Fact-checked by Grok 2 weeks ago

Gavin Scott

Gavin Duncan Scott (born 1950) is an English screenwriter, novelist, and former broadcaster specializing in historical, adventure, and fantasy genres. Born in Kingston upon Hull, Yorkshire, he began his career in British television as a documentary filmmaker, producing over two hundred shorts and features for outlets including the BBC and Channel 4 before shifting to scripted content. Scott gained prominence for writing the Emmy Award-winning 2001 TNT miniseries adaptation of The Mists of Avalon, as well as the 1998 DreamWorks feature Small Soldiers and episodes of The Young Indiana Jones Chronicles in collaboration with George Lucas. His work extends to novels such as the Duncan Forrester thrillers and historical fiction like The Adventures of Toby Sexton, emphasizing narrative depth drawn from his journalistic roots.

Early Life and Education

Childhood and Formative Influences

Gavin Scott was born in 1950 in Kingston-upon-Hull, , , to parents and Scott. He grew up on Summergangs Road in east Hull alongside siblings, including artist Gus M. Scott and Fiona Maxwell, who later worked in film digitization at the BFI. During his early years, Scott attended Cavendish Primary School and enjoyed significant the city, fostering an independent spirit amid Hull's blend of industrial port environments and green spaces like East Park. He recalled exploring the park's waterfall, pond, and recreational features, including motorboat rides and gatherings, which provided early encounters with both urban grit and natural elements characteristic of landscapes. These unaccompanied adventures in a working-class setting, punctuated by local haunts like joke shops in Hepworth Arcade, cultivated a sense of curiosity and narrative drive that informed his later affinity for historical and exploratory themes. The family's emigration to in 1961, prompted by Duncan Scott's redundancy from Waddington's glove factory amid local economic shifts, concluded his formative English childhood at age 11. This transition from Yorkshire's rugged, history-laden terrain to a distant underscored early contrasts in cultural and physical environments that subtly shaped his worldview toward adventure and resilience.

Academic Background and Initial Interests

Gavin Scott earned a degree in English and from , completing his studies between 1969 and 1971. Prior to enrolling in university, he spent a year as a volunteer teacher in at age 17, an experience that preceded his academic focus on subjects involving historical and political analysis. These studies emphasized and written expression, providing foundational tools for examining complex events and constructing arguments. In addition to his undergraduate degree, Scott pursued training in journalism at Wellington Polytechnic, honing practical skills in reporting and media communication. This specialized education complemented his broader liberal arts background, fostering an early aptitude for investigative techniques and narrative structuring essential to factual storytelling. While no records detail amateur media projects during this period, the curriculum in English literature and journalism likely cultivated his initial inclinations toward scriptwriting and documentary-style exposition, bridging literary craft with real-world inquiry.

Documentary Filmmaking Career

Contributions to British Television

Gavin Scott's tenure in British television extended from 1980 to 1990, encompassing the production of over two hundred documentaries and short films for the BBC and Channel 4. This prolific output marked a foundational phase in his career, characterized by a high volume of short-form content that prioritized depth within constrained formats. Scott initiated his television filmmaking with contributions to , producing pieces on literary and political subjects that demanded concise, evidence-driven analysis. He subsequently shifted to documentaries for series such as Horizon, which explored scientific advancements, and Man Alive, addressing cultural and social issues, before creating investigative films for . This progression honed his ability to distill complex topics—ranging from scientific inquiry to political discourse—into structured, verifiable narratives suitable for broadcast audiences. Throughout this period, Scott's approach emphasized investigative rigor and factual precision, relying on primary evidence and on-the-ground reporting to construct accessible accounts of contemporary and intellectual subjects. These techniques, developed amid the demands of and , underscored a commitment to empirical storytelling over speculation, influencing the style of factual programming in British media during the .

Key Documentary Projects and Techniques

Scott's documentary work for the BBC's Horizon series featured investigative reports on scientific policy and outcomes, exemplified by his 1983 episode "On the Wrong Track?", which scrutinized the expenditure of £4 billion annually in public funds on British research. The film highlighted Britain's disproportionate success in securing one-quarter of Nobel prizes worldwide contrasted with meager industrial applications of that research, drawing on funding data and expert analyses to expose gaps in translating academic achievements into economic productivity. Contributions to Man Alive, a BBC strand exploring social and cultural issues, involved on-camera to document human experiences and societal dynamics through direct and interviews. From 1975 to 1983, Scott served as a documentary maker and reporter for programs including Horizon, Man Alive, and , producing content that relied on primary fieldwork and stakeholder accounts to convey factual insights into complex topics. Later, for until 1990, Scott created investigative films on politics, history, and current events, extending his emphasis on over narrative embellishment. Across more than 200 short films and documentaries for and , his methods prioritized on-location shooting and causal examination of events, as evidenced by the data-driven critique in his Horizon report, fostering audience understanding grounded in verifiable metrics like prize awards and R&D yields rather than . This approach contrasted with sensationalist tendencies in media by favoring primary sources and quantitative assessments to illuminate systemic realities.

