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Halay

Halay is a traditional folk dance genre of the eastern, southeastern, and central regions of Anatolia, primarily performed by Turks, Kurds, and other ethnic groups, where participants form lines or circles, holding hands, shoulders, or handkerchiefs, and execute synchronized steps that range from slow and deliberate to fast and energetic.^[1] This dance, often accompanied by instruments such as the davul (double-headed drum) and zurna (shawm), symbolizes unity, joy, and communal solidarity, making it a staple at weddings, festivals, and social gatherings.^[2] Its origins trace back to ancient rituals possibly linked to Assyrian influences and Central Asian pagan traditions involving circular movements around fires, evolving over centuries into a vibrant expression of rural and cultural identity.^[1] The dance features diverse regional variations, with tempos that accelerate progressively and movements that convey narratives of community and emotion through kinetic patterns.^[3] In central and southeastern Anatolia, halay styles incorporate rhythmic footwork and expressive gestures, often performed in vibrant traditional attire: men in shalvar trousers, embroidered vests, and fezzes, while women wear colorful dresses with headscarves and jewelry.^[2] Culturally, it holds significance as one of Turkey's national dances, fostering social bonds and preserving folklore, and has adapted from rural settings to urban and even protest contexts since the mid-20th century.^[4]

Definition and Characteristics

Core Elements of the Dance

Halay is a traditional folk dance of Turkey, primarily associated with Turkish culture but also performed by Kurdish, Armenian, and other communities in the region, characterized by group performances in line or circle formations that emphasize communal unity and rhythmic synchronization.^[2]^[1]^[5] Dancers typically connect by holding hands, interlocking fingers, or linking shoulders, with the lead dancer sometimes using a handkerchief to guide the chain, fostering a sense of collective movement and shared energy.^[1] This format allows for inclusive participation, where individuals of all ages and backgrounds join in, highlighting the dance's role in promoting social cohesion.^[2] The core movements involve synchronized stepping patterns, often progressing forward or in circular motions, executed with lively footwork that conveys joy and vitality.^[2] Performed to rhythms in 2/4 or 4/4 meter, halay maintains a dynamic tempo that starts moderately and builds in intensity, driven by the group's unified pace.^[6]^[7] Unlike solo-oriented dances such as zeybek, which feature individualistic and heroic expressions from the Aegean region, or the rapid, spinning horon of the Black Sea coast, halay prioritizes group harmony over personal flair.^[2]^[1] These elements underscore halay's foundational emphasis on togetherness, distinguishing it as a vibrant expression of cultural identity, with variations emerging across regions.^[3]

Formation and Movements

In halay, dancers commonly form straight lines, semi-circles, or full circles, with the arrangement adapting to the size of the group, which can range from a few participants to large assemblies. The straight line formation, often led from the front, allows for linear progression, while semi-circles and circles facilitate rotational movement and enclosure, emphasizing collective participation.^[8]^[9] Hand positions in halay vary to maintain connection among dancers: participants typically interlock fingers or hands for close-knit groups, place arms over adjacent shoulders for a more robust hold in denser formations, or use handkerchiefs or cloths to link the ends of the line or circle in larger ensembles. These grips ensure stability and synchronization as the group advances.^[10]^[9]^[1] The core movements of halay revolve around synchronized footwork, including side steps that propel the line forward or in rotation, knee bends for rhythmic grounding, jumps to heighten energy, and turns to shift direction, all paired with subtle upper body sways that convey fluidity and cohesion. These actions begin slowly and accelerate with the music, prioritizing uniformity to reflect communal harmony. Such synchronized motions briefly symbolize the unity of the participants, reinforcing social bonds.^[11]^[5]^[9] The lead dancer, known as the halay başı, plays a pivotal role by initiating movement patterns, setting the tempo, and guiding the formation through gestures, verbal cues, or a held handkerchief waved to signal changes like step variations or speed increases. Positioned at the head of the line, the halay başı—often a respected figure skilled in the dance—coordinates the group's dynamics, adapting sequences on the fly to maintain flow and enthusiasm.^[11]^[9]^[12]

