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Jazzanova

Jazzanova is a Berlin-based of DJs, producers, and musicians specializing in nu-jazz and fusion, formed in 1995 by core members Alex Barck, Claas Brieler, Axel Reinemer, Jürgen von Knoblauch, and Stefan Leisering. Blending influences from , , , Latin, and broken beat with beats and live instrumentation, the group has pioneered a sophisticated club-oriented sound that bridges underground scenes and mainstream appeal. Emerging from the mid-1990s European club culture, Jazzanova began as a DJ team before expanding into production, remixing for artists like and , and founding their own label, Sonar Kollektiv, in 1997 to release innovative tracks and compilations. The collective's debut studio album, (2002), established their signature style with lush arrangements and guest vocalists like Clara Hill, followed by Of All the Things (2008), Funkhaus Studio Sessions (2012), The Pool (2018), a mature exploration of and , and in 2025, In Between Revisited: Jazzanova Live, a live reinterpretation of their breakthrough album recorded at Little Big Beat Studios, and In Between (Remixes). Over nearly three decades, Jazzanova has released numerous EPs, remixes, and DJ mixes, while maintaining an active presence in live performances and label curation, influencing the global nu-jazz and scenes.

History

Formation and early years

Jazzanova formed in 1995 in as a DJ collective comprising Alexander Barck, Claas Brieler, Axel Reinemer, Jürgen von Knoblauch, and Stefan Leisering. The group emerged from the city's burgeoning club scene, where the members connected through a shared passion for eclectic sounds. They began as a DJ team, spinning , , , and records at venues like the Delicious Doughnuts club, contributing to Berlin's underground electronic and jazz-infused nightlife. In 1997, Jazzanova founded the Sonar Kollektiv record label as a platform for their own output and to champion emerging talent in similar genres. This move marked their entry into releasing music, with early efforts including the Jazzanova EP 1 and initial remixes that showcased their blending of elements with beats. These releases, such as reworked tracks for artists like , were later compiled in The Remixes 1997-2000, highlighting their growing reputation as remixers within the international community. By the late 1990s, the collective transitioned from primarily DJing to full-scale production, experimenting with and electronic fusion to create original compositions. This evolution allowed them to expand beyond club sets, incorporating live instrumentation and layered arrangements that fused traditional influences with modern electronic production techniques.

Rise to prominence

Jazzanova's early remix work in the late 1990s helped establish their reputation within the burgeoning and electronic scenes, with notable contributions including reworks for artists like on "We Who Are Not As Others (Jazzanova Mix)" and on "Get Into My Groove (Jazzanova Re-Groove Mix)," both originally released between 1997 and 1999 and later compiled on their 2000 retrospective The Remixes 1997-2000 via Sonar Kollektiv. Their track "Coffee Talk" also gained international exposure on Compost Records' influential Future Sounds of Jazz Vol. 4 compilation in 1997, showcasing their ability to fuse elements with electronics and contributing to broader recognition in European club circuits. This period marked their transition from DJing in Berlin's vibrant club scene to production, briefly referencing the city's energetic as a creative catalyst. The collective's breakthrough arrived with the release of their debut studio album on April 29, 2002, through Sonar Kollektiv (JCR), which featured guest vocals from artists such as Vikter Duplaix on tracks like "Soon" and highlighted standout compositions including "L.O.V.E. and You & I." The album blended live instrumentation—such as , , and —with electronic beats and sampling, earning critical praise for its innovative sound; described it as "quality 21st century jazz" with an "ambient, exotic, futuristic, and funky" atmosphere that captured the era's fusion trends. Jambands.com noted its uneven yet dynamic nature as a DJ collective's effort, underscoring their shift toward more structured songwriting. Around 2000, Jazzanova expanded into live performances, debuting with full-band setups that incorporated musicians for improvisational elements alongside their foundations, including a notable appearance at Sweden's Hultsfred Festival in 2000. This led to tours across and the , aligning with the album's promotion and solidifying their presence in and festivals, where their approach received features in media outlets like for bridging club and concert audiences. By the early , their live shows emphasized the interplay of acoustic and digital elements, drawing acclaim for revitalizing nu jazz's accessibility. Parallel to their artistic rise, Sonar Kollektiv—founded by the group in as an outlet for their productions—experienced rapid growth, signing talents like Clara Hill, Micatone, and Extended Spirit, and releasing over 50 titles by the mid-2000s that spanned , , and . The label's compilations, such as Sonar Kollektiv (2001) and Sonar Kollektiv 2 (2003), curated by Jazzanova and Dixon, further amplified their influence, earning Sonar Kollektiv the title of best label in 2005 from Peterson's awards and establishing it as a key hub for Berlin's electronic ecosystem.

