Fact-checked by Grok 2 weeks ago

Kleos

Kleos (κλέος), in ancient Greek culture, refers to glory, fame, or renown, particularly the imperishable form known as kleos aphthiton, which heroes attained through extraordinary deeds such as martial prowess or intellectual achievements, ensuring their legacy endures beyond death via oral poetry and song.^[1]^[2] This concept, central to the heroic ethos, represented a form of immortality, as the hero's exploits were commemorated in epic narratives that preserved their name for future generations.^[1] In the Homeric epics, kleos serves as both the medium and the message of heroic glory, intertwining with themes of honor, propriety, and the tension between fame and homecoming (nostos).^[1]^[3] For instance, in the Iliad, Achilles famously chooses kleos aphthiton over a long but obscure life, declaring that his safe return home would be destroyed in exchange for eternal renown through song (Iliad IX 413).^[1] Similarly, in the Odyssey, Odysseus earns kleos through cunning deeds like those at Troy and his trials among the Phaiakians, where displays of intellect, strength, and piety secure gifts and divine favor, reinforcing his heroic status upon returning to Ithaca.^[3] Beyond warfare, kleos could extend to intellectual or ethical feats, as later reflected in Plato's Symposium, where it encompasses procreation through ideas rather than solely physical valor.^[2] The pursuit of kleos underscored the ancient Greek worldview of mortality and legacy, where heroes traded mortal life for undying fame disseminated through bardic tradition, influencing ethics, social norms, and even hero cult worship in Archaic Greece (c. 800–500 BCE).^[1] This ideal not only motivated epic characters but also shaped the cultural value placed on public recognition and communal memory, with improper conduct—such as the suitors' hubris in the Odyssey—leading to the loss of potential glory.^[3]

Etymology and Linguistic Roots

Origins in Ancient Greek

The term κλέος (kléos) in Ancient Greek derives from the Proto-Indo-European root *ḱlew-, signifying "to hear," which developed into the nominal form *ḱléwos denoting "fame" or "glory."^[4] This evolution reflects the conceptual link between auditory perception and renown, as fame spreads through hearing of heroic deeds.^[5] The earliest known attestations of the word occur in Mycenaean Greek, recorded in Linear B script on tablets from Knossos dating to approximately 1400 BCE, where it appears as ke-re-wo (likely *klēwos), suggesting its association with heroic or laudatory contexts in pre-classical society. In terms of morphology, κλέος is a neuter noun of the third declension, with forms including the genitive singular κλέους (kleous) and dative singular κλεῖ (klei), consistent with standard Attic Greek paradigms. Comparatively, κλέος shares cognates across Indo-European languages, such as Sanskrit śrávas ("fame" or "report"), derived from the same root and emphasizing auditory renown, and Old Norse hljóð ("sound"), which preserves the core sense of "hearing" in a Germanic branch.^[6] These parallels underscore the widespread inheritance of the *ḱlew- root in denoting fame through spoken or heard narratives.^[7] In ancient Greek thought, kleos is distinct from timē, which denotes tangible honor or respect often manifested through material rewards, social status, or cultic practices, such as sacrifices and festivals paid to gods or heroes.^[8] While timē reflects immediate, observable esteem within a community, kleos centers on renown achieved through heroic deeds and propagated aurally, ensuring a hero's legacy endures beyond death.^[9] This auditory dimension sets kleos apart from concepts like kleos aphthiton (undying glory), which specifically emphasizes eternal, imperishable fame immortalized in epic song, rather than transient report.^[10] The term kleos, etymologically linked to the verb klyō ("to hear"), underscores its roots in oral dissemination, where bards or aoidoi preserved and amplified heroic narratives through performance.^[11] In the Homeric epics, kleos primarily signifies "good fame" or "glorious deeds" (klea andrōn), conveyed via poetry that extends a hero's reputation across generations and geographies.^[1] This oral tradition transformed personal exploits into communal memory, with the poet acting as a mediator who "hears" and recounts, thereby bestowing immortality on the subject.^[12] From the Homeric period to Classical Greek, kleos retained its core connotations of fame and glory but broadened in prose and lyric contexts to include more abstract senses of "report" or "rumor," sometimes neutral or negative, such as ill repute (dyskleos).^[11] In authors like Pindar and Sophocles, it continues to evoke renown, while in historians like Thucydides and philosophers like Plato, it often refers to hearsay or public opinion, reflecting evolving societal values beyond epic heroics.^[11] This diachronic development mirrors the transition from oral epic culture to written prose, where kleos encompasses both enduring honor and transient information in everyday discourse.^[11]