Transition to Screenwriting

Collaboration with George Lucas

In 1990, shortly after concluding his career in British television journalism, Gavin Scott was recruited by George Lucas to serve as one of the initial writers for The Young Indiana Jones Chronicles, facilitating Scott's relocation to the United States and his pivot from documentary production to scripted adventure storytelling. This collaboration involved Scott joining a select group of screenwriters, including several British talents, who convened at Skywalker Ranch for intensive sessions to brainstorm and outline episodes under Lucas's direct oversight. The team collectively developed 14 episode concepts, focusing on embedding the youthful Indiana Jones character within verifiable historical milieus to merge high-stakes adventure with instructional elements. Scott's scripting duties included "Barcelona, May 1917," an installment depicting Indy's covert operations against German intelligence operatives in neutral amid , incorporating period-specific details such as tactics and the geopolitical tensions of the era. Directed by and aired as part of the series' second season on March 7, 1993, the episode exemplified Scott's approach of weaving fictional exploits around authentic backdrops, including interactions with figures and events drawn from wartime records. Leveraging his prior expertise in historical documentaries, Scott contributed to the series' core objective of educational engagement, where episodes served as vehicles for exploring real personages—like philosophers, revolutionaries, and military leaders—and pivotal occurrences, such as intelligence efforts, rather than relying solely on fantastical diversions. This method aligned with Lucas's directive to balance entertainment with historical fidelity, countering conventional adventure tropes by prioritizing causal connections to documented events and thereby fostering viewer insight into 20th-century geopolitics.

Initial Hollywood Assignments

Following his collaboration with on , Gavin Scott secured his first original feature screenplay sale with (1998), acquired by for SKG while Scott was commuting between and . The project originated from Scott's concept of sentient toys animated by military microchips engaging in conflict, which preserved a core causal chain of technological malfunction leading to escalating chaos, though the script endured extensive rewrites by , Ted Elliott, and to align with commercial family-audience expectations under director . This iterative process highlighted the demands of adaptation, where Scott's initial draft—envisioned with a darker, teen-oriented tone—shifted toward lighter action-comedy elements to mitigate violence while retaining the logical progression of toy factions dividing over programmed loyalties. Building on that momentum, Scott received a writing assignment for (1997), a production adapting Mary Norton's children's novels about diminutive "borrowers" surviving in a human world. Co-credited with John Kamps, Scott's contributions focused on script development from a third draft dated April 1996, structuring the narrative around precise cause-and-effect sequences—such as the borrowers' eviction triggering inventive survival tactics and human alliances—amid revisions to balance whimsy with tension for director Peter Hewitt's live-action vision. These early assignments underscored Scott's shift from documentary precision, where over 200 factual films honed his emphasis on verifiable event linkages, to feature fiction requiring collaborative polishing without diluting plot coherence for market viability.

Major Screenwriting Works

Film Projects

Scott's screenplay for (1998), a SKG production directed by , centers on a suburban toy store invasion where action figures equipped with experimental military microchips activate and wage war, pitting the aggressive Commando Elite against the defensive Gorgonites. The narrative employs empirical strategy in its action sequences, with soldiers leveraging physics-based tactics such as improvised explosives from household items and terrain advantages in miniaturized battles, reflecting realistic causal dynamics of conflict scaled to plaything proportions. With a of $40 million, the film earned $54.7 million domestically and $71.7 million worldwide, marking moderate commercial viability driven by family-oriented summer release appeal. Contemporary reviews praised its high-energy entertainment and for delivering unpretentious fun, though aggregated scores stood at 50% on , citing uneven pacing amid the spectacle. In collaboration with director Terry Jones, Scott co-wrote Absolutely Anything (2015), a science fiction comedy starring Simon Pegg as a teacher granted omnipotent wish-granting powers by extraterrestrial observers testing humanity's fate. The premise unfolds through a chain of causally linked absurdities, where each invocation produces unintended real-world repercussions, grounding the farce in logical escalation rather than arbitrary fantasy. Featuring voice performances by surviving Monty Python members as the aliens, the film aimed for satirical commentary on power's corrupting logic but faltered in execution, grossing under $1 million in limited U.S. release and modest international totals insufficient to recoup costs. Critical consensus rated it at 20% on Rotten Tomatoes, with detractors noting squandered potential in favor of disjointed humor over coherent narrative drive, though some acknowledged its unforced amusement in premise-driven gags.

