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Janet Fielding

Janet Fielding (born Janet Claire Mahoney; 9 September 1953) is an Australian actress, former talent agent, and charity founder best known for portraying the feisty air stewardess , a to the Fourth, Fifth, and Thirteenth Doctors, in the series from 1981 to 1984 and again in 2022. Born in , , Fielding grew up accompanying her father, a parasitologist, on field trips during her teenage years, which sparked an early interest in travel and adventure. She earned a with honours in English from the , initially considering studies in science or before pursuing . In 1977, she relocated to the , adopting her stage name, and made her television debut in 1980 as a secretary in the episode "Charlie Boy" of the anthology series . Her early career included stage work with Ken Campbell's Science Fiction Theatre of , where she co-wrote the play Earth Burps. Fielding's breakthrough came in 1981 when she was cast as in , debuting in the serial alongside Tom Baker's and continuing through Peter Davison's era until her departure in in 1984. , an seeking her lost aunt in , became a regular companion, known for her outspoken personality and frustration with the TARDIS's unpredictability, appearing in 65 episodes across four seasons. During this period, she also guest-starred in British television series such as (1982) and (1984). In 1991, Fielding stepped away from acting to serve as an administrator and co-founder of Women in Film and Television (UK), an organization supporting women in the screen industries, where she managed operations for its first four years. She then transitioned to talent representation, taking over the Marina Martin Associates agency (later Gordon & French) and managing high-profile clients including Simon Callow and Hugh Bonneville. From 2010 to 2022, she directed Project MotorHouse, a Ramsgate-based youth arts charity aimed at revitalizing a former motor museum into a community space for deprived young people through creative and vocational programs. Fielding returned to performing in 2006 with audio dramas for , reprising in numerous stories, and made a surprise on-screen comeback in the 2022 special . Personally, she was married to journalist Nicholas Davies from 1982 to 1991 and has no children; in 2012, she publicly shared her diagnosis and treatment for cancer, undergoing radiotherapy and . Now semi-retired, she continues to engage with fandom through conventions and remains an advocate for gender equity in the arts.

Early life

Childhood and family

Janet Claire Mahoney was born on 9 September 1953 in , , . After her birth, the family spent her first 18 months in , before moving to and then returning to in 1959. She grew up in an academic family, with her father working as a parasitologist whose research career prompted several relocations during her childhood and teenage years, including moves within and abroad. As a child, the family spent a year in , where her father conducted research at the of Research. They also visited the in 1966 for a month, coinciding with the . She attended Lourdes Hill College, a secondary school in , from 1966 to 1970. These travels provided early exposure to the , fostering her interest in theater. In , she attended a production of the ballet , while during the family's time in , she saw the musical . Such experiences during her formative years in and abroad contributed to her developing passion for performance, though opportunities for direct involvement remained limited until later. Mahoney adopted the stage name Janet Fielding upon relocating to the in 1977, drawing from her grandmother's surname to differentiate herself professionally from another actress named Janet Mahoney, aligning with her emerging aspirations in the acting field.

Education

Janet Fielding attended the in , where she pursued a (Honours) degree in English, having also studied , graduating in 1976. During her studies, she became actively involved in university theatre groups, participating in dramatic productions that honed her interest in performance. This engagement extended to joining Queensland's radical Popular Theatre Troupe in 1976, where she contributed to experimental works under the influence of visiting English playwright and director Albert Hunt. Following graduation, Fielding decided to commit to acting as a full-time career, forgoing initial considerations of or paths influenced by her family's academic background. In 1977, she relocated to the as part of a theatrical tour led by , marking her transition from student productions to professional opportunities abroad.

Acting career

Early roles in the UK

Janet Fielding arrived in the in 1977 during a theatrical tour and chose to remain in to pursue a professional acting career. Upon settling in the UK, she adopted the stage name Janet Fielding to distinguish herself from another performer and joined director Ken Campbell's experimental of , a company known for innovative productions. There, she performed in stage works including The Warp (1979), a four-week improvised epic, and The End is Nigh (1978). By 1980, as a member of an actors' cooperative, Fielding transitioned to television with her UK debut, portraying the character Mandy, a secretary, in the Hammer House of Horror episode "Charlie Boy," which aired on ITV in October of that year. In the early 1980s, she secured additional guest appearances on British television, including the role of Tracy in the ITV sitcom Shelley in 1982, helping to build her profile amid the competitive landscape for immigrant performers.

