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Fly-whisk

A fly-whisk is a handheld implement typically consisting of a handle attached to bristles made from animal tail hairs, such as those of yaks, oxen, or horses, designed to repel flies and other insects through swatting or fanning motions.^[1] Emerging from practical necessities in agrarian and tropical environments, these devices have persisted across millennia due to their efficacy in insect deterrence, as evidenced by their construction mimicking natural mammalian tail functions for similar purposes.^[1] Beyond utility, fly-whisks evolved into potent symbols of authority, reverence, and ritual purity in diverse global cultures, often denoting royal or divine status through ornate designs and ceremonial deployment.^[2] In Hindu and Buddhist traditions, the chamara—crafted from yak tails—serves as regalia in iconography and temple rituals, fanning deities or scriptures to signify sovereignty, purification, and auspiciousness, with depictions traceable to ancient Indian arts and extending to Southeast Asian bas-reliefs like those at Borobudur.^[3] In African contexts, such as among the Yoruba or Bamum peoples, fly-whisks function as prestige objects integral to leadership regalia, sometimes embedded with ritual materials like iron, beads, or horns to invoke protection or spiritual power.^[4]^[5] Polynesian and Samoan variants, known as tahiri or fue, incorporate fibers or human hair for ceremonial use in oratory, nobility displays, or rites, underscoring their role in maintaining social hierarchy and warding off impurities.^[6]^[7] Even in East Asian scholarly and Daoist contexts, fly-whisks embody philosophical ideals of detachment and enlightenment, wielded as attributes in religious iconography.^[8] This multifaceted significance highlights the fly-whisk's transition from everyday tool to enduring cultural artifact, reflecting human adaptations to environmental challenges intertwined with hierarchies of power and sanctity.

Definition and Etymology

Physical Characteristics

A fly-whisk consists of an elongated handle surmounted by a bundle of fine strands forming the whisking element, designed to generate a swishing motion for dispelling insects. The handle is typically rigid and cylindrical or faceted, ranging in length from approximately 20 cm to over 120 cm depending on cultural and functional context, with diameters often 2-7 cm at the base tapering toward the attachment point.^[9]^[10]^[11] Handles frequently incorporate carvings, such as human figures, animal motifs like elephants or birds, or geometric patterns, which serve both ergonomic and decorative purposes; for instance, in West African examples, a standing female figure may form the handle's core structure.^[12]^[13] The whisking portion comprises a dense cluster of hairs or fibers—secured by tight wrappings of cord, wire, or fabric at the handle's apex—extending 20-50 cm outward in a loose, fan-like array to maximize air displacement without rigidity.^[14]^[15] Cultural variations influence proportions and ornamentation; South Asian chauri handles, for example, may feature intricate ivory or jade finials with floral engravings, while Polynesian chasse-mouches emphasize simpler, tapered wooden shafts paired with vegetable fibers for tropical utility.^[16]^[17] Overall weight seldom exceeds 100-200 grams, prioritizing portability for prolonged manual use.^[18]