Later career and recent activities

Following the success of their early remixes, Jazzanova shifted focus toward expansive original productions in their later career. Their 2008 double album Of All the Things, released on , featured guest vocalists including Coleman, , and Joe Dukie of , showcasing a broader, more orchestral sound with layered instrumentation and soulful arrangements. The album marked a departure from their remix-heavy beginnings, emphasizing collaborative songwriting and live-feeling grooves across its 18 tracks. In 2012, Jazzanova released Funkhaus Studio Sessions on Sonar Kollektiv, a live-recorded captured during a residency at Berlin's RBB Funkhaus, highlighting their growing emphasis on with a full band and vocalist Paul Randolph. The 14-track set reinterpreted their catalog through spontaneous studio performances, blending electronic elements with organic instrumentation to create a dynamic, unpolished energy. The collective returned to structured studio production with The Pool in 2018, also on Sonar Kollektiv, incorporating vocals from collaborators like , Ben Westbeech, and Charlotte OC on tracks such as "No. 9". This album reflected their matured sound, integrating beats, , and nu-jazz with a focus on emotional depth and melodic hooks. In 2022, Jazzanova contributed to the Strata Records: The Sound of Detroit - Reimagined by Jazzanova, reworking tracks from the historic label in collaboration with DJ Amir, paying homage to its and roots through modern remixes. The project underscored their ongoing interest in reinterpreting influential sounds from and traditions. In May 2025, they released In Between Revisited: Jazzanova Live, a live reinterpretation of their debut album recorded at Little Big Beat Studios. Throughout the and into the , Jazzanova maintained an active presence through international DJ sets and live band tours, including appearances at European festivals like Fuji Rock and , while managing their Kollektiv label with sporadic releases. As of 2025, the group shows no signs of disbandment, continuing with remixes—such as the October 2025 release In Between (Remixes) featuring artists like of —and live studio sessions that highlight their evolution toward fuller band performances. This progression includes deeper collaborations with musicians, evident in their live reinterpretations and band integrations since the Funkhaus era.

Members

Core members

Jazzanova's core membership comprises six founding artists who established the collective in 1995 amid Berlin's dynamic club scene, drawing from shared passions for DJing, production, and . These members—Alexander Barck, Claas Brieler, Jürgen von Knoblauch, Roskow Kretschmann, Stefan Leisering, and Axel Reinemer—have remained consistent since formation, with no major lineup changes, and operate through democratic, collaborative decision-making across their bases in , , and . This structure enables fluid contributions, where individual expertise shapes the group's output in DJ sets, studio productions, and live performances. Alexander Barck serves as a DJ, , and co-founder of the Sonar Kollektiv label, which launched in 1997 as a platform for Jazzanova's releases and broader electronic explorations. Originating from , Barck has been a dedicated and DJ since the early , playing a pivotal role in infusing electronic elements into the collective's sound and building international networks through remixes and collaborations. His work emphasizes seamless genre blending, often bridging , , and in live sets and productions. Claas Brieler functions as a and , proficient on keyboards and guitar, with a focus on developing intricate melodic arrangements that define Jazzanova's lush, layered compositions. A founding member and avid , Brieler was instrumental in conceptualizing and launching Kollektiv, helping curate its early roster of and artists during Berlin's late-1990s scene. His approach prioritizes organic, sample-driven melodies drawn from and global influences. Jürgen von Knoblauch acts as a DJ and sound engineer, managing the technical facets of mixing and to achieve Jazzanova's polished, immersive audio quality. His expertise ensures cohesive of diverse elements in tracks and remixes, contributing to the collective's reputation for high-fidelity outputs since the mid-1990s. Von Knoblauch also performs in DJ sets, selecting tracks that highlight the group's eclectic tastes in , , and . Roskow Kretschmann is a and percussionist whose rhythmic contributions introduce Latin and funk grooves, adding propulsion and texture to Jazzanova's tracks. Based in , he operates the Audiomoto studio, specializing in recording and mastering, which has supported the collective's productions and extended to work with affiliated artists in and realms. Kretschmann's percussion work draws from global traditions, enhancing the live and studio dynamics of the group's music. Stefan Leisering operates as a DJ and producer, integral to Jazzanova's creative process through , , and . An East native from , he co-manages the Jazzanova Recording Studio, where he handles programming and production duties that underpin the collective's sample-heavy, jazz-inflected sound. Leisering's involvement extends to curating releases and DJ mixes that explore , , and Latin influences. Axel Reinemer is a , , and recording engineer who emphasizes groove and live , grounding Jazzanova's frameworks with organic lines and feels. He co-founded and runs the Jazzanova in alongside Leisering, overseeing sessions that capture the collective's hybrid style using vintage and modern gear. Reinemer's background in production from the early informs his focus on rhythmic foundation and studio precision.