Doctor Who as Tegan Jovanka

Janet Fielding was cast as in 1980 after a successful audition for the role of a bossy air hostess, a character created by producer and script editor Christopher H. Bidmead to bring diversity to the companions and appeal to international co-production interests, such as with Australia's . debuted in the 1981 serial "," the final story for Tom Baker's , where she accidentally entered the while searching for her aunt Vanessa after their car broke down near a . As an unwilling traveler, joined the Doctor's companions, initially serving as a bridge between the Fourth and Fifth Doctors during the regeneration. Fielding's tenure as Tegan spanned from "Logopolis" in 1981 to "Resurrection of the Daleks" in 1984, covering the end of Season 18 through Season 21 and encompassing 19 stories. Tegan became a regular companion to Peter Davison's , traveling alongside Nyssa () and () before the addition of (). Her adventures involved confronting threats like the , , and , often highlighting her resourcefulness in high-stakes scenarios. Tegan's character was defined by her feisty, argumentative personality, earning her the self-described nickname "mouth on legs" for her direct confrontations with the and unfiltered reactions to the chaos of . Motivated initially by the shock of her aunt Vanessa's murder by the , which stranded her in the , Tegan's arc evolved from frustration and to deeper emotional investment in her companions and the Doctor's missions. Over time, she displayed growth through moments of vulnerability, such as grieving losses and asserting her independence, culminating in her weary after repeated traumas. Behind the scenes, Fielding's audition emphasized her authentic Australian background, aligning with the producers' vision for a non-English to inject energy into the ensemble. She described early challenges in finding her footing during "" and "," but praised the supportive dynamic with co-stars like , whose collaborative style helped build on-screen chemistry, and , fostering a tight-knit crew. Fielding departed after Season 21 due to frustrations with the storylines, feeling the role had lost its enjoyment amid the mounting intensity of the narratives. As one of the first strong-willed female companions of the era, influenced perceptions of by challenging the Doctor's authority and representing everyday resilience, contributing to the series' appeal during Davison's run. Her fiery demeanor and status as the inaugural marked a shift toward more diverse, outspoken women in the series, resonating with audiences and highlighting themes of personal agency amid cosmic perils.

Post-Doctor Who television work

Following her departure from in 1984 after portraying for three seasons, Janet Fielding transitioned to guest roles in British television, leveraging her visibility from the series for initial opportunities. That year, she appeared as Fran in the episode "Second Hand Pose" of the crime drama , a popular series about small-time crooks and their schemes. She also took on the role of Caroline in Murphy's Mob, an children's adventure series following a group of young football enthusiasts solving mysteries. These appearances marked her immediate post-Doctor Who efforts to diversify into lighter, ensemble-driven formats. In the mid-1980s, Fielding continued with supporting parts in comedic and dramatic series. In 1985, she played Deborah Simons in Hold the Back Page, an ITV sitcom centered on the chaotic world of a local , appearing in one episode of the short-run production. By the late 1980s, her television work included a guest spot as a doctor in the 1988 Blind Justice, where she featured in the episode "A Death in the Family," contributing to a narrative exploring class tensions and courtroom intrigue in historical . Her final notable television role came in 1991 with a brief appearance as an attractive woman in "The Libel," an episode of the BBC Parnell & the Englishwoman, which dramatized the life of Irish nationalist . By the early 1990s, Fielding's on-screen television opportunities had dwindled, prompting her to step away from acting in 1991 to pursue administrative work with Women in Film and Television . She attributed this shift to broader industry challenges, including age discrimination against women over 30 and persistent from her tenure, which limited roles to similar feisty or authoritative characters. These factors reflected the era's constraints on female actors in British television, where procedural dramas and period pieces often favored younger talent, leading Fielding to focus on behind-the-scenes contributions rather than pursuing further guest spots.