Terminology Across Cultures

In South Asian traditions, the fly-whisk is commonly termed chamara in Sanskrit, denoting a whisk crafted from the bushy tail of a yak or similar animal, employed both practically to dispel insects and symbolically in religious iconography to signify royalty and divine service.^[19] This term extends to Hindu, Buddhist, and Jain contexts, where depictions of deities and attendants holding chamaras date back to ancient reliefs, such as those at Borobudur from the 8th century.^[3] English transliterations include chowrie or chamara, reflecting its ceremonial role in fanning idols during rituals or processions.^[20] Within Sikhism, the equivalent implement is designated chaur or chauri in Punjabi, derived from the concept of a whisk evoking a lion's tail tuft waved overhead, symbolizing authority and used specifically to fan the Guru Granth Sahib as a gesture of reverence during readings.^[21] This practice underscores the scripture's status akin to a living guru, with the chauri waved continuously to maintain purity and respect, a tradition persisting in gurdwaras as of 2025.^[22] ![Orange-colored chauri used to fan Sikh scripture in respect](./assets/The_ritual_of_chauri_fan Across African cultures, terminology varies by ethnic group, often tying the object to status symbols. Among the Yoruba of Nigeria, it is known as ìrùkẹ̀rẹ̀, a horsehair or cowtail whisk borne by monarchs and chiefs to denote power, with usage documented in regalia from pre-colonial eras into contemporary ceremonies.^[4] The Akan and Baule peoples of Ghana and Ivory Coast refer to it as nandwa blawa, gold-adorned versions signifying chiefly authority in rituals.^[23] In the Bembe culture of the Democratic Republic of Congo and Tanzania, the term nsesa applies to whisks integral to chiefly regalia.^[24] In Polynesian societies, particularly the Austral Islands, the ceremonial fly-whisk is called tahiri ra'a, constructed from wood, coconut fiber, and sometimes human hair for ritual invocation of deities, as evidenced in artifacts from the early 19th century.^[6] Samoan variants include fue or fue'afa, reserved for orators and high chiefs as marks of rank, with braided designs persisting in traditional fa'asamoa protocols.^[25] French colonial records often rendered these as chasse-mouches, highlighting their practical fly-repelling function alongside symbolic prestige.^[26]

Historical Development

Ancient and Pre-Modern Origins

Fly whisks, simple tools consisting of bundled animal hair or fibers attached to a handle, trace their origins to ancient civilizations where they served both practical and symbolic functions in warding off insects amid hot climates. Archaeological and artistic evidence indicates early use in the ancient Near East and Egypt, with depictions appearing in Mesopotamian and Egyptian artworks from as early as the third millennium BCE, often wielded by elites to maintain personal comfort and hygiene. In ancient Egyptian iconography, pharaohs and attendants employed flabella—ceremonial fans derived from horsehair or tail bundles—dating back approximately 3,000 years, functioning as precursors to modern fly whisks by swatting flies during outdoor activities and rituals.^[27]^[28] By the first millennium BCE, fly whisks gained prominence in Neo-Assyrian (circa 911–612 BCE) and related cultures, including Urartian and Late Hittite art, where they were frequently shown alongside nobility, signifying status and authority rather than mere utility. These implements, often crafted from horsehair, reflected practical adaptations to insect plagues in agrarian societies but evolved into regalia, emphasizing hierarchical roles. In parallel, ancient Indian traditions formalized the chamara—a yak-tail fly whisk—as a royal emblem by the Mauryan period (circa 322–185 BCE), evident in sculptures such as the Didarganj Yakshi, where female nature spirits (yakshinis) hold the chamara to symbolize prosperity, protection, and divine fanning of deities. Sanskrit texts from the period describe its trade and ritual use, underscoring its integration into Vedic and early Hindu practices for purifying spaces and honoring idols.^[29]^[30]^[31] Pre-modern extensions of these origins appear in enduring Asian and African contexts, where fly whisks retained ceremonial weight into the early centuries CE. In Hindu-Buddhist iconography, such as the 8th-century Borobudur temple reliefs in Java, chamaras denote attendants' roles in fanning sacred figures, blending utility with spiritual symbolism of dispelling ignorance or impurities. African societies, including Ethiopian imperial regalia documented from at least the medieval period onward, incorporated horsehair whisks as markers of sovereignty, with precedents likely rooted in ancient pastoral adaptations across the continent. These artifacts highlight a convergence of environmental necessity and cultural elaboration, predating widespread European contact.^[32]

