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Jettying

Jettying is a structural technique employed in medieval and early modern timber-framed architecture, in which upper storeys project or overhang beyond the walls of the storey immediately below, typically achieved through cantilevered floor joists and supporting beams.^[1]^[2] This method, prominent in European towns from the 14th to the 17th centuries, allowed builders to maximize interior space on narrow urban plots without expanding the ground footprint.^[3] While the precise motivations remain debated among historians, the most widely accepted rationale is the provision of additional usable floor area in densely built environments, where land was scarce.^[3] Additional benefits included deflecting rainwater away from lower walls to prevent erosion and foundation damage.^[3] Jettying contributed to the picturesque, layered silhouettes of historic townscapes, particularly in England and parts of continental Europe, with notable concentrations in cities like Shrewsbury and York.^[3] By the late 17th century, the practice declined with the rise of brick construction and stricter building regulations aimed at widening streets and improving safety.^[3] Today, jettied buildings serve as key examples of vernacular architecture, often preserved in heritage sites to illustrate evolving construction techniques and urban living conditions.^[3]

Overview

Definition

Jettying is a medieval timber-framing technique employed in building construction, characterized by the projection of upper floors outward beyond the walls of the floor below, thereby creating an overhang that extends the usable interior space.^[3] This method allowed builders to optimize limited land in densely packed urban environments by effectively increasing the footprint of higher stories without encroaching further on the ground level.^[4] Typically, the projection measures 18 inches to 2 feet (45 to 60 cm), though it could vary depending on local practices and structural needs.^[5] The key characteristics of jettying include the formation of a distinctive stepped profile along the building's facade, where each successive upper level juts out progressively, often culminating in multi-story structures that appear layered or terraced.^[6] This contrasts sharply with flush facades, where walls align vertically without such protrusions, providing jettying with both functional and aesthetic advantages in pre-modern architecture.^[3] Visually, the upper stories seem to cantilever over the street below, offering a protective eave-like cover that shields pedestrians from rain and sun while enhancing the building's imposing presence.^[4] Particularly popular in 16th-century Europe, especially during England's Tudor period, jettying exemplified innovative responses to spatial constraints in growing towns and cities.^[4]

Etymology

The term "jettying" originates from the Old French "jetée" (or "getee"), the feminine past participle of "jeter," meaning "to throw," evoking the idea of a structure "thrown out" or protruding beyond its base.^[7] This linguistic root, traceable to Latin "iacere" (to throw), entered English usage by the early 15th century to specifically denote the overhanging of upper stories in buildings.^[7] In architectural contexts, related terminology includes "jettied" facade, describing the projecting front elevation of a timber-framed structure, which must be distinguished from the nautical "jetty" referring to a pier or breakwater extending into water—though both terms derive from the same French etymological source emphasizing projection.^[3] Linguistic variations reflect regional adaptations: in German, the concept is termed "vorspringender Stock," literally "projecting floor," while in French, it is known as "encorbellement," denoting the corbelled overhang. These terms highlight jettying's association with timber-framed buildings across medieval Europe.

History

Origins and Development

Jettying emerged in Europe during the late 13th century, coinciding with the widespread adoption of first-floor domestic construction in timber-framed buildings amid rapid urban expansion in medieval towns. This technique allowed builders to maximize limited street-front space in densely populated areas, such as those in England and Germany, where Gothic architectural principles emphasized verticality and intricate framing. Early forms, known as end-jetties, appeared in structures like Priory Place in Little Dunmow, Essex, dated to the second half of the 13th century based on its primitive timber assembly and monastic associations.^[8] By the early to mid-15th century, jettying had spread to regions like Devon in southwest England, with examples including timber-framed houses in Exeter that incorporated overhanging upper stories to accommodate growing merchant communities.^[9] The practice gained traction through trade networks connecting England to the Low Countries and German states. In Germany, where half-timbered (Fachwerk) construction was already established by the 12th century, jettying integrated into urban vernacular architecture, enhancing structural efficiency in crowded Hanseatic towns.^[10]^[11] Jettying reached its peak in the 15th and 16th centuries, evolving into elaborate multi-story designs in half-timbered houses that showcased guild craftsmanship through decorative bracketing and successive overhangs. This period saw widespread adoption in prosperous trading centers, where the technique not only addressed space constraints but also symbolized affluence, as seen in the intricate jettied facades of English Tudor-era buildings and German Fachwerk ensembles. The spread via medieval trade routes facilitated the exchange of carpentry knowledge, leading to regional adaptations while maintaining core principles of cantilevered projection. By the late 16th century, however, safety concerns prompted initial restrictions on extreme overhangs in some European cities.^[8]^[6]^[11]