Television Adaptations and Series

Scott adapted Marion Zimmer Bradley's 1983 novel into a four-part miniseries that premiered on July 15, 2001, directed by and starring Angelica Huston as Viviane and as Morgaine. The production emphasized the novel's perspective on Arthurian legend through protagonists, prioritizing to Bradley's reinterpretation over strict historical or mythological , which incorporated pagan and feminist themes diverging from traditional sources like Geoffrey of Monmouth's . It received the Primetime Emmy Award for Outstanding for a or Movie, reflecting technical acclaim amid mixed reviews on its liberties with Arthurian chronology and Christian-pagan conflicts. In 2000, Scott created and executive produced The Secret Adventures of Jules Verne, a 22-episode Canadian series blending elements from 's novels such as Twenty Thousand Leagues Under the Sea and Around the World in Eighty Days with original adventures involving and inventions. Airing on networks including the Sci Fi Channel, the series featured as , as , and Michel Courtemanche as , maintaining fidelity to Verne's Victorian-era optimism and exploratory spirit while expanding into for episodic format. Production spanned multiple countries, with Scott's involvement ensuring thematic consistency in portraying 19th-century technological wonder as a driver of plot, though it introduced ahistorical elements like advanced airships not central to Verne's canon. Scott penned an eight-hour adaptation of Leo Tolstoy's as a 2007 miniseries co-produced by Lux Vide, directed by Robert Dornhelm, and broadcast in four parts across European networks including in . Starring as and featuring , the series adhered closely to Tolstoy's epic scope, depicting the ' intersection with Russian aristocratic life from 1805 to 1812, with production filmed on location to capture the novel's vast battle sequences and philosophical depth. Dornhelm's direction emphasized historical scale, including recreations of Borodino, while Scott's script preserved Tolstoy's deterministic themes of fate and without modern ideological overlays.

Literary Works

Novels and Adaptations

Scott's primary contribution to prose fiction is the Duncan Forrester Mystery series, three historical novels published by Titan Books from 2016 to 2018, in which the titular protagonist—a junior fellow at Oxford University and veteran—employs archival scrutiny and deductive logic to disentangle post-war crimes linked to suppressed historical facts. The Age of Treachery (2016), the series opener set in , follows Forrester as he probes a fellow academic's death amid allegations of , medieval Icelandic manuscripts, and lingering wartime that threatens Britain's post-war stability; the narrative underscores Forrester's method of cross-verifying primary sources against official narratives to expose concealed motives. The Age of Olympus (2017) picks up soon after, with Forrester investigating deceptions tied to ancient Greek artifacts and contemporary intrigue, maintaining the series' emphasis on piecing together empirical evidence from disparate historical records. The trilogy concludes with The Age of Exodus (2018), ambient in 1947 London, where a British Museum murder intersects with the unraveling British Empire and biblical-era relics; Forrester's resolution hinges on causal chains derived from verifiable expedition logs and diplomatic cables rather than conjecture. Reception for the series has been middling, with The Age of Treachery garnering a 3.52 average rating across 250 assessments—lauded for brisk pacing and historical texture but faulted by outlets like for an unmemorable antagonist despite inventive forensic details—while sales data remains undisclosed, reflecting niche appeal in historical crime subgenres. Beyond the series, Scott authored standalone novels blending thriller and historical elements, none of which underwent screen adaptations. (1977), his debut, depicts a chase for a crashed Soviet satellite's in New Zealand's Urewera Mountains, drawing from the author's trekking encounters to ground speculative pursuits in geographic realism. (1980) introduces Foster, an inept ensnared in British intelligence capers, satirizing tropes through Foster's blunders amid machinations. The Adventures of Toby Wey (2009, revised 2022) chronicles a 19th-century English farm boy's odyssey through Regency society's underbelly, emphasizing self-reliant navigation of verifiable social hierarchies over romanticized heroism.

