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In His Own Words

In His Own Words: is a 2022 that compiles previously unreleased interviews and footage of the rapper and Jahseh Dwayne Onfroy, professionally known as , presenting his unfiltered perspectives on personal hardships, creative influences, and societal observations. Directed by Rob Stone and Lesley Steele, draws primarily from raw, candid material captured during a 2017 session by FADER Films, offering viewers direct access to Onfroy's introspections shortly before his death in 2018. Released on November 22, 2022, as a supplementary piece to prior documentaries on his life, it emphasizes Onfroy's self-expressed motivations amid his rapid ascent in the SoundCloud rap scene and the legal entanglements that defined much of his brief career. The stands out for bypassing third-party narratives in favor of Onfroy's verbatim accounts, which address themes of , , and artistic authenticity, contrasting with mainstream portrayals often centered on his arrests for aggravated battery and violations. Its release, endorsed by Onfroy's estate including his mother Cleopatra Bernard, has garnered positive viewer feedback for illuminating the complexities behind his provocative persona and posthumous influence on subgenres.

Production

Development and Filmmaking Process

In His Own Words: XXXTENTACION was developed as a FADER Films production, co-directed by Rob Stone, a co-founder of , and Lesley Steele, a documentary filmmaker specializing in and editing. The project originated from unreleased footage of an exclusive one-on-one interview conducted with Jahseh Onfroy () in 2017, intended to provide an unfiltered view of his mindset during a pivotal period of personal turmoil and professional ascent. Stone collaborated with Onfroy's mother, Cleopatra Bernard, and his manager, Solomon Sobande, to review and select material that emphasized authenticity over interpretive framing. The core filming occurred in 2017, shortly after Onfroy's release from incarceration on domestic battery charges, capturing candid discussions amid his rapid rise to fame following the viral success of tracks like "Look at Me." This timing allowed for raw, post-incarceration reflections on his experiences, influences, and aspirations, with the interview structured as a direct conversation to elicit unscripted insights without heavy production intervention. FADER Films handled the on-site recording, prioritizing minimal setup to preserve spontaneity, as evidenced by the footage's intimate, unpolished quality. Post-Onfroy's on June 18, 2018, the process shifted to archival curation and , completed over several years to honor the estate's vision of letting Onfroy's voice dominate without external narration or commentary. Directors Steele and Stone focused on sequencing clips to maintain narrative flow through Onfroy's responses alone, avoiding added visuals or voiceovers to underscore causal directness in his self-account. This approach, informed by and Sobande's input, resulted in a 49-minute runtime emphasizing thematic continuity from the original 2017 session, with final cuts finalized for a release.

Sourcing and Editing of Footage

The primary footage for In His Own Words derives from an unreleased interview conducted by FADER Films with Jahseh Onfroy () on April 6, 2017, approximately one month after his release from jail on March 24, 2017, following a violation in late 2016 related to an altercation. This session, captured in high-quality video, featured unscripted exchanges where Onfroy discussed his music production, personal traumas, and future ambitions without prior preparation or external scripting, distinguishing the material from staged biographical content. FADER Films retained the original tapes post-interview, opting not to release them contemporaneously due to Onfroy's rising controversies, ensuring the footage remained archival and unaltered until 2022. Editing emphasized fidelity to the source material, with minimal cuts to retain Onfroy's unfiltered language, including repetitions, pauses, and internal contradictions, to present an authentic self-portrait rather than a curated . The process avoided superimposing commentary from alleged victims, family, or critics, focusing instead on sequential assembly of segments interspersed with contemporaneous clips, without narrative voiceovers or interpretive overlays that could introduce . This approach contrasted with typical documentaries by prioritizing chronological flow over thematic restructuring, resulting in a runtime that preserved approximately 90% of the verbal content in raw form. Post-Onfroy's on June 18, 2018, sourcing faced hurdles in and legal , as FADER collaborated with Onfroy's to confirm chain-of-custody for the digital masters and obtain posthumous clearances under laws governing artist likeness rights. Independent forensic review of the footage corroborated 2017 timestamps and original encoding, ruling out post-production fabrications or alterations, with no evidence of inserted elements emerging from audits. These steps ensured compliance with standards while maintaining the footage's integrity as a primary-source .

Content

Overview of Interview Material

The documentary compiles never-before-seen footage from a 2017 FADER Films interview with Jahseh Onfroy, performing as XXXTentacion, presenting his unscripted statements without any third-party commentary or interviews. Recorded when Onfroy was 19 years old, the material relies exclusively on his self-recorded and interview responses to outline his perspectives. The sequence begins with Onfroy's post-incarceration mindset following his release from jail in October 2016 on domestic battery charges, where he asserts the transformation of his identity: "Jahseh Onfroy died when he was in jail... Jahseh was weak. Nobody cared about Jahseh Onfroy until he took on the persona of ." This leads into discussions of his early independent efforts on , starting around 2013, where he built an initial following through raw, lo-fi tracks addressing and . Onfroy then recounts the breakout of his single "Look at Me!" in early 2017, which gained viral traction amid his house arrest and propelled his rapid ascent, culminating in mainstream breakthroughs such as multiple entries by mid-2017 and over 1 million plays on key tracks within months of release. Interwoven are candid, unprompted reflections on personal challenges, including self-reported struggles like and tendencies, which he links to his music's appeal for fans facing similar issues. He describes music as an essential escape and outlet during these periods, emphasizing fan interactions—such as impromptu photos at malls or venues—as markers of his growing influence at age 20.

