid, firsthand accounts, often blending advocacy with narrative flair. A seminal figure was Nellie Bly (Elizabeth Jane Cochran), who, working for Pulitzer's New York World, exemplified this approach; her 1887 series "Ten Days in a Madhouse" saw her feign insanity to infiltrate the Blackwell's Island asylum, exposing brutal conditions through detailed, empathetic prose that combined investigation with storytelling. Published as a series of articles and later a book, it prompted a grand jury probe and asylum reforms, establishing an early prototype for investigative features that humanized social issues.^[12] By the early 1900s, feature stories evolved from loosely structured essays toward more rigorous, thematic narratives, largely driven by muckraking journalism in mass-circulation magazines that demanded in-depth research and structured exposition. McClure's Magazine, founded in 1893 by S.S. McClure, led this transition with its January 1903 issue, which featured exposés by Ida Tarbell on Standard Oil monopolies, Lincoln Steffens on urban corruption, and Ray Stannard Baker on labor abuses—pieces that framed complex societal problems through compelling, character-driven stories rather than abstract essays. Similarly, Collier's Weekly, under Peter F. Collier, advanced structured features with Samuel Hopkins Adams's 1906 series "The Great American Fraud," which targeted patent medicine scandals and influenced the Pure Food and Drug Act of 1906. These magazines professionalized feature writing by emphasizing verifiable depth and reformist impact, setting precedents for later developments.^[13] Publications such as The New Yorker, founded in 1925 by Harold Ross, built on these foundations by incorporating literary sketches and urbane profiles that refined feature storytelling with wit and cultural insight, influencing the genre's emphasis on sophisticated narrative craft.^[14]

Evolution in the 20th and 21st Centuries

The advent of World War II profoundly influenced feature storytelling by integrating visual elements into journalistic narratives, particularly through pictorial magazines. Life magazine, launched in 1936, expanded its role during the war by deploying correspondents and photographers across global theaters, producing weekly features that brought the conflict's human and visual dimensions to American readers. By the war's end in 1945, Life's photography staff had increased from four to thirty-eight members, elevating photojournalism as a core component of feature stories and shaping post-war visual reporting.^[15] This era marked a shift toward more immersive, image-driven features that combined textual depth with photographic impact to convey complex events.^[16] The mid-20th century saw further evolution with the emergence of literary journalism, culminating in the New Journalism movement of the 1960s and 1970s. Pioneered by writers such as Tom Wolfe and Hunter S. Thompson, this approach incorporated novelistic techniques—including scene-by-scene construction, recorded dialogue, third-person point of view, and status details—into nonfiction feature writing.^[17] Wolfe's works, like The Electric Kool-Aid Acid Test (1968), exemplified this by immersing readers in cultural phenomena through vivid, subjective narration while maintaining factual accuracy.^[18] Thompson's gonzo style, as seen in Fear and Loathing in Las Vegas (1971), further blurred lines between reporter and participant, influencing feature stories to prioritize personal voice and experiential depth over detached objectivity.^[19] These innovations revitalized features amid broadcast media's rise, adapting print traditions to compete with television's immediacy. Entering the 21st century, feature stories transitioned to digital platforms, fostering the proliferation of long-form narratives online. Since the early 2000s, publications like The Atlantic have championed extended essays and investigative pieces, leveraging the web's capacity for unrestricted length and depth.^[20] ProPublica, established in 2007 as a nonprofit, has similarly elevated long-form features through rigorous, public-interest reporting, often exceeding 5,000 words per story.^[21] This shift enabled global accessibility and archival permanence, transforming features from ephemeral print items into enduring digital assets. As print circulation declined sharply—newspaper ad revenue falling by over 80% from 2000 to 2020—feature journalism adapted by integrating multimedia elements to enhance engagement.^[22] Digital features now routinely combine text with videos, interactive graphics, and podcasts, addressing audience preferences for dynamic content amid shorter attention spans.^[23] The enduring significance of such adaptations is reflected in the Pulitzer Prizes, where the Feature Writing category has recognized exemplary work annually since 1979, accounting for a consistent portion of journalism honors and highlighting features' role in narrative excellence.^[24]