Decline and Bans

The practice of jettying encountered early regulatory prohibitions in the 16th century amid growing urban concerns. In Rouen, France, overhanging upper storeys were banned after 1520, as such constructions were deemed to obstruct air circulation and sunlight in densely packed streets.^[12]^[13] This measure marked a shift away from medieval timber-framing techniques that had maximized interior space within narrow urban plots. A more widespread ban followed in London, England, after the Great Fire of 1666 devastated the city, destroying over 13,000 houses largely due to the combustible nature of timber-framed structures with projecting jetties.^[14] The Rebuilding of London Act 1667 explicitly prohibited jetties, requiring new buildings to feature straight alignments and limiting overhangs to mitigate fire spread.^[14] Jettying's broader decline in the 17th and 18th centuries stemmed from evolving construction materials and aesthetic preferences. The transition to brick and stone, accelerated by post-fire rebuilding efforts like those in London, offered superior fire resistance and structural stability compared to timber framing.^[15]^[16] Stricter urban fire regulations across Europe reinforced this shift, deeming overhanging elements hazardous in crowded settings.^[15] Concurrently, the emergence of neoclassical architecture promoted flat, symmetrical facades inspired by ancient Greek and Roman models, which clashed with the irregular projections of jettied designs.^[17] Although largely obsolete in urban centers, jettying continued in rural regions into the 19th century, where access to timber and traditional building customs delayed adoption of new materials.^[8] Today, it experiences revival through heritage restorations, where jettied features are meticulously reconstructed to maintain the authenticity of surviving medieval and Tudor structures.^[18]

Structural Components

Vertical Elements

In jettying, vertical elements form the primary upright framework of timber-framed buildings, bearing the weight of upper stories and projecting floors while ensuring structural alignment and stability. Corner posts, typically the most substantial vertical timbers, are positioned at the building's edges and corners to support the overhanging jetties. These posts, often hewn from large oak timbers measuring up to 12 inches square, extend continuously from the foundation to the roofline, providing a stable spine for multi-story constructions. In examples like Paycocke's House in Coggeshall, Essex, story-posts are jowled (notched) at multiple levels to receive horizontal elements, allowing the posts to accommodate jetty projections without compromising vertical integrity.^[8] Intermediate vertical members, known as studs, fill the spaces between corner posts, offering additional load distribution and rigidity to the wall panels. These studs are usually thinner—around 4 to 6 inches wide—and spaced widely, often 2 to 3 feet apart, as seen in the ground-floor end walls of Priory Place in Little Dunmow, Essex, where they integrate with the overall frame to prevent lateral movement. Diagonal braces, either straight or curved, connect studs and posts to enhance shear resistance and counteract the cantilever forces from the overhangs, which typically project 1 to 2.5 feet beyond the story below. For instance, in York’s Stonegate buildings, such as Nos. 54–60, shaped corner posts and widely spaced studs with straight braces maintain alignment under the jetty loads.^[8]^[19]^[20] The integration of these vertical components allows for the stepped offsets at each jetty level, where posts align inwardly relative to the projections above, distributing loads downward while enabling the cantilever action in coordination with horizontal beams. Curved braces springing from alternate studs, as documented in medieval Essex structures, further stabilize the assembly against wind and uneven settling, ensuring the building's upright posture. In London contracts from the 14th to 16th centuries, corner posts and braces evolved to include decorative carving, blending function with aesthetic appeal in urban settings.^[8]^[20]

