Jack Greene
Jack Greene (January 7, 1930 – March 14, 2013) was an American country music singer, songwriter, and musician best known for his 1966 number-one hit "There Goes My Everything," which topped the Billboard Hot Country Songs chart for seven weeks and established him as a major star in the genre.[1] Nicknamed the "Jolly Green Giant" due to his 6-foot-5-inch stature and resonant baritone voice, Greene was a longtime member of the Grand Ole Opry, joining in 1967, and received four Grammy Award nominations throughout his career, including for Best Male Country Vocal Performance in 1967.[2][3][4] Born in Maryville, Tennessee, in Blount County, Greene learned to play guitar at age 10 while recovering from a childhood illness, under the guidance of his mother.[1] In the early 1950s, he relocated to Atlanta, Georgia, where he formed his first band, the Peach Tree Boys, performing as a lead singer and fiddle player.[3] By 1959, Greene had moved to Nashville, assembling the Tennessee Mountain Boys and later joining Ernest Tubb's Texas Troubadours as a drummer, guitarist, and backup vocalist, which honed his skills and exposure in the country music scene.[1] Greene's breakthrough came in 1966 with the release of "There Goes My Everything" on Decca Records, followed by a string of hits including "All the Time" (number one for five weeks in 1967) and "Statue of a Fool" (number one in 1969).[1] His success peaked with three Country Music Association Awards in 1967: Male Vocalist of the Year, Single of the Year, and Album of the Year, all tied to "There Goes My Everything."[1] Throughout the 1970s, he collaborated frequently with singer Jeannie Seely, achieving duet successes like "Wish I Didn't Have to Miss You," and continued recording and performing until health issues curtailed his activities in later years.[3] In his later career, Greene remained active on the Opry stage and mentored younger artists, though he battled Alzheimer's disease in his final years, passing away at his Nashville home at age 83.[1] His warm stage presence and smooth vocal style made him a beloved figure in country music, influencing the middle-of-the-road sound of the era.[3]Early life
Childhood and family background
Jack Greene was born on January 7, 1930, in Maryville, Tennessee, to parents Isaac Wesley Greene and Esther Hassell Brickey Greene.[5][6] He grew up in a large family with seven sisters: Anna Lou, Evelyn, Norma Lee, Jean, Madge, Margaret, and Ruth.[6] The Greene family resided in the rural foothills of the Great Smoky Mountains in Blount County, where they navigated the hardships of the Great Depression era through farming and modest livelihoods typical of Appalachian Tennessee communities.[6] This environment immersed young Jack in the rich traditions of Southern folk and country music, often heard at local gatherings and on battery-powered radios, fostering an early cultural appreciation for the genre despite economic constraints.[1] Greene received a basic education through local schools in Maryville. This foundational upbringing in a tight-knit, music-infused rural setting laid the groundwork for his lifelong passion for country music.[7]Musical beginnings
Greene began developing his musical talents in his youth, taking up the guitar around the age of ten, while recovering from a childhood illness under the guidance of his mother, and soon mastering country standards through dedicated practice.[8][1] Growing up in Maryville, Tennessee, he was exposed to the sounds of country music via radio broadcasts, which introduced him to influential artists like Ernest Tubb and shaped his early style.[9] Family encouragement played a key role in nurturing this interest, leading him to pursue music alongside his other pursuits.[8] As a teenager in the late 1940s, Greene entered the music industry locally by working as a disc jockey at WGAP radio station in Maryville, where he honed his on-air presence and deepened his appreciation for country records.[8] By age 18, around 1948, he expanded into live performances, appearing regularly on the Tennessee Barn Dance program broadcast from WNOX in Knoxville, Tennessee, which provided his first platform for singing and playing before regional audiences.[8] In the early 1950s, Greene relocated to Atlanta, Georgia, to advance his career, forming his first band, the Peach Tree Boys, in which he served as lead vocalist, guitarist, and drummer.[3] The group played numerous local gigs at dances, clubs, and events across the Southeast, building a following through energetic performances of country and western tunes.[10] Toward the end of the decade, in 1959, he moved back to Nashville, Tennessee, and assembled the Tennessee Mountain Boys, continuing his regional performances and further refining his skills as a multi-instrumentalist and frontman.[11]Professional career