Types of Feature Stories

Human Interest and Profile Features

Human interest features focus on the emotional and personal dimensions of everyday lives, often highlighting triumphs, tragedies, or ordinary moments that resonate universally. These stories prioritize individual experiences over hard news facts, aiming to evoke empathy, compassion, or inspiration in readers by showcasing the human element behind events.^[25]^[26] For instance, a human interest piece might explore a community's response to a natural disaster through the lens of a single family's resilience, using vivid personal anecdotes to connect distant events to readers' own lives. The purpose is to humanize broader issues, fostering emotional connections that encourage reflection or action.^[27]^[28] Profile features, by contrast, offer in-depth portraits of individuals, delving into their backgrounds, motivations, quirks, and influences to create a multifaceted character study. These articles typically center on a news angle or a defining aspect of the subject's life, such as a public figure's unexpected vulnerabilities or an everyday hero's journey.^[29]^[30] Structures often follow a chronological arc to trace personal evolution or a thematic organization to explore traits like ambition or resilience, ensuring the narrative reveals deeper insights without sensationalism.^[31] The goal is to illuminate the subject's humanity, allowing readers to understand how personal stories intersect with larger societal contexts. Unique to both human interest and profile features are techniques that emphasize immersion and authenticity, such as extensive direct quoting to capture voice and personality, scene reconstruction to recreate pivotal moments, and sensory details to evoke sights, sounds, and emotions. Writers reconstruct dialogues and settings based on interviews and observations, blending factual reporting with narrative flair to "show" rather than "tell" the story.^[32]^[2] These methods draw on narrative techniques to heighten engagement, making abstract experiences tangible.^[33] The profile form gained prominence in the 1920s through The New Yorker, which under founder Harold Ross pioneered the "Profile" department as a signature biographical sketch blending journalistic rigor with literary depth.^[34] Staff writer Joseph Mitchell exemplified this style from the 1930s onward, producing iconic pieces like "Professor Sea Gull" (1942) that profiled eccentric New Yorkers with empathetic precision and narrative subtlety, influencing generations of feature writers.^[35]^[36]

Investigative and Narrative Features

Investigative features represent a subset of long-form journalism dedicated to uncovering concealed truths through rigorous, evidence-based reporting, often targeting systemic issues like corruption, abuse of power, or institutional failures. These pieces are often long-form and prioritize public accountability by presenting verified facts, documents, and witness accounts to expose wrongdoing and prompt reform. Unlike routine news, investigative features demand extensive time—sometimes months or years—for sourcing and verification, aiming to reveal what powerful entities seek to hide, either deliberately or amid obscured details.^[37]^[38] Narrative features, in contrast, employ literary techniques to craft immersive, story-driven accounts of broader societal themes, drawing on elements like plot progression, character development, and thematic depth to engage readers emotionally while illuminating human experiences within larger contexts. These works focus on societal issues through chronological tension and vivid scenes, resembling fiction in structure but grounded in factual reporting, often exploring cultural, environmental, or ethical dilemmas without the primary goal of indictment. For instance, narrative features might trace a community's resilience amid crisis, using anecdotes and dialogue to build empathy and insight.^[39]^[40] The core differences lie in intent and method: investigative features emphasize factual revelation and accountability, often leading to legal or policy changes, whereas narrative features prioritize storytelling to foster understanding and reflection, building suspense through sequence rather than linear fact accumulation. While both rely on deep research and interviewing techniques to gather material, investigative work centers on corroborating evidence for exposure, and narrative on weaving facts into compelling arcs.^[41]^[42] The prominence of these feature types surged in the 1970s following the Watergate scandal, where Washington Post reporters Bob Woodward and Carl Bernstein's investigative series exposed the Nixon administration's abuses, catalyzing a boom in dedicated investigative units at news outlets and elevating the genre's role in democratic oversight. This era marked a shift toward accountability journalism, with narrative features also gaining traction as a counterbalance to dry exposition, blending reportage with stylistic flair to address complex social narratives. In modern contexts, outlets like The New York Times Magazine exemplify this evolution through pieces such as the 2009 investigative collaboration with ProPublica on patient deaths at Memorial Medical Center during Hurricane Katrina, which uncovered ethical lapses in crisis care, and narrative-driven works like those in "The Great Read" series, which explore human stories within global issues to provoke thought on topics from fraud to cultural shifts.^[43]^[44]^[45]

