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Keyz

James Foye III, professionally known as Keyz (also stylized as Keyzbaby), is an American record producer, songwriter, and audio engineer born and raised in Buffalo, New York.^[1]^[2] A graduate of Sweet Home High School, Keyz developed an early interest in music through his upbringing in a pastor's household, where he played drums and keyboards in church before discovering R&B and hip-hop influences.^[1]^[2] After high school, he relocated to Atlanta to study at the Atlanta Institute of Music and Media and the Art Institute of Atlanta, transitioning from aspiring athlete to full-time producer.^[1] Keyz rose to prominence as one half of the production duo Ayo N Keyz (formerly known as The Upperclassmen), partnering with Ayo the Producer since their meeting in 2010 and first collaboration in 2011.^[1]^[3] Together, they have crafted multi-platinum hits across hip-hop and R&B, including Cardi B's "WAP" (featuring Megan Thee Stallion), Beyoncé's "I Been On," Chris Brown's "To My Bed," Bryson Tiller's "Self Righteous," and Wiz Khalifa's "Something New."^[1]^[4] Their contributions to Cardi B's 2018 album Invasion of Privacy—particularly the track "Bickenhead"—earned them a Grammy Award for Best Rap Album in 2019, marking Keyz's first win and solidifying his status in the industry.^[2]^[5] Keyz has also worked solo or with other collaborators on projects for artists such as Rick Ross, Trey Songz, Teyana Taylor, Jeezy, Lucky Daye, and Cardi B on her second studio album Am I the Drama? (2025), amassing credits on over a dozen chart-topping releases.^[4]^[6] Beyond production, Keyz serves as a BMI-affiliated songwriter and has shared industry insights through events like BMI's "How Did I Break?" series, emphasizing mentorship and the challenges faced by producers in gaining recognition.^[4] As of 2025, he continues to influence contemporary music, blending church-rooted melodies with modern trap and R&B elements.^[4]

Early life

Upbringing in Buffalo

James Foye III, professionally known as Keyz, was born in Buffalo, New York, in the early 1990s.^[7] He was raised as a pastor's kid in a strict household led by his pastor parents, who prohibited listening to secular music.^[1] He has a younger sister, and while details on broader family dynamics are limited, his parents supported his early creative interests within the church context but initially resisted pursuits outside gospel traditions.^[7]^[1] Keyz's formative exposure to music began in church, where he developed a passion for it by learning to play drums and keyboards during services and community events.^[1] Despite household restrictions, he secretly immersed himself in R&B and hip-hop by listening on a hidden mp3 player during school commutes and watching programs like BET's 106 & Park.^[1] He attended Sweet Home High School, graduating in 2009, where the local educational environment further exposed him to creative outlets amid Buffalo's community-oriented programs.^[2] Buffalo's cultural landscape, with its deep roots in Black musical history, significantly shaped Keyz's early years as a hub for hip-hop and R&B that influenced youth through local radio stations, neighborhood events, and a legacy of community-building sounds.^[8] The city produced influential figures like Rick James, whose funk innovations bridged R&B and hip-hop, inspiring generations of local artists from similar backgrounds.^[9] This vibrant scene, including emerging hip-hop collectives and historic venues like the Colored Musicians Club, provided a backdrop of artistic expression that resonated with young talents navigating personal and environmental challenges.^[10]^[11]

Entry into music

Keyz, born James Foye III in Buffalo, New York, developed an early affinity for music through his upbringing in a pastor's household, where he was exposed to gospel influences and began learning instruments such as the saxophone in elementary school, drums, and keys during church activities.^[1]^[3] Despite strict household rules prohibiting secular music, he secretly immersed himself in R&B and hip-hop by listening to artists on BET's 106 & Park via a hidden MP3 player during school commutes, which ignited his passion for contemporary genres.^[1] Initially focused on sports like basketball and football throughout much of high school, Keyz shifted his attention to music in his junior year upon recognizing that a professional athletic career was unlikely, and he began self-taught beat-making experiments during his senior year using home setups.^[1]^[12] Drawing from his foundational church training on instruments, he honed production and songwriting skills independently, blending gospel elements with hip-hop rhythms in his initial creations.^[3] These early efforts marked the start of his transition from casual musical hobbies to a dedicated pursuit of production as a vocation. Following high school graduation, he relocated to Atlanta to formalize his self-taught foundation, enrolling at the Atlanta Institute of Music and later earning a degree from The Art Institute of Atlanta, which solidified his role as an aspiring audio engineer and producer.^[1] This move represented a pivotal step from Buffalo-based experimentation to professional ambitions in the industry.^[1]