Evolution in Trade and Imperial Contexts

Fly-whisks emerged as valued trade commodities in ancient networks, with materials like bleached yak tails exported from Tibet and the Himalayan regions to India and the Middle East, enabling the production of ornate ceremonial variants by at least the early centuries CE.^[33] Ninth-century Arab historian al-Mas'udi documented 'al-chamar'—a term for fly-whisks—as prized items in trans-regional commerce, likely circulating via Indian Ocean and overland routes connecting South Asia to the Islamic world.^[19] These exchanges not only disseminated practical designs but also elevated fly-whisks from utilitarian tools to symbols of refinement, as evidenced by their integration into elite artifacts across traded cultures. In imperial settings, fly-whisks transitioned into regalia denoting sovereignty and hierarchy, as seen in the Neo-Assyrian Empire (circa 911–609 BCE), where they were exclusively handled by human attendants—often eunuchs—flanking kings in relief depictions, signifying authority without divine connotation.^[29] By the second century BCE in India, fly-whisks had become emblems of royalty, with handles crafted from ivory or metal traded along monsoon routes, adorning rulers in courtly processions to ward off insects while projecting power.^[34] African empires similarly adapted them through local and trans-Saharan trade in horsehair and ivory; from the Ethiopian highlands to West African chiefdoms, whisks evolved into status markers for elites by the medieval period, their elaborate construction reflecting access to scarce materials via caravan exchanges.^[4] Colonial-era trade further propelled their evolution, as European voyagers documented and acquired Polynesian fly-whisks—such as those from the Austral Islands—with double-figured handles, integrating them into imperial collections by the eighteenth century and underscoring their role in chiefly authority amid expanding Pacific exchanges.^[35] This diffusion preserved core functions while adapting to imperial hierarchies, where fly-whisks served both practical insect deterrence in tropical outposts and ceremonial display in metropolitan courts.

Materials and Construction

Common Materials

Traditional fly-whisks consist of a handle attached to a bundle of swatting elements, with materials varying by region and purpose but prioritizing durability and insect-repelling efficacy. The swatting portion is most commonly made from animal hairs, particularly horsehair, valued for its stiffness and ability to create air currents that disperse flies without damaging surfaces.^[4] ^[36] Horsehair derives from equine tails, providing long, resilient strands that maintain shape during use. In South Asian contexts, yak tail hairs serve a similar function, especially in ceremonial chauris, where their coarse texture suits both utility and symbolic display.^[37] Cow tail hairs appear frequently in West African examples, offering comparable flexibility and local availability.^[38] Less common but documented alternatives include whale baleen for the swatting elements in some Mughal-era Indian fly-whisks, prized for its lightweight yet rigid structure akin to flexible bone.^[16] Plant fibers, such as coconut or vegetable variants, substitute in Oceanic traditions like Polynesian chasse-mouches, where natural abundance favors braided sennit or fibrous materials over animal products.^[39] These organic fibers provide adequate swatting but may lack the longevity of hairs in humid environments. Handles are predominantly crafted from wood, selected for its ergonomic grip and ease of carving, as evidenced in Samoan fue regalia formed from tropical hardwoods.^[7] Ceremonial variants elevate status through ivory, which offers smooth, polished surfaces resistant to wear, or precious materials like silver sheeting over wood cores in Indian chauris.^[16]^[10] Bone, horn, or jade provide alternatives in African and Asian artifacts, balancing weight with ornamental potential.^[4]^[11] Synthetic or metal reinforcements appear rarely in traditional forms, reserved for modern adaptations to enhance durability.

Manufacturing Techniques

Traditional fly-whisks are primarily handcrafted using animal tail hairs bundled and affixed to a handle, with techniques varying by cultural context but centered on manual assembly for durability and functionality. Hairs, sourced from horses, yaks, or elephants, are first selected for length and stiffness, cut to uniform dimensions—often approximately 16 inches—and gathered into a tight bundle to form the whisking end.^[40] ^[41] The bundle's base is then secured using binding materials such as cord, tape, leather strips, or natural adhesives like gum to prevent fraying and ensure cohesion during use.^[41] ^[42] Handles are typically fashioned from wood, such as locally sourced oak or rattan, shaped by carving or whittling to a comfortable grip length of about 16 inches, sometimes with added loops or engravings for aesthetic or ergonomic purposes.^[40] ^[43] In utilitarian versions, the hair bundle is directly lashed to the handle's end with cord or wire for a secure, flexible joint that allows swatting motion without detachment.^[41] For ceremonial chauris in Indian traditions, handles are more elaborately constructed: artisans carve sockets or cups from ivory, silver sheet wrapped around wood cores, or bone, into which the yak tail hairs are inserted and fixed, often with additional chased metalwork or enamel inlays completed in specialized workshops like those in Murshidabad.^[44] ^[19] ^[45] In African contexts, construction emphasizes natural materials and binding: coarse hairs are mounted onto leather or wooden bases, overlaid with brass or wrapped in twine and secured with resinous adhesives, reflecting artisanal processes that integrate local fibers and hides for both practical fly deterrence and symbolic display.^[42] ^[46] These methods rely on skilled manual labor rather than mechanized production, preserving the tool's lightweight, breathable design suited to hot climates where fly control demands repeated, gentle whisking.^[47] No evidence exists of large-scale industrial manufacturing, as production remains artisanal to maintain hair flexibility and handle balance essential for efficacy.^[40]