Core Concepts and Cultural Significance

Definition and Primary Meanings

Kleos (κλέος), in ancient Greek thought, primarily denotes "glory" or "fame," referring specifically to the renown earned through heroic actions that endures beyond the individual's life.^[1] This concept is etymologically linked to the verb κλύειν (klyein), meaning "to hear," underscoring kleos as "that which is heard" across generations.^[13] In its core interpretation, kleos represents the lasting reputation of deeds performed in battle or adventure, serving as a measure of a hero's worth in oral traditions.^[14] Kleos encompasses dual aspects: transient, mortal praise achieved in immediate social contexts and kleos aphthiton (ἄφθιτον κλέος), or imperishable glory, preserved eternally through epic poetry and song.^[15] The latter form ensures that heroic exploits are commemorated indefinitely, transforming personal achievements into communal legacy.^[1] This imperishability contrasts with physical mortality, positioning kleos as the Greek hero's pathway to symbolic immortality.^[14] Central to kleos are cultural prerequisites such as aretē (ἀρετή), or excellence, which manifests in prowess, courage, and moral virtue, driving heroes to pursue eternal memory rather than mere survival.^[1] In this framework, kleos functions as a philosophical and social currency within aristocratic warrior societies, incentivizing bold actions in combat to secure honor and status among peers.^[16] Such renown not only elevated individuals but reinforced the hierarchical values of heroism and communal remembrance.^[17]

Kleos as Immortality and Honor

In ancient Greek culture, kleos served as a primary means of achieving symbolic immortality, allowing heroes to transcend physical death through the enduring medium of oral poetry and song. Unlike biological immortality reserved for gods, kleos—often rendered as undying fame or glory—ensured that a hero's deeds were recited by bards across generations, preserving their essence in communal memory. This poetic immortality contrasted sharply with mortal demise, as the hero's name and actions lived on in epic narratives performed at festivals and gatherings, effectively granting an eternal presence in the cultural imagination.^[9] The pursuit of kleos was deeply intertwined with dynamics of honor, fueling a competitive ethos among aristocratic warriors where greater exploits yielded proportionally amplified renown. Heroes vied for timē (honor) through bold actions in battle or counsel, with the magnitude of fame often reflected in the extent of poetic lines or verses dedicated to their achievements in epic tradition. This hierarchical system motivated individuals to prioritize legendary status over long life, as kleos not only elevated one's social standing during life but also secured posthumous veneration, reinforcing the values of excellence (aretē) and competitive heroism central to elite Greek society.^[9] Socially, kleos was predominantly a male and aristocratic pursuit, with women's access to it typically indirect and mediated through their relationships to male kin. While men earned kleos directly via martial prowess, women derived fame from the survival and successes of husbands, sons, or fathers, often tied to roles in nurturing lineage or lamenting losses that amplified male glory. This gendered asymmetry underscored broader cultural norms, where female contributions to kleos were generative—through childbirth or weaving tapestries that encoded family stories—yet subordinate to the destructive feats of men, limiting women's independent paths to renown.^[18] Kleos was embedded in ritual contexts such as funerary practices and symposia, where communal recounting of heroic tales reinforced collective memory and honor. In funeral orations, speakers invoked kleos to eulogize the deceased, promising eternal fame as consolation for their sacrifice, as seen in Pericles' address emphasizing undying renown for fallen warriors. Similarly, during symposia—elite drinking gatherings—participants sang skolia (short songs) that celebrated kleos, transforming private revelry into a space for perpetuating aristocratic ideals of glory and solidarity. These rituals thus bridged the living and the dead, ensuring kleos as a living force in social and commemorative life.^[19]