Writing Process

Generating and Refining Ideas

The process of generating ideas for feature stories begins with identifying potential sources that spark curiosity and offer narrative depth. Journalists often draw from everyday observations of local events or anomalies, such as unusual community patterns or personal encounters that reveal broader societal trends.^[46] Tips from sources like community leaders, experts, or even social media contacts provide insider perspectives, while emerging trends—spotted through news monitoring or industry reports—offer timely hooks.^[47] Editorial assignments may direct reporters toward specific themes, but self-initiated ideas frequently stem from serendipitous discoveries or contrarian questions that challenge conventional narratives.^[46] Techniques for expanding these initial sparks include brainstorming sessions, where writers list ideas freely without immediate judgment to uncover connections, and creating pitch memos—concise documents outlining the story concept, its relevance to the audience, and key elements like potential scenes or sources.^[48]^[49] Mind mapping serves as a visual tool, starting with a central topic and branching out to related sub-themes, allowing non-linear exploration that mirrors the associative nature of creative thinking.^[48] These methods help transform vague notions into viable concepts, often incorporating brief references to how the idea aligns with human interest or investigative angles in feature types.^[47] Refining ideas involves rigorous assessment to ensure viability. Writers evaluate newsworthiness by gauging elements like timeliness—tying into current events for urgency—or evergreen potential for lasting relevance, while selecting a sharp angle that highlights unique human drama or societal insight.^[46] Feasibility checks focus on practicalities, such as access to key sources or reporting constraints, often through preliminary research like reviewing existing coverage to confirm the idea's freshness and avoid redundancy.^[2] This validation step includes crafting a one-sentence theme statement to narrow scope and test audience appeal.^[2] Common pitfalls in this stage include pursuing overbroad topics that lack focus, leading to diluted narratives, or fixating on superficial timeliness at the expense of deeper, timeless elements.^[46]^[50] To mitigate these, journalists emphasize curiosity-driven questioning, such as "What's up with that?" to probe overlooked facets, ensuring ideas evolve into compelling, executable features.^[46]

Research and Interviewing Techniques

Feature writing demands a rigorous approach to information gathering that prioritizes depth and context over the immediacy of news reporting, allowing journalists to explore human experiences and broader implications through multifaceted sources.^[51] This process begins after an idea has been selected and refined, focusing on building a comprehensive factual foundation to support narrative elements.^[52] Research strategies in feature writing emphasize immersive and varied methods to uncover nuanced details. Archival dives into historical records, newspapers, and public documents provide essential context, helping to frame personal stories within larger social or economic landscapes and avoid superficial interpretations influenced by public relations.^[51] Data analysis, such as reviewing statistics from government reports or academic studies, adds quantitative layers to qualitative narratives, enabling journalists to "island-hop an archipelago of knowledge" across complex topics.^[51] Site visits are crucial for capturing "felt life" through direct observation, where reporters immerse themselves in environments—like communities or workplaces—to gather authentic sensory details and interactions uncontaminated by external biases.^[51] Balancing primary sources, such as firsthand interviews and observations, with secondary sources like books, articles, and expert analyses ensures a robust, corroborated body of information, with primary elements driving the emotional core while secondary ones provide verifiable backdrop.^[51]^[52] Interviewing forms the heart of feature research, requiring meticulous preparation to elicit revealing, narrative-rich responses. Journalists prepare by compiling a targeted list of 10-15 specific questions informed by preliminary research, including background checks via search engines, social media, and prior publications, to avoid generic inquiries and maximize insight yield.^[53] Building rapport starts with low-stakes, open-ended questions about the subject's daily life or recent experiences, fostering a conversational flow through active listening and follow-up probes like "How did that feel?" or "Can you give an example?" to uncover anecdotes and emotions.^[53] Follow-up interviews, often scheduled after initial sessions, allow for clarification and deeper exploration of emerging threads, with reporters noting key phrases during the conversation for real-time adjustments.^[53] Handling sensitive topics ethically involves obtaining informed consent, maintaining transparency about the story's intent, and prioritizing the subject's well-being by pausing or redirecting if distress arises, while ensuring quotes are verified for accuracy to prevent harm.^[53]^[54] Verification in feature writing employs structured fact-checking protocols tailored to the genre's reliance on personal narratives and anecdotes, distinguishing it from news by the need to corroborate subjective elements. After drafting, reporters annotate the manuscript with source citations, including interview timestamps, document references, and contact details, then provide these to an independent fact-checker for line-by-line scrutiny.^[55] This includes cross-verifying anecdotes through multiple witnesses or records, assessing source credibility, and seeking additional corroboration for high-stakes claims like historical events or emotional testimonies to mitigate bias and ensure narrative integrity.^[55] The process culminates in editorial review of proposed revisions, emphasizing every verifiable fact—from names and dates to interpretive contexts—to uphold journalistic standards.^[55] Unlike news stories, which often demand completion within hours to meet daily deadlines, feature research typically spans weeks or months to allow for iterative immersion and refinement, enabling the layered storytelling that defines the form.^[56]^[57] This extended timeline accommodates multiple site visits, prolonged interviews, and thorough verification, fostering the depth that engages readers beyond surface facts.^[56]