Thematic Elements and Reception

Scott's novels recurrently explore themes of adventure grounded in historical realism, eschewing romanticized or mythologized interpretations in favor of empirically informed narratives that trace causal sequences of events. In The Adventures of Toby Wey (2009), set amid early 19th-century England, the protagonist's exploits integrate documented historical incidents—such as social upheavals and technological shifts—into a personal odyssey, underscoring human agency amid verifiable contingencies rather than legendary embellishments. Similarly, the Duncan Forrester mystery series, commencing with The Age of Treachery (2016), embeds post-World War II intrigue within Oxford's academic milieu, portraying reconstruction-era tensions through an ex-Special Operations Executive agent's lens, which prioritizes gritty factual recovery over heroic archetypes. This thematic emphasis on toward overly idealized historical accounts manifests in Scott's use of research-driven details, such as Forrester's role as an fellow, which invites scrutiny of classical myths against modern evidentiary standards, as seen in The Age of Olympus (2017). Unlike his screenplays, which constrain depth to and action for visual media, Scott's prose affords extended internal monologues that probe characters' rational deliberations and doubts, enhancing psychological —reader highlights this layer as a draw for mature audiences. Reception has been generally positive for Scott's narrative propulsion and historical fidelity, with The Adventures of Toby Wey earning a 4.6 out of 5 rating on from limited but enthusiastic reviews praising its "spellbinding" blend of fact and adventure. The Forrester series fares solidly, as The Age of Treachery averages 4.1 out of 5 on Amazon UK from 99 customer assessments, lauded for pacing across , , and historical genres. However, critics like have faulted the debut for an "overstuffed" plot, suggesting formulaic reliance on genre conventions occasionally dilutes . Aggregated reader sentiments affirm engaging tempered by occasional predictability, distinguishing the novels' cerebral focus from Scott's more kinetic screen adaptations.

Awards and Recognition

Emmy Award and Industry Accolades

Scott's adaptation of for TNT's 2001 miniseries received a nomination for Adapted Long Form in 2002. The production itself secured a Primetime Emmy Award for Outstanding Makeup for a , Movie or a Special (Non-Prosthetic), one of its four Emmy nominations that year, including for Outstanding . This recognition highlighted technical achievements in the four-part, 183-minute series directed by and starring and . The achieved significant viewership metrics, drawing over 30 million unduplicated viewers and ranking as TNT's highest-rated for basic cable in summer 2001, with the premiere episode setting records for the network. These figures underscore its commercial impact, surpassing typical cable audiences and contributing to its industry profile despite no writing-specific Emmy. No BAFTA or Saturn Award nominations for Scott's work on this or other projects were recorded in major award databases.

Critical and Commercial Impact

Scott's major film and television adaptations demonstrated moderate commercial viability, particularly in appealing to niche audiences within genre entertainment. (1998), for which he co-wrote the screenplay, earned $87.5 million worldwide against a $40 million budget, benefiting from toy marketing despite competition in the market. Similarly, the miniseries (2001), adapted from Marion Zimmer Bradley's novel, achieved a 5.6 household rating for its premiere episode— the highest for an original basic cable production that summer—before declining to an average of 4.8 across its airing, reflecting strong initial draw among fantasy viewers but waning sustained engagement. Critically, Scott's works received mixed assessments, with praise for conceptual innovation tempered by concerns over execution and tonal inconsistencies. Reviewers of Small Soldiers highlighted its clever premise of militarized toys as a satirical nod to and tropes, yet faulted the script for prioritizing chaotic action over coherence, resulting in a 50% approval rating on and descriptions of it as a "muddle of and sermonizing" unsuitable for younger audiences. For The Mists of Avalon, critics appreciated the adaptation's shift to a female-driven reinterpreting through pagan and Christian tensions, blending mythic history with ; however, the teleplay faced criticism for uninspired dialogue and liberties with historical details, such as portraying as a Romanized leader amid Saxon incursions, which prioritized dramatic invention over strict fidelity to archaeological or textual evidence. In terms of lasting influence, Scott's contributions to adaptations underscore a pragmatic approach to genre hybridization, evidenced by persistent fan discussions and cult status for projects like rather than blockbuster dominance, fostering niche readership in literary extensions without reliance on overhyped cultural moments. This endurance stems from effective narrative bridging of factual anchors—like period-specific conflicts—with imaginative elements, though detractors in outlets like noted such blends occasionally sacrificed precision for accessibility, a common in commercial adaptations but not always yielding critical consensus.

Personal Life

Family and Residences

Gavin Scott was born in 1950 in , , . In 1961, he emigrated with his family to at the age of 11. Following his education in New Zealand, including attendance at Karamu High School and Wanganui Collegiate School, Scott returned to the . There, he spent approximately two decades working as a radio and television reporter for the and before transitioning to screenwriting. In August 1993, Scott relocated to , , to advance his career in film and television, founding Havelock Films as a base for his freelance writing and production work. He has resided there with his family since that time. Public details regarding Scott's , such as or children, remain limited, reflecting his emphasis on in personal matters. No verifiable information indicates family influences on his professional decisions beyond the early emigration to .