Practical and Ceremonial Uses

Everyday Utility

Fly-whisks provide practical utility in tropical and subtropical environments by repelling flies and other insects through air disturbance generated by whisking motions, thereby protecting individuals and food from contamination during daily activities such as eating and resting.^[4]^[48] In sub-Saharan African societies, including the Baule of Côte d'Ivoire and Luba of the Democratic Republic of Congo, these tools, often crafted from horsehair or animal tails, effectively deter houseflies and bugs encountered in open-air dwellings and communal settings.^[4]^[48] In Polynesian cultures like Samoa, fly-whisks known as fue, constructed from braided coir sennit or horsehair attached to wooden handles, serve to keep flies at bay indoors with short tassels or outdoors with longer ones, safeguarding meals and participants in village activities.^[49] Ethiopian čera fly-whisks, documented in examples from 1961 measuring approximately 22 inches in length, maintain this functional role in contemporary daily life for insect control.^[4] Beyond pest deterrence, the whisking action produces a cooling breeze, offering modest ventilation in hot climates where modern alternatives like screens or electric fans may be absent.^[47] This utilitarian application underscores the fly-whisk's origins as a simple, effective hygiene aid in insect-prone regions, predating widespread adoption of chemical repellents or enclosed living spaces.^[4]^[49]

Symbolic and Ritual Applications

In Hindu and Buddhist rituals, the chamara, typically crafted from yak tail hair, functions as a ceremonial fan wielded to honor deities and sacred images during puja and processions, embodying the act of sweeping away ignorance, mental afflictions, and earthly concerns to foster spiritual clarity.^[19]^[2] This practice underscores themes of purification and reverence, with the whisk often depicted in iconography as an attribute of divine attendants or enlightened beings, such as arhats in Vajrayana traditions where it signifies compassion and the removal of conceptual barriers.^[50] Historical bas-reliefs, including those from the 8th-century Borobudur temple, illustrate chamara as regalia held by figures like Tara, highlighting its enduring role in temple veneration across South and Southeast Asia.^[32] Within Sikh worship, the chaur sahib—often made from yak hair mounted on a wooden or metal handle—serves to fan the Guru Granth Sahib during readings, denoting profound respect and humility toward the scripture as the eternal Guru, rather than a prescribed ritual but a voluntary expression of seva or selfless devotion.^[51]^[22] This custom, observed in gurdwaras worldwide, traces to traditions of honoring living Gurus and persists as a mark of dignity, with attendants waving it overhead to prevent physical contact with dust while symbolizing the community's protective service to the sacred text.^[21] Across African ceremonial contexts, horsehair fly-whisks denote authority and prestige among rulers and elders, as seen in Akan and Baule societies where they form essential regalia for chiefs during public audiences and rituals, their equine material evoking associations with nobility and warfare.^[23]^[4] In Ethiopian Orthodox traditions, whisks appear in religious iconography to signify the sanctity of divine figures, paralleling their practical use in warding off insects while elevating the bearer's status in communal gatherings.^[52] These implements, prevalent from West Africa to the Horn, thus blend utility with symbolic power, reinforcing hierarchical and spiritual orders without reliance on written doctrine.^[53] In Oceanic traditions, such as Polynesian chasse-mouches, fly-whisks occasionally feature in ritual fanning of chiefs or sacred objects, mirroring broader Indo-Asian motifs of honor but adapted to local materials like feathers or fibers for ceremonial purification.^[4] Overall, these applications transcend mere insect repulsion, embedding the fly-whisk in rites that affirm purity, hierarchy, and transcendence across diverse cultures.