Horizontal Elements

In jettying, horizontal elements form the primary structural components that enable the cantilevered projection of upper floors beyond the walls below, distributing loads while maintaining stability in timber-framed buildings. These elements, typically crafted from seasoned hardwood timbers, work in conjunction with vertical supports to transfer the weight of the overhanging structure downward.^[8]^[1] The bressummer, also known as the jetty beam, serves as the main horizontal girder positioned at the front of the jetty, acting as a sill beam for the upper floor. It spans the width of the projection and bears the load from the wall and floor above, distributing it to the projecting ends of joists or brackets below. In medieval examples from Essex, such as Priory Place (late 13th century), the bressummer was often secured with lap-dovetail ties to preserve its structural integrity across the jetty's span.^[21]^[8]^[22] Floor joists project outward from the building's face to support the cantilevered floor, running perpendicular to the bressummer and interlocked to form a rigid platform. At corners where multiple jetties meet, curved dragon beams are employed, running diagonally at a 45-degree angle to bridge the intersection and support the radiating joist ends from adjacent projections. These beams, evident in structures like Houchin's Farm (c. 1600) in Essex, ensure continuous load transfer around the corner without relying on additional vertical posts beyond the main frame.^[8]^[22]^[1] Horizontal elements are secured to vertical posts and beams primarily through mortise-and-tenon joints, which provide mechanical strength and rigidity without the use of metal fasteners. In early forms, such as at Priory Place, central tenons were used to slot joists into bridging beams, while later refinements included bare-faced soffit-tenons and haunched variations for enhanced shear resistance, as seen in 15th- and 16th-century Essex buildings. These pegged connections allowed the horizontals to cantilever effectively while resisting rotational forces from the overhang.^[8]

Types

Cantilever Jettying

Cantilever jettying is a structural technique in timber-framed architecture where the upper floor projects outward beyond the wall of the floor below, creating an overhang supported by cantilevered beams. The mechanism relies on extended joists—horizontal timber members—that span from the interior through the wall and protrude externally, anchored to a bressummer, a substantial horizontal beam laid parallel to the facade on the projecting floor to distribute loads and stiffen the structure. Balance is achieved by the joists' inward extension acting as a counterweight or by internal bracing, minimizing deflection and allowing the overhang without external posts. This method, evident in medieval English buildings, evolved from simpler projections achieved through "doubling" of bressummers to raise and support jettied floors.^[8]^[20] Key features of cantilever jettying include its capacity for multiple levels of projection, commonly up to three or four stories in urban settings, which was widespread in English towns like those in Essex and London from the 13th to 16th centuries, as well as in German Fachwerk architecture. Projections typically ranged from 1 to 3 feet, providing additional interior space on narrow street-front lots while offering shelter to the ground level below; early examples could extend up to 5 feet, though later ones were often slighter, around 18 inches to 2 feet, to comply with emerging regulations. At corners, dragon beams—diagonally placed timbers—were employed to transfer loads where the jetty changed direction, ensuring stability in L- or T-shaped buildings.^[8]^[20] Variations of cantilever jettying incorporated additional supports such as bracket-like triangular or curved braces springing from wall studs to the undersides of the projecting joists, enhancing rigidity particularly in multi-story applications. These braces, often straight in early forms (pre-1230) and curved thereafter, allowed for greater spans and reduced the need for deeper beams, making the technique more efficient for densely built environments. Such adaptations were crucial in achieving the layered overhangs seen in surviving examples like Priory Place in Little Dunmow, Essex, with its four jettied gables.^[8]^[20]