Kleos in Homeric Epics

Role in the Iliad

In Homer's Iliad, kleos functions as a central motivator for heroic action, driving characters to embrace mortality in exchange for enduring fame. This is epitomized in Achilles' dilemma during the embassy scene in Book 9, where he recounts his mother Thetis' prophecy: he must choose between a long, obscure life returning home to Phthia or a brief existence at Troy yielding kleos aphthiton (imperishable glory).^[1] Achilles opts for the latter, declaring, "then my safe homecoming [nostos] will be destroyed for me, but I will have a glory [kleos] that is imperishable [aphthiton]" (Iliad 9.413), a decision that underscores kleos as the epic's core value, prioritizing poetic immortality over biological continuity.^[20] This choice propels the narrative, as Achilles' withdrawal from battle earlier in the poem tests the limits of honor, only for his return to reaffirm kleos through vengeance for Patroclus.^[1] Hector's arc similarly revolves around kleos, intertwining personal honor with civic duty as Troy's chief defender. In Book 22, facing Achilles in single combat, Hector rejects flight despite Athena's deception, motivated by the shame of a kleos-less death and the imperative to safeguard his family's and city's reputation. He resolves, "May I not die without a struggle and without kleos, but having done some great deed" (Iliad 22.304–305), culminating in his noble yet fatal stand that amplifies his fame even as it seals Troy's doom.^[20] This pursuit reflects kleos's dual role: sustaining heroic resolve amid inevitable loss while extending glory to kin and polis through memorable deeds.^[21] The Iliad self-consciously positions itself as the medium for kleos, with characters invoking future songs to perpetuate their legacies. During the Book 9 embassy, Odysseus' speech to Achilles highlights this meta-poetic dimension, urging reconciliation by appealing to the epic's prospective audience and the glory it will confer, while Achilles himself sings of past kléa andrōn (glorious deeds of heroes) on his lyre (Iliad 9.185–191), blurring the line between hero and bard.^[22] Such references frame the poem as an immortalizing artifact, where kleos endures through oral tradition. Within the epic's battle sequences, kleos emerges through aristeia—episodes of a hero's supreme martial prowess—often marked by divine inspiration, feats of arms, and ritual aftermaths that broadcast fame. For instance, Achilles' aristeia in Books 20–22, including Hector's slaying, generates kleos via captured spoils distributed as tangible proofs of valor and the laments of survivors that echo deeds across generations.^[23] These mechanics not only structure combat but also ritualize kleos, transforming transient violence into lasting renown.^[20]

Role in the Odyssey

In the Odyssey, kleos evolves beyond the battlefield heroism central to the Iliad, emphasizing fame achieved through endurance, intelligence, and the trials of homecoming (nostos). Odysseus embodies this dual kleos: his established warrior renown from the Trojan War, akin to the martial glory of Achilles, is augmented by the glory of survival and return, forged in encounters like the blinding of the Cyclops Polyphemus in Book 9, where his cunning outwits brute force.^[22] This nostos-kleos, as foretold by Teiresias in the underworld (Book 11.100–137), underscores Odysseus' heroic identity not in death but in restoration, distinguishing the Odyssey's focus on post-war perseverance from the Iliad's conquest-driven honor.^[22] A pivotal mechanism for propagating this kleos is Odysseus' role as storyteller, particularly in his extended narratives to the Phaeacians in Books 9–12. By recounting his voyages—from the Cyclops to Circe and beyond—Odysseus not only rebuilds his epic persona from anonymity but ensures his deeds circulate orally through the Phaeacians' seafaring networks, immortalizing his fame across the Greek world.^[24] This bardic performance transforms personal trials into communal renown, highlighting kleos as an adaptive, verbal construct tied to mētis (cunning intelligence) rather than sheer might.^[22] Telemachus' journey in Books 1–4 further illustrates kleos's intergenerational transmission, as he embarks on a quest to reclaim and extend his father's legacy. Guided by Athena, Telemachus inquires about Odysseus' fate in Pylos and Sparta (e.g., Book 3.83), maturing from a hesitant youth (nēpios) into a figure of authoritative speech and action, thereby earning his own "noble reputation" (kleos esthlon) intertwined with paternal honor.^[25] This arc educates him in heroic identity through μῦθοι (words) and ἔργα (deeds), culminating in his alliance with Odysseus against the suitors.^[25] The suitors, by contrast, exemplify the perversion of kleos pursuit, seeking prestige through hubristic presumption and disruption of Odysseus' oikos, which yields only infamy and destruction. Their "violent deeds through evil scheming" (Book 2.236) invert heroic norms, as their failed bid for Penelope underscores that unearned ambition corrupts glory into disgrace, reinforcing the Odyssey's ethic of kleos won justly via trials and restraint.^[25]^[22]