Collaborators and side projects

Jazzanova has frequently collaborated with vocalists to enhance their nu jazz and downtempo sound, incorporating soulful and hip-hop-infused elements into their productions. Notable contributors include Vikter Duplaix, who provided lyrics and vocals for tracks like "Soon" on the 2002 album In Between, bringing a smooth, neo-soul delivery to the collective's intricate arrangements. Similarly, Phonte of The Foreign Exchange featured prominently on "Look What You're Doin' To Me" from the 2008 album Of All The Things, delivering introspective rap verses over layered jazz grooves that highlighted Jazzanova's fusion of hip-hop and live instrumentation. The group has built a reputation as skilled remixers, reworking tracks for a diverse array of artists across , , and genres. Early collaborations include remixes for on "What's Your Number (Jazzanova Renumber)" in 1998, infusing the house track with broken beats and atmospheric textures; Incognito's "Get Into My Groove (Jazzanova Re-Groove Mix)" from the same period, emphasizing funky basslines and Latin percussion; and 4hero's "We Who Are Not As Others (Jazzanova Mix)" in 1997, which added depth to the drum and bass original. In the , they handled high-profile commissions such as Masters at Work's "Our Time Is Coming (Jazzanova's Guestlist Mix)" featuring in 2001, transforming the house anthem into a vibraphone-driven excursion. Their remix work continued into the , maintaining the collective's focus on collaborative reinterpretations without individual solo pursuits overshadowing the group dynamic. A key side project of Jazzanova is Extended Spirit, active from 2000 to 2005, led by core members Stefan Leisering and Axel Reinemer, who explored and ambient separate from the main collective. The duo released albums under this moniker, emphasizing atmospheric soundscapes and subtle rhythms, such as contributions to compilations like Jazzanova...Mixing in 2000, where they provided tracks like "Siding." This venture allowed Leisering and Reinemer to experiment with more introspective productions while keeping the emphasis on Jazzanova's communal ethos. Through their Sonar Kollektiv label, founded in 1997, Jazzanova has fostered collaborations with affiliated artists, integrating session musicians into live performances and releases to expand their sound. The label has supported acts like Paul Randolph, who contributed vocals to Funkhaus Studio Sessions in 2012, blending live band elements with the collective's electronic foundations during occasional augmented live sets. This ongoing network underscores Jazzanova's role as curators, prioritizing creativity over solo endeavors.

Musical style and influences

Genre and sound

Jazzanova's music is primarily rooted in , often referred to as jazz house, a genre that seamlessly blends acoustic with electronic beats, grooves, and elements to create sophisticated, groove-oriented tracks. This fusion emphasizes steady rhythms, polyrhythms, and organic instrumentation, allowing for intentional song structures that balance club energy with reflective listening experiences. The collective's signature sound is characterized by layered instrumentation, including live drums, bass lines, and keyboards, built over sampled loops to evoke chill-out atmospheres infused with Latin percussion and soulful vocals. This approach yields a mature, absorbing quality, with cosmic soul chords and scintillating colors that prioritize melodic warmth and emotional depth over rigid genre boundaries. Tracks often feature syncopated elements and , drawing from personal record collections to integrate , , and neo-soul influences in early works. In their production techniques, Jazzanova employs a collaborative process that mixes sampling with live studio recordings, using sequencer software for precise programming alongside organic performances to achieve a confident, coherent feel. This method emphasizes warmth and vitality, as heard in "I Human feat. Paul Randolph," where fleshly, solid arrangements capture an alive, soulful essence without digital sterility. Their evolution reflects a shift from club-focused DJ mixes to album-oriented compositions with narrative arcs, incorporating more live elements to enhance emotional resonance. Relative to contemporaries like St. Germain and , Jazzanova distinguishes itself with a stronger Berlin-inflected edge, offering stylish sophistication amid radical experimentation in and realms.