Structuring and Stylistic Elements

Overall Structure Frameworks

Feature stories typically employ high-level organizational frameworks to guide readers through a narrative that balances engagement with informational depth, ensuring a logical progression from introduction to conclusion. One prevalent model begins with an anecdotal lead, which hooks the audience through a vivid, personal vignette, followed by the body that develops the story's core elements, and concludes with a resolution that provides closure or insight.^[58] Another common approach uses thematic progression, where the narrative unfolds by exploring interconnected themes rather than strict chronology, allowing for a layered examination of the subject to maintain reader interest.^[59] These frameworks prioritize flow by integrating research seamlessly into the narrative, avoiding abrupt shifts that disrupt immersion.^[58] Central to many feature structures is the nut graf, a concise paragraph that serves as a bridge between the lead and the body, elucidating the story's broader significance and answering the "so what?" question for readers. Typically placed in the second to fifth paragraph, it connects the opening anecdote to larger themes or issues, providing context and orienting the audience toward the narrative's purpose.^[60] For instance, after an anecdotal lead depicting a specific individual's experience, the nut graf might summarize the key facts—who, what, when, where—and explain how this example illuminates a wider societal trend.^[61] This element ensures the story's relevance is clear early on, preventing disengagement while transitioning smoothly to deeper exploration.^[62] Effective pacing in feature stories involves building tension toward a climax while distributing information to sustain momentum, often structured to avoid dense "info dumps" that overwhelm readers. The lead typically comprises about 10% of the total word count to quickly establish tone and intrigue, with the body occupying the majority—around 70-80%—to delve into details through varied sentence lengths and rhythmic shifts.^[63] Shorter paragraphs and strategic quotes accelerate pace during high-tension moments, while descriptive passages slow it for reflection, culminating in a resolution that reinforces the story's impact without abrupt endings.^[64] This controlled rhythm enhances emotional engagement, adapting to the piece's length, which often ranges from 1,000 to 4,000 words for print features.^[9] Frameworks adapt based on the feature type to optimize flow: narrative features favor a linear structure, progressing chronologically to trace character arcs and build suspense, much like a novel's plot.^[58] In contrast, profiles often use a modular structure, organizing content into thematic sections—such as background, achievements, and personal insights—that can be rearranged for emphasis, allowing non-chronological jumps to highlight key traits without losing coherence.^[59] These variations ensure the overall model remains flexible, prioritizing reader retention through tailored progression.^[61]

Writing Style and Techniques

Feature stories employ a distinctive voice and tone that balance journalistic objectivity with narrative engagement, often blending third-person reportage for factual accuracy with reflective elements to provide deeper insight. Third-person objectivity maintains a detached perspective, allowing writers to observe and report events without inserting personal bias, as emphasized in observational exercises that prioritize sensory details over opinion. In contrast, first-person immersion can foster intimacy when appropriate, such as in personal essays or profiles, but it risks subjectivity and is used sparingly to avoid undermining credibility. Blending reportage with reflection involves interweaving verifiable facts with interpretive scenes, enabling readers to connect emotionally while grounding the narrative in evidence, a technique that distinguishes features from straight news.^[2] Key techniques in feature writing enhance vividness and flow, including scene-setting to immerse readers through sensory details that advance the story's theme, such as describing a character's environment to reveal motivations without overt explanation. Dialogue integration brings authenticity by incorporating direct quotes that reveal personality or conflict, selected for their emotional resonance rather than mere information, and contrasted with paraphrasing to vary pace. Metaphors and analogies clarify complex ideas, like comparing a social issue to a familiar object for accessibility, but must be original to avoid diluting impact. Writers are advised to steer clear of clichés in descriptions by favoring specific, active language—short sentences of 15-20 words and precise verbs—that creates rhythm and prevents generic phrasing.^[2]^[65] Editing feature stories involves iterative drafts to refine structure and style, typically progressing through multiple revisions where writers outline, draft freely, and then trim for clarity and conciseness. Cutting for rhythm entails reading aloud to assess cadence, eliminating redundant words to maintain momentum, and ensuring paragraphs of one to five sentences for readability. Collaboration with editors is essential, incorporating peer feedback on impressions, accuracy, and flow during workshops to polish the piece before publication.^[65]^[2] Ethical style in feature writing demands transparency in narrative reconstruction, such as labeling any composite scenes or omitted details to prevent deception, while avoiding fictional devices like invented dialogue that could mislead readers. Opinion must be clearly labeled, particularly in reflective passages, to distinguish it from factual reporting and uphold impartiality, with writers seeking responses from subjects to ensure fairness. This approach preserves trust by prioritizing emotional truth alongside verifiable facts, correcting errors promptly when they arise.^[66]^[2]