Career

Formation of Ayo N Keyz

Keyz, whose real name is James Foye III, met Ayo the Producer, born Austin Owens, in 2010 through a mutual friend from Keyz's hometown of Buffalo, New York, who had relocated to Orlando, Florida, for school and connected with Ayo there.^[1] At the time, Keyz was based in Atlanta pursuing music opportunities, and he invited Ayo and the mutual friend to stay at his place, where they quickly bonded over their passion for production, forming a brotherly partnership that blended Keyz's Buffalo-rooted influences from church music, R&B, and hip-hop discovered through BET and early digital players with Ayo's Orlando-based hip-hop and R&B sensibilities.^[1] This cross-regional fusion laid the groundwork for their collaborative style, emphasizing innovative beat construction and audio engineering techniques honed in informal home studios.^[13] By mid-2011, the duo began officially working together, initially operating under the name The Upperclassmen before adopting Ayo N Keyz, reflecting their shared vision to elevate hip-hop and R&B production with a focus on versatile, high-impact sounds.^[3]^[14] Their early efforts centered on crafting beats in makeshift setups, where Keyz contributed keyboard and drum programming skills from his self-taught background, while Ayo brought engineering expertise to refine tracks for professional polish.^[1] This period marked a shift for Keyz from solo experimentation to structured duo collaboration, building on his initial entry into music through local Buffalo scenes.^[1] In 2012, Ayo N Keyz formalized their partnership by founding Upperclassmen Music Group (UCMG), a production company that extended Ayo's prior management connections and provided a platform to launch their joint ventures, including signing emerging artists and securing their first major placement on Omarion's "Let's Talk" featuring Rick Ross.^[15]^[13] UCMG's establishment empowered the duo to focus on comprehensive production workflows, from beat creation to full engineering, positioning them as a cohesive unit in the competitive hip-hop landscape.^[14]

Breakthrough with major artists

In 2012, Ayo N Keyz achieved their first major label placement with the production of "Let's Talk" by Omarion featuring Rick Ross, featured on the Maybach Music Group compilation Self Made Vol. 2.^[16] This track marked a pivotal moment for the duo, blending hard-hitting hip-hop drums with smooth R&B melodies to create a seductive vibe that propelled their entry into mainstream circles.^[1] The song's success on R&B/hip-hop airplay charts helped establish their reputation for crafting beats that fused trap elements like booming 808s with melodic keyboard layers, a signature style evident in their early collaborative efforts.^[17] The duo's profile rose further in 2013 with their contributions to Beyoncé's surprise track "Bow Down / I Been On," released as a promo single ahead of her self-titled visual album. Ayo N Keyz produced the core beat for the "I Been On" section, incorporating chopped-and-screwed effects conceptualized by Timbaland while adding keys, 808 bass lines, and the bridge to infuse a trap-influenced energy with melodic undertones.^[18] Recorded late at night in November 2012, their work on this national debut highlighted their engineering skills and co-writing input, transforming a raw hip-hop foundation into a bold, anthemic R&B/hip-hop hybrid that showcased Beyoncé's commanding presence.^[18] This placement, amid collaborations with high-profile talents like Timbaland, Polow da Don, and Sonny Digital, solidified their rising status in the industry.^[18] Throughout the early 2010s, Ayo N Keyz expanded their portfolio with productions for artists like K. Michelle and Wiz Khalifa, emphasizing their versatile approach to R&B and hip-hop. For instance, they co-produced K. Michelle's "Nightstand" from her 2016 album More Issues Than Vogue, layering trap percussion with emotive synth melodies to support introspective lyrics on relationships.^[19] Similarly, their work on Wiz Khalifa's 2017 single "Something New" featuring Ty Dolla $ign, co-produced with Hitmaka, featured pulsating trap beats underpinned by soulful, melodic hooks that captured a fresh, party-ready energy.^[20] These tracks exemplified the duo's ability to engineer and co-write contributions that bridged gritty urban sounds with accessible, radio-friendly appeal, earning them recognition as emerging forces in production.^[21] Their breakthrough era also included engineering and production on tracks involving Diddy and additional Rick Ross projects, though specifics remained under wraps amid ongoing sessions for artists like Meek Mill and Wale in 2013.^[18] This period's media buzz, including interviews spotlighting their rapid ascent, underscored Ayo N Keyz's shift from independent hustlers to key players in major-label R&B/hip-hop landscapes.^[18]