Return to acting and audio dramas

After a period away from acting, Janet Fielding returned to the role of in ' audio adaptation of : The Gathering, released in September 2006, where an older reunites with the amid a mysterious gathering of former companions. This marked her debut in the company's extensive range of audio dramas, initially intended as a one-off but leading to ongoing involvement. Fielding has since reprised Tegan in numerous Big Finish audio stories, exceeding 50 appearances through 2023, often alongside Peter Davison as the Fifth Doctor and other companions like Nyssa (Sarah Sutton) and Turlough (Mark Strickson), as well as interactions with later incarnations such as the Eighth Doctor (Paul McGann). These productions have expanded Tegan's lore beyond her original television tenure, featuring adventures that delve into her personal growth, relationships with the , and encounters with classic foes like and in full-cast audio formats. The audio medium has enabled deeper exploration of Tegan's post-television adventures, portraying her navigating life after leaving the in stories set decades later, including themes of retirement and reflection on her past travels. For instance, The Gathering depicts in a settled, post-airline career existence disrupted by temporal events, highlighting her enduring resilience while aging gracefully. Fielding made her on-screen return as in the 2022 Doctor Who 60th anniversary special , where and () aid the () against the (), marking a brief but impactful reunion. She reprised the role again in 2023's Tales of the TARDIS episode , a reimagined framing sequence for the classic serial, reuniting her with Davison and emphasizing Tegan's emotional depth amid the story's tragedy.

Other professional activities

Advocacy in film and television

Following her departure from acting in 1991, Janet Fielding shifted her focus to for equity in the entertainment industry, motivated by her own experiences of diminishing opportunities for women as they aged. She co-founded Women in Film and Television (), a established in 1989 to promote opportunities for women across media roles, and served as its first director, running the organization for its initial four years. As , Fielding led campaigning efforts to address systemic barriers, including and in , drawing directly from her career challenges where roles for women over 30 became scarce after her mid-30s. She also founded Reel Women, a group specifically aimed at actresses in their 30s who faced limited professional prospects due to industry biases favoring younger female talent. These initiatives emphasized policy discussions on equal and pay, contributing to broader awareness of disparities in film and television production. Fielding's work with Women in Film and Television (UK) helped establish it as a enduring advocacy body, with ongoing events and reports highlighting persistent issues like the predominance of male-centric casting—where she later observed as an agent that approximately 75% of briefs were for men. Her contributions, rooted in personal insights from post-Doctor Who role scarcity, supported mentoring-like networks and industry dialogues that advanced women's professional support, influencing policy conversations on equity in the UK media sector. The organization remains active today, reflecting the lasting impact of her foundational leadership.

Charity and community work

Janet Fielding has been deeply involved in community initiatives, particularly through her leadership of Project MotorHouse, a UK-based she founded in 2009 to support disadvantaged in , . The organization transformed a derelict former motor into a hub for programs, emphasizing and creative activities to foster skills and confidence among local young people from deprived backgrounds. As project director, Fielding coordinated efforts to restore the West Cliff Hall site, overseeing fundraising, legal work, and community events over 13 years until the charity's closure in 2022 due to funding challenges. Fielding's commitment to Project MotorHouse was hands-on and personal; she designed programs like the "Fantastical Worlds" exhibition, which engaged pupils in collaborative art projects with professional photographers, empowering participants through creative expression and skill-building. She actively participated in fundraising events, including Doctor Who-themed conventions that drew celebrity support to raise awareness and resources for youth initiatives, amassing over £300,000 by 2017 for site restoration and program delivery. During her own health challenges with cancer in 2012, Fielding channeled the experience into advocacy for the charity, organizing events like Project MotorMouth to boost donations and highlight the transformative role of such programs in . Beyond Project MotorHouse, Fielding served as head of finance for a . Her work has emphasized long-term community impact, with initiatives like hall restorations and exhibitions providing sustained opportunities for disadvantaged youth to develop talents and build networks, leaving a legacy of empowerment in despite the charity's eventual closure.

Personal life

Marriage and relationships

Janet Fielding married Nicholas Davies, the foreign editor of the , in 1982 while she was actively filming her role as on . The union took place amid the rigorous schedule of the series, which involved extensive location shoots and long production hours that characterized her professional life in the . The couple divorced in 1991 after nearly a decade of marriage. Fielding and Davies had no children together. Post-divorce, Fielding has kept her personal relationships largely private, with no public record of remarriage or other long-term partners disclosed in available sources.

Health challenges

In September 2012, Janet Fielding was diagnosed with cancer, leading her to withdraw from a planned convention appearance. She underwent a course of and radiotherapy as part of her treatment regimen. By 2013, Fielding had recovered sufficiently to resume her professional activities, including recording audio dramas for such as Smoke and Mirrors. She also made public appearances, contributing to the BBC's Live: The Next Doctor special in August of that year. Fielding has shared her experiences publicly to support cancer awareness, emphasizing community solidarity without disclosing specific medical details. During her treatment, involvement in charity initiatives like Project MotorMouth served as a positive outlet, helping maintain her spirits amid the challenges. Fielding continues to manage her health effectively, with the condition exerting minimal long-term impact on her ongoing commitments to acting, audio work, and public engagements.