Historical Development

Origins and Etymology

The term halay derives from the Turkish word alay, which signifies "procession," "many people," or a communal gathering, emphasizing the dance's role in fostering unity and collective participation.^[10] This etymology reflects the dance's inherent symbolism of social cohesion, often performed in lines or circles to represent harmony among participants. Possible linguistic influences include Persian hālāy (هالای), meaning "to stand," "jump," or "dance," and Arabic phrases like al-hal denoting "fire" and "society," suggesting cross-cultural exchanges in line dance traditions across the Middle East and Central Asia.^[13]^[9] The earliest origins of halay are traced to ancient Anatolian rituals dating back to the 2nd millennium BCE, during the Hittite period, where group dances served ceremonial and religious purposes to honor deities. Archaeological evidence from Bronze Age sites, such as the Hüseyindede vase (circa 1650 BCE), depicts women performing halay-like chain dances while holding hands, accompanied by musicians, in festival contexts.^[14] Similar motifs appear on the Inandıktepe vase and Alacahöyük reliefs, illustrating communal dances with acrobatic elements integrated into cult rituals, highlighting their foundational role in Anatolian social and spiritual life.^[14] These practices predate later associations with the Assyrian Empire, to which some sources also link halay's origins, but underscore halay's evolution from prehistoric communal expressions.^[2] Pre-Ottoman influences on halay stem from Central Asian nomadic traditions introduced by Turkic migrations in the 11th century, which blended with indigenous Anatolian forms to shape line dances symbolizing mobility and tribal solidarity.^[15]

Evolution Through Time

During the Ottoman period from the 14th to 19th centuries, halay was primarily a rural folk dance performed during community festivities, gradually integrating into court entertainments as part of broader cultural expressions.^[16] This integration reflected the empire's diverse ethnic influences, with halay appearing in ceremonial contexts alongside other line and circle dances.^[16] In the Republican era beginning in 1923, Mustafa Kemal Atatürk's cultural policies elevated halay as a symbol of national identity, emphasizing its role in secular education and public life to unify the diverse population.^[17] Institutions such as the People's Houses, established in 1932, systematically collected, taught, and staged regional dances including halay, transforming them from spontaneous rural expressions into choreographed national spectacles.^[17] Pioneers like Selim Sırrı Tarcan contributed to this by refining movements of folk dances such as halay for broader accessibility, while the 1935 International Folk Dance Festival highlighted Turkish folk dances on a global stage, reinforcing its place in Turkey's modernization narrative.^[16]^[17] Twentieth-century urbanization, accelerating after the 1950s due to rural-to-urban migrations, led to simplified versions of halay adapted for city environments and diaspora communities.^[18] These migrations, driven by industrialization and agricultural mechanization, displaced traditional rural performances, resulting in shorter, less complex routines suitable for urban weddings and social gatherings.^[18] By the 1960s, halay's inclusion in international festivals, such as the Turkish Halay Ekibi's appearance at the International Eisteddfod in Wales, aided its preservation by exposing simplified forms to global audiences amid rapid modernization.^[19] This exposure helped maintain cultural continuity while allowing halay to evolve as a versatile emblem of Turkish heritage.