Kleos in Later Greek Literature and Philosophy

In Tragedy and Lyric Poetry

In Aeschylus' Persians (472 BCE), kleos is invoked in the context of the fallen Persian warriors, including those under Xerxes' command, where the chorus and messenger lament the enduring glory achieved through their defeat at Salamis, evoking the Homeric notion of imperishable fame and paradoxically blending Greek triumphant remembrance with Persian tragic loss.^[26] This portrayal adapts the Homeric notion of kleos from epic battle fame to a civic spectacle, emphasizing the enduring renown of the dead even as it underscores the hubris of Xerxes' invasion and the divine favor shown to the Greeks.^[17] Sophocles' Ajax (ca. 440 BCE) explores kleos as a fragile pillar of heroic identity, with Ajax pursuing undiluted glory (kleos) independent of divine aid, only to face its collapse after Athena's deception leads to his public disgrace and slaughter of livestock mistaken for enemies.^[17] His subsequent suicide serves as a desperate reclamation of honor, questioning the vulnerability of kleos to rumor (phatis) and communal judgment, yet it ultimately secures his burial and restored reputation through Odysseus' intervention, highlighting tragedy's tension between individual shame and collective memory. In fifth-century BCE lyric poetry, particularly Pindar's epinician odes, kleos is awarded to victorious athletes as a form of immortality, linking their feats to divine favor and the brevity of human life, as seen in Olympian 1 where the Muse nurtures the wide fame (kleos) of Hieron of Syracuse through song, transfiguring mortal achievement into eternal renown amid life's transience.^[27] Pindar positions athletic kleos as an extension of epic heroic glory, granted by poetic commemoration and godly endorsement, yet tempered by warnings against envy and the fleeting nature of prosperity.^[17] Euripides critiques kleos in Alcestis (438 BCE) as a burdensome legacy that subordinates personal bonds to public fame, with Admetus initially embracing his wife's sacrificial death for the renown it brings him, only to confront its emotional void as Heracles restores her, prioritizing philia (affection) over heroic immortality.^[28] Alcestis herself gains kleos through her unparalleled devotion, embodying the ideal wife who transcends gender norms to achieve "the best" status, yet the play exposes fame's hollowness when weighed against intimate relationships and domestic harmony.^[29]

In Platonic Thought

In Plato's Republic (ca. 380 BCE), the concept of kleos—the undying fame achieved through heroic deeds and poetic commemoration—is critiqued as an inferior and illusory pursuit compared to the eternal truths of the Forms. In Book 10, Socrates condemns Homeric poetry, including its promotion of kleos as a form of immortality, as a mere imitation thrice removed from reality, arguing that it corrupts the soul by prioritizing emotional appeal over rational understanding of justice and virtue.^[30] Specifically, Plato references Achilles' choice in the Iliad for a short life of glory over a long but obscure existence as misguided, favoring instead the philosopher's contemplation of unchanging Forms, which offers genuine, non-poetic eternity.^[31] This devaluation extends to Book 3, where Socrates advocates censoring Homeric depictions of Achilles' grief and apparent fear of death (e.g., his preference for servitude among the living over ruling the dead), as such portrayals undermine the guardians' courage and promote a flawed view of honor tied to bodily concerns rather than philosophical excellence.^[32] In the Gorgias (ca. 380 BCE), Plato further subordinates kleos to justice, portraying it as a rhetorical instrument wielded by orators to gain false glory through persuasion of the masses, akin to flattery rather than true statesmanship. Socrates argues that orators like Gorgias seek acclaim (kleos) in public assemblies and courts, but this pursuit deceives both speaker and audience, elevating opinion over knowledge and external praise over the soul's moral health.^[33] Callicles' defense of natural superiority, which echoes Homeric ambitions for dominance and renown, is refuted as self-destructive, with true kleos reserved for those practicing justice, not manipulative rhetoric that yields only ephemeral, undeserved honor.^[34] The Phaedrus (ca. 370 BCE) contrasts kleos with the soul's authentic immortality, achieved through philosophical recollection and divine madness rather than worldly fame. Socrates critiques the distractions of rhetorical kleos, which binds the soul to transient praises and forgetfulness, diverting it from the eternal pursuit of truth and beauty via dialectic and inspiration from the gods.^[35] Here, Homeric-style glory is recast as a lower aspiration, inferior to the philosopher's ascent toward the divine, where lasting remembrance arises from alignment with the Forms, not poetic or public acclaim. Plato's dialogues ultimately transform kleos into a philosophical legacy, subverting epic traditions by granting Socrates undying fame through written inquiry rather than heroic action. This Socratic kleos prioritizes the examined life and virtue's imitation, influencing later thought by elevating rational discourse over martial or rhetorical renown.^[34]