Modern Applications and Examples

Digital and Multimedia Features

In the 2010s, feature stories transitioned from static print formats to dynamic digital and multimedia presentations, incorporating interactive elements such as embedded videos, hyperlinks to sources, and scroll-based narratives to enhance reader immersion and engagement. This shift was driven by the rise of platform algorithms favoring multimedia content, with publishers like The New York Times and The Guardian pioneering scrollytelling techniques that reveal story layers progressively as users scroll, allowing for nonlinear exploration of narratives.^[67]^[68] Digital-native platforms exemplified this adaptation, with Vice and BuzzFeed producing feature stories that integrate short-form videos, interactive quizzes, and social sharing to drive virality and deeper audience interaction. Vice's video dispatches, often blending on-the-ground reporting with embedded hyperlinks to raw footage, have prioritized emotional, experiential storytelling over traditional text, while BuzzFeed's multimedia lists and investigations use gifs and polls to extend dwell time. Podcasts have emerged as a key multimedia format for feature storytelling, such as NPR's long-form episodes that weave interviews and ambient soundscapes; engagement metrics highlight their success, with listeners averaging 85% completion rates per episode compared to fleeting page views in text-based stories.^[69]^[70]^[71] Challenges in this digital landscape include optimizing for search engine algorithms (SEO) to combat declining organic traffic, implementing paywalls that balance access with revenue—such as metered models limiting free reads—while addressing shortening attention spans, now averaging 47 seconds on screens, which has led to hybrid features capped at around 2,000 words blending text with visuals for sustained interest.^[72]^[73]^[74] Looking ahead, AI-assisted tools are enabling automated research and personalized narrative generation in features, while virtual reality (VR) offers immersive experiences like 360-degree reconstructions of events to foster empathy, though ethical concerns around deepfakes—synthetic media that can fabricate interviews or scenes—threaten journalistic credibility and public trust, necessitating robust verification protocols.^[75]^[76]^[77]

Notable Historical and Contemporary Examples

One of the most influential historical examples of a feature story is Truman Capote's In Cold Blood (1966), which chronicled the 1959 murder of the Clutter family in Kansas and the subsequent investigation and execution of the perpetrators, Perry Smith and Richard Hickock.^[78] This work established a paradigm for narrative nonfiction by blending journalistic reporting with novelistic techniques, such as vivid scene reconstruction and psychological depth, to create an immersive true-crime account that influenced the genre's development.^[78] Its success stemmed from Capote's exhaustive research, including thousands of hours of interviews, but raised ethical dilemmas, including his close emotional bond with Smith, which some critics argue may have subtly shaped the narrative's portrayal of the killers' humanity and potentially influenced their appeals process.^[79] In the contemporary realm, Katherine Boo's Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity (2012) exemplifies immersive poverty reporting through its focus on residents of the Annawadi slum near Mumbai's airport, drawing from over three years of on-site observation, untranslated conversations, and document analysis to reveal systemic corruption and resilience amid India's economic boom.^[80] The book's impact lies in its granular, character-driven portrayal of inequality, avoiding stereotypes by centering voices like garbage trader Abdul Husain, which earned it the 2012 National Book Award for Nonfiction and prompted discussions on global urban poverty.^[81] Boo's technique of embedding without intervention highlighted ethical challenges in long-form immersion, such as maintaining objectivity while building trust in vulnerable communities.^[82] A landmark digital example is John Branch's "Snow Fall: The Avalanche at Tunnel Creek" (2012), a New York Times multimedia feature that reconstructed a deadly 2012 avalanche in Washington's Cascade Mountains through interwoven text, interactive graphics, videos, and photos, pioneering "scrollytelling" to enhance narrative flow.^[83] This piece's success, evidenced by millions of views and its 2013 Pulitzer Prize for Feature Writing, demonstrated how multimedia integration could deepen reader engagement with human-interest stories, setting a standard for online long-form journalism.^[84] More recently, in 2025, Mark Warren of Esquire won the Pulitzer Prize for Feature Writing for "The Preacher and the Parson," a sensitive portrait of a Baptist pastor and small-town mayor who died by suicide, highlighting personal and communal struggles through narrative depth.^[85] Despite these achievements, feature journalism exhibits diversity gaps, with non-Western stories often underrepresented in major outlets due to newsroom demographics that remain predominantly white and Western-centric, leading to calls for greater inclusion of global south perspectives to address misrepresentation of marginalized communities.^[86]^[87]