Regional Variations

Styles in Central Anatolia

In Central Anatolia, halay variants are distinguished by their slower tempos and emphasis on graceful, measured steps that convey a sense of communal harmony and philosophical depth.^[20] For instance, the halay from Keskin in Kırıkkale province features relaxed rhythms accompanied by traditional instruments like the drum and zurna, starting slowly and building subtly without the rapid accelerations common elsewhere.^[20] The Ankara halayı exemplifies this style through its incorporation of circular turns, where dancers maintain a steady pace in line or ring formations, highlighting fluid yet controlled movements.^[21] Attire for these performances reflects regional traditions, with men donning şalvar (baggy pants), gömlek (shirts), cepken (vests), and fes (traditional hats) in earthy tones suited to the Anatolian landscape.^[2] Women wear colorful dresses adorned with intricate embroidery and headscarves.^[2] These garments, vibrant yet practical, underscore the dance's roots in everyday rural life.^[2] Halay in this region holds a prominent place in social gatherings, particularly harvest festivals that celebrate agricultural abundance and community bonds.^[22] Central Anatolian halay features lines and formations.^[21] This approach reinforces the dance's role in fostering collective identity, aligning with broader halay themes of unity.^[2]

Styles in Southeastern Anatolia

Halay styles in Southeastern Anatolia, particularly in regions like Diyarbakır and Urfa, are known for their energetic and communal expressions, forming a vital part of the area's multicultural heritage. These variants emphasize rapid tempos and dynamic group coordination, often incorporating jumps and claps to convey joy and solidarity.^[3]^[23] The dances typically involve lines or circles where participants link hands or shoulders, allowing for fluid progression that builds intensity through synchronized steps.^[3] Prominent examples include the Delilo from Diyarbakır, a lively line dance characterized by quick footwork, jumps, and occasional improvisational flourishes by the lead dancer, reflecting Kurdish influences in the region.^[23]^[24] Similarly, Çayda Çıra, from Eastern Anatolia, is performed in Southeastern contexts like henna ceremonies, featuring dancers holding candles in plates in circular formations.^[25] Attire for these performances blends Kurdish and Turkish elements, enhancing the visual vibrancy during group movements.^[26] In social contexts, Southeastern halay is prominently featured at weddings, where it symbolizes unity and celebration among diverse communities, reinforcing communal bonds in multicultural Anatolia.^[3] Distinct features include pronounced shoulder-shaking movements that add expressiveness to the line's progression, along with breaks where the lead dancer performs solos, allowing for personal improvisation amid the group's energy.^[27]

Role in Celebrations and Weddings

Halay holds a prominent place in Turkish wedding traditions, where it is frequently performed as damat halayı, or the groom's dance, to honor the newlywed couple upon their arrival at the reception. This variant of the dance, originating from the Thrace region, involves a lively line formation led by the groom and his companions, symbolizing the forging of new family alliances and communal support for the union. The performance, often accompanied by upbeat rhythms on the davul (drum) and zurna (shawm), injects exuberance into the festivities, as seen in regional customs like the "eight-coupled halay" in Izmir, where the bride and groom are carried by a group of eight people in a celebratory dance.^[28]^[29] Beyond weddings, halay features in other key social events, including circumcision feasts known as sünnet, where it marks the boy's transition to manhood amid family gatherings filled with music and feasting. In these rituals, the dance unites relatives in a display of joy and kinship, much like its role in village fairs and harvest-related gatherings that honor agricultural cycles. For Kurdish communities, halay—sometimes referred to as govend—is integral to Newroz celebrations on March 21, serving as a collective expression of renewal and cultural resilience during bonfire-lit dances that draw large crowds.^[30]^[31]^[32] Historically, halay lines in conservative areas were segregated by gender, with men and women forming separate groups to adhere to social norms, as observed in southeastern regions like Hakkari during traditional events. In modern practice, however, performances have become more inclusive, with mixed-gender lines common in urban and diaspora settings, promoting broader participation and equality. This evolution underscores halay's emotional function in building solidarity and elation, as dancers link arms or hands in synchronized steps, often to songs evoking love, familial bonds, and the abundance of the harvest, thereby reinforcing community ties and shared heritage.^[33]^[2]