Cultural and Symbolic Significance

In African Societies

In numerous African societies, fly-whisks function dually as practical tools for repelling insects and as emblems of authority wielded by chiefs, kings, and other leaders. These objects, often crafted from animal hair such as horse or cow tails attached to wooden or beaded handles, denote high social rank and are integral to regalia displayed during public ceremonies and governance rituals. Their symbolic weight underscores hierarchical structures, where possession signals power, respect, and sometimes spiritual protection against malevolent forces.^[4]^[54] Among the Yoruba people of Nigeria, fly-whisks known as ìrùkẹ̀rẹ̀ are carried by monarchs and chiefs to signify power and command deference, a tradition persisting into contemporary leadership contexts. In Akan communities of Ghana and Ivory Coast, elaborate fly-whisks sheathed in gold foil accompany dignitaries at state occasions, representing regal prestige and serving as talismans against evil spirits; such items, dating back centuries, highlight the fusion of utility with metaphysical safeguarding. Baule leaders in Ivory Coast similarly employ fly-whisks as markers of wealth and authority, brandishing them in ceremonial gestures to affirm status during communal assemblies.^[23]^[55]^[56] This symbolism extends across diverse regions, from West African polities where whisks delineate political hierarchies to East African groups like the Nuer of Sudan, whose ostrich-feather variants belonged to prophets as high-status artifacts evoking prophetic and communal influence. In Benin Kingdom regalia, beaded fly-whisks with coral elements further exemplify royal entitlement, often linked to control over potent symbols like elephant components surrendered to monarchs. Such widespread adoption reflects a continental pattern wherein fly-whisks transcend mere functionality, embodying governance, lineage continuity, and ritual efficacy in pre-colonial and enduring socio-political frameworks.^[57]^[58]^[53]

In Asian and Oceanic Traditions

In Hindu traditions, the chamara functions as a ceremonial fly-whisk made from yak tail hair, employed during puja rituals to fan deities and symbolizing purity, divinity, and royal authority.^[59] These implements, often held by attendants or depicted in temple iconography, underscore reverence toward sacred figures, with historical demand persisting among Hindu practitioners as of 2024.^[59] In Buddhist contexts, particularly Vajrayana, the chamara represents purification and the dispelling of ignorance, as seen in depictions of arhats wielding it to signify wisdom and humility derived from simple tools like ox-tail swatters.^[50] Within Sikhism, the chaur sahib—equivalent to the chamara—consists of a wooden or metal handle affixed with yak hair or synthetic fibers, ritually waved over the Guru Granth Sahib to express respect and honor the scripture as a living guru.^[19] This practice, rooted in traditions of fanning nobility, occurs continuously in gurdwaras by designated attendants, emphasizing the text's sanctity since its compilation in the 16th century.^[21] In Oceanic traditions, particularly Polynesia, fly-whisks such as the Samoan fue and Hawaiian kahili serve as markers of chiefly status rather than mere insect repellents, featuring braided sennit or horsehair lashes on carved handles symbolizing lineage and authority.^[60] The tahiri from the Austral Islands, crafted from wood, fiber, and human hair, facilitates ritual invocation of divinity during chiefly ceremonies, channeling spiritual presence as collected by European voyagers from the 18th century onward.^[61] These artifacts, handled exclusively by high-ranking individuals, reflect hierarchical social structures across islands like Samoa and Tahiti, where their use in oratory and rituals predates colonial contact.^[62]