Influences and evolution

Jazzanova's musical roots draw deeply from the 1970s jazz-funk era, incorporating elements from artists such as and , whose fusion of with grooves informed the collective's emphasis on rhythmic layering and melodic warmth. The movement, exemplified by the Incredible Bongo Band's percussive and breakbeat-driven tracks, also shaped their sampling techniques and dancefloor-oriented ethos. Additionally, influences from and the Berlin techno scene, particularly the dub-infused minimalism of , contributed to their integration of textures and spatial production aesthetics. In the early , Jazzanova's inspirations expanded to include the UK acid jazz scene, with groups like providing a blueprint for blending live instrumentation with upbeat, soulful grooves. Concurrently, the atmospheric of trip-hop pioneers influenced their approach to moody, sample-heavy arrangements that prioritize emotional depth over strict genre boundaries. These elements converged in their formation as a DJ collective in 1995, where eclectic mixes highlighted a groove-based ethos centered on , , , and Latin rhythms. Throughout their career, Jazzanova's style evolved without major stylistic ruptures, maintaining a consistent focus on groove-driven compositions. The 1990s were marked by DJ-focused activities, emphasizing curated sets that fused beats with samples. By the , they shifted toward original production, incorporating live and Brazilian/ influences in works like their debut , while retaining electronic programming. The saw further development through in live sessions, as heard in hybrid recordings that blended studio precision with spontaneous elements. In the 2020s, their output nodded to remixes, reinterpreting archival tracks with modern electronic flair, such as their Strata Records project, culminating in the 2025 live In Between Revisited: Jazzanova Live, which reinterprets their debut with enhanced live and . As pioneers in the genre, Jazzanova advanced label-based collectives that merged with , influencing imprints like Records through their collaborative sub-label JCR, which released genre-blending EPs starting in 1998. Their approach established a template for European acts combining club culture with acoustic sophistication, fostering a broader movement in and .

Discography

Studio albums

Jazzanova's debut studio album, In Between, released in 2002 on Ropeadope Records in the United States and Records in Europe, marked their entry into full-length production with 12 tracks that fuse , , and neo-soul elements through a seamless blend of programming and live . The album features contributions from vocalists like Clara Hill and Capital A, creating a rich, atmospheric sound praised for its innovative fusion of jazz traditions with contemporary electronic textures. Their second studio album, Of All the Things, arrived in 2008 via Sonar Kollektiv, with a United States distribution through , presenting 14 tracks across a guest-heavy lineup that showcases stylistic diversity from soul-jazz ballads to funk-infused grooves. Collaborators including , Paul Randolph, , , , , and contribute to its eclectic scope, highlighting Jazzanova's ability to integrate global influences into a cohesive, throwback-soul oriented collection noted for its effortless conversational flow among artists. In 2012, Jazzanova issued Funkhaus Studio Sessions on Sonar Kollektiv, a live-in-studio recording with their seven-piece band and vocalist Paul Randolph, comprising 14 tracks that emphasize and raw energy captured during sessions replicating their live performances. This release, including reinterpreted versions of prior material alongside new compositions like "I Human," underscores the collective's shift toward organic, band-driven dynamics over studio polish, with limited vinyl editions enhancing its collectible appeal. The group's most recent studio album, The Pool, emerged in 2018 on Sonar Kollektiv with 10 tracks that signal a return to refined production techniques, blending live instrumentation, sampling, and guest vocals to explore of and flow. Standout tracks such as "Morning Stars" exemplify this evolution, featuring lush melodies and confident arrangements that reflect Jazzanova's refined synthesis of , , , and influences. In 2025, Jazzanova released In Between Revisited: Jazzanova Live on Sonar Kollektiv, a live album recorded at Little Big Beat Studios featuring 11 tracks reinterpreting their 2002 debut album with contemporary arrangements and guest Wayne Snow on select pieces. As of November 2025, the core studio discography consists of In Between, Of All the Things, Funkhaus Studio Sessions, and The Pool, with the live release expanding their full-length catalog.