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A news feature story is about people in the news. A profile is about a specific person. A full-text feature story features excerpts from a book or an interview.
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What are human interest stories and why are they newsworthy?
Oct 12, 2022 · The purpose of a human interest story is to showcase the humanity of an event, whether that event is heartwarming or not.Missing: definition characteristics
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Writing Human Interest Stories: A Guide
Oct 20, 2016 · A good human interest story will spark anger, empathy, compassion, sympathy, motivation, laughter, fear and love.Missing: definition | Show results with:definition<|separator|>
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How to write a profile story - Shorthand
A profile story is a portrait of someone who is of interest to your readers in some way. Maybe they're in the news, they've achieved something remarkable.
[31]
[PDF] Profile Feature Articles
explores the background and character of a particular person (or group). The focus should be on a news angle or a single aspect of the subject's personal or.
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How to Write a Profile Article - 2025 - MasterClass
Sep 3, 2021 · Like any other piece you write, good profiles have a beginning, middle, and end. Use a narrative writing style. Use descriptive language. Your ...
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Narrative Techniques in Feature Writing | Honors Journalism Class ...
Feature writing brings stories to life through vivid scenes and engaging dialogue. Writers use descriptive language, sensory details, and anecdotes to ...
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1.3 Characteristics of Effective Feature Writing - Fiveable
The best feature writers hook readers with attention-grabbing leads, paint scenes with sensory details, and end with memorable conclusions. They focus on human ...Characteristics Of... · Engaging Storytelling... · Elements Of Engaging Feature...
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The New Yorker's Profiles
Nov 20, 2012 · A New Yorker staffer, James Kevin McGuiness, was the first to use the word “profile” to refer to a journalistic biographical sketch. (He ...
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Joseph Mitchell's Ear for New York | The New Yorker
Feb 17, 2013 · Mitchell was New York's first true biographer; he paired a reporter's precision with a novelist's sense of narrative to create a series of intricate and ...
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'Man in Profile: Joseph Mitchell of The New Yorker,' by Thomas Kunkel
May 19, 2015 · His first profile of the man, “Professor Sea Gull” (1942), made such a splash that New Yorker readers began to write letters to Gould care of ...
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What Is Investigative Journalism?
Investigative journalism involves exposing to the public matters that are concealed–either deliberately by someone in a position of power, or accidentally.
[39]
Learn How to Write an Investigative Feature in 5 Steps with Tips ...
Sep 29, 2021 · Investigative reporting involves collecting, verifying and assessing information—but on a greater scale than day-to-day newsgathering. The ...Learn From The Best · Step 1: Find Your Story · Step 4: Write The Story
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The 5 Forms of Journalism - Blog - OnePitch
Investigative journalism centers on uncovering the truth behind news stories. These reporters focus on stories that impact a large number of people.
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Jan 11, 2023 · Feature stories often apply creative storytelling techniques, such as playful or poetic language, narrative structures, detailed anecdotes, and ...
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5 Different Forms of Journalism - Writer's Digest
Apr 13, 2023 · Investigative journalism takes a deep dive into a story or topic to uncover something previously unknown or deliberately hidden.
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What's the Difference Writing Hard News, Feature and Investigative ...
Dec 22, 2018 · They usually average between 300–500 words. Features are less time-sensitive, so there is usually ample time for chasing down important ...
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The Journalism Watergate Inspired Is Endangered Now
Jun 13, 2012 · Investigative reporting became sexy after Watergate with more and more newspapers and TV stations forming investigative units. Some terrific ...
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Major Investigation: Our Katrina Hospital Story in the New York ...
Aug 27, 2009 · The full story of what really happened to some of the patients who died at New Orleans's Memorial Medical Center in the aftermath of Hurricane Katrina.
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Stories to Sweep You Away: Our New Feature, The Great Read
Feb 6, 2020 · Sometimes it will be twisty and complex, like the recent Business story about an enormous tax fraud scheme in Europe. Or heartbreaking and human ...<|control11|><|separator|>
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The big idea: How to find enterprising stories - Nieman Storyboard
### Key Methods and Techniques for Generating and Refining Enterprising or Feature Story Ideas in Journalism
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Sources for Feature Story Ideas | Feature Writing Class Notes