Early professional steps and band work
In 1959, after returning to Tennessee from Atlanta, Jack Greene settled in Nashville and formed his own band, the Tennessee Mountain Boys, where he served as drummer and lead vocalist.[12] The group performed regionally, building Greene's experience in live settings and allowing him to refine his baritone singing style through consistent performances.[13] A pivotal moment came in late 1961 when the Tennessee Mountain Boys opened for Ernest Tubb at a show in Atlanta; Tubb, impressed by Greene's drumming and vocals, hired him six months later after his own drummer quit.[14] Greene joined Tubb's Texas Troubadours in 1962 as drummer and relief singer, relocating temporarily to Dallas to align with the band's operations and embarking on extensive tours that exposed him to national audiences.[12] These tours, often grueling with nightly performances across the South and Midwest, honed Greene's stage presence, teaching him to command crowds while providing backup vocals that highlighted his deep, resonant voice— a style Tubb encouraged as a contrast to his own higher register.[13] One notable anecdote from the road involved Greene managing the band's logistics during long drives, including navigating Tubb's preference for punctual arrivals at venues, which instilled discipline and reliability in his professional approach.[12] With the Texas Troubadours, Greene made his debut appearance on the Grand Ole Opry in 1962, performing alongside Tubb and gaining his first taste of the iconic Nashville stage.[15] The band recorded several tracks for Decca Records during this period, including early singles like "A House of Sorrow" in 1962, which featured Greene on drums and occasional vocals. In 1964, while still with Tubb's group, Greene released his debut solo single, "The Last Letter," billed as Jack Greene and the Texas Troubadours; originally from a live Tubb album, it marked his initial solo contract with Decca under producer Owen Bradley and signaled his growing independence as an artist.[13]Breakthrough success with "There Goes My Everything"
In 1966, Jack Greene signed a solo recording contract with Decca Records, transitioning from his role as a sideman with Ernest Tubb's band to a leading artist.[16] He recorded "There Goes My Everything," a poignant ballad written by Dallas Frazier about losing a loved one to another, which captured widespread attention for its emotional depth and Greene's resonant baritone delivery.[17] Released as a single in September 1966, the track quickly climbed the charts, reaching number one on the Billboard Hot Country Songs chart and holding the position for seven weeks starting in December 1966.[16] The accompanying album, There Goes My Everything, was released in December 1966 and became Greene's debut full-length project, featuring the hit single alongside other country standards. It topped the Billboard Top Country Albums chart for nine weeks in 1967, marking a commercial breakthrough with strong sales that reflected the era's growing appetite for heartfelt country ballads.[18] The album and single dominated the inaugural Country Music Association (CMA) Awards in 1967, securing three major honors: Single of the Year, Album of the Year, and Male Vocalist of the Year, which underscored their immediate industry impact.[19] During this period, Greene's imposing 6'5" stature combined with his booming, warm voice earned him the affectionate nickname "The Jolly Greene Giant," a moniker that fans and media embraced as he emerged from the shadows of backup roles.[11] The song's crossover appeal, peaking at number 65 on the Billboard Hot 100, sparked enthusiastic fan response through radio airplay and live performances, propelling Greene into national spotlight with appearances at major events like the CMA Awards and solidifying his status as a solo star.[20]Peak achievements and Opry induction