Interpretations and Legacy

Scholarly Analysis

Modern scholarship on kleos has been profoundly shaped by Milman Parry's oral-formulaic theory, developed in his seminal works from 1928 to 1933, which posits that epic poetry, including Homeric compositions, relied on repeated formulaic phrases to facilitate oral performance and memorization. In this framework, terms like kleos aphthiton ("deathless glory") function as mnemonic devices, enabling bards to compose verses extemporaneously while preserving narrative consistency and cultural motifs of renown. Parry's analysis, later compiled in The Making of Homeric Verse, underscores how such formulas embedded kleos within the structural fabric of oral tradition, serving both aesthetic and practical purposes in live recitation.^[36] Building on Parry, Gregory Nagy's 1979 study The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry reinterprets kleos as a mechanism of "heroic immortality," achieved not through biological eternity but via poetic commemoration in a pan-Hellenic cultural context. Nagy traces the concept's evolution from ritual practices—where heroes were venerated as semi-divine figures—to its textual fixation in epic poetry, arguing that kleos perpetuated the hero's presence across generations and regions, transcending local dialects and performances. This perspective highlights kleos as a dynamic cultural institution that mediated between mortality and enduring fame.^[37] Feminist critiques have illuminated the marginalization of female kleos within predominantly male heroic narratives, where women's agency in pursuing or influencing glory is often subordinated or reframed through patriarchal lenses, with female figures like lamenting mothers or wives contributing to male kleos indirectly while their own renown remains domestic or silenced. Anthropological interpretations contextualize kleos within broader Mediterranean honor-shame cultures, emphasizing its role in maintaining social status through public recognition and moral conduct amid honor-based economies. These cross-cultural parallels underscore kleos as a regionally inflected ethic of prestige. In recent scholarship, as of 2025, kleos has been extended to digital contexts, where social media and online narratives parallel ancient oral traditions in perpetuating fame, though often in ephemeral forms. Studies in digital humanities explore how viral content achieves a modern kleos aphthiton through algorithmic dissemination.^[38]^[39]