Symbolism and Community Aspects

The halay dance embodies profound symbolism in Turkish society, representing unity, equality, and collective resilience. Derived from the term "alay," meaning "many people," it signifies union, cooperation, and the continuity of human groups through interconnected movements where participants hold hands in lines or circles, emphasizing egalitarian participation without hierarchical distinctions.^[10] In minority communities, such as Alevi groups, folk dances like halay have served as expressions of cultural resistance by fostering communal solidarity in social movements.^[34] This symbolism underscores halay's role as a metaphor for social harmony, where synchronized steps reflect shared purpose and mutual support. Halay plays a vital role in community building, strengthening social ties across ethnic boundaries in Anatolia, including among Turkish, Kurdish, and Zaza populations. Performed at gatherings in eastern and southeastern regions, it promotes national identity by integrating diverse groups into collective expressions, as seen in festivals that showcase regional variations to celebrate shared heritage.^[35] In Kurdish contexts, known as govend, the dance reinforces ethnic solidarity and challenges cultural assimilation, drawing participants from varied backgrounds to affirm communal bonds and autonomy.^[36] The dance's evolution in gender dynamics highlights shifting societal norms toward greater inclusivity. Traditionally performed by men in certain regional styles, particularly in Kurdish variations that maintained gender-segregated forms, halay has transitioned to mixed participation, allowing both men and women to join equally in lines or circles, reflecting broader changes in Turkish gender roles.^[26] This inclusivity fosters intergenerational and cross-gender connections, enhancing community cohesion. As an element of Turkish intangible cultural heritage, halay contributes to the preservation of folk traditions, aligning with UNESCO's recognition of related practices such as ceremonial keşkek in 2011, which encompass communal rituals involving music in Anatolian culture.^[37] Through ongoing performances, it safeguards symbolic expressions of unity and resistance, ensuring transmission across generations despite historical pressures.^[38]

Performance and Accompaniment

Basic Steps and Techniques

The basic steps of the halay dance form the foundation of its energetic group movements, typically performed in a line or circle formation where dancers hold hands with fingers interlocked or shoulders connected to maintain unity.^[39] One foundational pattern is the side grapevine, executed by stepping to the side with the right foot, crossing the left foot in front of the right, stepping to the side again with the right foot, and closing with a small step on the left foot next to the right; this sequence is then repeated to the left side, promoting lateral travel along the line.^[40] Forward-back shuffles involve stepping forward with the right foot and bringing the left foot beside it, followed by stepping forward with the left foot and closing with the right, creating a marching progression that can alternate to backward movement for dynamic shifts.^[5] Heel-toe stamps add rhythmic emphasis, as seen in sequences where dancers lift one knee with toes pointed downward before stamping the heel slightly forward without transferring full weight, followed by a closing step.^[41] Key techniques ensure synchronized execution and group cohesion. Dancers maintain tension in the line by keeping elbows bent and forearms parallel to the floor while holding hands tightly but without pulling, allowing the formation to move as a unified whole.^[39] Syncing occurs through the leader's cues, often signaled by a held colored cloth or exaggerated movements at the front, which the group mirrors to propagate actions like direction changes or speed variations along the line.^[5] Incorporating claps or spins enhances expressiveness in certain sequences, where participants may release hands briefly to clap rhythmically or perform individual spins before rejoining the line.^[42] For beginners, progression begins with static line holds to build comfort in the formation and hand connections, advancing to incorporating the side grapevine and shuffles in place before adding traveling patterns and stamps for fluidity.^[5] This gradual approach fosters coordination, starting with simple forward steps and evolving to dynamic waves where movements ripple through the group in response to the leader.^[40] Safety and etiquette are paramount in halay performance to prevent injury and promote enjoyment. Dancers should avoid pulling or hanging on neighbors, carrying their own weight to reduce strain, and remain alert to surroundings to prevent collisions, especially during turns or accelerations.^[43] Respecting personal space involves joining lines in the middle rather than the front, being mindful of height differences in holds for comfort, and following the leader without forcing separations in tightly formed groups.^[43]