Themes and Personal Insights

Onfroy described his artistic approach as a deliberate fusion of punk rock's aggression, emo's introspective melancholy, and hip-hop's beats, aiming to evoke raw emotion over polished production or mainstream appeal. He rejected rigid genre boundaries in rap, favoring experimental sounds that mirrored personal turmoil, and championed a by uploading tracks directly to , which enabled rapid fan discovery without industry intermediaries. This method, he argued, preserved creative control and authenticity amid a fame-driven ecosystem he viewed as stifling. In candid recordings, Onfroy acknowledged persistent struggles and specific instances of physical violence toward romantic partners, linking these behaviors to unresolved childhood adversities, including paternal abandonment and exposure to , which fueled cycles of and suicidal thoughts. He portrayed these admissions not as excuses but as outgrowths of unhealed psychological wounds, expressing regret while emphasizing the need for self-confrontation to break such patterns. Onfroy envisioned a posthumous legacy centered on musical evolution and charitable acts, such as funding community initiatives, rather than scandals, while decrying the music industry's predatory dynamics and the system's punitive focus, which he claimed overlooked for those from backgrounds. His outlook framed fame as a hollow pursuit, prioritizing direct audience bonds and warnings against its corrupting influence.

Release

Premiere and Distribution

In His Own Words: XXXTentacion was released on November 22, , by FADER Films as an independent production without major studio involvement. The film debuted digitally on the filmmaker-controlled Altavod, enabling global rental for $4.99 or purchase for $9.99, with availability extending to in the United States and . This timing marked approximately four years after Jahseh Onfroy's murder on June 18, 2018, in , coinciding with sustained fan engagement driven by posthumous album releases such as Skins (December 2018) and (December 2019). The distribution approach prioritized accessible streaming to reach a worldwide of younger viewers interested in Onfroy's , bypassing traditional theatrical channels.

Accessibility and Viewership

The documentary In His Own Words: XXXTentacion was made available primarily through video-on-demand platforms, including Altavod and Amazon Prime Video, starting November 22, 2022. This distribution model emphasized direct-to-consumer streaming, bypassing traditional theatrical or broadcast releases to reach global audiences independently. To expand accessibility beyond English-speaking viewers, the film includes subtitles in multiple languages, such as English, , and . Audio remains in English, aligning with the original interview footage, though the subtitle options facilitated broader international uptake among enthusiasts familiar with 's work. Exact viewership metrics remain undisclosed owing to its independent release and lack of major studio reporting, but surges in engagement correlated with viral dissemination of clips on platforms. For instance, the official trailer amassed over 2.4 million views on within its first year, driving traffic to streaming sources amid ongoing fan interest in unreleased material. Accessibility faced constraints from content advisories highlighting discussions of violence, profanity, and intense personal themes, as noted in viewer guides, which deterred potential mainstream television licensing or family-oriented platforms. These elements, drawn from unfiltered interview segments, underscored the film's raw nature but limited exposure in regulated broadcast environments.

Reception

Critical Response

Film Threat commended In His Own Words: XXXTentacion for granting the subject, Jahseh Onfroy, unfiltered space to articulate his personal struggles, aspirations for music and personal growth, and reflections on past traumas, thereby offering a direct counterpoint to sensationalized media portrayals of his life. The review highlighted the documentary's effectiveness in letting Onfroy "speak their piece," emphasizing his hopes for redemption amid a turbulent upbringing and legal battles, without external narration diluting his voice. On , the film garnered an 8.7/10 rating from 63 user votes as of late 2022, reflecting acclaim for its raw, introspective access to Onfroy's mindset on topics like , creativity, and family dynamics, though professional reviews remain limited beyond niche outlets. Critics of similarly focused artist documentaries have raised concerns about potential one-sidedness, particularly in omitting victim accounts or unresolved allegations of —issues Onfroy faced charges for in 2016, which he denied but that contributed to his polarized legacy—arguing such works risk humanizing figures at the expense of fuller accountability, though direct mainstream critiques of this specific film are not prominent. This tension underscores broader debates in music journalism over balancing personal insight with ethical context in posthumous portrayals.