Broader Interests and Legacy

Scott maintained a lifelong passion for , evident from his childhood in , , where he immersed himself in historical narratives, an interest that permeated his and work. This enthusiasm extended to early travels, including a year spent as a volunteer in the jungles of at age 17 in 1967, fostering an appreciation for diverse cultures and real-world storytelling that complemented his journalistic roots. Prior to focusing on fiction, he produced over 200 documentaries and short films for and during a decade in British television, covering topics from historical events to , reflecting a commitment to factual exploration over pure entertainment. Beyond professional pursuits, Scott's interests encompassed , particularly repurposing old toys and games into , as shared on his page promoting mystery novels like the Duncan Forrester series. His broadcasting background, including roles as a reporter for The Times of , radio journalist, and TV anchorman for and , underscored a broader dedication to communicating complex ideas accessibly, influencing his narrative style across media. Scott's legacy endures through his pivotal role in adapting literary works for visual media, most notably the 2001 TNT miniseries , an Emmy Award-winning adaptation of Marion Zimmer Bradley's Arthurian novels that emphasized mythological depth and female perspectives, reaching millions and earning acclaim for its production values. Contributions to ' (1998) showcased his ability to infuse adventure films with satirical edge, while scripts for blended educational history with episodic thrills, influencing subsequent adventure series by prioritizing authentic period detail. His oeuvre, spanning over 10 novels and numerous TV projects, has shaped perceptions of and mystery genres, bridging documentary rigor with commercial appeal to sustain audience engagement with source material like in unproduced eight-hour adaptations.