Notable Historical Events

The 1827 Algeria Incident

The 1827 Algeria Incident, known as the Fly Whisk Incident or coup d'éventail, arose from unresolved financial disputes between France and the Regency of Algiers. In the 1790s, France had purchased wheat from Algerian suppliers through the Jewish merchant firm of Bacri and Busnach to provision Napoleon's army in Egypt, incurring debts estimated at several million francs that remained unpaid despite repeated claims since 1802.^[63] Tensions escalated after Husayn Dey's accession as dey in 1818, compounded by French violations of treaties, such as unauthorized fortifications by the vice-consul in Bône (modern Annaba) in 1825.^[63] ^[64] On April 29, 1827, during an audience in Algiers, Husayn Dey confronted French consul Pierre Deval, a diplomat with prior experience in the Ottoman Empire, over the outstanding debts and evasive responses regarding repayment.^[63] ^[64] Deval's refusal to provide satisfactory assurances, amid reports of additional insults toward Islam, prompted the dey to strike him with his fly whisk—a ceremonial tool typically made of horsehair attached to a handle—gesturing dismissal or rebuke rather than a severe assault.^[63] ^[65] Husayn Dey justified the action as appropriate under local custom for an unsatisfactory envoy, but France portrayed it as a grave insult, demanding an apology that the dey refused.^[63] The episode served as a pretext for French military action, though underlying motives included resolving commercial grievances, curbing Algerian piracy, and bolstering King Charles X's domestic position amid political unrest.^[63] ^[65] In response, France initiated a naval blockade of Algiers in August 1827, which persisted ineffectively for three years; escalation occurred in 1829 when Husayn Dey fired upon a French vessel.^[64] This culminated in the invasion of Algiers on June 14, 1830, with a force of 37,000 troops landing at Sidi Ferruch, leading to the city's capture by July 5 and the dey's surrender, marking the onset of French colonial rule in Algeria.^[64] ^[65]