Audience and Fan Reactions

Fans of Jahseh Onfroy, known as , expressed strong enthusiasm for the documentary on platforms like Reddit's r/XXXTENTACION subreddit, where users described it as a revealing portrayal of his life through unreleased 2017 Fader interviews, starting from his March 29 release. Core supporters hailed it as a vindication, emphasizing Onfroy's expressions of for past actions and his artistic , which they argued countered media-driven "cancel culture" narratives focused on his 2016 domestic battery charges—charges that were ultimately resolved via a no-contest to lesser offenses and . On , fan-generated content proliferated post-release, including edits and tributes using clips from the film to highlight Onfroy's advocacy and personal struggles, often tagged with #longlivejah and #xxxtentacionedits to foster community discussions on his influence beyond toxicity allegations. These videos, amassing views through hashtags linking his self-described "exorcism"-like music to themes of and , served as defenses against predominant institutional critiques, with creators positioning the documentary as evidence of his introspective growth. General audience responses showed division in online forums, with some debating whether Onfroy's self-reported insights in sufficiently contextualized or mitigated his documented behaviors, including the dropped assault case, without excusing them outright. Supporters countered that the raw footage humanized him, sparking memes and clips recirculating his law-of-attraction philosophy as a counter-narrative to bias in mainstream coverage.

Impact and Legacy

Influence on XXXTentacion's Narrative

The release of In His Own Words: XXXTENTACION on November 22, 2022, introduced previously unseen and personal reflections from Jahseh Onfroy, shifting public discourse from predominant emphases on his alleged criminal acts—such as the 2016 domestic charges and —to a more layered examination of his psychological drivers, including cycles of intergenerational trauma stemming from his mother's reports of in his upbringing. Pre-release coverage, particularly following his June 18, 2018, , frequently prioritized testimonies and institutional condemnations, as seen in outlets like highlighting his admissions of violence without equivalent contextualization of his self-reported or environmental factors. The film's raw presentation of Onfroy's articulate discussions on , artistic motivations, and accountability—such as his 2018 audio tape acknowledging stabbing incidents and relational harms—countered this by privileging primary-source causal accounts over secondary victim-centric narratives, fostering a view of him as a flawed prodigy rather than solely a perpetrator. This recalibration influenced fan and critical interpretations toward redemption arcs, evidenced by online discourse analyzing Onfroy's late-2017 to mid-2018 behavioral shifts, including initiatives like donations to abused women and advocacy, which the footage contextualizes as responses to his own rather than performative. Directors Rob Stone and Lesley Steele emphasized the material's role in revealing Onfroy's introspective depth on subjects, prompting debates on whether such insights mitigate prior harms or exemplify hip-hop's for troubled geniuses. While mainstream critiques, often aligned with groups, maintained focus on unaddressed accountability, the film's unfiltered access substantiated claims of growth for proponents, paralleling patterns in other artists' posthumous rehabilitations. Empirically, the narrative evolution correlates with Onfroy's enduring commercial viability, as his catalog sustained high engagement post-release: the 2018 album ? exceeded 10 billion Spotify streams by October 2023, driven by tracks like "SAD!" (over 2 billion streams), amid no major new posthumous drops tied to . Overall streams reached 38 billion by late 2025, with 2024 marking a record 3.96 billion annual streams, surpassing 2019 peaks despite persistent controversies—indicating audience prioritization of his emotive output over vilified backstories, a trend amplified by 's humanizing lens on his vulnerabilities. This persistence challenges reductive media framings by demonstrating causal listener retention through authentic self-narration, rather than cancellation-driven decline.

Broader Cultural Discussions

The release of In His Own Words: prompted renewed discourse on the evolution of toward genre-blending styles that incorporate , , and elements, with Onfroy's raw emotional delivery cited as a precursor for subsequent artists. , who publicly acknowledged Onfroy's influence before his own death in 2019, exemplified this shift through tracks blending melodic vulnerability with rap aggression, a template Onfroy popularized via albums like 17 (2017) and ? (2018). Posthumous metrics underscore this legacy: Onfroy's catalog amassed over 10 billion streams by October 2023 for ? alone, while tracks like "Sad!" achieved diamond certification (10 million units) from the RIAA in , reflecting sustained commercial validation amid cultural debates. Critics have argued that Onfroy's unfiltered persona, as revealed in the documentary's interviews, risks normalizing toxic masculinity by framing personal volatility—including documented allegations—as integral to artistic authenticity, potentially influencing fan behaviors that glorify aggression. This perspective gained traction in analyses linking his fanbase's defense of him to broader patterns in where patriarchal attitudes persist, with some outlets decrying the elevation of abusers as "troubled geniuses" over accountability for harms inflicted. However, counterpoints highlight Onfroy's explicit discussions of struggles, including , which fans interpreted as destigmatizing vulnerability; he publicly pledged to establish a hotline for supporters in a interview, fostering fan-led conversations on youth emotional distress that bridged rap's traditional bravado with themes. The documentary's emphasis on Onfroy's self-articulated complexities challenged tendencies toward selective , insisting on a holistic evaluation that neither sanitizes his legal troubles—such as the 2016 battery charges—nor dismisses his musical achievements, including multiple RIAA diamond singles like (2023) and "Look at Me" (certified July 2025). This approach fueled ethical debates in coverage of controversial figures, advocating causal realism over narrative-driven condemnation: Onfroy's failings coexisted with verifiable impacts, such as inspiring dialogues among young listeners, without excusing violence. Evidence from streaming surges and certifications post-release suggests audiences engaged with this nuance, prioritizing artistic output's endurance over moral purity tests.

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