Modern Cultural References

In modern literature, James Joyce's Ulysses (1922) reinterprets the concept of kleos through the lens of contemporary anonymity and the elusive pursuit of fame, drawing parallels to the Odyssean quest for enduring renown. The protagonist Leopold Bloom, echoing Odysseus, navigates a day of ordinary trials in Dublin, where heroic glory is subverted into subtle acts of resilience amid urban obscurity, while Stephen Dedalus grapples with artistic isolation and the fear that his epiphanies may vanish unheard, contrasting ancient kleos's oral transmission with modern silence.^[40] The 2004 film Troy, directed by Wolfgang Petersen, modernizes Achilles' kleos dilemma by portraying his choice between a long, anonymous life and a brief, glorious one as a personal struggle for legacy in a secular world, stripping away divine interventions to emphasize individual ambition and mortality. Achilles' famous line to a boy—"Immortality? Take it. It's yours"—underscores this tension, where glory is achieved through battlefield feats but ultimately tied to historical remembrance rather than mythic eternity, resonating with contemporary themes of self-determination and fame's cost.^[41]^[42] Video games such as the God of War series (2005–present) invoke kleos through Kratos' relentless quests for heroic glory, where the Spartan warrior's path of vengeance and divine confrontation mirrors ancient epic pursuits of undying fame, reimagined in interactive narratives of rage and redemption. Kratos' actions, driven by a desire for recognition amid betrayal by the gods, transform kleos into a player's agency for legendary status, blending Greek mythology with modern heroism. In philosophy, Friedrich Nietzsche's concept of eternal recurrence, introduced in works like Thus Spoke Zarathustra (1883–1885), parallels kleos as a life-affirming embrace of fame through repeated heroic striving, where one must will their existence eternally to achieve meaningful glory beyond death. Scholars note this as an existential test of valor, akin to the ancient warrior's quest for imperishable renown, transforming kleos into a psychological imperative for overcoming nihilism.^[43]^[44] Existentialist thinkers like Albert Camus critique kleos-like pursuits as absurd in an indifferent universe, as explored in The Myth of Sisyphus (1942), where the endless chase for glory through deeds becomes a futile rebellion against meaninglessness, urging revolt without illusionary fame. Camus views such quests—whether heroic renown or modern acclaim—as emblematic of humanity's confrontation with the absurd, rejecting eternal glory for lucid awareness in the present.^[45] In popular culture, sports and celebrity culture manifest as "modern kleos," where athletes and stars seek enduring legacy through achievements that echo ancient glory, as seen in the 2020 documentary The Last Dance, which chronicles Michael Jordan's pursuit of basketball immortality via championships and personal narrative control. Jordan's drive for remembered dominance, framed as a quest for historical fame, illustrates how contemporary figures commodify kleos through media and memoirs, prioritizing public renown over transient success.^[46]^[47]