Grammy recognition and later projects

In 2019, Keyz, as part of the production duo Ayo N Keyz, received a Grammy Award for Best Rap Album for his contributions to Cardi B's Invasion of Privacy, specifically producing the track "Bickenhead."^[5]^[22] The duo's production on "WAP" by Cardi B featuring Megan Thee Stallion, released in 2020, marked a significant milestone, debuting at number one on the Billboard Hot 100 and becoming the first song by a female rap duo to achieve that feat.^[21]^[23] The track's explicit lyrics celebrating female sexuality sparked widespread cultural debate, including over 1,000 viewer complaints to the Federal Communications Commission following its performance at the 2021 Grammy Awards, while also earning praise for empowering women in hip-hop.^[1]^[24] Following "WAP," Keyz continued his trajectory with R&B-focused projects, including production on VEDO's "Ordinary Love" from the 2023 album 7, blending smooth melodies with contemporary beats.^[25]^[26] He also co-produced "BNB" by Eric Bellinger and Hitmaka on their 2023 collaborative album 1(800)HIT-EAZY: Line 2, incorporating layered vocals and rhythmic elements tailored for streaming platforms.^[27]^[28] Keyz's production style has evolved toward pop-R&B hybrids, evident in post-2019 works like contributions to Teyana Taylor's The Album (2020), where tracks such as "Lowkey" (featuring Erykah Badu) fuse R&B grooves with pop accessibility, influenced by producers like Teddy Riley.^[1]^[29] As an audio engineer, he has advanced his role in studio sessions by emphasizing in-person collaboration and real-time adjustments, adapting to hybrid remote workflows during the COVID-19 era to refine mixes for artists across genres.^[1]^[30]

Notable productions

Work with Cardi B

Keyz, as part of the production duo Ayo N Keyz, first collaborated with Cardi B on her debut album Invasion of Privacy (2018), establishing a creative partnership rooted in sample-heavy, high-energy beats that complemented her bold lyrical style. Their contributions included producing the track "Bickenhead," where they layered aggressive drums and interpolated the chorus from Project Pat's "Chickenhead" (2001), featuring La Chat and Three 6 Mafia, transforming the original's "Bwok bwok, chicken chicken" hook into Cardi's "Guap, guap, get some chicken" for a modern trap twist. Additional elements drew from Too $hort's "Cusswords" (1988) for rhythm and bass, DJ Jimi's "Bitches (Reply)" for vocal ad-libs, and The Showboys' "Drag Rap" (1980s) for xylophone motifs, creating a dense, nostalgic Southern rap influence that energized the song's club-ready vibe.^[31]^[32] The duo's chemistry with Cardi B developed through iterative studio sessions during the album's production, where they refined beats to match her unfiltered delivery, sending multiple options for her selection and incorporating her feedback to amplify the tracks' raw edge. This initial placement on Invasion of Privacy—which earned a Grammy Award for Best Rap Album in 2019, crediting Ayo N Keyz—solidified their hit-making rapport, leading to further opportunities as Cardi sought producers who could capture her Bronx-rooted bravado with innovative sampling. Their work on "Bickenhead" highlighted this synergy, blending Eastern hip-hop bounce with trap elements to produce a standout album cut that showcased Cardi's commanding presence.^[22]^[33] Building on this foundation, Ayo N Keyz co-produced "WAP" (2020) featuring Megan Thee Stallion, a global smash that debuted at number one on the Billboard Hot 100 and became one of the year's defining anthems. Inspired by hearing Frank Ski's "Whores in This House" (1993) at an Atlanta club, they flipped the track into a Baltimore club-style beat with pulsating bass, sparse hi-hats, and the preserved vocal sample to create an infectious, provocative structure tailored for Cardi's explicit wordplay and Megan's dynamic flow. The creative process involved crafting a "Cardi pack" of beats echoing the sample-driven success of "Bickenhead," with Cardi selecting the final version from several submissions; sample clearance was handled discreetly to maintain secrecy. Studio sessions emphasized airtight security—likened to CIA operations—with files only shared a week before release and the music video shot using the instrumental alone to prevent leaks, reflecting the duo's trusted role in Cardi's inner circle.^[33]^[23] The impact of these collaborations extended beyond the studio, with "WAP" achieving multi-platinum status and sparking cultural conversations on female empowerment in hip-hop, while their Invasion of Privacy contributions helped propel the album to over 5 million units sold worldwide. This partnership underscored Keyz's ability to fuse nostalgic samples with contemporary production, yielding commercially dominant tracks that amplified Cardi B's superstar trajectory.