Music and Instrumentation

The music accompanying halay is characterized by lively rhythms typically in 2/4 or 4/4 time signatures, providing a strong, pulsating foundation that drives the collective movement of the dancers.^[6]^[44] In eastern styles, particularly those from southeastern Anatolia, the tempo often begins slowly and gradually accelerates, building intensity as the performance progresses to heighten the communal energy.^[1] This rhythmic progression ensures synchronization with the dancers' steps, allowing for fluid transitions in formation.^[10] Traditional instrumentation centers on the davul, a large double-headed drum struck with a heavy stick on one side for deep bass tones and a lighter stick on the other for sharp accents, which establishes the rhythmic backbone.^[45] Complementing it is the zurna, a loud double-reed shawm that delivers piercing, melodic lines capable of carrying over large outdoor gatherings.^[2] In some variations, additional instruments like the clarinet for brighter melodies or the saz, a long-necked lute, may join to add harmonic depth or plucked rhythms, though davul and zurna remain the core ensemble for authenticity.^[46] Halay performances are frequently accompanied by halay havası, upbeat folk songs featuring lyrics that emphasize heroic themes, brevity, and communal spirit to evoke pride and unity among participants.^[10] These songs, sung in Turkish or regional dialects, often narrate tales of valor or celebration, reinforcing the dance's cultural resonance. Musicians in halay ensembles engage in improvisation, adapting tempos and melodic phrases to the dancers' energy and pace, which fosters a responsive, interactive atmosphere during live events.^[47] This adaptability can include call-and-response patterns between the zurna's leads and the davul's beats, mirroring the group's dynamic shifts and enhancing the overall improvisation.^[46]

Contemporary Practice

Preservation in Turkey

The Ministry of Culture and Tourism plays a central role in preserving halay as part of Turkey's intangible cultural heritage, supporting folk dance training programs and designating traditional practices for protection under national policies. This includes initiatives to document and promote regional dances like halay through cultural inventories and public awareness campaigns. Additionally, the ministry organizes or endorses annual events such as the International İzmir Folk Dance Festival, held since 1992 as part of the İzmir International Fair, where halay performances from various Anatolian regions are showcased to sustain communal traditions.^[48] Educational efforts to integrate halay into formal curricula have been prominent since the 1980s, with universities and conservatories offering structured programs in folk dance. For instance, Hacettepe University's Ankara State Conservatory, established in 1936 and affiliated with folk dance studies from its early years, maintains ensembles and archives that teach halay techniques alongside other traditional forms, fostering professional training for performers and educators. Similar programs exist in schools nationwide, where halay is incorporated into physical education and cultural classes to instill appreciation among younger generations.^[49] Despite these initiatives, halay faces challenges from urban migration and globalization, which dilute rural performance contexts and introduce competing modern entertainment forms, leading to a decline in spontaneous community practices. In 2024, additional political challenges emerged, particularly in Kurdish-majority regions, where performances of halay accompanied by Kurdish songs at weddings and social gatherings led to arrests and charges of "spreading terrorist propaganda." Human Rights Watch documented cases where joyful dancing resulted in detentions, highlighting suppression of cultural expression and impacting the dance's communal practice.^[50]^[51] In response, non-governmental organizations like the Türkiye Halk Oyunları Federasyonu (THOF) have emerged as key actors, organizing national championships and trainer development seminars to standardize and revitalize halay instruction. Established to promote folk games, THOF's activities, including annual competitions like the Büyükler Türkiye Şampiyonası, help counteract cultural erosion by engaging local groups and certifying instructors.^[52]^[53] Recent developments since the 2000s emphasize digital archiving and youth-oriented workshops to adapt preservation strategies to contemporary needs. Projects involving virtual performances and online documentation have digitized halay routines, enabling wider access and study amid physical gathering restrictions. Complementing this, youth workshops—such as those run by university ensembles like Hacettepe's Children and Youth Folk Dance Group, founded in 1996—offer hands-on training to counter generational gaps, with THOF seminars further expanding reach through post-2000 professionalization efforts.^[54]^[55]^[56]