References

[1]
Part I. Hour 1. The Homeric Iliad and the glory of the unseasonal hero
In ancient Greek song culture, kleos was the primary medium for communicating the concept of the hero, which is the primary topic (or “message”) of these 24 ...
[2]
Kleos aphthiton, eternal glory and renown, or nostos? - ScienceDirect
The ancient Greeks venerated the concept of kleos (κλέος) aphthiton, which can be translated as imperishable/eternal fame/renown/glory.
[3]
[PDF] Propriety, Impropriety, and the Gaining of Kleos in the Phaiakian ...
The Psychology and Ethics of Honour and Shame in Ancient Greek. Literature (Oxford 1993) 48–146. The description of the Odyssey's ethics in this paper comes ...
[4]
*ḱléwos etymology in Indo-European - Cooljugator
Proto-Indo-European word *ḱléwos comes from Proto-Indo-European *ḱlewe-, Proto-Indo-European - -os. *ḱlewe- (Proto-Indo-European). to hear.
[5]
A Killing Doom and Immortal Song: Death and Kleos in Homer's Iliad
Dec 18, 2019 · Kleos is also cognate with the English “loud,” both being derived from the Indo-European root meaning “to hear”. (Indo-European Cognate ...Missing: etymology | Show results with:etymology
[6]
[PDF] Aspects of the Indo-European Kleos Ideology in the Odes of Horace
the proto-Indo-European noun *kléyes, of which other cognates are Vedic. Sanskrit shravas, Old Church Slavonic slovo, and Old Irish clu. The noun. *kléyes is ...Missing: etymology | Show results with:etymology
[7]
https://en.wiktionary.org/wiki/hlj%C3%B3%C3%B0#Old_Norse
[8]
Timê
Achilles' choice as he formulates it in Iliad 9 is between a homecoming with a long life and kleos - that is, immortality through poetry and cult. The poetic ...
[9]
The Epic Hero - The Center for Hellenic Studies
Lord's most extensive typological comparisons linked the epic heroes of ancient Greek traditions, especially Achilles and Odysseus, with modern South Slavic ...Missing: roots | Show results with:roots
[10]
(PDF) More on ΚΛΕΟΣ ΑΦΘΙΤΟΝ - ResearchGate
Aug 7, 2025 · PDF | On Dec 1, 2007, MARGALIT FINKELBERG published More on ΚΛΕΟΣ ΑΦΘΙΤΟΝ | Find, read and cite all the research you need on ResearchGate.
[11]
κλέος - Ancient Greek (LSJ)
### Summary of κλέος Definitions and Usages from LSJ Entry
[12]
Homer and Greek Myth - The Center for Hellenic Studies
At the start, the hero's sense of timē 'honor' is simply a function of all ... This epic kleos chosen by Achilles is also a lyric kleos. Achilles is ...
[13]
Kleos - The Cambridge Guide to Homer
Kleos. The Greek noun kleos means “fame, reputation, rumor.” It is cognate with the Greek verb kluein, “to hear,” and indicates, literally, “that which is ...
[14]
Kleos aphthiton, eternal glory and renown, or nostos? - PubMed
The ancient Greeks honoured the concept of kleos (κλέος) aphthiton, eternal renown. An ancient Greek hero earned kleos through great deeds.Missing: sources | Show results with:sources
[15]
(PDF) More on Kleos-Aphthiton - ResearchGate
Aug 5, 2025 · PDF | On Jan 1, 2007, Margalit Finkelberg published More on Kleos-Aphthiton | Find, read and cite all the research you need on ResearchGate.<|control11|><|separator|>
[16]
[PDF] The Pennsylvania State University - PSU-ETD
May 2, 2010 · ... aristocratic and non-aristocratic forces in ancient Greece, and each side vied to capitalize on the immense power of prestigious kleos.<|control11|><|separator|>
[17]
[PDF] The Reception of Epic kleos in Greek Tragedy - OhioLINK ETD Center
Detached from the world where the hero was honestly striving to gain glory, the concept of kleos is for Orestes a burden and a source of anguish. The chorus.
[18]
For Those Yet to Come: Gender and Kleos in the Iliad - eScholarship
The poem constructs a femininity that both strives to preserve life and is ultimately doomed in this endeavor, but which is nevertheless portrayed as more ...Missing: scholarly | Show results with:scholarly
[19]
Popular Symposia and the Non-Elite Origins of the Attic "Skolia" - jstor
tenor of the Attic skolia and their explicit glorification of kleos ( PMG 894, 896): ... Ancient Greece. Berkeley: University of California Press. 22-48.
[20]
[PDF] Gender and Kleos in the Iliad A dissertation submitted in partial sa
“Kleos Aphthiton: An Indo-European Perspective on Early Greek. Poetry.” Glotta 58: 133-57. Foley, Anne. 1988. The Argolid 800-600 B.C.: An Archaeological Survey ...
[21]
Key Topics - The Cambridge Guide to Homer
The Teikhoskopia, then, continues an inherited Indo-European narrative pattern with roots in the typology and ideology of Indo-European marriage. Elsewhere ...
[22]
3. Listening to Achilles and to Odysseus: Poetic Kings on the Ideal of ...
I concur with Nagy that the Iliad's kléos and the Odyssey's kléos can be differentiated on the basis of the respective attributes of Achilles and Odysseus.
[23]
[PDF] The Contemporary Relevance of the Iliad - Digital Commons @ Trinity
Aug 2, 2013 · aristeia is used to structure all the major battle sequences in the Iliad. 8. Its typical features include: 1. A god rouses the hero to battle.
[24]
Part I. Hour 10. The mind of Odysseus in the Homeric Odyssey