References

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Fly whisks, as shown in Fig. 1C,D, were designed to repel flies and other insects. They were made of the tail hair of yaks, oxen or horses (Beer, 2003; ...
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Fly whisk, Bamum peoples, Cameroon. 19th century. Raffia cloth, glass beads, horsehair, iron, nails, raf- fia thread. H: 121 cm. Fowler Museum at UCLA. Gift ...
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fly whisk handle, unrecorded Yoruba artist ; fly whisk handle, late 1800s–1969 ; Dimensions: Object Length/Width/Depth (Length x Width x Depth): 20 x 6.5 x 5 cm<|control11|><|separator|>
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Dimensions. Length: 119.7mm (Note: Overall length); Diameter: 27.2 to 27.5mm (Note: External diameter range of the cup); Length: 36.7mm (Note: Length of the ...
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FLY WHISK WHICH IS COMPOSED OF A CARVED WOODEN HANDLE, WIDER AT THE TOP THAN AT THE CONNECTION TO THE STRANDS OF COCONUT FIBERS WHICH MAKE UP THE WHISK....
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Fly Whisk (chauri) with Design of Floral and Vegetal Motifs on the ...
Dimensions: length: 33 3/4 in. (85.7 cm). Credit Line: Young Friends Art Purchase Fund. Rights: Public Domain. Object Number: 69:2004. NOTES. The ivory handle ...
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fly whisk | Imperial War Museums
Description. Physical description. Horse hair flywhisk with wooden handle. Label. The fly whisk was amongst a collection of objects given to IWM, by The Royal ...
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The fly whisk has a handle that the person holding it can grasp it and is decorated with a lion the bottom. It scares away flies and winged insects with its ...
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In stock Rating 5.0 (3) A fly-whisk is a tool to swat flies, used in some cultures as part of regalia. This one is made in Ghana, 26" long, and made of cow's tail hair.Missing: ancient | Show results with:ancient
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Rating 4.8 (5) It is a fly whisk that was reserved for people of rank in traditional Polynesian society. This oeuvre shows the level of master craftsmanship that Polynesian ...
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[44]
Flywhisk Handle (Chauri) | V&A Explore The Collections
This handle for a flywhisk was made in India, probably in the 18th century. The cup was intended to hold a yak's tail, and such flywhisks traditionally ...Missing: crafting | Show results with:crafting
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[PDF] Dirang 25th November, 2023: Owing to its versatility, yak fibres have ...
Nov 25, 2023 · ... yak tail. It is a ceremonial fly-whisk and is a royal symbol of great antiquity. In India, chamar is regarded sacred and used in religious ...<|control11|><|separator|>
[46]
(Nhyira) Horse Tail Fly Whisk (Bodua) | The Akan Index
Made with real horse hair, a small leather base with a rich brass overlay and engravings decorated by hand. Our horse tail fly whisks are as authentic as it ...Missing: African manufacturing
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https://mawuafrica.com/en-us/products/african-whisk
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Fly Whisk
### Summary of Fly Whisk Everyday Utility
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Our Treasures: Fly whisks or 'fue' in Whangārei Museum ... - NZ Herald
May 27, 2019 · ... use. Fly whisks had a dual purpose of both mundane and sacred uses. As a practical tool, they were instrumental in keeping flies at bay and ...Missing: everyday households
[50]
https://enlightenmentthangka.com/blogs/thangka/arhat-vajriputra-what-his-fly-whisk-represents-in-vajrayana-buddhism
[51]
Sikh prayer and worship (article) | Sikhism - Khan Academy
An attendant waves a chauri above it when it is open and being read: the chauri is a fan consisting of yak tail hair set in a wooden handle. When not being ...
[52]
Ceremonial Whisk (čera or chira) - Ethiopian
The use of horsehair would have indicated the status of the bearer, as horses were associated with warriors, nobles, and above all, the emperor. The whisk's ...
[53]
Whitworth Art Collection - Spokane
Fly whisks are common in African regalia, used by chiefs and monarchs. They are made of cow hair and wood, and are 20"h.Missing: handle | Show results with:handle
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Status and Symbolism - Timothy S. Y. Lam Museum of Anthropology
In most parts of West Africa, fly whisks are carried as status symbols to indicate someone's rank in the political hierarchy. Fly whisks are brought out for ...
[55]
Baule Fly Whisk - Timothy S. Y. Lam Museum of Anthropology
The Baule fly whisk, with a gold handle and black whisk, symbolizes authority and wealth. It has an elephant finial and horsehair whisk, and is carried by ...
[56]
Ceremonial Fly Whisk | National Museums Liverpool
Baule fly whisks were not merely practical items but served as regalia for chiefs and village heads. They were used to perform ceremonial gestures and could ...
[57]
Fly whisk, Sudan - University of Oxford
Fly whisk, Sudan. This ostrich-feather object was used for whisking away flies. It belonged to a Nuer prophet called Car Koryom. Neither fly whisks nor ...
[58]
fly-whisk; regalia - British Museum
Fly-whisk, regalia (ugbudien ugie); made from coral and agate beads. Whisk has long strings of coral beads with four beaded flaps at top; handle composed of ...
[59]
Fans of faith drive demand for yak's tail hair - The Hindu
Aug 14, 2024 · Few among the Brokpas, however, know how to make the revered chamara or the ceremonial fly-whisk sought by Hindu, Buddhist, Jain, and Sikh ...<|separator|>
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Fue (fly whisk) - Te Papa's Collections Online
A fue is a fly whisk from Samoa used by tulafale (chiefs) as an orator, made of horsehair or sennit braid, and used in ceremonial speeches.
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Handle for a Fly Whisk (Tahiri) - Maohi (Tahitian)
This elaborately carved ivory flywhisk handle was once owned by the Tahitian royal family. In the late eighteenth century, it likely belonged to the chief ...<|control11|><|separator|>
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Kahili (ceremonial fly whisk) - Te Papa's Collections
They were primarily used to show a chief's status, lineage and family ties. It's symbolism and importance reflected in its handling, generally taken care of by ...Missing: traditions | Show results with:traditions<|separator|>
[63]
Fly Whisk Incident (1827) - Encyclopedia.com
Diplomatic cause célèbre of 1827 in which the Algerian ruler, Husayn Dey, struck the French consul, Pierre Deval, with a fly whisk. The Fly Whisk Incident ...
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A fly-whisk provoked the French occupation of Algeria and the ...
Sep 11, 2020 · It was April 29, 1827 and the consul returned offended to his country, where, of course, the action of the Ottoman governor caused indignation.
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France Conquers Algeria | Research Starters - EBSCO
... dey (governor) of Algiers, Hussein ben Hassan, either tapped or struck (depending on conflicting accounts) visiting French consul Pierre Deval with a fly whisk.<|control11|><|separator|>