References

  1. [1]
    Gavin Scott - IMDb
    Gavin Scott was born in 1950 in Kingston-Upon-Hull, Yorkshire, England, UK. He is a writer and producer, known for Absolutely Anything (2015), ...
  2. [2]
    GAVIN SCOTT - Linda Seifert Management Ltd
    Gavin Scott is a novelist, broadcaster, writer and director who spent ten years making films for British Television, creating over two hundred documentaries ...
  3. [3]
    Gavin Scott - Biography - IMDb
    Gavin Scott was born in 1950 in Kingston-Upon-Hull, Yorkshire, England, UK. He is a writer and producer, known for Absolutely Anything (2015), ...
  4. [4]
    About Me - Gavin Scott
    Gavin Scott is a novelist, broadcaster and writer of the Emmy-winning mini-series “Mists of Avalon”, Dreamworks' “Small Soldiers”, Working Title's “The ...<|separator|>
  5. [5]
    Gavin Scott - Fantastic Fiction
    Gavin Scott (born 1950) is a novelist, broadcaster and writer of the Emmy-winning mini-series The Mists of Avalon, Small Soldiers, Working Titles The ...
  6. [6]
    Scott, Gavin 1950– | Encyclopedia.com
    Born 1950, in Kingston–upon–Hull, Yorkshire, England; raised in New Zealand; immigrated to the United States, 1993; married. Education: Victoria University of ...
  7. [7]
    [PDF] Hull to Hollywood - Gavin Scott |
    Gavin, a former pupil of Cavendish Primary School, has fond memories of Hull, where he has an aunt, Audrey N ewe l l . He recalls the joke shop in the Hep- ...
  8. [8]
    Gavin Scott - Owner, Havelock Films | LinkedIn
    Writer and director for film, television and the web. Credits include The Young Indiana Jones Chronicles,Small soldiers, The Borrowers,The Secret Adventures ...<|separator|>
  9. [9]
    Gavin Scott - My Movies
    At 17 he spent a year as a volunteer teacher in the jungles of Borneo, working with the children of head-hunters, after which he studied history and political ...Missing: early | Show results with:early
  10. [10]
    Gavin Scott Books In Order
    As far as the personal life of author Gavin is concerned, his birth took place in Hull, Yorkshire, in 1950. In 1961, he moved to New Zealand along with his ...
  11. [11]
    Horizon: British Science - On the Wrong Track? - BBC Genome
    Gavin Scott reports for "Horizon" on what happens to the £4 billion of our money that British scientists spend every year. It asks why when Britain wins ...Missing: documentary | Show results with:documentary
  12. [12]
    "Horizon" British Science - On the Wrong Track? (TV Episode 1983)
    YOUR RATING. Rate. Horizon (1964). Documentary · Add a plot in your language. Stars. Gavin Scott · See production info at IMDbPro. YOUR RATING. Rate. Stars.
  13. [13]
    Young Indiana Jones Chronicles - Gavin Scott |
    Young Indiana Jones Chronicles. In 1990, just weeks after leaving my career as a TV journalist, I was fortunate enough to be taken on by George Lucas as one ...
  14. [14]
    Screenwriter Jonathan Hales on helping create Young Indiana Jones
    Jun 6, 2023 · In 1990, Lucasfilm recruited a small group of screenwriters to help George Lucas ... Gavin Scott had been a local television reporter. When ...
  15. [15]
    The Adventures of Young Indiana Jones (1992/1993) – Espionage ...
    Apr 25, 2018 · Barcelona, May 1917 Written by Gavin Scott from a story idea by ... Prague. Told that he is to await an important phone call in a ...Missing: wrote | Show results with:wrote
  16. [16]
    Small Soldiers - Gavin Scott |
    Small Soldiers was the first film script I sold, and was written while I was still living in England – although by then I was commuting to arin County ...Missing: challenges | Show results with:challenges
  17. [17]
    The Blockbuster Script Factory - The New York Times
    Aug 23, 1998 · '' He was joking, but he also was not -- ''Small Soldiers,'' for instance, originally written by Gavin Scott, was purchased by Steven ...
  18. [18]
    Small Soldiers - Variety
    Jul 9, 1998 · Somewhere hidden in the script by Gavin Scott, Adam Rifkin, Ted Elliott and Terry Rossio is a pacifist lament, a plea for tolerance and a ...Missing: challenges | Show results with:challenges
  19. [19]
    Film & TV - Gavin Scott
    I originally wrote a screenplay about Jules Verne and Captain Nemo called "Nemo and Me"; this aroused some interest in the UK, where I was then living, but no ...
  20. [20]
    The Borrowers (1997) third draft screenplay : Gavin Scott, John Kamps
    Jul 24, 2020 · The Borrowers (1997) third draft screenplay. by: Gavin Scott, John Kamps. Publication date: 1996-04-06. Topics: The Borrowers, screenplay, ...
  21. [21]
    Small Soldiers (1998) - IMDb
    Rating 6.3/10 (110,093) Small Soldiers: Directed by Joe Dante. With David Cross, Jay Mohr ... Box Office Mojo · License IMDb Data · Press Room · Advertising · Jobs · Conditions of ...Full cast & crew · Small Soldiers · Trivia · Parents guide
  22. [22]
    Small Soldiers (1998) - Box Office and Financial Information
    Small Soldiers grossed $55,143,823 domestically, $16,600,000 internationally, and $71,743,823 worldwide, with a $40,000,000 production budget.
  23. [23]
    https://www.boxofficemojo.com/title/tt0122718/?ref_=bo_se_r_1
  24. [24]