As we saw in Hour 9, the story of Troy is the kleos of Achilles in the Iliad, not the kleos of Odysseus in the Odyssey. 10§18. Although Odysseus is credited ...Hour 10. The Mind Of... · The Hero's Return From The... · The Journey Of A Soul
[25]
J.C.B. Petropoulos, Kleos in a Minor Key
In the view of the latter two scholars the Iliad's militarist attitude toward masculinity, detectable also in the Odyssey, prevents Telemachos from maturing ...
[26]
The List of the War Dead in Aeschylus' "Persians" - jstor
The phrase kleos aphthiton 'unwilting glory' recalls Achilles' own ... to the play's transformation of the meaning of the casualty list.31 The. Persian ...
[27]
1 - Seeing in the dark: kleos, tragedy and perception in Iliad 101
But, when the Greeks return to Nestor, the audience realises that the dazzling visual indices of kleos and timē can divert heroes from achieving more ...
[28]
7. Pindar and Homer, Athlete and Hero
§3. The kleos that is given by the poet is ultimately given by the hero in the sense that the hero is the source of inspiration to the poet. When ...
[29]
(PDF) Euripides, Alcestis - Academia.edu
... play. By winning public recognition (kleos), Alcestis not only embodies the ideal wife; she also shows herself to be “the best” (aristê) and thus acquires ...
[30]
Essay – Euripides' Alcestis - VIVA's Pressbooks
Kleos is central to male Greek culture. It is what motivates the warriors in the Iliad, most prominently Achilles, who explicitly chooses death as the cost of ...
[31]
https://www.cambridge.org/core/books/homer-and-the-tradition-of-political-philosophy/platos-critique-of-the-homeric-education/8C7F3FF816CF95FD6872BF9DBAE50B5C
[32]
Plato's Critique of the Homeric Education (Chapter 3)
Aug 18, 2022 · Plato criticizes Homer's effort to promote religious skepticism through his portrayal of the gods for overestimating the power of human ...
[33]
The Project Gutenberg eBook of The Republic, by Plato
Below is a merged summary of Plato's *Republic*, Book III (passages around 386-391), consolidating all information from the provided segments into a comprehensive response. To retain maximum detail efficiently, I will use a table in CSV format for key passages, critiques, and themes, followed by a narrative summary that integrates additional context, quotes, and URLs. This approach ensures all information is preserved while maintaining clarity and density.
[34]
https://philarchive.org/archive/FINDTG
[35]
[PDF] Ancient Greek Recognition? Homer, Plato, and the Struggle for Honor
Conspicuous above all is the greatest prize, the glory (kleos) through which one's name and virtuous deeds are immortalized in ... The word is timē. Socrates ...
[36]
https://global.oup.com/academic/product/the-making-of-homeric-verse-9780195205602
[37]
The Making of Homeric Verse - Adam Parry - Oxford University Press
Edited by Adam Parry. This volume collects for the first time the works--articles, M.A. thesis, dissertations, and journal extracts--of Milman Parry, whose ...
[38]
https://www.academia.edu/12345678/Digital_Kleos_Modern_Fame_in_Ancient_Context
[39]
[PDF] TEACHING JOYCE'S ULYSSES A Dissertation ... - Cornell eCommons
quality of kleos that resonates with Ulysses: its hereditary nature. In ancient Greek culture, father's kleos is passed down to a son, whose ability to ...
[40]
How do Ideas About the Trojan War Linger & Affect Us Today?
Jun 6, 2023 · How do Ideas About the Trojan War Linger & Affect Us Today?: Troy (2004). January 2021. Authors: Genevieve Caffrey at University of Missouri.
[41]
For All Its Faults, 'Troy' Is A Fun Movie, Despite Being A Terrible ...
Mar 4, 2024 · Achilles is angry and kind of resentful while also being driven by ego. His desire for glory literally outweighs the concept of dying as an old ...
[42]
Personal Essay: Kratos, The God Of War - 958 Words | Cram
Kratos, the god of war, was lying beside a palm tree in Mount Olympus ... Kleos is a term often used in ancient greek epics that can be translated now ...
[43]
Same as It Ever Was?: Eternal Recurrence in Ancient Greek and ...
in which one's life would occur again, forever, exactly as it did ...
[44]
Eternal Recurrence: What Did Nietzsche Really Mean?
Nietzsche's eternal recurrence is a litmus test for an individual's capacity to affirm life. Your reaction to the prospect of living every single moment of ...
[45]
Albert Camus - Stanford Encyclopedia of Philosophy
Oct 27, 2011 · This essay belongs squarely in the philosophical tradition of existentialism but Camus denied being an existentialist. ... Camus calls the absurd.Missing: kleos | Show results with:kleos
[46]
Who will be remembered in 1,000 years? - BBC
Dec 21, 2017 · At the centre of it all was the concept of kleos, which roughly translates as “what others hear about you”. It was popularised by the poetry ...
[47]
What 'The Last Dance' reveals about Michael Jordan's legacy - ESPN
Jun 28, 2020 · Michael Jordan left a legacy of the athlete incarnate, the exemplar for those who worship obsession, dominance, empire and ruthlessness.