Collaborations with other artists

Keyz, as part of the production duo Ayo N Keyz, has extended his influence across hip-hop and R&B through collaborations that showcase his versatility in blending melodic elements with rhythmic drive. Early in his career, he contributed to Beyoncé's 2013 track "I Been On," where he provided keys, 808s, bass lines, and the bridge, working alongside Polow da Don and Sonny Digital to enhance the song's foundational beat originally conceptualized by Timbaland. This involvement marked one of his initial high-profile entries into mainstream pop-R&B production, demonstrating his ability to layer atmospheric sounds into established tracks.^[18] In 2012, Keyz and Ayo secured their first major placement as a duo on Omarion's "Let's Talk" featuring Rick Ross, a smooth R&B-rap hybrid that highlighted their emerging style of polished, vibe-driven beats suitable for crossover appeal. Building on this, they produced tracks for Diddy around 2015, contributing to his catalog during a period of industry momentum for the duo, though specific details on the songs remain tied to session work rather than standalone releases. These early ties to hip-hop heavyweights like Ross and Diddy underscored Keyz's role in adapting production to artist visions, often serving as an audio engineer to refine mixes and ensure sonic cohesion in high-stakes environments.^[13] Shifting toward contemporary R&B, Keyz co-produced "Self Righteous" for Bryson Tiller, included on the 2020 deluxe edition of the 2015 album Trapsoul, where the track's introspective tone aligned with Tiller's signature trap-soul aesthetic through subtle synths and emotional depth. His work with Chris Brown further exemplified this R&B focus, producing "Trust Issues / Act In" from Brown's 2019 album Indigo, a dual-part song that fused introspective lyrics with upbeat energy, praised for its seamless integration of Keyz's melodic production. In a similar vein, the 2019 collaboration with Jeezy on "Fake Love" featuring Queen Naija from TM104: The Legend of the Snowman incorporated R&B hooks over trap-influenced beats, co-produced with Benny Wond3r to balance Jeezy's gritty delivery with Naija's soulful chorus.^[13]^[34] Keyz's engineering background played a pivotal role in these sessions, allowing him to fine-tune elements like vocal placements and instrumental balances to match each artist's creative direction, from Brown's dynamic flows to Tiller's atmospheric vibes. Later, in 2019, he produced "Noize" for Jaden Smith on the album ERYS, a high-energy track that captured Smith's eclectic style through bold, experimental production, reflecting the duo's adaptability across genres. These partnerships illustrate Keyz's broader impact, prioritizing collaborative synergy to elevate diverse artistic expressions in hip-hop and R&B.^[13]

Recent projects (2020–2025)

Continuing their partnership with Cardi B, Ayo N Keyz co-produced several tracks on her second studio album Am I the Drama? (2025), including contributions to songs like "Imaginary Playerz" and remixes echoing their sample-driven style from earlier hits. Released on September 19, 2025, by Atlantic Records, the album debuted at number eight on the Billboard 200 and achieved 3× Platinum certification by the RIAA as of November 2025, further cementing their role in Cardi's evolving sound blending trap, hip-hop, and pop elements.^[35]