Following the breakthrough success of "There Goes My Everything," Jack Greene solidified his stardom in the late 1960s with a string of chart-topping singles that showcased his rich baritone and emotional delivery. In 1967, his cover of "All the Time," originally recorded by Kitty Wells, reached number one on the Billboard Hot Country Singles chart, where it held the top position for five weeks. This follow-up hit, produced by Owen Bradley at Decca Records, highlighted Greene's ability to infuse classic country themes of heartache with a polished Nashville sound, contributing to his total of five number-one singles during this peak period. The song's success was mirrored by his self-titled album All the Time, which also topped the Billboard Top Country Albums chart for five weeks, featuring covers and originals that captured his rising prominence.[21] Greene's momentum continued into 1968 with another number-one hit, "You Are My Treasure," which spent one week at the top of the Billboard Hot Country Singles chart and became a staple of his live sets. This track, from his album of the same name, peaked at number five on the Billboard Top Country Albums chart and ran for 20 weeks, underscoring his consistent commercial appeal. During this era, Greene toured extensively across the United States, performing at major venues and fairs, often sharing bills with contemporaries like George Jones, whose similar traditional style fostered mutual respect and collaborative stage appearances that energized audiences. These tours, combined with radio play and fan demand, established Greene as a leading figure in country music, with his performances emphasizing heartfelt storytelling over flashy production.[22][23] A pivotal milestone came on December 23, 1967, when Greene was inducted into the Grand Ole Opry, marking formal recognition by Nashville's country music establishment and affirming his transition from sideman to solo star. The Opry membership, which he maintained for over four decades, provided a platform for regular appearances—often weekly—that connected him directly with fans and peers, enhancing his reputation as "The Jolly Green Giant" for his towering 6'5" frame and jovial persona. This induction not only boosted his visibility but also symbolized his enduring commitment to traditional country, as he became a mainstay alongside legends like Jones, performing Opry shows that blended his hits with Opry standards to preserve the genre's roots.[14][24]Collaborations, duets, and later recordings
In the early 1970s, Jack Greene formed a prominent duet partnership with Jeannie Seely, which produced several chart successes and became a staple of their live performances. Their first collaborative single, "Wish I Didn't Have to Miss You," peaked at No. 2 on the Billboard Hot Country Songs chart in 1970, marking one of their biggest hits together.[25] The duo followed with additional charting singles such as "Much Oblige" and "What Rainbows Are For," both reaching the top 20 on the country charts during the early 1970s.[26] They released joint albums including Jack Greene, Jeannie Seely in 1970 and Two for the Show in 1973, the latter featuring a mix of duet and solo tracks that highlighted their complementary vocal styles.[27] Their road show, blending country standards with polished production, emerged as one of the top touring acts of the decade.[16] As Greene's solo career waned in the 1970s, his individual chart performance declined following the No. 1 success of "Statue of a Fool" in 1969, with subsequent releases like "Lord, Is That Me" peaking outside the top 10.[16] He experienced a modest resurgence in 1980 with the single "Yours for the Taking" on Firstline Records, which reached No. 28 on the Billboard Hot Country Songs chart.[13] This track served as the title song for his album of the same name, representing his final notable solo chart entry. In 1978, Greene and Seely issued the live recording Live at the Grand Ole Opry on Pinnacle Records, capturing their onstage chemistry during Opry appearances.[28] Later in his career, Greene shifted toward collaborative and thematic projects, culminating in the 2010 album Precious Memories, Treasured Friends, which featured duets with esteemed artists including George Jones on "Two Old Cats Like Us," Lorrie Morgan on "You Don't Know Me," Vince Gill on "There's a Whole Lotta About a Woman," and Merle Haggard on "The Last Letter."[29] This release emphasized gospel-influenced country tributes and personal reflections, showcasing Greene's enduring baritone in intimate settings. After the 1980s, Greene's musical output increasingly centered on regular Grand Ole Opry performances, where his Opry membership from 1967 allowed him to maintain a steady presence in Nashville's country music scene.[16]Personal life