    Small Soldiers | Rotten Tomatoes
    Rating 50% (52) English. Release Date (Theaters): Jul 10, 1998, Original. Release Date (Streaming): May 1, 2012. Box Office (Gross USA): $55.1M. Runtime: 1h 50m. Sound Mix ...52 Reviews · Cast and Crew · Video
  25. [25]
    Absolutely Anything - Gavin Scott |
    Absolutely Anything is a comedy I began writing with Monty Python's Terry Jones many years ago. Terry and I became friends when he directed on of the episodes ...
  26. [26]
    Absolutely Anything (2015) - IMDb
    Rating 6/10 (53,117) A disillusioned school teacher suddenly finds he has magical powers which have been bestowed upon him by aliens.Full cast & crew · Parents guide · Absolutely Anything · User reviews
  27. [27]
    Absolutely Anything (2015) - Box Office and Financial Information
    Financial analysis of Absolutely Anything (2015) including production budget, domestic and international box office gross, DVD and Blu-ray sales reports.
  28. [28]
    Absolutely Anything | Rotten Tomatoes
    Rating 20% (45) Discover reviews, ratings, and trailers for Absolutely Anything on Rotten Tomatoes. Stay updated with critic and audience scores today!
  29. [29]
    Mists of Avalon - Gavin Scott |
    I felt truly honoured when TNT asked me to adapt Marion Zimmer Bradley's extraordinary saga of the Arthurian saga as seen through the point of view of the ...
  30. [30]
    The Secret Adventures of Jules Verne - Gavin Scott |
    The Secret Adventures of Jules Verne had a long genesis. I originally wrote a screenplay about Jules Verne and Captain Nemo called “Nemo and Me”.
  31. [31]
    War and Peace - Gavin Scott |
    One of the delights of working on the adaptation of Tolstoy's War and Peace as an eight hour mini series was that the director, Robert Dornhelm,is a brilliant ...
  32. [32]
    Duncan Forrester Mystery Series by Gavin Scott - Goodreads
    The Age of Treachery (Duncan Forrester Mystery #1), The Age of Olympus (Duncan Forrester Mystery #2), and The Age of Exodus (Duncan Forrester Mystery #3)
  33. [33]
    https://www.thriftbooks.com/series/duncan-forrester-mystery/133408/
  34. [34]
    The Age of Treachery - Gavin Scott |
    Forrester finds himself plunged into a mystery involving Satanism, Icelandic sagas and war-time treachery that could change the course of Britain's future.
  35. [35]
    Book review: 'The Age of Treachery' by Gavin Scott - The Oklahoman
    May 1, 2016 · “The Age of Treachery” is the first in a planned series of novels starring Duncan Forrester, a junior fellow at Oxford who served during the war ...<|separator|>
  36. [36]
    The New Duncan Forrester - Gavin Scott |
    I'm pleased to announce that in two months' time Titan Books will be publishing the sequel to last year's Duncan Forrester novel, The Age of Treachery.
  37. [37]
    Duncan Forrester Mystery - Gavin Scott - Fantastic Fiction
    A series by Gavin Scott · 1 The Age of Treachery (2016) · 2 The Age of Olympus (2017) · 3 The Age of Exodus (2018).Missing: novels | Show results with:novels
  38. [38]
    Amazon.com: Age of Exodus, The (Duncan Forrester Mystery 3 ...
    It's 1947. As Britain's new Labour government struggles to cope with the break-up of Empire, there's a grisly murder in the British Museum, ...
  39. [39]
    The Age of Treachery (Duncan Forrester Mystery #1) - Goodreads
    Rating 3.5 (250) Apr 12, 2016 · The Age of Treachery. Gavin Scott. 3.52 ... Gavin Scott. 13 books23 followers. Follow. Follow. Gavin Scott is a novelist, broadcaster and writer ...
  40. [40]
    THE AGE OF TREACHERY - Kirkus Reviews
    7-day returnsTHE AGE OF TREACHERY. by Gavin Scott ‧ RELEASE DATE: April 19, 2016. The culprit is forgettable; the murder method, ingenious but wildly ...
  41. [41]
    Hot Pursuit - Gavin Scott |
    Hot Pursuit was the first novel I had published, and was inspired by my experiences tramping in New Zealand's forbidding Urewera Mountains near Hawkes Bay.
  42. [42]
    A Flight of Lies - Gavin Scott |
    A Flight of Lies was my second thriller, and introduced the character of Ronald Foster, a sort of modern comic counterpart to John Buchan's Richard Hannay: a wonderfully ill-informed, impulsive young man who stands for everything the British Secret Service likes least.
  43. [43]
    Flight of Lies by Gavin Scott - Fantastic Fiction
    Flight of Lies. (1980) A novel by Gavin Scott. Buy from Amazon Search. Hardcover 1980 $20.00. In stock. Price and availability checked 2025-09-30, ...
  44. [44]
    The Adventures of Toby Wey: Scott, Gavin - Amazon.com
    Rating 5.0 (5) Another great read from Brit author Gavin Scott. He must have carried out an amazing amount of research to come up with the great descriptions of life for the ...
  45. [45]
    The Adventures of Toby Wey by Gavin Scott - Fantastic Fiction
    The Adventures of Toby Wey · Hardcover Jul 19, 2022 $25.00. In stock · Paperback Jul 19, 2022 $15.00. In stock · Audio Dec 5, 2019 $21.83. In stock · Kindle Mar 16, ...
  46. [46]
    The Adventures of Toby Wey by Gavin Scott - Goodreads
    Rating 4.6 (5) Pub Date: Revised Edition, July 2022. Set in early 19th century England ... The Adventures of Toby Wey by Gavin Scott is a coming-of-age tale of a young ...