Forebay Jettying

Forebay jettying refers to a structural technique in timber-frame architecture where an upper section of a building, typically a barn or house, projects outward as an overhang on the front or side, known as the forebay, and is supported by independent posts or sills at ground level rather than being integrated into the main frame. This creates a cantilever-like extension but relies on separate vertical supports beneath the projection, distinguishing it from traditional cantilever methods. The overhang typically measures 7 to 8 feet in projection, though some examples extend up to 18 feet, providing additional covered space without expanding the foundation.^[23]^[24]^[25] This form of jettying is most prominently featured in American colonial architecture, particularly in Pennsylvania German barns, where it serves functional purposes such as sheltering livestock entrances, protecting stable doors from weather, and creating space for hay or equipment storage on the upper level. The forebay often appears on the eaves side of bank barns, which are built into hillsides for dual-level access, with the projection enhancing the asymmetry of the gable end. Supports may include three to five posts or endwall extensions, sometimes later enclosed with materials like stone or concrete blocks for added durability. Examples include early structures in York County, Pennsylvania, dating to 1723, and later variants in counties like Columbia and Northumberland.^[23]^[26]^[24]^[25] Originating from European alpine traditions among Swiss and German settlers, forebay jettying emerged in Pennsylvania in the early 18th century and flourished between 1820 and 1900, coinciding with mechanized farming needs among Pennsylvania German communities. It adapts principles of European cantilever overhangs but emphasizes ground-level post support for rural, agrarian functionality over urban space maximization. Unlike pure cantilever jettying, which balances loads from upper beams without lower bracing, the forebay design uses independent posts to bear the weight, allowing for practical extensions in barn settings while maintaining structural independence from the primary frame.^[23]^[27]^[28]^[25]

Regional Variations

European Examples

In England, prominent examples of jettying appear in 15th- and 16th-century timber-framed houses in towns such as Shrewsbury and York, where upper stories projected outward to maximize space in narrow streets. In Shrewsbury's Frankwell district, a block of three jettied shops at 22–25 Frankwell, dating to the 15th century, featured timber-framed structures with overhanging upper floors supported by brackets, though demolished in 1982.^[29] Similarly, in York, Lady Row on Goodramgate, constructed in 1316, exemplifies early jettying with its plastered timber-framed cottages and outward-jettied upper stories under pantiled roofs, preserving medieval urban design.^[30] The Bowes Morrell House in Walmgate, licensed for construction in 1396 and extended in the 16th century, also displays a jettied first floor in its L-shaped timber frame.^[30] A celebrated later instance is The Feathers Hotel in Ludlow, built in the early 17th century with a richly decorated timber-framed facade, where the second floor jetties on moulded bressummers braced by enriched consoles, blending Jacobean ornamentation with traditional overhangs.^[31] In Germany and Switzerland, overhanging facades characterize many half-timbered (Fachwerk) buildings, particularly in preserved medieval towns. Rothenburg ob der Tauber, a UNESCO-recognized site on the Romantic Road, boasts numerous 15th- and 16th-century half-timbered houses with protruding upper stories that create a picturesque, narrow-street silhouette, as seen in structures like the Gerlachschmiede, a timber-framed house evoking fairy-tale aesthetics through its cantilevered elements.^[32] In France and the Low Countries, jettying thrived in half-timbered urban architecture until regulatory bans curtailed the practice. Rouen, Normandy's medieval core, preserves pre-early 16th century examples where overhanging floors were prohibited in the early 16th century to widen streets and reduce fire risks.^[33] The House of the Four Sons Aymon at 185 Rue de l'Eau de Robec, built around 1475, showcases two corbelled (overhanging) half-timbered floors above a stone base, topped by a slate roof, and classified as a historic monument.^[34] At 19 Rue des Bons-Enfants, a medieval half-timbered house features protruding corbels on upper levels with a slate canopy, reflecting typical pre-ban construction in the city's timber-rich building tradition.^[34]