Marriages and family
Jack Greene was married twice during his lifetime. His first wife was Barbara Ann Stidham, whom he wed in 1953; she was a registered songwriter affiliated with BMI.[30][31] Together, they had five children: sons Wayne, Anthony (known as Tony), and Martin (known as Marty); daughters Jan and Barbara Lynn.[31] Barbara Ann Greene passed away at her home in Flowery Branch, Georgia, on May 9, 2012.[32] Greene's second marriage was to Barbara Stidman, who outlived him following his death in 2013.[33] The Greene family made their home in Nashville, Tennessee, where they established roots amid the city's vibrant community. His children were raised there, with limited public details available on their personal pursuits outside of family connections; for instance, daughter Barbara Lynn Greene passed away on May 12, 2012, just days after her mother.[34][33]Health challenges
In the later years of his life, Jack Greene battled Alzheimer's disease, a condition that progressively impaired his health and cognitive abilities. The disease's onset affected his ability to maintain the rigorous schedule of a performing artist, leading to sporadic recordings in the 2000s before he largely stepped back from new projects.[35] Despite the challenges, Greene continued to appear at the Grand Ole Opry, with his final performance there occurring in December 2011, after which he retired from the stage due to failing health.[36] The progression of Alzheimer's required increasing assistance in Greene's daily life, including support from his longtime manager, LeeAnn Lallone, who helped manage his affairs and ensured he could perform select engagements, such as at the 2010 Foothills Fall Festival.[29] The Opry community and fellow artists provided encouragement during his decline, honoring his enduring contributions even as his appearances became less frequent. No major earlier health incidents from his touring career, such as vocal strain or surgeries, are documented in available records.Death and legacy
Final years
In the final years of his life, Jack Greene resided in Nashville, Tennessee, where he had established his home since moving there around 1960 to pursue opportunities in the country music industry, and it was in this longtime residence that he spent his retirement. As his Alzheimer's disease progressed following its onset in later life, he remained in the Nashville home with support from family members and caregivers, including assistance from close associates who helped manage his daily needs after 2010.[37][1] Greene's retirement activities were low-key and centered on occasional musical engagements that served as a gentle wind-down from his career. In 2010, he released his final studio album, Precious Memories, Treasured Friends, a collection of gospel and traditional country duets featuring collaborations with artists including George Jones, Lorrie Morgan, and Patty Loveless. That same year, he made a sporadic public appearance at the Foothills Fall Festival in Maryville, Tennessee. He also participated in philanthropy by performing at a benefit concert for the Big South Fork Opry. Greene retired from performing in 2011 due to his health.[29][1][12]Death
Jack Greene died on March 14, 2013, at the age of 83 in his Nashville home from complications of Alzheimer's disease, with which he had been diagnosed years earlier; he passed away in his sleep.[9][16] The Grand Ole Opry announced his death the following day, March 15, 2013, through spokesperson Jessie Schmidt.[9][38] A private graveside memorial service for family and friends was held on March 23, 2013, at 1:00 p.m. at Sherwood Memorial Gardens in Nashville.[6] A public memorial service was held on March 27, 2013, at 11:00 a.m. at the Ryman Auditorium in Nashville, attended by members of the country music community including performers who paid tribute through songs and remembrances.[39][40] Greene was survived by his four sons: Wayne Greene, Tony Greene, Jan Greene, and Marty Greene.[6][31]Posthumous recognition and influence