Discography

Key singles

Keyz, as part of the production duo Ayo N Keyz, co-produced the 2020 single "WAP" by Cardi B featuring Megan Thee Stallion, contributing to its bass-heavy trap beat and layered synths that underpin the track's bold, explicit energy.^[21] The song debuted at number one on the Billboard Hot 100, holding the position for four weeks and marking Cardi B's fourth chart-topper while becoming Megan Thee Stallion's first.^[36] Culturally, "WAP" sparked widespread debate over its unapologetic celebration of female sexuality, positioning it as a feminist anthem that empowered women through a raw, female-centric lens while dominating social media with viral challenges and memes.^[37] In 2013, Keyz collaborated on the production of "Bow Down / I Been On," a promotional single for Beyoncé's self-titled fifth studio album, where he specifically handled the keyboard elements, 808 bass lines, and the bridge for the "I Been On" section, infusing it with a chopped-and-screwed Houston bounce inspired by Southern hip-hop traditions.^[18] This hybrid track, blending aggressive trap aggression in the Hit-Boy-produced "Bow Down" opener with Keyz's soulful, regional-flavored R&B switch-up, served as an early teaser for the album's surprise visual release, highlighting Beyoncé's roots in Houston's music scene through nods to local legends like DJ Screw and Big Moe.^[38] Keyz co-produced "Fake Love" (2019) by Jeezy featuring Queen Naija for the album TM104: The Legend of the Snowman, fusing gritty Southern rap verses with smooth R&B hooks via a soul-sampled beat drawn from Isaac Hayes's "Make a Little Love to Me," which adds emotional depth to the track's themes of betrayal and authenticity.^[39] The production emphasizes this genre blend through Naija's melodic chorus layered over Jeezy's hard-hitting flows, supported by Keyz's signature 808-driven rhythm and subtle key flourishes that bridge trap intensity with R&B vulnerability.^[40] Demonstrating his solo production prowess more recently, Keyz led the creation of "Ordinary Love" (2023) for VEDO's album 7, crafting a contemporary R&B ballad with lush synth pads, gentle percussion, and emotive chord progressions that evoke intimacy and longing.^[41] This track stands out as a streamlined example of Keyz's evolving style, prioritizing vocal showcase and atmospheric builds without heavy collaboration, aligning with VEDO's focus on heartfelt, radio-friendly soul in his seventh project.^[26] In 2025, Keyz co-produced "I'm on 4.0" by Trae Tha Truth featuring Chance the Rapper and Ty Dolla $ign, incorporating melodic elements from Van Morrison's "Into the Mystic" over trap-infused beats to create an uplifting collaboration highlighting regional rap influences.^[42]

Album contributions

Keyz, collaborating as part of the production duo Ayo & Keyz, has made significant contributions to several high-profile albums through co-production and engineering, often shaping the overall sonic landscape with their blend of trap, R&B, and hip-hop elements. Their work emphasizes multi-track involvement and cohesive album aesthetics, distinguishing their roles from isolated single productions. On Cardi B's debut studio album Invasion of Privacy (2018), Ayo & Keyz served as producers for the track "Bickenhead," infusing it with aggressive trap beats and a sample from Project Pat's "Chickenhead" featuring La Chat and Three 6 Mafia to complement the album's bold, unapologetic tone. Their input helped contribute to the project's raw energy, which propelled Invasion of Privacy to number one on the Billboard 200 and a Grammy win for Best Rap Album in 2019.^[43] In Chris Brown's ninth studio album Indigo (2019), Ayo & Keyz co-produced the dual-part track "Trust Issues / Act In," delivering a seamless transition between introspective R&B verses and upbeat hooks, with Keyz handling key engineering to maintain the album's fluid, genre-blending cohesion across its 30 tracks. This effort supported Indigo's commercial success, debuting at number one on the Billboard 200 and earning multi-platinum certification.^[44] Ayo & Keyz extended their influence to Bryson Tiller's albums, co-producing "Self Righteous" on the deluxe edition of T R A P S O U L (2015), where their moody, atmospheric production enhanced the trap-soul hybrid that defined the platinum-certified project. On Tiller's follow-up True to Self (2017), they produced "Teach Me a Lesson," incorporating talkbox effects and introspective beats to align with the album's themes of personal growth, further solidifying their role in evolving Tiller's sound across multiple releases.^[45] Similarly, on Jeezy's eleventh studio album TM104: The Legend of the Snowman (2019), Ayo & Keyz co-produced "Don't Forget," crafting beats that sample Corinne Bailey Rae's "Put Your Records On" to evoke themes of reflection and success, contributing to the album's narrative arc of legacy and street wisdom.^[46] Their precise engineering ensured sonic consistency, helping TM104 debut at number three on the Billboard 200.

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