Global Adaptations and Influences

Halay has spread beyond Turkey through Turkish and Kurdish diaspora communities, particularly in Europe and North America, where it serves as a vital link to cultural heritage. In Germany, home to one of the largest Turkish populations outside Turkey, halay performances emerged prominently in the 1990s within Turkish discotheques and community gatherings, often accompanying popular Turkish music that blended traditional rhythms with contemporary pop. These events, attended mainly by individuals of Turkish background, fostered a sense of communal identity amid migration challenges. Similarly, in the United States, Turkish immigrants in New York have incorporated halay into cultural festivals and parades since the 1980s, with organizations like the NYC Turkish Club organizing traditional dance performances as part of broader celebrations of Turkish heritage. For instance, the annual Turkish Day Parade in Manhattan features halay alongside music and exhibitions, drawing participants from established immigrant communities that began forming in the post-1965 immigration wave.^[57]^[58] The dance's influence extends to international fusions, particularly in Balkan and neighboring regional traditions, where similar line dance forms reflect historical cultural exchanges across the Ottoman Empire. Damat halayı, a variant associated with weddings, traces possible origins to the Kastoria region in northern Greece, illustrating halay's role in shared folk dance repertoires that span Turkey and the Balkans. In modern choreography, halay elements have inspired contemporary works that integrate its energetic group formations with urban or experimental styles, as seen in Turkish-German artistic productions that adapt the dance for theater and performance art. Additionally, halay gained international visibility through the Eurovision Song Contest in 1984, when Turkey's entry "Halay" by the group Beş Yıl Önce On Yıl Sonra celebrated the dance in a upbeat folk-rock song, finishing 12th and introducing its rhythms to a European audience.^[42]^[59]^[60]^[61] Media exposure has further amplified halay's global reach, with appearances in films depicting Turkish diaspora life and the rise of digital platforms in the 2010s. The 2004 German-Turkish film Head-On (Gegen die Wand), directed by Fatih Akın, includes scenes of halay during wedding celebrations, highlighting its role in community rituals among Turkish immigrants in Germany and contributing to the film's exploration of cultural identity. Post-2010, halay has featured in viral content on digital media, often showcasing wedding or festival performances that blend traditional steps with modern music, enhancing its appeal to younger, global audiences.^[60] Adapting halay abroad presents challenges, particularly in diaspora settings where group sizes are smaller than in traditional village contexts and integration with local customs is necessary. In Kurdish diaspora communities, such as those in Germany, halay is performed at cultural nights and events like those in Düsseldorf, but often scaled down for intimate gatherings and fused with Western or regional music to maintain relevance amid assimilation pressures. These modifications preserve the dance's communal spirit while navigating issues like space limitations and generational shifts in participation.^[62]^[63]