Major outlets like Billboard published an obituary emphasizing his distinctive baritone and five No. 1 hits, positioning him as a key stylist of the 1960s whose work shaped the genre's emotional depth.[16] The New York Times similarly highlighted his Opry tenure and hits like "There Goes My Everything," noting his role in bridging traditional and crossover country sounds.[9] Posthumous releases have kept Greene's catalog active into the 2020s. In 2020, the compilation American Portraits: Jack Greene was issued by Dockland Music, featuring 20 tracks including "Red Neckin' Love Makin' Night" and "Miss Emily's Picture" to showcase his vocal range.[41] The following year, Country Rewind Records released Together Again (2021), a collaboration with Jeannie Seely drawing from archival radio transcription discs for the U.S. military, with 15 tracks of solo and duet performances remastered for modern audiences.[42] These efforts, along with ongoing streams and reruns of his appearances on shows like Country's Family Reunion, have sustained interest in his recordings.[33] Greene's influence persists through his baritone style, often compared to George Jones for its rich, emotive delivery, which inspired later country vocalists seeking depth in heartbreak ballads.[11] Despite occasional misconceptions as a "one-hit wonder" due to the dominance of "There Goes My Everything," his legacy as a multi-chart-topper and Opry mainstay—evidenced by five No. 1 singles and Billboard's recognition among the top 100 most-played artists—underscores his broader impact on the genre's storytelling tradition.[33] As of 2025, retrospectives continue to affirm his role in preserving classic country amid evolving styles.[33]Awards and honors
CMA Awards
In 1967, Jack Greene achieved a remarkable sweep at the inaugural Country Music Association (CMA) Awards, held on October 20 at the Nashville Municipal Auditorium and hosted by Sonny James and Bobbie Gentry. He won Male Vocalist of the Year, recognizing his standout performance that year, as well as Single of the Year and Album of the Year for "There Goes My Everything," his debut solo single that topped the Billboard Hot Country Songs chart for seven weeks. Additionally, the song earned Song of the Year honors for its songwriter, Dallas Frazier, marking a clean dominance in the major categories centered on the track.[43][44][19] This quartet of accolades—three directly to Greene—highlighted the song's transformative impact on country music, blending heartfelt lyrics with Greene's rich baritone delivery, and positioned him as a leading figure in the genre's evolving landscape. The wins, announced during the CMA's first televised ceremony, dramatically elevated Greene's profile within the industry, transitioning him from a supporting drummer for Ernest Tubb to a headlining star and Grand Ole Opry member shortly thereafter.[45][46] Greene received no further CMA wins in subsequent years, though his 1967 triumphs remained a benchmark for breakthrough artists, underscoring the awards' role in spotlighting emerging talent during country music's Nashville Sound era.[43]Grammy nominations and other accolades
Jack Greene received four Grammy Award nominations during his career, highlighting his prominence in country music during the late 1960s. For the 9th Annual Grammy Awards in 1967, he was nominated in the Best Country & Western Recording category for his breakthrough hit "There Goes My Everything," which had topped the Billboard Hot Country Singles chart for seven weeks.[47] He was also nominated in the Best Country & Western Vocal Performance, Male category for the same song.[47] The following year, at the 10th Annual Grammy Awards, Greene earned a nomination for Best Country & Western Vocal Performance, Male, for "All the Time," another No. 1 country single that showcased his rich baritone voice.[48] His fourth nomination came in 1970 at the 12th Annual Grammy Awards, in the Best Country Performance by a Duo or Group with Vocal category for "Wish I Didn't Have to Miss You," a duet with Jeannie Seely that reached No. 2 on the country charts.[49] These nominations underscored the Grammy Awards' growing influence on country music in the 1960s and 1970s, a period when the Recording Academy expanded categories to better recognize genre-specific achievements and increase mainstream exposure for artists like Greene.[47] Although he did not win a Grammy, the recognition affirmed his vocal prowess and contributions to the Nashville sound. Beyond the Grammys, Greene was inducted into the Atlanta Country Music Hall of Fame in 1989, honoring his early career beginnings in Georgia where he formed his band the Peach Tree Boys.[50] In 2000, he received the Living Legend Award from the Major Independent Record Label Association (MIRLA), celebrating his enduring impact on independent country recordings and performances.[50]Discography