Filmography

Television roles

Janet Fielding began her television career in the late with guest appearances in British anthology and drama series, gaining prominence through her recurring role in the series . Her subsequent television work largely consisted of one-off guest spots in popular programs, reflecting a transition away from lead roles after the mid-1980s as she pursued administrative and advocacy positions in the industry. She made a notable return to television in the , reprising her iconic character in anniversary specials and spin-off episodes. Fielding's key television credits, organized chronologically, highlight her early breakthrough and later selective engagements:
YearShowRoleNotes
1980Hammer House of HorrorSecretaryGuest appearance in the episode "Charlie Boy," marking her TV debut in a horror anthology series.
1981–1984Doctor WhoTegan JovankaRecurring lead companion role across 65 episodes and 19 stories, from "Logopolis" to "Resurrection of the Daleks," alongside the Fourth and Fifth Doctors.
1982ShelleyTracyGuest role as a waitress in the episode "Slaughterhouse Sling" of the comedy series.
1984Murphy's MobCarolineGuest appearance in season 3, episode 5, of the children's sports drama.
1984MinderJaniceGuest role as a fitness instructor in the episode "Windows" (series 4, episode 9).
1985Jim'll Fix ItTegan JovankaCameo reprise in the Doctor Who-themed sketch "A Fix with Sontarans," alongside Colin Baker.
1985–1986Hold the Back PageDeborah SimonsGuest role in the comedy-drama mini-series about newspaper journalists.
2022Doctor WhoTegan JovankaGuest return in the BBC centenary special "The Power of the Doctor."
2023Doctor WhoTegan JovankaGuest appearance in the 60th anniversary special "The Giggle."
2023Tales of the TARDISTegan JovankaGuest reprise in the episode "Earthshock," a re-edited classic with new framing sequences.
Following her initial run on Doctor Who, Fielding's television output diminished, with no lead roles and only occasional ensemble or cameo parts until her recent Doctor Who returns, underscoring the infrequency of her on-screen work in the intervening decades.

Audio and stage credits

Janet Fielding began her stage career in the UK during the late , focusing on fringe and regional theater productions. She joined Ken Campbell's Science Fiction Theatre of , where she appeared in experimental works such as "The Warp" (1979) and "The End is Nigh" (1979). In 1977, she performed with the Popular Theatre Troupe in "The White Man's Mission," which toured regionally and had runs at London's in October and House in November, earning critical acclaim for its exploration of colonial themes. Following her departure from in 1984, Fielding continued stage work in the , including a production of Shakespeare's at The Duke's Head in and a Swedish staging of Alan Ayckbourn's Time and Time Again. These roles in regional venues like the Playhouse highlighted her versatility in classical and contemporary theater, often in intimate fringe settings that allowed for direct audience engagement without the demands of large-scale television production. She also co-wrote the play Earth Burps with , reflecting her involvement in innovative, science-fiction-infused theater during this period. Fielding's return to acting in the mid-2000s marked a significant shift to audio dramas, beginning with ' Doctor Who: The Gathering in 2006, where she reprised her role as alongside as the . This production, written by Joseph Lidster, initiated her extensive collaboration with , focusing on full-cast audio stories that revived her on-screen character in new narratives without the physical requirements of television filming. Subsequent early releases included Cobwebs (2006) and The Cradle of the Snake (2008), expanding 's adventures with companions like Nyssa and . As of 2025, Fielding has contributed to over 60 Big Finish Doctor Who audio releases, spanning series such as The Fifth Doctor Adventures, Short Trips, and special events like The Light at the End (2013). Key examples include Heroes of Sontar (2011), which revisited the Sontarans, and Cold Fusion (2016), a multi-Doctor story featuring her alongside other classic companions. Recent releases include The Fifth Doctor Adventures: Hooklight (2025) and Genesis of the Cybermen (2025). These audio works, often released in box sets or monthly ranges, emphasized character-driven storytelling and have been praised for allowing Fielding to portray an evolved Tegan, reflecting themes of aging and reflection in her performances. No significant non-Doctor Who audio credits have been documented, though she has made voice appearances at fan conventions to discuss her audio roles.

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