2.1 Sources for Feature Story Ideas · 2.2 Developing Unique Angles · 2.3 Evaluating News Value and Reader Interest · 2.4 Creating Story Pitches.
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Idea Generators: Creativity Tools for Journalists - Poynter
Jan 16, 2003 · Sketch a scenario that describes where you live and work. Where do your parents live? What are their needs? Now that you have built the scenario ...
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[PDF] Journalism as Model for Civic and Information Literacies
Dec 21, 2017 · Pitch memo a memo to an editor that includes story idea, its relevance to publication, and outline of possible scenes, quotes, sources that ...
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7 Fatal Flaws of Story Pitches - Nieman Storyboard
### Common Pitfalls in Pitching Feature Story Ideas
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Reporting Differently - Nieman Reports
Mar 15, 2002 · Filling a Notebook With Narrative. Select a good topic. Secure good access. Find good narrative runs. Find character hints in action.Missing: generating | Show results with:generating
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Teaching news research gives your students a superpower - Poynter
Apr 7, 2021 · At Newmark J-School, students can take a research methods class every semester, from basic clip searches and people-finding to investigative research.
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How to interview like a journalist - Shorthand
A journalistic interview relies on building rapport, doing research, and asking tough questions. It's also about starting a conversation.
[55]
Four Principles - Columbia University
2, Devise a tentative theme for your story. A major purpose of the interview will be to obtain quotes, anecdotes and other evidence to support that theme. 3.
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The Fact-Checking Process - KSJ Handbook
Fact-checking works best when you have a consistent and clear editorial process for your staff and freelancers.
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Sage Academic Books - The Difference between News and Features
In general, an interviewee in a feature will be quoted more extensively than in a news story, and individual quotes will be longer. In addition, particularly in ...
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News vs Feature Writing: Understanding the Key Differences
Nov 9, 2023 · Explore news vs. feature writing: objectivity, deadlines, structure, tone & how they inform & engage readers differently in journalism.
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... feature story. All great news features have a ... structures is the anecdotal OR descriptive lead + nut graf. ... Professional media writers will need to know how ...Missing: journalism | Show results with:journalism
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Story Structures - The American Journalism Handbook
This structure typically begins with an anecdote about someone who is affected by a trend, issue, or event. Then, it quickly transitions to the nut graf, which ...Missing: pacing | Show results with:pacing
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Nut graf and lead duos that point readers in the right direction - NPR
Jun 3, 2021 · It's 100% OK to interrupt an anecdotal lead with the nut graf. You can return to the anecdote after letting the reader in on what you're ...Missing: common frameworks pacing
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Nut grafs: Seven steps to score a winning story structure
Oct 26, 2021 · I use my friend and colleague Lisa Heyamoto's formula: nut graf = transition + summary lede. Again, that's not 100 percent perfect, but it gives ...Missing: common frameworks lead pacing
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10.1: Leads and Nut Grafs - Social Sci LibreTexts
Jan 11, 2023 · ... lead, in the nut graf (also spelled "nut graph" or "nutgraph"). The nut graf is usually the second paragraph of an article, or the paragraph ...
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How to Write a Feature Story - Blogs @ MU - Millersville University
Jul 7, 2019 · To begin writing a feature story ... The introduction should be about 10% of the overall word count, incorporating a strong lead to hook the ...
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4.3 Pacing and Rhythm in Storytelling - Narrative Journalism
Pacing and rhythm are crucial tools in narrative journalism. They control the story's speed, maintain reader interest, and create emotional resonance.Pacing And Rhythm... · Pacing And Rhythm In... · Techniques For Controlling...
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Dec 20, 2017 · A thousand-word article is pretty short. Most of the feature articles I've written, and most that I've edited, have been 2,500–4,000 words. If ...I am publishing a 8 x 11 magazine. What is the average word count ...How many words are in a long story in a local newspaper? - QuoraMore results from www.quora.com
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Writing Features | MU Extension
Sep 27, 2017 · Learn how to craft engaging feature stories by focusing on imaginative leads, concise sentences, and active verbs to captivate your readers.Missing: definition | Show results with:definition
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Ethical Journalism Handbook - The New York Times