Studio albums
Jack Greene released over 20 studio albums during his career, spanning from his debut in 1966 through independent releases in the 2010s, with the majority issued by Decca Records (later absorbed by MCA) between 1966 and 1976. His early work emphasized a polished countrypolitan style, often produced by Owen Bradley, and included several chart-topping efforts on the Billboard Top Country Albums chart, such as his debut There Goes My Everything, which held the number-one position for nine weeks and featured the hit single of the same name written by Dallas Frazier.[23][51] These albums typically showcased Greene's baritone vocals on covers of pop standards alongside original country material, with key tracks like "All the Time" from his 1967 follow-up album of the same name, which also reached number one.[52] As his career progressed into the 1970s, Greene's output shifted toward collaborative projects and traditional country sounds, including duet albums with Jeannie Seely under MCA, such as The Two of Us (1973), which highlighted their vocal chemistry on tracks like "What in the World Has Gone Wrong with Our Love." Later releases reflected a move to gospel influences, evident in albums like He Is My Everything (1991, Step One Records), featuring faith-based songs such as the title track. Greene's final studio effort, Precious Memories, Treasured Friends (2010, independent), was a collection of duets with artists including Lorrie Morgan and George Jones, underscoring his enduring connections in country music.[53][54] The following table lists select major studio albums, focusing on those with notable chart performance or cultural impact:| Year | Title | Label | Chart Peak (Billboard Country Albums) | Key Tracks |
|---|---|---|---|---|
| 1966 | There Goes My Everything | Decca | #1 | "There Goes My Everything," "Walking on New Grass" |
| 1967 | All the Time | Decca | #1 | "All the Time," "The Hurtin's All Over" |
| 1968 | You Are My Treasure | Decca | #5 | "You Are My Treasure," "By the Time I Get to Phoenix" |
| 1969 | Statue of a Fool | Decca | #3 | "Statue of a Fool," "You Gave Me a Mountain" |
| 1971 | Greene Country | Decca/MCA | #21 | "Satisfaction," "Leavin' and Sayin' Goodbye" |
| 1973 | Two for the Show (with Jeannie Seely) | Decca | #36 | "Congratulations, You're Absolutely Right," "Much Obliged" |
| 1991 | He Is My Everything | Step One | Uncharted | "He Is My Everything," "The Rock I'm Leaning On" |
| 2010 | Precious Memories, Treasured Friends | Independent | Uncharted | "Amazing Grace" (with the Jordanaires), "I Saw the Light" (with Ralph Emery) |
Number-one singles
Jack Greene recorded five number-one singles on the Billboard Hot Country Songs chart, all released between 1966 and 1969 under Decca Records, which later transitioned to MCA. These tracks highlighted his smooth baritone delivery on themes of love and loss, solidifying his commercial peak during the late 1960s. Over his career, Greene released more than 40 singles, with label changes in the 1970s affecting his charting consistency as he shifted to MCA and later independent labels, though he maintained top-10 presence into the mid-1970s.[8][56] His breakthrough hit, "There Goes My Everything," written by Dallas Frazier, ascended to number one on December 24, 1966, and held the position for seven weeks. Featured on the album There Goes My Everything, the song's emotional narrative of heartbreak resonated widely, also reaching number 65 on the Billboard Hot 100.[16]| Single Title | Release Year | Peak Date | Weeks at #1 | Writer(s) | Album |
|---|---|---|---|---|---|
| There Goes My Everything | 1966 | December 24, 1966 | 7 | Dallas Frazier | There Goes My Everything |
| All the Time | 1967 | June 17, 1967 | 5 | Mel Tillis, Wayne P. Walker | All the Time |
| You Are My Treasure | 1968 | April 13, 1968 | 1 | Cindy Walker | You Are My Treasure |
| Until My Dreams Come True | 1969 | January 4, 1969 | 6 | Dallas Frazier | Until My Dreams Come True |
| Statue of a Fool | 1969 | July 5, 1969 | 3 | Jan Crutchfield | Statue of a Fool |