Mediterranean and North African Examples

In Ottoman architecture, particularly in Istanbul's historic houses from the 16th to 19th centuries, cumba served as prominent wood-framed bay window projections that extended outward from upper floors, often cantilevered and supported by braces to create additional interior space.^[35] These features were integral to vernacular wooden houses in districts like Galata, where upper stories combined timber framing with lattice windows, contrasting with the masonry ground floors built for security.^[35] Cumba elements appear in engravings and photographs of row houses near landmarks such as the Galata Tower, highlighting their role in the multicultural Ottoman urban fabric influenced by post-conquest settlements.^[35] In North African contexts, such as the Kasbah of Algiers, traditional houses featured upper-story overhangs constructed from a mix of stone and wood, with cantilevered elements supported by wooden beams that extended over narrow streets.^[36] These projections, common in Maghrebi medinas, maximized usable space in densely packed urban settings while integrating Ottoman and local Berber influences in their layered construction.^[37] In the Kasbah, multi-story dwellings often employed such overhangs on upper levels above sturdy stone bases, as seen in preserved examples blending civil architecture with regional materials like clay and timber.^[36] Along the Mediterranean's southern edges, rare instances of timber jetties appeared in medieval Italian and Spanish towns, with Roman precursors evident in Herculaneum's ruins where wooden balconies projected from upper facades, stabilized by timber supports.^[38] These balcony-like projections, preserved under volcanic ash from 79 CE, showcased early half-timbered techniques with overhanging elements integrated into multi-level residences.^[39] In Spain, medieval Basque tower houses known as dorretxe occasionally incorporated overhanging upper floors in half-timbering, marking a localized adaptation distinct from broader stone-dominated southern styles.^[40]

Purposes and Advantages

Functional Benefits

Jettying maximizes usable interior space in constrained urban settings by allowing upper floors to project beyond the lower story's footprint, effectively increasing floor area without widening the building's base or obstructing narrow streets below. This approach was especially advantageous in medieval towns where land scarcity limited vertical expansion, enabling property owners to accommodate more living or working space within the same plot. A common but now-debated historical explanation attributes this to avoiding taxes on ground-floor frontage, though evidence suggests it is a misconception, with space needs as the primary driver.^[8]^[3] The overhanging structure also offers practical weather protection, as the projection shields lower walls, entrances, and street-level areas from direct rainfall and weathering, thereby reducing moisture damage to foundations and keeping ground-floor interiors drier. This sheltering effect extends to the upper levels, minimizing water infiltration and promoting longevity of the timber framing in rainy climates.^[8] Structurally, the cantilevered jetty distributes the weight of upper stories more evenly across the framework, alleviating concentrated loads on street-level supports and enhancing overall stability through integrated tying elements that prevent sagging or outward thrust. This load redistribution reduces strain on the building's base, contributing to the durability of multi-story timber-framed constructions in dense historical environments.^[8]

Aesthetic and Symbolic Roles

Jettying contributed to the aesthetic appeal of timber-framed buildings by creating dynamic, layered facades that added visual depth and complexity to streetscapes. The overhanging upper stories produced a sense of movement and hierarchy, with each successive floor projecting outward, enhancing the overall silhouette of the structure.^[18] This technique often incorporated decorative elements, such as carved bressumer beams— the horizontal timbers supporting the jettied floors—featuring intricate Gothic ornamentation like foliate motifs or heraldic symbols, which elevated the architectural expression beyond mere functionality.^[41] Beyond aesthetics, jettying served as a powerful symbol of social and economic status, particularly in prosperous merchant towns during the late medieval and early modern periods. Multi-jettied houses, with multiple overhanging stories, were a clear display of wealth, as constructing such elaborate extensions required significant resources and skilled craftsmanship; for instance, 16th-century burgher homes in urban centers showcased this feature to signify the owner's prosperity and prominence within the community.^[42] A single jetty, often oriented toward the street, further emphasized this status, acting as a visible marker of affluence in densely built environments.^[42] In a broader cultural context, jettying played a key role in shaping picturesque townscapes that evoked a romanticized sense of historical continuity. These clustered, overhanging facades formed enchanting urban vignettes, contributing to the charm of medieval and Tudor-era settlements.^[18] The technique's influence extended into later periods, inspiring Revivalist architecture during the Victorian era, where architects revived multiple jetties to achieve a quaint, historic visual appeal in new constructions, blending seamlessly with surviving examples to enhance cultural heritage narratives.^[18]