  47. [47]
    The Adventures of Toby Wey by Gavin Scott - Scuffed Granny
    Jul 20, 2022 · The Adventures of Toby Wey by Gavin Scott ... However, it was a book that I, as an older reader, also enjoyed reading. Very much. Gavin Scott's ...
  48. [48]
    The Age of Treachery: 1 (Duncan Forrester Mystery) - Amazon UK
    Rating 4.1 (99) It is 1946, and after years of war, ex-Special Operations Executive agent Duncan Forrester is back at his Oxford college as a junior Ancient History Fellow.Missing: themes | Show results with:themes
  49. [49]
    Books - Gavin Scott
    The Adventures of Toby Wey, written by Gavin Scott, is a spellbinding historical adventure novel set in the early 19th century.
  50. [50]
    10 - Gavin Scott |
    THE AGE OF OLYMPUS is the SECOND of the Duncan Forrester novels by Gavin Scott, following shortly after the events of THE AGE OF TREACHERY. THE AGE OF OLYMPUS ...Missing: adaptations | Show results with:adaptations
  51. [51]
    https://forums.onlinebookclub.org/viewtopic.php?t=244224
  52. [52]
    The Age of Treachery by Gavin Scott - Scuffed Granny
    May 29, 2024 · The Age of Treachery is a book which is many things in terms of genre as my snippet explains. Duncan Forrester is our protagonist, ...
  53. [53]
    Books by Gavin Scott (Author of The Age of Treachery) - Goodreads
    Gavin Scott has 13 books on Goodreads with 1660 ratings. Gavin Scott's most popular book is The Borrowers (The Borrowers, #1).
  54. [54]
    The Mists of Avalon (TV Mini Series 2001) - Awards - IMDb
    Primetime Emmy Awards · 2002 Nominee Primetime Emmy. Outstanding Art ... Gavin Scott. 2002 Nominee WGA Award (TV). Adapted Long Form. Gavin Scott · Online ...
  55. [55]
    The Mists Of Avalon - Television Academy
    1 Emmy · Outstanding Miniseries - 2002 · Outstanding Makeup For A Miniseries, Movie Or A Special (Non-Prosthetic) - 2002 · Outstanding Cinematography For A ...
  56. [56]
    10 Greatest Fantasy Miniseries of All Time, According to Letterboxd
    Jul 30, 2025 · When The Mists of Avalon first premiered in 2001, it smashed records with more than 30 million "unduplicated viewers", becoming the highest- ...9 'merlin' (1998) · 8 'alice' (2009) · 2 'angels In America' (2003)
  57. [57]
    Film — Lisa Alexander
    The mini series, starring Anjelica Huston, Julianna Margulies and Joan Allen, attracted 30 million viewers, won an Emmy Award, a Golden Globe and SAG nomination ...
  58. [58]
    'Small Soldiers' Writer Backs Calls for a Long-Awaited Sequel
    Aug 10, 2025 · Despite the critical reception, Small Soldiers saw success at the box office, grossing $87.5 million against its $40 million budget. A ...
  59. [59]
    'Child' bests 'Avalon' - Variety
    Jul 17, 2001 · After scoring a supernatural 5.6 rating in cable homes for part one of “Avalon” on Sunday (15), TNT plummeted the next night by 27% for part two ...
  60. [60]
    TNT Conjures Salem's Lot Miniseries | Next TV
    Mar 15, 2002 · averaged a 4.8 household rating during its premiere July 15 and 16, 2001. Multichannel Newsletter.
  61. [61]
    The Mists of Avalon - Variety
    Jul 11, 2001 · This is certainly an epic tale, and while Gavin Scott's teleplay is thoroughly uninspired, it does manage to cover an enormous amount of ground.Missing: viewership | Show results with:viewership
  62. [62]
    This 1990s Childhood Favorite Is "Rotten" On Rotten Tomatoes, But I ...
    May 17, 2025 · Small Soldiers may not have been embraced by critics in the 1990s, but the nostalgic kids' movie is better than the reviews suggest.
  63. [63]
    Gavin Scott - Facebook
    Santa Monica, California. 󱘛. From Kingston upon Hull. 󱚷. Married. Photos. 󱘋. Photos. See more from Gavin Scott. Log in to see posts from this account and find ...
  64. [64]
    Why 1946 by Gavin Scott - SHOTSMAG CONFIDENTIAL
    Apr 12, 2016 · Gavin Scott is a British Hollywood screenwriter who spent twenty years as a radio and television reporter for BBC and ITN, and has worked in ...Missing: contributions history
  65. [65]
    Guest Interviews - The Script Development Company
    GAVIN SCOTT is an British screenwriter, novelist, former TV and radio journalist and sculptor who lives with his family in Santa Monica, California. His ...
  66. [66]
    Order of Gavin Scott Books - OrderOfBooks.com
    He has written for such TV series as The Mists of Avalon and Legend of Earthsea and films including Small Soldiers and The Borrowers. He spent a decade making ...
  67. [67]
    22 - Gavin Scott |
    Article From Hawke's Bay Herald Tribune, New Zealand Scriptwriter Gavin Scott has always had a passion for history. Even as a kid growing up in Hawke's Bay he ...
  68. [68]
    Gavin Scott - Facebook
    Gavin Scott. 172 likes. Writing detective thrillers, historical novels, young adult fiction, films and TV series. And making sculptures from old toys and...Missing: channel | Show results with:channel<|separator|>
  69. [69]
    GAVIN SCOTT - Resume | ART Agency
    Gavin Scott was a reporter with the Times of London, a radio journalist, television reporter and anchorman for the BBC, and has made many short films and ...