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Apr 18, 2023 · Lift L knee up, toes pointed down (1). Pause (2). Bar 2: Stamp L heel slightly forward of R, no weight (1). Step on L next to R ( ...
[46]
Damat Halayı (L*)- and other Clapping Dances - Folkdance Footnotes
Damat Halayı translates as Groom Dance, and indeed it is a popular dance at Turkish weddings. It is also popular in general – as a party dance, and a children' ...<|control11|><|separator|>
[47]
Folk Dance Etiquette
Folk Dance Federation of California, South, Inc. Folk Dance Etiquette. ... The safety of your partner and surrounding dancers is your first concern. Both ...
[48]
Folk dances played in Turkey Hora is the general name ... - Facebook
Dec 16, 2023 · Evliya Çelebi mentions in his writings that it was danced in Magnesia and in Aydın at local feasts. Originally a dance for two armed people ...What is the meaning behind the steps of the Zeybek Dance, such as ...Zeybek Dance Origins and Characteristics in Turkey - FacebookMore results from www.facebook.com
[49]
https://www.academia.edu/Documents/in/Turkish_Folk_Dances
[50]
Dauli & Zurna – The Most Important Instruments in the World
Feb 21, 2018 · A dauli and two zurnas create complex “surround sounds” that are similar to double-reed and percussion ensembles found across Asia and circum-Saharan Africa.
[51]
imagining creative agency in Turkey's musical folklore
Mar 1, 2023 · It is common to improvise a solo instrumental introduction to a song or tune, for example, or for some aşıks to engage in improvised poetic ...
[52]
İzmir Fair International Folk Dances Festival,Turkey
The Izmir International Folk Dance Festival was first introduced in 1992 as part of the Izmir International Fair, Turkey's oldest trade show dating back to 1927 ...
[53]
Hacettepe University Ankara State Conservatory - Wikipedia
The Hacettepe University Ankara State Conservatory the first conservatory to be founded in the Republic of Turkey, was established in 1936 by a directive of ...History · School of Music Teachers... · Ankara State Conservatory... · New branches
[54]
https://www.researchgate.net/publication/386442156_Folk_Dances_from_tradition_to_digital_Evdekal_virtual_stage_performances_Eighth_Symposium_of_the_ICTMD_Study_Group_on_Music_and_Dance_in_Southeastern_Europe_Gender_Virtual_Communications_and_Legacies
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[PDF] The Interplay of Dance and Cultural Identity: Preservation and ...
Mar 5, 2025 · It examines how globalization poses challenges to the survival of traditional dances and highlights the efforts made by various communities ...Missing: Turkish | Show results with:Turkish
[56]
Türkiye Halk Oyunları Federasyonu
11 distinguished folk dance clubs from Turkey and abroad. A vibrant day of music, rhythm, movement, and culture – celebrating unity through traditional dance.
[57]
(PDF) "Folk Dances from tradition to digital #Evdekal virtual stage ...
Dec 5, 2024 · The process of transforming folk dances – which are performed side by side in tradition – into virtual shows by combining and editing the images ...
[58]
HACETTEPE UNIVERSITY CHILDREN AND YOUTH FOLK DANCE ...
Hacettepe University Children and Youth Folk Dance Group was established in 1996, and currently numbers 200 dancers aged 10-20. Its mission is to be a true ...Missing: Conservatory programs Halay
[59]
https://www.laurashannon.net/articles/16-simple-dances-where-do-they-come-from-where-do-they-lead-1996
[60]
90s in Germany: Turkish Pop Explosion and Discotheques People ...
Dec 9, 2021 · In the 90s, Turkish pop gained popularity in Germany, leading to discotheques where people danced the Halay, mainly with a Turkish background, ...Missing: diaspora | Show results with:diaspora
[61]
Turkish community in New York Archives | NYC Turkish Club
The Parade and the festivities feature a wide array of activities, including a Turkish music concert, traditional dance performances, exhibitions of Turkish ...
[62]
Simple Dances: Where Do They Come From, Where Do They Lead ...
The basic Lesnoto or Lesno is a three-measure pattern (the four-measure pattern with the grapevine step found in circle dance is a choreography) and is an ...
[63]
Wedding Theme in Films from Turkish-German Directors Living in ...
People dance to Turkish tango, chiftetelli and perform folk dances called halay. Families use the newly emerging video cameras to film the ceremony. The ...
[64]
Eurovision 1984 Turkey: Beş Yıl Önce, On Yıl Sonra - "Halay"
Rating 4.0 (139) "Halay" by Beş Yıl Önce, On Yıl Sonra from Turkey at the Eurovision Song Contest 1984. Turkey finished 12th at Eurovision 1984 with 37 points.Missing: performances | Show results with:performances
[65]
[PDF] Sicher in Kreuzberg« - Constructing Diasporas - OAPEN Home
The infusion of Turkish pop music into the Turkish discos in Germany, and dancing to the rhythm of the Turkish pop singer Yonca as well as to Madonna, also.
[66]
Kurdish stateless diaspora a decade after the long summer of ...
Jun 11, 2025 · The essay argues that the Kurdish diaspora experience offers a compelling case of how a stateless nation can mobilize globally, adapt itself ...