Construction Techniques

Traditional Methods

Traditional jettying in medieval timber-framed buildings primarily utilized durable hardwoods such as oak and chestnut for the structural timbers, chosen for their strength, resistance to decay, and availability in Europe.^[16] Oak, often worked green to facilitate shaping, formed the main posts, beams, and joists, while chestnut provided similar properties in regions where it was more prevalent.^[16] The infill panels between timbers were typically filled with lime mortar mixed with aggregates like sand or hair, applied over woven laths or wattle to create breathable walls that protected the frame from weather while allowing moisture to escape.^[43] Early examples avoided metal fasteners entirely, relying instead on wooden pegs to secure joints, which prevented corrosion issues and aligned with the era's carpentry traditions.^[42] The assembly process began at ground level with the installation of a sill beam, or ground sill, anchored directly to stone or earth foundations to form the base of the frame.^[8] Vertical posts were then erected and braced to create the primary arcade-like structure, providing stability for subsequent levels. Horizontal elements, including bressummers (beams supporting the jetty) and joists, were inserted progressively level by level, with each floor's projection cantilevered outward using carefully cut timbers to distribute weight evenly. For multi-story jetties, temporary wooden scaffolding supported workers and materials, allowing precise alignment as the structure rose, often employing wedges and pulleys to lift heavy components into place.^[8] Key tools included the adze, a hand-held implement with a perpendicular blade used to shape and smooth timbers after initial hewing, ensuring tight fits in the frame.^[42] Joints were predominantly mortise-and-tenon constructions, where a protruding tenon from one timber fitted into a slot (mortise) in another, secured by draw-bored wooden pegs driven through offset holes to pull the joint snug over time as the wood seasoned.^[8] Before completing the full projection, builders tested the balance by loading provisional supports and observing deflection, adjusting pegs or braces to confirm structural integrity under anticipated loads.^[8]

Modern Adaptations

In the 20th century, restorations of heritage sites featuring jettying have incorporated modern engineering to preserve structural integrity while maintaining historical aesthetics. The Paul Revere House in Boston, constructed around 1680 with a jettied second story, underwent significant restoration in 1907–1908 by architect Joseph Everett Chandler, which removed later additions and reinstated the original overhanging facade typical of 17th-century timber-framed architecture.^[44]^[45] Subsequent 20th-century efforts in similar historic timber structures have employed stainless steel profiles and rods for reinforcement, embedded or bonded to decayed beams to enhance load-bearing capacity without altering visible elements, as demonstrated in European and American preservation projects.^[46]^[47] Contemporary architecture adapts jettying principles through cantilevered elements in eco-friendly and urban designs. In passive solar architecture, overhanging upper stories or roofs provide seasonal shading, blocking high summer sun while permitting low winter rays to enter south-facing windows, thereby reducing cooling loads by up to 30% in temperate climates without mechanical systems.^[48] For instance, cantilever balconies in high-rise urban buildings, constructed from reinforced concrete or steel frames, extend living spaces outward while mimicking the projecting form of traditional jettying, as seen in modern residential towers where they optimize floor area in dense environments.^[49] These features also draw inspiration from historical jettying in new builds, such as contemporary townhouses using advanced cantilever technology to achieve similar overhangs for aesthetic and functional depth. Innovations in materials and analysis have enabled safer, more durable implementations of jettying-like cantilevers. Finite element analysis (FEA) simulates load distributions and deflections in these structures, allowing engineers to predict behaviors under wind, seismic, or occupancy stresses; for example, FEA models of cantilevered balcony slabs have validated designs reducing maximum deflections by optimizing reinforcement placement.^[50] Additionally, composite materials such as carbon-fiber-reinforced polymers or mass timber panels mimic the appearance and strength of traditional timber while eliminating decay risks from moisture and pests, with certain mass timber panels offering 20-30% less wood use compared to standard cross-laminated timber (CLT) in cantilever applications.^[51]^[52] These advancements comply with updated building codes that address historical overhang restrictions through rigorous testing.