Mar 26, 2025 · Pictures of news situations – as distinct from portraits or still-lifes – must not be posed or contrived. If a photo has been posed, altered or ...
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The Platform Press: How Silicon Valley reengineered journalism
Mar 29, 2017 · This report, part of an ongoing study by the Tow Center for Digital Journalism at Columbia Journalism School, charts the convergence between journalism and ...
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12 engaging scrollytelling examples to inspire your content
Scrollytelling is: used to make web content more interactive and immersive. used to enhance written text with multimedia like audio, video, and animation.
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Full article: “Tell the Story as You'd Tell It to Your Friends in a Pub”
Nov 19, 2021 · This article analyses two digital-native news organisations, BuzzFeed News UK and Vice News (UK), and explores how they use emotional forms of storytelling in ...
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(PDF) Viral Media: Audience Engagement and Editorial Autonomy at ...
Mar 17, 2020 · This article will focus on two North American digital-native media organisations: 'BuzzFeed' and 'Vice'. As two of the largest and most ...
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BEST CONTENT ENGAGEMENT STATISTICS 2025 - Amra & Elma
Mar 30, 2025 · Podcast listeners stay engaged for an average of 85% of an episode. Branded podcasts now outperform traditional radio in trust metrics for 25–44 ...
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SEO journalism: how information is changing in the age of AI
Jun 5, 2025 · But there is an even more radical challenge awaiting journalism: the loss of its cultural centrality.
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How digital paywalls shape news coverage - PubMed
Jan 28, 2025 · We analyzed the staggered adoption of digital paywalls by 17 regional US newspapers over 17 years in a difference-in-difference framework.
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Why our attention spans are shrinking, with Gloria Mark, PhD
Research has shown that over the past couple of decades people's attention spans have shrunk in measurable ways.Missing: SEO paywalls
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Artificial Intelligence in the News: How AI Retools, Rationalizes, and ...
Feb 6, 2024 · This report examines the use of AI across editorial, commercial, and technological domains with an eye to the structural implications of AI in news ...
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Virtual Reality Journalism
Nov 11, 2015 · For journalists, the combination of immersive video capture and dissemination via mobile VR players is particularly exciting. It promises to ...
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Full article: Deepfakes and Journalism: Normative Considerations ...
Deepfakes are seen as a technological disruption, posing challenges for media organizations and journalistic practices (Seibert Citation2023). Deepfake ...Missing: VR | Show results with:VR
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Truman Capote's 'In Cold Blood' Pioneered True-Crime Novels - A&E
Sep 30, 2025 · But what he and readers didn't even realize was that In Cold Blood had pioneered a new classification of novels: true crime. At the time, ...
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What Truman Capote's In Cold Blood Reveals About Its Author's ...
Jul 8, 2024 · What Truman Capote's In Cold Blood Reveals About Its Author's Intentions. Rachael Hanel on Teaching a True Crime Classic to Incarcerated Women.
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Behind the Beautiful Forevers: Life, Death and Hope in a Mumbai ...
Jun 29, 2012 · Behind the Beautiful Forevers: Life, Death and Hope in a Mumbai Slum by Katherine Boo – review ... For this, her first book, Boo, a Pulitzer ...
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KATHERINE BOO'S BEHIND THE BEAUTIFUL FOREVERS
Mar 31, 2023 · Her 2012 book, “Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity” (Random House, $23.02), won the National Book Award, ...
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Interview: Katherine Boo, Author of 'Behind the Beautiful Forevers'
Nov 16, 2012 · Interview: Katherine Boo, Author of 'Behind the Beautiful Forevers' Pulitzer Prize-winning journalist Katherine Boo spent more than three ...
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Snow Fall: The Avalanche at Tunnel Creek - The New York Times
Snow Fall: The Avalanche at Tunnel Creek,” by New York Times reporter John Branch, tells the harrowing story of skiers caught in an avalanche.
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John Branch of The New York Times - The Pulitzer Prizes
The New York Times is proud to nominate “Snow Fall” for the Pulitzer Prize for Feature Writing, and in so doing invites you to recognize a truly trailblazing ...
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U.S. journalists say newsrooms lack racial diversity, mixed views on ...
Jun 14, 2022 · By a considerable margin, more journalists say their organization does not have enough racial and ethnic diversity (52%) than say it does (32%).
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News for the powerful and privileged: how misrepresentation and ...
Apr 18, 2023 · Misrepresentation and underrepresentation of disadvantaged communities undermine their trust in news.