Remix and compilation albums

Jazzanova has established a significant presence in the remix and landscape, leveraging their production expertise to reinterpret tracks and curate influential collections that bridge , , and electronic genres. Their work often transforms original material through layered sampling, live , and rhythmic reconfigurations, showcasing their ability to enhance emotional depth and dancefloor appeal. Over the course of their career, they have contributed to more than ten such projects, highlighting their curation prowess in selecting and reshaping sounds for broader audiences. One of their earliest remix compilations, The Remixes 1997-2000, released in 2000 on Compost Records, gathers their initial forays into remixing, including reworks of tracks by artists such as 4hero's "We Who Are Not As Others" and Incognito's "Get Into My Groove." This double-CD and vinyl set captures the group's early style, blending future jazz elements with downtempo grooves, and features contributions from a diverse array of acts that influenced the burgeoning nu jazz scene. Building on this foundation, The Remixes 2002-2005, issued in 2005 via Sonar Kollektiv, collects later interpretations, notably their Guestlist Mix of Masters at Work featuring Roy Ayers' "Our Time Is Coming," which infuses the original with vibraphone-driven funk and subtle electronic pulses. These compilations demonstrate Jazzanova's skill in elevating collaborators' works while maintaining a cohesive sonic identity. In the realm of compilations, Jazzanova's involvement with Sonar Kollektiv has been pivotal, as they founded the label in 1997 and have curated numerous samplers that spotlight emerging talent. The Sonar Kollektiv from 2001, their first major label-curated release, features tracks from artists like and Soul Quality Quartet, emphasizing future jazz's fusion of beats and acoustic across a 20-track selection. The Future Jazz ethos permeates their 1990s and 2000s series under Sonar Kollektiv, with volumes showcasing and explorations that helped define the genre's sound through curated selections of global contributors. Subsequent efforts, such as the SK200 in 2008, continue this tradition, compiling 15 tracks including works by Soulphiction and Christian Prommer's Drumlesson to mark the label's anniversary with a of evolving styles. These releases underscore Jazzanova's role as tastemakers, blending their own remixes with peer contributions to foster a vibrant ecosystem. More recently, the 2022 album Strata Records: The Sound of Detroit - Reimagined by Jazzanova, released on BBE Music, reinterprets eleven classic tracks from the iconic label, infusing them with modern electronic and -inflected production. Collaborating with DJ Amir, Jazzanova selected and reworked pieces by artists like Lyman Woodard and , preserving the originals' essence while adding contemporary rhythms and textures for a fresh listen. This project exemplifies their ongoing curation skills, bridging historical jazz archives with current club sensibilities and earning acclaim for revitalizing overlooked sounds. Ongoing Sonar Kollektiv Sampler volumes, spanning from 1998 to the present, further integrate their remixes with label roster highlights, maintaining a steady output of over a dozen editions that reflect the collective's enduring influence on the genre. In 2025, In Between (Remixes) was released on Kollektiv, featuring new remixes of tracks from their debut album by artists including Jacana People, (), and others, celebrating the 20th anniversary with fresh takes on classics like "No Use" and "Another New Day."

Singles, EPs, and DJ mixes

Jazzanova's output in singles, EPs, and DJ mixes spans their , emphasizing club-friendly tracks that fuse , , and electronic elements, primarily released on and formats through labels like Compost Records and Sonar Kollektiv. These shorter releases, totaling around 15–20, did not achieve major chart success but gained influence in underground electronic and scenes for their innovative sampling and DJ-oriented structures. Early EPs established the collective's sound, beginning with the Jazzanova EP in 1997 on Compost Records, featuring tracks like "Fedime's Flight" and "Bohemian Sunset," which blended cosmic and rhythms for DJ circulation. This was followed by Jazzanova EP 2 in 1998, including "Caravelle" and "Introspection," further exploring . The "My Ray" EP in 2000, released on Sonar Kollektiv, marked a shift toward more polished productions with its titular track highlighting smooth, ray-like melodic lines over groovy basslines, appealing to vinyl collectors. Singles often served as album previews, such as "L.O.V.E. Girl" in 2002 from their debut album , featuring soulful vocals and a 7:48 runtime suited for extended play. Later, the "Serene" EP in 2008 on Kollektiv offered serene, atmospheric tracks like its title piece, emphasizing ambient textures for chill-out sets. Side project tie-ins included limited "Extended Spirit" singles in various years, extending their experimental ethos into remixes. DJ mixes showcased their curation skills, starting with "The Jazzanova Ways" in 1999 on Sonar Kollektiv, a vinyl mix compiling their early edits for club use. The "In the Club" series, released across multiple years on Sonar Kollektiv, focused on high-energy selections blending , , and for party environments. In the , "Broadcasting Live" captured festival sets in digital format, preserving their live DJ transitions from events like festivals. More recently, "Breezin'" in 2018 provided a breezy, wind-swept mix of light and electronic grooves, with sporadic singles continuing into 2025 tied to album cycles.

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