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[35]
[PDF] Reminiscences of Ottoman vernacular in Galata - ISVS
The aim of this paper is to present the lost heritage of the vernacular architecture in Galata district in Istanbul that existed during the Ottoman period. It ...<|control11|><|separator|>
[36]
Wooden wonders of Herculaneum - The Past
Apr 16, 2023 · In addition to wooden roofs, passageways, balconies, stairs, and partitions, solid beams were used for an ingenious but economic building ...Missing: projections jettying
[37]
Save the Casbah - Smithsonian Magazine
The cantilevered overhangs of several houses, supported by pole-like wooden beams, extend so far into the passage they almost touch. We pass beneath an ...
[38]
The Crumbling of the Casbah - The New York Times
Jul 23, 2006 · In other places the cantilevered overhangs of houses extend over the street to within inches of one another and now may even touch, having ...Missing: shade | Show results with:shade
[39]
Herculaneum - University of Warwick
Apr 9, 2025 · We have evidence that this house had two levels, as some of the wooden supports used to stabilise the balcony can be seen on the outside of the ...
[40]
timber frame - International Architecture Database
... jetty wall. The bressummer is itself cantilevered forward, beyond the wall below it. The dragon-beam which runs diagonally from one corner to another, and ...<|control11|><|separator|>
[41]
[PDF] An Educational Note Using Rules of the Game in the Built Environment
Jettying was a medieval technique for timber-frame building in which ... feet wide (Goh 2022; Keen and. Slemrod 2021). The economics connection: When ...
[42]
Characteristics and Design Influences on the Welsh House over the ...
Vernacular architecture in Wales adapts to local materials and climatic conditions, demonstrating resourcefulness. Over 60% of farmsteads are oriented for ...
[43]
Northgate Street, Roundels and Oak House - Ipswich|Letters
Below are details of the carved board facing the jettied section on Oak Lane (whether this qualifies as a genuine bressumer – load-bearing – beam is debatable) ...
[44]
[PDF] STRAW, STICKS AND BRICKS: A Historic Buildings Educational Pack
Mar 22, 2021 · Typically, the walls of 15th &. 16th century timber frame buildings rarely exceed 150mm, whereas the revival buildings typically have an.
[45]
Infill panels | The SPAB
Infill panels form the walling between structural members in a timber-framed building. A common infilling historically was wattle and daub.Missing: jettying | Show results with:jettying
[46]
Paul Revere House | SAH ARCHIPEDIA
The Paul Revere House, purchased by Paul Revere in 1770, was built around 1680, remodeled in 1907-1908, and was a four-bay house with a jettied second story.Missing: steel reinforcements
[47]
[PDF] the paul revere house
Restored in 1907–08 by architect Joseph Chandler, the Paul Revere House opened to the public as a museum on April 18, 1908. During the restoration,.Missing: jettying steel reinforcements
[48]
Repair and Reinforcement of Historic Timber Structures with ... - MDPI
This paper summarized the actual use of stainless steel in repair and reinforcement of deficient timber structures. It has been demonstrated that the use of ...
[49]
(PDF) Repair and Reinforcement of Historic Timber Structures with ...
Apr 20, 2025 · This paper therefore presents the state of the art in the use of stainless steel profiles in retrofitting timber structural elements within historic structures.
[50]
Overhang / Solar Control | Green Passive Solar Magazine
An overhang, or some sort of solar control or solar shading, is a crucial element in passive solar design because it blocks the sun's heat energy when it is ...
[51]
Types of Balcony Structures - Balconette
Space Optimization: Cantilevered balconies make efficient use of space, particularly in urban environments where space is limited. They provide additional ...Cantilevered Balconies · Suspended Balconies Or Hung... · Stacked Balconies Or...Missing: jettying | Show results with:jettying
[52]
Finite Element Analysis of Displacement and Vibration ... - IOP Science
Jul 14, 2020 · This article takes the vertical displacement of a cantilevered balcony slab on one side of a project under load as an example, and builds a ...
[53]
Carbon-fiber epoxy honeycombs mimic the material performance of ...
Jun 25, 2014 · These fiber-reinforced epoxy composites mimic the structure and performance of balsa wood. Because the fiber fillers align along the ...
[54]
These mass timber composites make it easier to build all-wood ...
Jun 23, 2021 · Freres Lumber's mass plywood panel uses 20-to-30 percent less wood than standard CLT but with comparable structural integrity.<|control11|><|separator|>